Saint Giles without Cripplegate Parish Church (London, England)
Published / Created:
[ca. 1756]
Call Number:
File 646 17-- D952+
Image Count:
1
Resource Type:
still image
Abstract:
An invitation to the ancient ceremony of beating the bounds, with a large view of St. Giles's from the south (figures include a strolling couple, a playing boy, and a cripple with his dog) and a vignette of the church. The form has blanks left for the signatures of the stewards as well as the date (day, month, and the two numbers for the decade) and place of dining to be written in by hand
Alternative Title:
Sir, you are desired to meet the rest of your parishioners on [blank] the [blank] of [blank] at [blank]
Description:
Title from first lines of text etched below image., Date of publication based on the manuscript signatures of the churchwardens and overseers, which are dated 1756-1757., Text below title begins: Sir, you are desired to meet the rest of your parishioners on [blank] the [blank] of [blank] at [blank] ..., At top of plate, the arms of Sir Benjamin Maddow and the text: Ex dono Benj. Maddox Barrti. June 1709., and Sheet trimmed to plate mark on three edges.
Publisher:
The Church stewards
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Saint Giles without Cripplegate Parish Church (London, England)
Title from item., Sheet trimmed within plate mark., Printseller's statement following imprint: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: French military uniforms: Bonaparte & soldiers., Mounted to 37 x 47 cm., matted to 47 x 62 cm.; printmaker's and subjects' names printed on mat below image., and Watermark.
Title from item., Publication date from Grego., Sheet trimmed within plate mark at bottom., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Magic lantern shows.
Title from item., Sheet trimmed to plate mark at bottom and top., Eight lines of verse in two columns below title: Young Cupid of all makes a prize ..., One from the series of eleven plates "Love in Caricature.", One of six 'Lovers' prints published by Rowlandson in 1797, recorded in Grego in 1798., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Couples -- Vices: avarice -- Furniture: chairs -- Money: guineas -- Scales: balances.
Publisher:
Pubd Augst 1, 1797, by Hooper & Wigstead ; Printed for Hooper & Wigstead, No. 212 High Holborn
Set of 12 engravings depicting Lady Emma Hamilton performing tableaux in Greek costume., Cover title, on engraved label: Lady Hamilton's attitudes., A re-engraved imitation of the original plates. The originals engraved by Tommaso Piroli. The title page of this edition has a long ess in the word permission, and there is no period after Hamilton., May have been issued 1802 or later. Various leaves of plates in both British Art Center copies have a duty stamp dated 1802. In BAC copy 1, the plates are mounted to paper watermarked 1799; in copy 2, the plates are mounted to paper watermarked 1802., Title page and plates printed on stained orange paper; each mounted on larger paper., Engraved throughout., BAC : British Art Center has 2 copies. Copy 1 in original wrappers, with engraved title label. Also bears bookseller's label on front cover: "Sold at Dunford's, Great Newport Street, London." Inscribed E. Saunders. Copy 2 also in original wrappers, with engraved title label. The title page for the London, Random & Stainbank, 1800 edition of this work (title: Lady Hamilton's attitudes. Drawings faithfully copied from nature at Naples) has been laid in. This title page was aquatinted by G. Shepheard after F. Rehberg., and Lacking cover title, with engraved label. Two prints with British customs stamps for tinted paper on verso. For further information, consult library staff.
Publisher:
Publish'd October 12th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street. Prints & drawings lent out on the plan of a circulating library
Title from item., From Laurie & Whittle series of Drolls., Three lines of text below title: Here Mrs. Parmesan is Charlotte at the tomb of Werter, shall Miss Dorothy work that ..., Plate numbered '183' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: schoolrooms -- School mistresses -- Pupils -- Pictures amplifying subject: Tomb of Werter -- Pictures amplifying subject: framed sampler -- Parasols -- Spectacles -- Cross-eyedness -- Female dress, 1797.
Publisher:
Published 20th June 1797 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Printseller's statement following the imprint: Folios of caricatures lent for the evening., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: Gothic church -- House of Commons -- House of Lords -- Allusion to the Gunpowder Plot -- Watchmen: Fox as the Westminster watchman -- Opposition members -- Allusion to the secession of the Opposition., and Watermark: Strasburgl lily wtih initials I C V below.
Publisher:
Pub. June 20th 1797 by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Tooke, John Horne, 1736-1812, Lauderdale, James Maitland, Earl of, 1759-1839, Thelwall, John, 1764-1834, and Stanhope, Charles Stanhope, Earl, 1753-1816
Title from item., Sheet trimmed within plate mark., Eight lines of verse below title: Nymphs! who beneath old Lansdown's blood-stain'd Hill ..., Temporary local subject terms: Lilliputians -- Dutton, Honor (Gubbins) -- Panton, Mary (Gubbins) -- Parasols., and Watermark: I Veiledar (?).
Publisher:
Pub. June 22d 1797 by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Title engraved below image., At head of title: Parisian dresses for 1797., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress, 1797 -- Fashion, 1797 -- Jewelry:earrings -- Walking staves -- Bludgeons -- Pickpockets -- Assignats: promesse de mandat territorial., and Watermark: Ruse & Turner 1806.
Publisher:
Pub. June 24, 1797, by S.W. Fores, Piccadilly, corner of Sachville [sic] St.
Engraved titlepage with vignette from: The poetical works of Robert Dodsley [Cooke's edition] London : Printed for C. Cooke, and sold by all the booksellers in Great-Britain and Ireland, [1797]. and Temporary local subject terms: Milkmaids -- Young men.
"An officer (left) on a charger, evidently General Davies, see BMSat 9442, directed to the right, takes the salute from three officers who march (right to left) past him. The first, sabre in hand, point downwards, holds his left hand across the front of his high cocked hat. A young officer follows, carrying a standard of the Union flag with the White Horse of Hanover and a crown. The third marches with almost closed eyes and sword held point upwards. A crowd of amused spectators backed by a high wall forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Emblems: royal crown -- White horse of Hanover.
Publisher:
Pubd. July 10th, 1797, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Davies, Thomas, approximately 1737-1812
Subject (Topic):
Military parades & ceremonies, Flags, British, Military uniforms, and Spectators
Title from item., Imperfect; sheet trimmed within plate mark at bottom resulting in loss of second part of imprint., Eight lines of verse in two columns below title: It is not that delicate frame ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Joseph Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Female dress, 1797.
Title etched below image., One of the series of Laurie & Whittle drolls., Three lines of text below image: An impatient old gentleman was kept waiting for his dinner ..., Numbered '189' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Chop houses -- Bills of fare -- Barmaids.
Publisher:
Published 1st August 1797 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Numbered '191' in lower left of plate., One of the series of Laurie & Whittle drolls., Three lines of text below image: A countryman going along London streets, slip't down on the pavement ..., and Temporary local subject terms: Shops: grocer's shop -- Countrymen -- Grocers -- Tea: canisters of tea -- Tea: Souchong -- Casks -- Sugar Loaves.
Publisher:
Published 1st August 1797 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below image., Questionable attribution to I. Cruikshank from unverified data in local card catalog record., Publisher's advertisement following imprint: Folio's of caracatures [sic] lent out for the evening., Design consists of eight groups of figures in two rows, with lines of text etched above each group., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Equestrians -- Hyde Park.
Publisher:
Pubd. Augst. 1st, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title from item., Sheet trimmed within plate mark at top and bottom., Etched before title: Tune, I've kissed and I prattled., Three columns of text below title: The merc'ry rising to near eighty eight , the sun in a vertical ray ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military uniforms -- Military: lock step -- Military reviews -- Weapons: bayonetted muskets., and Watermark: Edmeades & Pine 1795.
Publisher:
Pubd. Augt. 4th, 1797 by S.W. Fores, 50 Piccadilly
Title from item., Printmaker identified by former owner as probably Kingsbury., Sheet trimmed to plate mark on top., Place of publication from publisher's entry in Maxted, I. London book trades., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Tax collectors -- Tradesmen -- Taxes: tax book -- Weapons: pistols -- Emblems: royal crown stamped on pistol as proof of paid tax -- Ink-bottles attached to coat -- Furniture: inkstands -- Children -- Reference to coalition with Portugal., Mounted to 30 x 42 cm., and Watermark: Strasburg lily.
Title from item., Numbered '192' in lower left of plate., One of the series of Laurie & Whittle drolls., One line of text below title: A sketch from life, take while the friar was stealing a nap., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Furniture: table -- Foot-stool -- Dishes: tankard -- Crucifixes.
Publisher:
Published 7th August 1797 by Laurie & Whittle, 53 Fleet Street, London
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[7 August 1797]
Call Number:
797.08.07.03+
Image Count:
1
Resource Type:
still image
Alternative Title:
Barbers triumphant
Description:
Title from item., Sheet trimmed within plate mark on sides., Temporary local subject terms: Surgeons: unpopularity of surgeons -- Barber-surgeons -- Barbers' implements: bowl -- City companies: allusion to barber-surgeons -- Petitions: surgeons' petition for Corporation of Surgeons in London, 1797., and Watermark: Budgen 1794.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[9 August 1797]
Call Number:
797.08.09.01
Image Count:
1
Resource Type:
still image
Description:
Title from item., Temporary local subject terms: Taxation -- Taxes: clock tax, August 1797 -- Hosiers -- Emblems: royal crown stamped on hat as proof of paid hat tax -- Male dress: stockings., and Watermark: E & P, with date mostly trimmed off (1794?).
Title from item., Two lines of verse below title: The sweeping scythe's keen edge he wets ... Vide page 15 line 91., Above image: Select poets., and Plate from: Cooke's Select poets.
A scene inside a barbershop with dandies and other citizens awaiting service. The man in the barber chair looks on with horror as a chimneysweep enters the shop wtih his bag over his shoulder. On the wall is a sign "Shave for a penny" and shelves with wig boxes labeled "Aldmn. Grizzle" and "Mr. Rumfit."
Description:
Title from item., One of the series of Laurie & Whittle drolls., Three lines of text below title: A knowing young sweep, after finishing a chimney at barbers ..., Numbered '195' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Interiors: barber's shop -- Barbers -- Chimney-sweeps -- Wigs -- Signs: Shave for a penny., and Watermark (partial): Strasburg bend.
Publisher:
Published 19th August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Barbers, Barbershops, Chimney sweeps, Signs (Notices), and Wigs
"The representatives of four Powers are grouped along the nearer side of a long table covered with a heavy fringed cloth. On the left a Hollander sits on a high three-legged stool, smoking, and looking up at a Spanish don who sits on the table holding a guitar. On his stool is a map of the 'Cape of Go[od] Hope]'. From his bulky breeches pocket project (left) a pipe and tobacco-box, (right) a rolled 'Map of Ceylon'. The three bars which connect the legs of the stool are inscribed respectively: 'Spain', 'France', 'Holland'. Behind him are two small casks. He says: "You may as well let John Bull enjoy his Dream and go on with your Duett and I'll fill another pipe - ca Ira". He wears a bonnet-rouge. Spain answers: "A ha I see this is a Jostling Match between them by St Jago I'll at Malbroke again." France stands in back view, holding a violin and flourishing his bow: he looks to the left, singing,"Monsr de Malbroke est mort - Eh Vel, Vat now Objections encore - est meme est enterrée" Propped up on the table is his music-book with the words 'Malbrook s'en . . .' . [For the vogue of the song, both before the Revolution and under Napoleon, see de Vinck, i. 384-8.] Lord Malmesbury sits (right) in profile to the right in an arm-chair, asleep. He dreams: 'Lord Mac | [Malmesbury was accompanied by Lord Granville Leveson Gower (who returned to England, arriving 15 Aug.), Lord Morpeth, and Lord Pembroke. One of them is presumably 'Lord Mac'.] has got back | And all his trouble's ended | But I fear | I shall stay here, | Till all the Wine's expended'. He wears a ribbon and star. Two empty wine-bottles lie on the ground beside him. On the table is a decanter of 'Malms[ey]', while France has one of 'Cham-pa[gne]'. On the wall hangs a plan of a fort inscribed 'Lisle'. The words of Spain relate to two men who jostle each other in a doorway (left): an Englishman holds many bundles of papers under his left arm which have become entangled with a still larger bundle under the right arm of a Frenchman. Both bundles are docketed 'Objections ...'. The sturdy Englishman in riding-dress wears at his button-hole the greyhound of a King's Messenger. The lanky Frenchman, who wears a bonnet-rouge over hair in curling-papers, says: "O by Gar Jack Anglois you vil squeze my gob out vid your great bundle of Objections." The other answers: "Why you French foutre I think your own bundle is most likely to do it You have a rare lot of them, make way d'ye hear."--British Museum online catalogue
Alternative Title:
Harmony interrupted
Description:
Title etched below image., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., and Temporary local subject terms: Peace negotiations at Lille, 1797 -- Dutchmen -- Spaniards -- Frenchmen -- Englishmen -- Emblems: greyhound of King's Messenger -- Musical instruments: guitar -- Violin -- Music: sheet music -- Barrels -- Wines: Malmsey -- Champagne -- Glass: wine bottles -- Furniture: tri-legged stool -- Reference to Batavian Republic's colonial possessions.
Publisher:
Pubd. Augt. 21, 1797, by S.W. Fores, 50 Piccadilly
"Five elderly men dressed in the fashion of youth."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '196' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old men -- Morning Herald -- Literature: reference to Ovid's Art of Love -- Magnifying glasses -- Pince-nez -- Walking staves -- Duelling: crossed foils -- Placards., and Watermark (partial).
Publisher:
Published 22nd August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Bachelors, Older people, Newspapers, Reading, Staffs (Sticks), Signs (Notices), Hand lenses, and Mirrors
"A 'cit' smokes angrily over his glass, tilting his chair, while his pretty young wife sits with folded arms. A handsome young officer opens the door, apparently unseen by both. Below the design: 'Husband. - What makes you look so thoughtful my Love, what are you puzzling your Dear Head about now." Wife - Why you said last Night at Supper, that you knew every one in our Street were Cuckolds but one, - And I have been Puzzling Myself ever since to find out who that one could be." - "Husband.-" Oh! Oh! Very well, I have done."'"--British Museum online catalogue, description of a variant state
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '202' in lower right corner., and Temporary local subject terms: Young women -- Cuckolds -- Furnishings -- Furniture.
Publisher:
Published 10th October 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Young adults, Women, Military officers, Adultery, Mirrors, Pipes (Smoking), and Chairs
Title from caption below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each pair.
Publisher:
Pubd. October 12th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Councils -- Reference to Battle of Camperdown, 11 October 1797 -- Reference to Admiral Adam Duncan (1731-1804) -- Reference to Admiral Jan Willem de Winter (1761-1812) -- Dutchmen., and Watermark: Strasburg bend.
Publisher:
Pubd Octr. 15, 1797, by S.W. Fores, No. 50 Piccadilly
"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Title etched below image., Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!!, Sheet trimmed within plate mark., and Matted to 72 x 56 cm.
Publisher:
Pubd. Novr. 2d, 1797, by H. Humphrey, St. James's Street
Title etched below image., Printmaker from British Museum online catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: Coaches: King's glass coach -- Crowds -- Opposition: members of the Opposition., Watermark: Strasburg bend with initial W below., Printseller's stamp in lower right corner: S.W.F., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Pub. N 2, 1797, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Stanhope, Charles Stanhope, Earl, 1753-1816
"An officer stands in back view, with his elbows akimbo, holding a small cane. He is thin and knock-kneed, with stick-like legs, his feet splayed outwards. He wears a plumed cocked hat, a sash round his small waist, spurred boots, and a sabre."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: officer's uniform -- Reference to the military camps at Weymouth in 1797.
Publisher:
Pubd. Novr. 3d, 1797, by H. Humphrey, 27 St. James's Street
"Pitt, a naked spectral creature, advances menacingly towards Fox, who is scarcely caricatured, and who holds his ground, right leg raised as if about to kick, snapping his fingers in Pitt's face. Pitt (left) is very thin and tall, with large head and glaring eyeballs. Fox holds out his three-cornered hat in his left hand as if speaking in the House of Commons; his waistcoat is unbuttoned, allowing his shirt to escape."--British
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford St.
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[6 November 1797]
Call Number:
797.11.06.01+
Image Count:
1
Resource Type:
still image
Description:
Title from text above image., Reissue with altered imprint statement and added text and numbering at top of plate; formerly published by John Ryall., Text on either side of title: Westminster hall. A satirical poem., Plate numbered "16*" in upper right corner., Four columns of verse below image: When fools fall out, for ev'ry flaw, they run horn mad to go to law ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 37 x 56 cm.
Publisher:
Published 6th November, 1797, by Laurie & Whittle, 53 Fleet Street
"A fat, elderly man, his face contorted, struggles between two men, who try to pull on pantaloons; he puts an arm round the neck of each, nearly throttling the man on his right. A boy stands (right), legs astride. A grinning head looks through a casement window (left). A looking-glass on the wall (right) has been knocked sideways. Cf. British Museum Satires No. 6723."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '203' in lower left of plate., and Temporary local subject terms: Old men -- Male dress: pantaloons -- Furnishings.
Publisher:
Published 13th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Bachelors, Older people, and Mirrors
"Fifteen officers sit round a roughly made table on which are decanters and fruit. A stout officer (? Captain Dottin [Identification on print. Abel Rous Dottin was captain in the and Life Guards. 'Army List', 1797.]) right, in an arm-chair, gives the toast 'The King', all raise their glasses with varying expressions. The Duke of York, spilling his wine, looks tipsily towards Dottin. Only one man stands, straddling across the seat of his chair, a decanter of 'Tokay' in his left hand. Captain Birch, [James Birch was lieutenant in the First Life Guards, Thomas Birch a captain in the Sixteenth Light Dragoons. Ibid., 1797.] caricatured as in BMSat 9068, sits on the Duke's left. The officer on the extreme left, looking down slyly, resembles General Davies, see BMSat 9442. Next him, a very fat officer is smoking a pipe, a paper of tobacco on the table in front of him, a bottle of 'Gin' under his chair. The third profile from the left resembles that of Prince William of Gloucester. Wright and Evans add Col. Jekyl: the profile on the extreme right has a family likeness to that of Joseph Jekyll, none resembles the Col. Jekyll of BMSat 7330. All wear cocked hats. The decanters or bottles on the table are labelled 'Champa[gne]', 'Claret', 'Burgundy'. Under the table are more bottles, and empty bottles lie on the ground, with broken glasses, a pineapple, and an orange. The floor is boarded and the table roughly made, but the chairs are ornate and decorated with ormolu."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Interiors: mess-rooms -- Glass: wine bottles -- Wines: Tokay -- Champagne -- Claret -- Burgundy-- Fruit: pineapples -- Peeled oranges -- Grapefruits -- Furniture: chairs -- Military uniforms: officers' uniforms (Guards).
Publisher:
Pubd. Novr. 14th, 1797, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, and Davies, Thomas, approximately 1737-1812
"A stout officer sits on a charger in profile to the left, his head turned from the spectator, his right arm outstretched, holding a cane, as if directing manoeuvres."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: officers' uniforms (Guards) -- Sir Harry Burrard, 1755-1813, or John Reid, 1721-1807.
Publisher:
Pubd. Novr. 15th, 1797, by H. Humphrey, 27 St. James's Street
"John Bull stands full-face, supporting a monstrous burden; he is short in proportion to his breadth by reason of the weight which presses on him, drops fall down his face; his breeches pockets, inscribed 'Empty', hang inside out. On his shoulders sits Pitt, his slim ankles crossed under John's chin. On his back, behind Pitt and extending far beyond his shoulders, is a vast burden inscribed (left): 'Subsidies - Taxes!! Taxes - More Taxes!! More Taxes!!!!'; and right: 'Subsidies - Taxes - Debt- More Money!!' On one end (left) sits Dundas, looking to the left, in Highland dress; on the other sits a schoolboy, evidently intended for Canning. On the top of the burden stand seven men, all wearing ribbons and evidently representing placemen and pensioners; they support on their hands and heads a long treasure-chest, heavily padlocked and inscribed: 'Benefices - Candle ends and Cheese Parings.' On the right and left of this sit jauntily two corpulent parsons, hands on hips. Between them, a hand on the head of each, stands, full-face, a stout and grinning bishop, with inflated lawn sleeves. His mitre forms the apex of the monstrous pyramid. Pitt turns his head in profile to the left, he and Dundas have expressions of concern; all the others appear complacent or pleased."--British Museum online catalogue
"Fox (right), a hairy French ruffian, lunges fiercely forward, to aim a pistol inscribed 'La Mort' point-blank at a target symbolizing the British constitution (see BMSat 8287, &c). In his left hand he holds behind him a dagger, its blade inscribed 'Fraternite'. He is coatless and wears a French cocked hat inscribed 'Liberte', with a tricolour cockade. A miniature bonnet-rouge inscribed 'Egalite' hangs from the lapel of his waistcoat. From one pocket hangs a paper: '2 7bre Certificat de Civisme'; from another: 'Delenda . . . Carth[ago]'. His shirt-sleeves are rolled, the right sleeve in tatters, his breeches torn and unbuttoned at the knee, his stockings hang in festoons round his ankles. The target hangs by a ribbon from the gnarled branch of an old oak (left), the bull's-eye is the crown, the inner ring is inscribed 'Lords', the outer 'Commons'. There is a landscape background."--British Museum online catalogue
Description:
Title etched below image., One line of text following title: This print, copied from the French original, is dedicated to the London Corresponding Society., Sheet trimmed to plate mark., and Temporary local subject terms: Jacobins -- Constitutions: British Constitution -- French liberty -- Societies: London Corresponding Society -- Bonet rouge -- Shooting targets.
Publisher:
Pubd. Novr. 24th, 1797, by H. Humphrey, 27 St. James's Street, London
On the cobblestone street in front of an elegant house, a man in Scottish Highlander attire uses his back to hoist an obese woman into an awaiting carriage. The coachman stands beside him with a whip in hand; his nose is disfigured (syphilitic?).
Description:
Title engraved below image., Numbered '204' in lower left of plate., One of the series of Laurie & Whittle drolls., One line of text below title: Push on. -- Keep moving., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 25th November 1797 by Laurie & Whittle, 53 Fleet Street, London
"Eight puzzle-pictures arranged in two rows, in general of a punning character, e.g., 'Specimens of Poetry', 'A' lying across two walking-sticks (acrostics). The first, however, 'An Obstruction to Peace', is the collar and shoulders of a coat, the blue with red facings of the Windsor uniform, together with the title, indicating the King (or perhaps Pitt), with perhaps the implication that he lacks a head."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Earlier of the two plates with this title published by Fores. See British Museum catalogue, and Watermark: Strasburg lily with initials G R below.
Publisher:
Pubd. Novr. 27th, 1797, by S. W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain, France., France, and Great Britain.
"John Bull (right) stands in profile to the left, gaping in terror at four little demons, grotesque, naked, and senile, who approach him with calculating and complacent grins. His knees bend, his hands are thrust in his coat pockets; he says: "What do you want you little Devils - an't I plagued with enough of you already more pick poket Work, I suppose!!" Their leader stands forward with a mock deprecatory gesture; the next demon holds a large book. They say: "Please your Honor we are the assess'd Taxes.""--British Museum online catalogue and A satire on the tripling of the assessed taxes proposed by Pitt in his famous budget speech, 24 Nov. 1797. These were taxes on persons according to their expenditure (inhabited houses, male servants, carriages, &c.); it was an attempt at direct taxation, heavily graduated to tax the rich at a higher (five-fold) rate and with exemptions and abatements for small incomes. This was Pitt's 'plan of finance' to support the war without recourse to loans, intended to demonstrate to Europe England's determination and unity: 'to check a little the presumptions of Jacobins at home and abroad.' ... See British Museum online catalogue
Alternative Title:
Assess'd taxes and Assessed taxes
Description:
Title etched below image., Attributed to Richard Newton in the British Museum catalogue., and If etched by Newton, it must be after the design of someone else, possibly Woodward. See Alexander, D. Richard Newton and English caricature in the 1790s,
"Tierney (not caricatured) stands directed to the right, with left hand raised in reproof to the knife-grinder (right), who pushes his barrow with a shuffling gait. The latter's hat, coat, and breeches are torn and he has a fixed, insinuating grin. Behind him is the door of an alehouse, the sign of the Chequers hanging from a beam inscribed 'Best Brown Stout'. On the lintel is 'Dealer in Brandy Rum & Gin'. Tierney has short hair, wears a round hat, double-breasted coat, and half-boots, and holds a stick. Behind him a street recedes diagonally to the right, the nearest house inscribed 'Tierney & Liberty'. In front of this is a coach with an earl's coronet, and two footmen standing behind; a horseman advances towards it from the right. Beneath the title is etched in two columns the well-known parody of Southey by Frere and Canning published in the second number of the 'Anti-Jacobin' (27 Nov.). ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray, after Sneyd. See British Museum catalogue., Explanation added after the title: Vide Anti-Jacobin, p. 15., Two columns of verse below title: Friend of Humy.: "Needy knife-grinder! Whither are you going? Rough is the road, your wheel is out of order ...", To the left of the verse, etched vertically: To the independent electors of the Borough of Southwark this print is most respectfully dedicated., Sheet trimmed within plate mark., and Temporary local subject terms: Literature: Quotation from Anti-Jacobin, No. 2, Nov. 27, 1797, p. 15 -- Allusion to Robert Southey's Sapphics -- Allusion to Thomas Paine's The Rights of Man -- Slogans: Tierney & Liberty -- Trades: knife-grinders -- Kknife-grinder's wheelbarrow -- Allusion to Southwark's independent electors -- Vehicles: coaches -- Footmen -- Southwark -- Alehouses -- Signs: chequerboard sign -- Street scenes.
Publisher:
Pubd. Decr. 4th, 1797, by H. Humphrey, 27 St. James's Street
"An officer walks, on a broad pavement, away from the spectator, his head slightly turned to the left, showing his profile. He wears Light Horse uniform, a plumed helmet, short tunic, sash, and long sabre. The toes of his tasselled boots terminate in spikes. He uses a walking-stick."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Light Horse -- C. Cunningham, fl. 1797.
Publisher:
Pubd. Decr. 6th, 1797, by H. Humphrey, 27 St. Jamess [sic] Street
A satirical representation of a procession to St. Paul's for the national thanksgiving for the naval victories. Lord Hawkesbury, Duke of Richmond, Loughborough, Wilberforce, George Rose, Horsely, Bishop of Rochester, John Bull, Pitt, Windham and Dundas (with two companions in traditional Scottish dress) are all recognizable carrying objects that suggest their role in the government policy which led to the tripling of the assessed taxes and the burden of taxation in general
Description:
Title etched below image., Printseller's statement following the imprint: Folios of caricatures lent., "A prelude" has been burnished from plate and etched in again further to the right, leaving a gap at the end of the first part of the title., and For further information consult library staff.
Publisher:
Pub. Decr. 11, 1797 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Horsley, Samuel, 1733-1806, Jenkinson, Charles, 1727-1808, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Rose, George, 1744-1818, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wilberforce, William, 1759-1833, and Windham, William, 1750-1810
Subject (Topic):
John Bull (Symbolic character), Taxation, History, Parades & processions, and Taxes
Title from caption below image., Printmaker and artist from British Museum catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of fourteen figures in two rows, each with lines of text etched above., Temporary local subject terms: Peerage -- Medical disease: Gout -- Crutch -- Lumbago -- Kyphosis -- Male costume: Top hat -- Kirkcudbright, Sholto Henry Maclellan, 9th baron, 1771-1827., and Watermark: E & P 1794.
Publisher:
Pubd. Decr. 11th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title from item. and Temporary local subject terms: Reference to war taxation -- Reference to budget -- Opposition: reference to the secession of Foxites -- Allusion to the Duke of Portland's coalition, 1794 -- Allusion to the failure of peace negotiations with France, 1797 --Trumpets.
Publisher:
Dighton
Subject (Name):
Pitt, William, 1759-1806 and Fox, Charles James, 1749-1806
Two men, one a parson on horseback, the other a lawyer walks by his side. They closely resemble each other in profile and appearance except that the latter is thin and angular. The ungainly horse walks slowly (left to right) along a country road, beside which is a milestone: 'Derby II. Leicester 17. London 116'. In the distance is a village church
Alternative Title:
Pair of portraits
Description:
Title etched below image., Attributed to Charles Williams. See British Museum catalogue., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: Folios of caricatures lent out for the evening.
Publisher:
Pubd. Decemr.11th, 1797, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Clergy, England, Lawyers, and Traffic signs & signals
Title from item., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Puns -- Puzzles: picture puzzles -- Reference to the failure of peace negotiations, 1797 -- Reference to George III -- Reference to William Pitt, 1759-1806., and Watermark: Budgen 1794.
Publisher:
Pubd. Decr. 14, 1797, by S.W. Fores, 50 Piccadilly
"Nicholls stands directed to the left, almost in profile; his left eye is closed, but he gazes through a pair of double glasses held in his right hand, his face wrinkled in a sour grimace. Rays of light stream outward from the glasses. He wears a round hat with up-curved brim, half-boots, and holds a long cane in his left hand. Beneath the design: '"get thee glass Eyes And like a scurvy Politician, seem To see the things thou dost not" - Shakespeare'."--British Museum online catalogue
Alternative Title:
Frontispiece to citizen John Nicholls's parliamentary and unparliamentary letters, speeches and visions
Description:
Title etched at bottom of plate., Signed with the monogram of James Sayers., Temporary local subject terms: Members of Parliament -- Looking glasses -- Male dress, 1797 -- Literature: Quote from Shakespeare's King Lear, IV.5., and Mounted to 47 x 31 cm.
"A face, wearing a plumed military hat, looks to the right out of a ferociously spurred military jack-boot which stands in profile to the left. The back of the head is concealed by the peak of the boot, which protects the wearer's knee. ..."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... and nobody can say, Mistress Cole, why did you so?, Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Literature: reference to Samuel Foote's Minor., and Watermark: Edmeads & Co.
Publisher:
Pubd. 16 Decr. 1797 by H. Humphrey, 27 St. James's Street
Title from item., Printseller's statement in lower right: Folios of caricatures lent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Doctors -- Wines: port., Temporary local Medical Library subject terms: Drugs -- Prescriptions -- Alcohol -- Physicians caricatured., and Watermark: Cansell 1822.
Publisher:
Pub. by S.W. Fores, 50 Sackvile [sic] St., Piccadilly
Subject (Topic):
Physicians, Obesity, Alcoholic beverages, and Surgical instruments
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., and Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"View on Cockspur Street with the Phoenix Fire Engine Station on the right, a horse-drawn carriage travelling down centre of street and elegantly dressed pedestrians on pavements"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., and Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802].
"View below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from street trader, two men on the left"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Imprint from impression in the British Museum., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., The Lewis Walpole Library impression: sheet trimmed with loss of imprint statement., and Window mounted to 48 x 36 cm.
Publisher:
Published July 31st, 1797, by T. Malton
Subject (Geographic):
England and London.
Subject (Topic):
Banks, Commercial facilities, and Arcades (Architectural components)
"View showing the east front of the church, with Temple Bar in the distance on the left"--British Museum online catalogue
Alternative Title:
Saint Dunstans, Fleet Street
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., and Mounted to 30 x 42 cm.
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester., Subjects identified on mat below image., 1 print : etching ; sheet 24 x 39 cm cm., and On wove paper, hand-colored, matted to 47 x 62 cm.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
"An untidy garret with a man in a dressing-gown working on a poem entitled 'Poverty' while his wife is confronted by a milkmaid with a lengthy tally who demands payment; a baby in bed is crying; a dog eats meat from a plate on a chair; behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirate editions of his work."--British Museum online catalogue
Alternative Title:
Studious he sate, with all his books around
Description:
Title from Paulson., Two columns each with two lines of verse engraved below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profund! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2309., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 145.
Publisher:
Published Octr. 1st, 1797 by G.G. & J. Robinson, Paternoster Row, London
Title from item., Publication date based on that of companion print: Spiritual Lovers., Sheet trimmed within plate mark at bottom., Eight lines of verse in two columns below title: 'Tis an adage most true without doubt ... ., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., One of six 'Lovers' prints published by Rowlandson in 1797, not recorded in Grego or British Museum catalogue., and Temporary local subject terms: Couples -- Kissing.
Title devised by cataloger., Subject identified from: The courteous baronet, or, The Windsor advertiser. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9446., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Windsor Castle.
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., and Printseller's stamp in lower right of plate: S.W.[F.]
Title etched below image., From a series of eleven plates entitled "Love in Caricature.", One of six 'Lovers' prints published by Rowlandson in 1797, recorded in Grego in 1798., Eight lines of verse in two columns below title: Not age, with its cramps in full store ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Couples., 1 print : etching with stipple on wove paper, hand-colored ; sheet 27 x 20.5 cm., and Sheet trimmed within plate mark on lower edge with loss of printing statement.
Publisher:
Pubd. Jany. 2d, 1797, by Hooper & Wigstead and Printed for Hooper & Wigstead, No. 212 High Holborn
Title from item., Sheet trimmed witihin plate mark on left and at bottom., Eight lines of verse in two columns below title: How luckless the sorrowful Wight ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., One of six 'Lovers' prints published by Rowlandson in 1797, not recorded in Grego's Rowlandson the caricaturist., and Temporary local subject terms: Couples.
Title etched below image., From a series of eleven plates entitled "Love in Caricature.", One of six 'Lovers' prints published by Rowlandson in 1797, recorded in Grego in 1798., Eight lines of verse in two columns below title: Dear maiden, I feel it within ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Couples., and Watermark, partially trimmed: 179[?]
Publisher:
Pubd. Jany. 2d, 1797, by Hooper & Wigstead and Printed for Hooper & Wigstead, No. 212 High Holborn
"A fat, bald-headed man draped in a sheet, his beard coated with lather, sits full-face, looking sideways with angry apprehension at a lean barber (left) holding a razor."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark on left and bottom., Numbered 'Plate 51' in upper left corner., Placement instructions: 'Page 121', in upper right corner., Plates from: Eccentric excursions, or, Literary & pictorial sketches ... England & South Wales, by G.M. Woodward, 1796., and Watermark: Russell & Co. 1798.
"French men-of-war are tossed helplessly by huge waves, which are lashed to fury by blasts from the mouths of (left to right) Pitt, Dundas, Grenville, and Windham, whose heads emerge from clouds. Fox is the (realistic) figure-head of 'Le Révolutionaire' (right) which, with broken masts, is about to founder. He receives the full strength of the blasts from Pitt and Dundas, and looks up despairingly, his head against the tricolour stripes which encircle the mast. Playing-cards float in the water by the ship. On the left 'L'Egalité' is wrecked by a blast from Grenville, which shatters a flag-staff, with a flag inscribed 'Vive . . Egalité'. Behind, a vessel disappears in a whirlpool. In the foreground (left) 'The Revolutionary Jolly Boat' is being swamped under the influence of a blast from Windham; the occupants throw up their hands despairingly: Sheridan, standing in the stern, is still unsubmerged; the others (left to right) are Hall the Foxite apothecary, [So Wright and Evans. He has perhaps more resemblance to Dr. Towers.] Erskine, in wig and gown, M. A. Taylor, and Thelwall, washed overboard, with a paper: 'Thelwall's lectures' (see BMSat 8685). [Wright and Evans put Dr. Lawrence's name between that of Sheridan and Erskine; he is not depicted.]."--British Museum online catalogue
Alternative Title:
Destruction of the French Armada
Description:
Title etched below image., Another signature etched in bottom right portion of image: Js. Gy. des. et f., Another publication line etched in lower left but mostly obscured within margin of image., Sheet trimmed within plate mark., and Temporary local subject terms: Fleets: French fleet -- Storms: gale.
Publisher:
Pubd. Jany 20th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Taylor, Michael Angelo, 1757-1834, Thelwall, John, 1764-1834, and Erskine, Thomas Erskine, Baron, 1750-1823
"Pitt arrogantly bestrides the Speaker's chair, towering high above the galleries of the House. He plays cup (or rather spike) and ball with the globe, on which 'France' is disproportionately large, the British Isles small and obscure. His head is turned to the left towards his own followers, who crowd obsequiously towards his huge right foot which rests on the head of Wilberforce (papers inscribed 'Slave Trade' issuing from his pocket) and on the shoulder of the bulky and truculent Dundas, who wears Highland dress. Canning (the 'Trial of Betty Canning' projecting from his pocket) kneels to kiss the toe of his shoe. His left foot crushes the leaders of the Opposition: Erskine, Sheridan, Fox (all prostrate), and a fourth (? Grey) with upstretched arms. M. A. Taylor, a tiny figure, with the legs of a chicken (see BMSat 6777) and wearing a bonnet-rouge, sprawls on the floor near Fox. The rest of the party raise their arms in dismay. The Speaker (Addington) looks up (raising his hat), as do the Clerks. Pitt's coat-pockets bulge like sacks; in one (left) are papers: 'Volunteers, 200000 Seamen, 150000 Regulars, Militia'; the other is stuffed with guineas, on this his left hand rests, holding a paper 'Resources for supporting the War'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Parliamentary debates: House of Commons, 30 Dec. 1796 -- Reference to war with France -- Globes -- Games: cup and ball -- Reference to slave trade., and Mounted to 43 x 31 cm.
Publisher:
Pubd. Jan. 21st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
"Fox (right), a news-boy (as in BMSat 8458), ragged and unshaven, stands in profile to the left, his right hand on the knocker of the gate of the 'Treasury'. He wears a bonnet-rouge on the front of which is a tricolour placard: 'Daily Advertiser' (like those worn by news-boys); his horn is thrust through his belt. He shouts: "Bloody-News! - Bloody-News! - Bloody-News!! - glorious-bloody News for old-England! - Bloody News! - Traitrous- Taxes! - Swindling-Loans! - Murd'ring-Militia's.' - Ministerail-Invasions! - Ruin to all Europe! - alarming - bloody - News! - Bloody-News!!!" The knocker is a ring in the mouth of a Medusa head with the face of Pitt. From above the spiked bars of the closed gate issues a label: 'Lord! Fellow! - pray don't keep such a knocking & Bawling there; - we never take in any Jacobin papers here! - & never open the doors for any, but such as can be trusted: True-Briton's & such!' Under Fox's left arm is a roll of 'Paris-Papers'; in his left hand a large sheet of the 'Daily Advertiser' with three columns of advertisements, headed, 'Places Wanted, Wants Places', and 'Wanted: Wanted, - a Place in the Treasury. Wanted, an Appointment in the Exchequer. Wanted, a Situation at St James's. Wants a Place a thorough-bred Secretary. Wants a Place. A Man of all Work. Wants Employt a true Greek-Patriarch. Wanted, a Place in the Pension-List. Wanted, a comfortable Annuity for Life. Wanted, a snug Sinecure for Life. N.B: The above Mouth-stoppers will be purchas'd upon any Terms; - !!! For particulars apply to the Fox & Grapes in Starvation Lane - or, at the Box & Dice in Knave's Accre'. On the wall behind his head (right) is posted a bill: 'Just Publish'd a new Edition The Cries of the Opposition, or, the Tears of the Famish'd Patriots, dedicated to the consideration of the Ministry.' ..."--British Museum online catalogue
Description:
Title etched at bottom of image., Two lines of text below title: "--for a dozen years past, he has follow'd the business of a Daily-advertiser ...", Sheet partially trimmed within plate mark., and Temporary local subject terms: Treasury -- Allusion to French newspapers-- Speeches: Dundas's speech in the House of Commons, 30 Dec., 1796 -- Bonnet rouge -- Door knockers.
Publisher:
Pubd. Jany. 23d, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"The fat and florid Lady Buckinghamshire, seated at the head of her faro-table, throws up her arms in dismay, turning towards her husband, who enters through a door (left), saying, "The Bank's stole! - we're ruin'd my Lady! - but I'll run to Bow Street & fix the Saddle upon the right horse, my Lady!" She exclaims: "The Bank stole, my Lord? - why I secur'd it in the Housekeepers-room myself! - this comes of admitting Jacobins into the house! - Ah! the Cheats! Seven Hundred gone smack; - without a single Cock of the Cards!" She fills the centre of the design, and is much larger than her husband. Her guests are crowded together on the right. A pretty young woman, Mrs. Concannon, seated on her left, clasps her hands, exclaiming, "Bank stole! - why I had a Gold snuffbox stole last night from my Table in Grafton Street." Lady Archer, on the extreme right, on the nearer side of the table, turns a corvine and angry profile towards Lord Buckinghamshire, saying, "Stole! - bless me why a Lady had her Pocket pick'd at my House last Monday." Opposite her sits Fox, wearing a hat and putting his hand over his mouth, saying, "Zounds! I hope they dont Smoke me." Sheridan looks over his shoulder, saying, "nor me". Behind Fox, Hanger stands in profile to the left, wearing a hat and holding his bludgeon; he says: "O! if they come to the Mount, if I don't tip them Shelalee" (see BMSat 8889). ... The door (left) resembles that of a strongroom, with two heavy locks and three bolts."--British Museum online catalogue
Alternative Title:
Rook's pigeon'd and Rook's pigeoned
Description:
Title etched below image., One line of quoted text following title: "When Greek meets Greek, then comes the tug of war!", Sheet trimmed within plate mark on bottom edge., and Literature: Quotation from Nathaniel Lee's The Rival Queens, iv. ii.
Publisher:
Pubd. Feby 2d, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Fox, Charles James, 1749-1806, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Sheridan, Richard Brinsley, 1751-1816, and Hanger, George, 1751?-1824
Subject (Topic):
Jacobins, Card games, Floor coverings, Gambling, Robberies, and Tables
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., and Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
Title from item., Sheet trimmed within plate mark at bottom., Eight lines of verse in two columns below title: The sorrows of Werter I've read ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Joseph Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Miniatures as jewelry.
Publisher:
Pubd Feby. 6, 1797, by Hooper & Wigstead and Printed for Hooper & Wigstead, No. 212 High Holborn, London
Title from item., Numbered 'Plate 59' in upper left corner., Placement instructions in upper right corner: Page 137., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Buildings: outbuildings -- Yokels.
"Pitt, grotesquely thin and much caricatured, leads Eleanor Eden, a conventionally pretty woman, towards a bower (right) covered with a vine bearing many bunches of grapes interspersed with coronets. Within it are three large sacks inscribed '£'. His left hand is on her back, his right points to the bower. She advances demurely, a fan inscribed 'Treasury' held before her face. A Cupid with a torch flies before them. The Devil, a fat nude creature with webbed wings and the face of Fox, crouches behind the bower (right), impotently gnashing his teeth and clenching his fists. Ribbons with the jewels and star of an order are twined in the bower; more coronets and a star emerge from the ground. ..."--British Museum online catalogue
Alternative Title:
To the nuptial-bower he led her, blushing like the morn
Description:
Title etched at bottom of image., One line of quoted text to left of title: "To the nuptial-bower he led her, blushing like the morn.", Sheet trimmed within plate mark., Temporary local subject terms: Money: sacks of money -- Coronets -- Demons -- Cupids -- Female dress: fans -- William Pitt the Younger's debts -- Reference to Lord Auckland., and Watermark: Strasburg lily.
Publisher:
Pubd. Feby. 13th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Buckinghamshire, Eleanor Hobart, Countess of, 1777-1851
Title from item., Sheet trimmed witihin plate mark., and Temporary local subject terms: Male costume: chancellor's robes -- Emblems: Great Seal -- Chancellor's mace.
A satire showing caricatured figures, full-length, demonstrating different styles of making speeches. Above each figure a humorous parody of maiden speeches
Description:
Title from caption below image., Text above upper left figure begins: I remember Sir a few years ago I vent vith my vife and darter to Calais ..., Design consists of four figures on one plate, each with several lines of text etched above., One of two plates with same title on the same theme published on the same day by William Holland., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Later printing based on watermark: 1809.
Title from item., Numbered 'Plate 66' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Busts: Shakespeare's bust -- Falstaff -- King Lear., and Watermark: E. Vallan(...?). Name partially trimmed off.
"Fox as a colossal Hercules, hairy and savage, bestrides the English Channel, supporting between the toes of his right foot the flag of 'Libertas'; his left foot is planted near a castle on a cliff flying the Union Jack. He wears a fox's skin over his shoulders, the head forming a cap, with a ragged coat and breeches. His arms and legs are bare; the large brush of his fox's skin almost sweeps the Channel. He flourishes his 'Whig-Club' (cf. BMSat 8996) above his head, saying, "Invade the Country, hay? - let them come, - thats all! - Zounds, where are they? - I wish I could see 'em here, thats all! - ay! ay! only let them come, - that's all!!!" The channel is filled with a fleet of men-of-war with ship's boats in the foreground, all making from France to England, and drawn by strings which Fox holds in his left hand."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Giants -- Ships: French fleet -- Flags: French flag -- Union Jack -- Puns: Whig club -- Foxes -- Clubs: reference to Whig Club -- Invasions.
Publisher:
Pubd. Feby. 19th, 1797, by H. Humphrey, New Bond Street
Title from item., Imperfect; sheet trimmed within plate mark at bottom resulting in partial loss of imprint., Eight lines of verse in two columns below title: O say thou delight of Dukes place ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Joseph Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Couples.
Publisher:
Pubd. Feby 21, 1797, by Hooper & Wigstead ; printed for Hooper & Wigstead, No. 212 High Holborn
Title from item., The characters ['er' in Jersey, scored through and replaced with an 'a'., Printseller's statement following the imprint: NB. Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Wigs: Bob-wig -- Slang: "Jazey" -- Reference to Regency -- Prince of Wales as Viceroy., and Watermark: Edmonds & Pine 1795.
A satire on the challenges of traveling in a carriage, divided into four scenes
Alternative Title:
The effect of imagination!!
Description:
Title from item., Numbered 'Plate 70' in upper left corner., Sheet trimmed within plate mark at bottom., and Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796.
"Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is the yokel of BMSat 8141, but no longer bewildered; he stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right), who wears a high cocked hat with tricolour cockade, bag-wig, and laced suit, says to him: "Dont take his damn'd Paper, John! insist upon having Gold, to make your Peace with the French, when they come". Sheridan bends towards John, saying, "Dont take his Notes! nobody takes Notes now! - they'll not even take Mine!" John answers: "I wool take it! - a' may as well let my Measter Billy hold the Gold to keep away you Frenchmen, as save it, to gee it you, when ye come over, with your domn'd invasion." Behind (right) hands of other Foxites are raised in warning, and on the extreme right is the profile of Stanhope. Behind (left), men hasten towards Pitt with large sacks of notes on their heads. The first two, in judge's robes, are Loughborough with a sack of '20 Shilling Notes', and Kenyon with one of 'Five Pound Notes'. Behind is Grenville with a sack of '10 Shilling Notes'. Other sacks whose bearers are hidden are inscribed '5 Shilling No[tes], 2 Shillin No[tes]', and 'One Shilling'. Under Pitt's counter is a row of large sacks of gold, padlocked and inscribed '£'. On the end of the counter, facing the spectator, is posted a bill headed: 'Order of Council to the Bank of England'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Sacks of money -- Bank notes., and Mounted to 30 x 40 cm.
Publisher:
Pub. March 1st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
"Three grotesque and ill-matched soldiers charge rapidly and fiercely down the pavement. Their bayonets threaten three women who flee in terror, only legs, petticoats, and an upraised arm being visible on the extreme right. One soldier, very thin and ragged, wears a busby, the next, who is fat, wears a huge cocked hat with a damaged brim, the third, who is small, wears a peaked helmet with a spiky plume. The uniform coats with epaulettes are worn over frilled shirts and ragged breeches. Behind the three march others of the company, wearing busbies, and holding their muskets against their shoulders. In the background shop-windows are freely sketched."--British Museum online catalogue
Alternative Title:
St. George's Volunteers charging the French after clearing the Ring in Hyde Park ...
Description:
Title etched below image; words 'the French' scored through and replaced with the words 'down Bond Street,' the latter being inserted above the line using a caret., Temporary local subject terms: Volunteer corps: St. George's Volunteers -- Bond Street., and Mounted to 31 x 47 cm.
Publisher:
Pubd. March 1st, 1797, by H. Humphrey, Bond Street
Title from item., Numbered 'Plate 72' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Buildings: inns -- Inns: 'The Bull's Head' -- Signs: inn sign -- Signs: 'Licensed to deal in post horses' -- Clergy: parsons -- Male dress: spencer, 1797 -- Loughborough -- Horsemen.
"Plate 71 to 'Eccentric Excursions, or. Literary & Pictorial sketches of Countenance, Character and Country, in ..... England & South Wales'. Four stage-coach interiors as above. The occupants, by holding the straps by the windows or above the seats, and planting their feet in different positions, are taking the best means to protect themselves against the four types of jolt depicted in BMSat 9133."--British Museum online catalogue
Description:
Title etched above image., Numbered 'Plate 71' in upper left corner., and Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796.
Title from item., Numbered 'Plate 65' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Inn-servants -- Yokels -- Postilions - Male dress: smock -- Beverages: ale -- Wagoners -- Dishes: tankards.
"A design in two compartments. [1] 'Billy, in the Devil's claws'. Fox as the Devil (left) grasps the thin and terrified Pitt round the waist, pointing with his left arm to a serried rank of French soldiers, landed from the boats of French men-of-war and marching up the steep coast. He is a grotesque hairy creature, short and heavy, with webbed wings attached to his ragged coat, a barbed tail and talons, and wearing a bonnet-rouge. He says, turning a glaring eye-ball on Pitt: "Ha! Traitor! - there's the French landed in Wales! what d'ye think of that, Traitor?" [2] 'Billy, sending the Devil packing'. Pitt kneels on one knee in profile to the right, holding up a paper: 'Gazette Defeat of the Spanish Fleet; by Sir John Jarvis.' He looks up at Fox with a contemptuous gesture and a subtly triumphant smile, saying: "Ha! Mr Devil! - we've Beat the Spanish Fleet what d'ye think of that Mr Devil?" Fox springs upwards with a terrified expression, his hands held up as if asking for mercy, his cap falls off and his tail is between his legs. On the right is the sea, with a naval battle in progress."--British Museum online catalogue
Alternative Title:
Table's turned, Billy in the Devil's claws, and Billy sending the Devil packing
Description:
Title etched below image and enclosed within curly brackets. and Temporary local subject terms: Invasions: French landing in Wales -- Spain: Spanish Fleet -- Reference to the battle of Cape St. Vincent, February 14, 1797 -- Newspapers: Gazette Extraordinary.
Publisher:
Pubd. March 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Title etched below image., Title above image: Parisian dresses for 1797., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress, 1797 -- Fashion, 1797 -- Jewelry -- Quizzing glasses -- Walking staves -- Bludgeons., and Watermark: J Whatman.
Publisher:
Pub. Mar. 7, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Earrings, Hand lenses, and Staffs (Sticks)
Title above image: Parisian dresses for 1797., Below title: Engraved from the originals in the possession of the publisher., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female dress, 1797 -- Male dress, 1797 -- Fashion, 1797 -- Hats: bonnets -- Walking staves.
Publisher:
Pub. Mar. 7, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Interiors: House of Commons -- Currency crisis, 1797 -- Bank crisis, 1797., and Watermark: Strasburg lily with initials E & P below.
Publisher:
Pub. Mar. 8, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
"The volunteer, full-face, stands at attention, holding a musket. He wears a grenadier's cap with the letters 'E.I.C' in place of 'G.R', and further decorated with a tea-pot. Round his shoulders is knotted a small flowered shawl. The fingers of his left hand are spread to display a large ring on the fourth finger. He wears gaiters drawn above the knee. He stands on a grassy mound; from the right margin projects the head of an elephant with raised trunk. In the background is a town with domes and spires, inscribed 'Golconda'. Two tiny figures carry a palanquin down a hill."--British Museum online catalogue
Alternative Title:
Leadenhall Volunteer dressed in his shawl
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Volunteer corps: East India Company -- Golconda, India -- Symbols: teapot -- Guns: boyonetted musket -- Elephants., and Watermark: 1794.
Publisher:
Pubd. March 8th, 1797, by H. Humphrey, Bond Street
"Pitt, a colossal figure (cf. BMSat 8980), bestrides the Rotunda of the 'Bank of England'. His arms and legs are very thin, but his body is formed of a (transparent) sack distended with gold coins and inscribed '£'. His elbows are akimbo, his hands grasp the sides of the sack; from the little finger of his left hand hangs a key, 'Key of Public Property'. Round the mouth of the sack is a heavy chain clasped by a padlock inscribed 'Power of securing Public Credit'. From the sack emerges the pipe-like neck down which coins are passing. Pitt looks arrogantly to the right, a blast issues from his closed lips of many paper notes inscribed 'one'. Near his mouth are a few gold coins which he is presumably inhaling. He wears a crown formed of 'one' pound notes; through it project his ass's ears. The near side of the Rotunda is removed, showing a descending shower of paper and an ascending cluster of coins which are being drawn upwards to join those in the sack. Little figures in and around the rotunda, under Pitt's legs, hold up their hands in dismay at the shower of £1 notes. Among them is a John Bull wearing a smock. Two men hold papers inscribed 'Dividend'; a Jew walks off (left) with 'Scrip'. On the left, behind Pitt's right foot, is the sea-shore; large reeds at its edge blow towards him; among these are five heads wearing bonnets-rouges, each with a label issuing from his mouth: 'Midas has Ears'. They are Fox, Sheridan, Erskine, M. A. Taylor, and (?) Grey. They diminish in size from Fox to Taylor. Across the sea is 'Brest', from which a fleet is setting out. Behind it are black clouds, and an explosion rises from them in which are swarms of tiny figures holding daggers and wearing bonnets-rouges. This spreads behind Pitt's head who appears unconscious of it. He looks down towards three almost naked winged figures: Grenville (left) and Dundas (right) hold up between them a scroll: 'Prosperous state of British Finances. & the new Plan for diminishing the National Debt - with Hints on the increase of Commerce'. Between and above them is Windham, Secretary-at-War, a pen behind his ear. He waves his cocked hat, Grenville his coronet, and Dundas his Scots cap. Beneath the title: 'History of Midas, - The great Midas having dedicated himself to Bacchus [cf. BMSat 8651], obtained from that Deity, the Power of changing all he Touched - Apollo fixed Asses-Ears upon his head, for his Ignorance - & although he tried to hide his disgrace with a Regal Cap, yet the very Sedges which grew from the Mud of the Pactolus, whisper'd out his Infamy, whenever they were agitated by the Wind from the opposite Shore - Vide Ovid's Metamorposes.'"--British Museum online catalogue
Alternative Title:
Midas transmuting all into paper
Description:
Title etched below image. 'Gold' in title scored through., Three lines of text below title: History of Midas -- The great Midas having dedicated himself to Bacchus ..., Temporary local subject terms: Money: coins -- Bank notes -- Cupids -- Brest -- French fleet., and Mounted to 46 x 33 cm.
Publisher:
Pubd. March 9th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Grey, Charles Grey, Earl, 1764-1845, and Bank of England.
Title etched below image., Numbered 'Plate 82' in upper left corner., Sheet trimmed within plate mark., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Architectural details: thatched overhang -- Old Maiden Head -- Elizabeth I.
Title from item., Numbered 'Plate 83' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Female dress: patten shoes.
Jesuits treatment of his friends, Jesuit's treatment of his friends, and Ins and outs
Description:
Title from item., Sheet trimmed mostly within plate mark., Temporary local subject terms: Vehicles: coaches -- St. James's Palace -- Bonnet rouge -- Emblems: tricolor cockade -- Emblems: olive branch & dove -- Cobblestones., and Watermark: Strasburg bend.
Publisher:
Pub. by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Miss Farren (left) sits at her dressing-table, contemplating with rapt admiration an earl's coronet on a wig-block which is a caricature of Lord Derby's head. The voluminous draperies of her dress define a thin and angular figure, with a long thin neck. At her feet is an open book: 'Tabby's Farewell to the Green Room'; near it is a torn paper: 'Elegy to the Memory of an Unfortunate Lady. How Lov'd how valued once avails thee not To whom Related or by whom Begot.' A pad for inflating the figure (cf. BMSat 8388, &c.) lies across a stool (right). A 'Genealogical Chart of British Nobility' hangs from the dressing-table; the tree issues from the recumbent figure of 'Willm Conqr'; on it lies a small-tooth comb beside which is an insect. Behind Miss Farren are the closed curtains of an ornate bed, whose valance is decorated with the cap of Libertas and the words 'Vive la Egalite'. On the wall hangs a 'Map of the Road from Strolling Lane to Derbyshire Peak'; the places, from S. to N., are: 'Strolling Lane', 'Beggary Corner', 'Servility Place', 'Old Drury Common', 'Affectation Lane', 'Insolence Green', 'Fool-Catching Alley', 'Derbyshire Peak viz Devils Ar.' A jewel-box, bottles, &c, are on the dressing-table, some inscribed: 'Bloom de Ninon', 'For Bad Teeth', 'Cosmetick', 'For the Breath'. On the ground, under the valance of the table, is a large bottle of 'Holland[s]'. After the title: '"A Coronet! - O, bless my sweet little heart! - ah, it must be mine, now there's nobody left to hinder! - and then - hey, for my Lady Nimminney-pimmenney! [see BMSat 8888] - O, Gemmini! - no more Straw-Beds in Barns; - no more scowling Managers! & Curtsying to a dirty Public! - but a Coronet upon my Coach; - Dashing at the Opera! - shining at the Court! - O dear! dear! what I shall come to!'"--British Museum online catalogue
Description:
Title etched below image., Printmaker's signature is repeated, the second signature located below lower right margin of design and in a slightly different form: Js. Gy. inv. & ft., Additional publication line, with slightly earlier date, is etched below lower left margin of design: Pubd. March 20th, 1797, by H. Humphrey, Bond Street & St. James's Street., Sheet trimmed within plate mark., and Temporary local subject terms: Hat-stands -- Mirrors -- Coronets: earl's coronet -- Cosmetics -- Pincussions -- Female dress: cork rumps -- Genealogy: British nobility -- Maps: satiric map of Derbyshire -- Allusion to Derbyshire -- Allusion to the Green Room -- Spirits: Hollands gin -- Boxes: jewelry boxes -- Furniture: stools -- Furnishings: bed curtains -- Emblems: bonnet rouge -- Elegies.
Publisher:
Pubd. March 25th, 1797, by H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829 and Smith-Stanley, Edward, 1752-1834
The Duke of Portland (with Pitt in profile behind him) refusing the City Sheriffs entry to St James's Palace on the instruction of the King. Fox, in a Bonnet-Rouge below the steps. An address to the King asking him to dismiss his ministers as a step toward peace with France was voted by the Livery in Common Hall on the 24th March
Description:
Title etched below image. The 'u' in the word courteous is etched below the line, insertion indicated by a caret., Temporary local subject terms: Addresses: address of the Livery Company, 23 March 1797., and Mounted to 35 x 45 cm.
Publisher:
Pub. by S.W. Fores, Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Page 290. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched above image., Plate from: Woodward, G.M. Eccentric excursions, or, Literary & pictorial sketches of countenance, character & country in ... England & South Wales. London : Published by Allen & West ..., 1796., "Plate 84"--Upper left corner., Temporary local subject terms: Street scenes -- Chairmen -- Nottingham -- Footman., and Watermark: H Wilemott 1808.
Publisher:
Published by Allen & Co., 15 Paternoster Row
Subject (Topic):
City & town life, Gas street lamps, Sedan chairs, Servants, and Wigs
"The stout Prince of Orange, in profile to the left, shuffles along the pavement, holding the arm of his thin secretary, Nassalin. His eye is almost closed, his right hand, holding a stick, is thrust in his coat pocket. Both are plainly dressed, wearing powdered hair with small tails, and round hats with broad brims. Nassalin is hunchbacked."--British Museum online catalogue
Alternative Title:
Pylades and Orestes
Description:
Title etched below image., Temporary local subject terms: Nassalin, fl. 1797, Secretary to the Prince of Orange -- Walking staves -- Hunchbacks, and Watermark: J Whatman 1794.
Publisher:
Pubd. April 1st, 1797, by H. Humphrey, New Bond Street & St. James's Street
"John Bull stands full-face on the pavement outside a shop window, holding on his head a red cap (i.e., bonnet rouge) trimmed with fur of quasi-military, quasi-libertarian shape. He is the yokel with wrinkled gaiters ... with a tattered great-coat held together by a military belt. In his left hand is a ragged hat. He says, with a broad grin: "Wounds, when Master Billy sees I in a Red-Cap, how he will stare! - egad; I thinks I shall cook em at last. - well if I could but once get a Cockade to my Red Cap, & a bit of a Gun - why, I thinks I should make a good stockey Soldier!" The shop is that of 'Billy-Black-Soul [Pitt], Hatter, & Sword-cutler \ Licenced to deal in Hats and Swords.' Above the door (right) are the royal arms and 'Stamp-Office' (the tax on hats being levied by a stamp). Within the window are crossed swords and military cocked hats with a number of stamps bearing the royal arms. In the foreground (left) is a pile of dead cats with a paper: 'List of Cats Killed for making skin caps 20000 Red 5000 Tabb ...'"--British Museum online catalogue
Alternative Title:
John Bull evading the hat tax
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pub. April 5th, 1797, by H. Humphrey, New Bond & St. James's Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Taxation, Taxation of articles of consumption, Law and legislation, John Bull (Symbolic character), Cats, Hats, Millinery, Slaughtering, Swords, Taxes, Show displays, and Window displays
