"Courtenay (right), as the chairman of a tavern club, sits at the head of an oblong table, in profile to the left, smoking. He says to George Hanger, who faces him at the foot of the table: "I say, Georgey how do Things look now?" The words issue from his mouth in a cloud of smoke. Hanger answers: "Ax my Grandmother's Muff, pray do!" He holds a pipe, his wine-glass is overturned. His bludgeon is thrust in his top-boot. On Hanger's right sits Fox, leaning back in his chair, registering extravagant amusement and saying "O charming! - charming!" Opposite Fox sits Sheridan, clasping a decanter of 'Brandy' in one hand, a glass in the other. He says, with a sly smile, "Excellent! - damme Georgey, Excellent." Next him, and on Courtenay's right, sits M. A. Taylor, flourishing his pipe and saying, "Bravo! the best Thing I ever heard said, damme." On the table are decanters of 'Mum' and of 'Champaig[n]'. Above Courtenay's head is a picture of a simian creature in a cap of Liberty, squatting on the ground and smoking a pipe. The frame is inscribed 'Juvenal'. The floor is carpeted, the chairs are ornate."--British Museum online catalogue
Alternative Title:
Feast of reason and the flow of soul and Wits of the age setting the table in a roar
Pubd. Feby 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, and Courtenay, John, 1738-1816
On the cobblestone street in front of an elegant house, a man in Scottish Highlander attire uses his back to hoist an obese woman into an awaiting carriage. The coachman stands beside him with a whip in hand; his nose is disfigured (syphilitic?).
Description:
Title engraved below image., Numbered '204' in lower left of plate., One of the series of Laurie & Whittle drolls., One line of text below title: Push on. -- Keep moving., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 25th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book x, page 127 in unidentified edition., Sheet trimmed to plate mark., No. 61 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from item., Sheet trimmed witihin plate mark., and Temporary local subject terms: Male costume: chancellor's robes -- Emblems: Great Seal -- Chancellor's mace.
"An officer walks, on a broad pavement, away from the spectator, his head slightly turned to the left, showing his profile. He wears Light Horse uniform, a plumed helmet, short tunic, sash, and long sabre. The toes of his tasselled boots terminate in spikes. He uses a walking-stick."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Light Horse -- C. Cunningham, fl. 1797.
Publisher:
Pubd. Decr. 6th, 1797, by H. Humphrey, 27 St. Jamess [sic] Street
Title from item., Numbered 'Plate 66' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Busts: Shakespeare's bust -- Falstaff -- King Lear., and Watermark: E. Vallan(...?). Name partially trimmed off.
Gown metamorphosed into a ghost and The effect of imagination
Description:
Title from item., Numbered 'Plate 60' in upper left corner., Placement instructions in upper right corner: Page 137., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Temporary local subject terms: Clothes lines -- Yokels., and Watermark: R & E 1799.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Handbills.
"A 'cit' smokes angrily over his glass, tilting his chair, while his pretty young wife sits with folded arms. A handsome young officer opens the door, apparently unseen by both. Below the design: 'Husband. - What makes you look so thoughtful my Love, what are you puzzling your Dear Head about now." Wife - Why you said last Night at Supper, that you knew every one in our Street were Cuckolds but one, - And I have been Puzzling Myself ever since to find out who that one could be." - "Husband.-" Oh! Oh! Very well, I have done."'"--British Museum online catalogue, description of a variant state
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '202' in lower right corner., and Temporary local subject terms: Young women -- Cuckolds -- Furnishings -- Furniture.
Publisher:
Published 10th October 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Young adults, Women, Military officers, Adultery, Mirrors, Pipes (Smoking), and Chairs
New Irish jaunting car, Tandem, or, Billy in his sulky, and Billy in his sulky
Description:
Title from item., Sheet trimmed within plate mark on sides and bottom., Printseller's announcement following publication statement: Folios of caracatures [sic] lent., and Temporary local subject terms: Unions: reference to the Union of Ireland and Great Britain -- Resolutions: reference to Irish resolutions, 1798 -- Unions: reference to Irish objections to the union -- Slogans: voice of the people -- Vehicles: sulky -- Signs: singposts -- Bulls -- Paddy Bull (Symbolic character) -- Whips.
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., and Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester., Subjects identified on mat below image., 1 print : etching ; sheet 24 x 39 cm cm., and On wove paper, hand-colored, matted to 47 x 62 cm.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
Title from item., Printseller's announcement following publication statement: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Dentists -- Advertisements: Brewers trew English tooth powder -- Furniture: sofas -- Allusion to gambling., Printseller's stamp in lower right of sheet: S.W.F., and Mounted.
The scene is the interior of a gothic church, with a view of part of a lateral gallery, the tower arch, and west door (on the right). The foreground and the gallery are filled with couples, in general elderly, ugly, and fashionably dressed, in conversation or bowing to each other. An unicorn on a monument holding an escutcheon is conspicuous. On the right the congregation is crowding towards the open door
Description:
Title etched below image., Numbered 'Plate 80' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Year in imprint erased from this impression.
Publisher:
Published by Allen & Co., 15 Paternoster Row
Subject (Topic):
Churches, Clothing & dress, Couples, Interiors, and Monuments
"A fat, bald-headed man draped in a sheet, his beard coated with lather, sits full-face, looking sideways with angry apprehension at a lean barber (left) holding a razor."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark on left and bottom., Numbered 'Plate 51' in upper left corner., Placement instructions: 'Page 121', in upper right corner., Plates from: Eccentric excursions, or, Literary & pictorial sketches ... England & South Wales, by G.M. Woodward, 1796., and Watermark: Russell & Co. 1798.
Title etched below image., Numbered 'Plate 82' in upper left corner., Sheet trimmed within plate mark., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Architectural details: thatched overhang -- Old Maiden Head -- Elizabeth I.
Title from item., Artist attribution to Richard Newton from local card catalog record., One of the series of Laurie & Whittle drolls., Two lines of text below image: A sea captain just come on shore ..., Numbered '181' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: country inns -- Signboards: inn sign -- Dogs: hounds -- Huntsmen -- Sailors -- Naval uniforms: sailor's uniform -- Bludgeons -- Maidservants -- Dishes: tankards -- Beverages: ale -- Wooden legs.
Publisher:
Publish'd June 10th, 1797, by Laurie & Whittle, 53 Fleet Street, London
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., and Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
Title from item., One of the series of Laurie & Whittle drolls., Two lines of text below image: A sailor happening to be present ..., Numbered '179' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Buildings: country inns -- Signs: inn signboard, 'The Swan' -- Clergy: parsons -- Sailors -- Naval uniforms: sailor's uniform -- Barrels -- Maidservants., and Watermark (partial): Strasburg bend.
Publisher:
Published 12th April 1797 by Laurie & Whittle, 53 Fleet Street, London
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., 1 print : etching on wove paper, hand-colored ; sheet 35.5 x 24.6 cm., Sheet trimmed within plate mark on three sides; window mounted to 51 x 36 cm., and Mounted opposite page 594 (leaf numbered '28' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., and Printseller's stamp in lower right of plate: S.W.[F.]
"The interior of Dulwich College Chapel. A stout man, probably the Master, wearing a gown, stands in a pulpit or desk (left), a large book before him, his eyes and mouth twisted in a sly leer. Below him (right) the figure of Edward Alleyne has risen from a tombstone and stands (half length) holding up the horizontal stone. He is surrounded by clouds. He wears hat, ruff, and a gown which differs from that of the living man chiefly in being furred. The figure is copied (in reverse) from the whole length portrait of Alleyne at Dulwich College. On the stone, beneath a coat of arms, is the inscription, a strip along the left being cut off by the lower margin of the print: 'Sacred | the Memory of | Edward Alleyne | Founder of this | College | Life Nov 26 | 1626 Æ 63 | Likewise | Joan his Dear | Wife who F | race 28 June 1623.' Next the Master is a sour-looking profile, and, below, three choristers (full-face), are grinning broadly."--British Museum online catalogue
Description:
Title etched below image. and Place of publication based on location of printmaker John Nixon.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Alleyn, Edward, 1566-1626., Alleyn, Thomas, -1805., and Dulwich College
Title from item., From Laurie & Whittle series of Drolls., Three lines of text below title: Here Mrs. Parmesan is Charlotte at the tomb of Werter, shall Miss Dorothy work that ..., Plate numbered '183' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: schoolrooms -- School mistresses -- Pupils -- Pictures amplifying subject: Tomb of Werter -- Pictures amplifying subject: framed sampler -- Parasols -- Spectacles -- Cross-eyedness -- Female dress, 1797.
Publisher:
Published 20th June 1797 by Laurie & Whittle, 53 Fleet Street, London
Title etched below image., From a series of eleven plates entitled "Love in Caricature.", One of six 'Lovers' prints published by Rowlandson in 1797, recorded in Grego in 1798., Eight lines of verse in two columns below title: Not age, with its cramps in full store ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Couples., 1 print : etching with stipple on wove paper, hand-colored ; sheet 27 x 20.5 cm., and Sheet trimmed within plate mark on lower edge with loss of printing statement.
Publisher:
Pubd. Jany. 2d, 1797, by Hooper & Wigstead and Printed for Hooper & Wigstead, No. 212 High Holborn
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[20 May 1797]
Call Number:
797.05.20.03++
Image Count:
1
Resource Type:
still image
Alternative Title:
Voluntary contributions for carrying on the war!
Description:
Title from caption below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of ten figures in two rows, each with lines of text etched above., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: War contributions -- Corruption -- Politicians -- Clergy -- British sailors -- Card playing -- Russian coins., Watermark: E & P 1794., and Printseller's stamp in lower right corner of sheet: S.W.F.
Publisher:
Pubd. May 20th, 1797, by W.S. [sic] Fores, No. 50 Piccadilly, corner of Sackville Street
"Five elderly men dressed in the fashion of youth."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '196' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old men -- Morning Herald -- Literature: reference to Ovid's Art of Love -- Magnifying glasses -- Pince-nez -- Walking staves -- Duelling: crossed foils -- Placards., and Watermark (partial).
Publisher:
Published 22nd August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Bachelors, Older people, Newspapers, Reading, Staffs (Sticks), Signs (Notices), Hand lenses, and Mirrors
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[9 August 1797]
Call Number:
797.08.09.01
Image Count:
1
Resource Type:
still image
Description:
Title from item., Temporary local subject terms: Taxation -- Taxes: clock tax, August 1797 -- Hosiers -- Emblems: royal crown stamped on hat as proof of paid hat tax -- Male dress: stockings., and Watermark: E & P, with date mostly trimmed off (1794?).
"A fat, elderly man, his face contorted, struggles between two men, who try to pull on pantaloons; he puts an arm round the neck of each, nearly throttling the man on his right. A boy stands (right), legs astride. A grinning head looks through a casement window (left). A looking-glass on the wall (right) has been knocked sideways. Cf. British Museum Satires No. 6723."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '203' in lower left of plate., and Temporary local subject terms: Old men -- Male dress: pantaloons -- Furnishings.
Publisher:
Published 13th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Bachelors, Older people, and Mirrors
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.02
Image Count:
1
Resource Type:
still image
Abstract:
An older man grins broadly as he bows to a woman with a hand-muff who curtsies in return
Description:
Title-page vignette. and Title page from: An Olio of Good Breeding : with sketches illustrative of the modern graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797].
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
"View below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from street trader, two men on the left"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Imprint from impression in the British Museum., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., The Lewis Walpole Library impression: sheet trimmed with loss of imprint statement., and Window mounted to 48 x 36 cm.
Publisher:
Published July 31st, 1797, by T. Malton
Subject (Geographic):
England and London.
Subject (Topic):
Banks, Commercial facilities, and Arcades (Architectural components)
Title from item., Sheet trimmed to plate mark at bottom and top., Eight lines of verse in two columns below title: Young Cupid of all makes a prize ..., One from the series of eleven plates "Love in Caricature.", One of six 'Lovers' prints published by Rowlandson in 1797, recorded in Grego in 1798., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Couples -- Vices: avarice -- Furniture: chairs -- Money: guineas -- Scales: balances.
Publisher:
Pubd Augst 1, 1797, by Hooper & Wigstead ; Printed for Hooper & Wigstead, No. 212 High Holborn
"Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is the yokel of BMSat 8141, but no longer bewildered; he stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right), who wears a high cocked hat with tricolour cockade, bag-wig, and laced suit, says to him: "Dont take his damn'd Paper, John! insist upon having Gold, to make your Peace with the French, when they come". Sheridan bends towards John, saying, "Dont take his Notes! nobody takes Notes now! - they'll not even take Mine!" John answers: "I wool take it! - a' may as well let my Measter Billy hold the Gold to keep away you Frenchmen, as save it, to gee it you, when ye come over, with your domn'd invasion." Behind (right) hands of other Foxites are raised in warning, and on the extreme right is the profile of Stanhope. Behind (left), men hasten towards Pitt with large sacks of notes on their heads. The first two, in judge's robes, are Loughborough with a sack of '20 Shilling Notes', and Kenyon with one of 'Five Pound Notes'. Behind is Grenville with a sack of '10 Shilling Notes'. Other sacks whose bearers are hidden are inscribed '5 Shilling No[tes], 2 Shillin No[tes]', and 'One Shilling'. Under Pitt's counter is a row of large sacks of gold, padlocked and inscribed '£'. On the end of the counter, facing the spectator, is posted a bill headed: 'Order of Council to the Bank of England'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Sacks of money -- Bank notes., and Mounted to 30 x 40 cm.
Publisher:
Pub. March 1st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
Title from item., Sheet trimmed within plate mark at bottom resulting in loss of imprint., Eight lines of verse in two columns below title: For this has he left the full pot ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Joseph Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Couples -- Courtship.
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Interiors: House of Commons -- Currency crisis, 1797 -- Bank crisis, 1797., and Watermark: Strasburg lily with initials E & P below.
Publisher:
Pub. Mar. 8, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
Title from item., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Reference to places and pensions -- Reference to supplies -- Reference to loans -- Red Book -- Reference to London Kalendar.
"A stout officer sits on a charger in profile to the left, his head turned from the spectator, his right arm outstretched, holding a cane, as if directing manoeuvres."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: officers' uniforms (Guards) -- Sir Harry Burrard, 1755-1813, or John Reid, 1721-1807.
Publisher:
Pubd. Novr. 15th, 1797, by H. Humphrey, 27 St. James's Street
Title from item., Sheet trimmed within plate mark., Printseller's statement following imprint: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: French military uniforms: Bonaparte & soldiers., Mounted to 37 x 47 cm., matted to 47 x 62 cm.; printmaker's and subjects' names printed on mat below image., and Watermark.
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book xi, page 149 in unidentified edition., Sheet trimmed to plate mark., No. 64 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
"View on Cockspur Street with the Phoenix Fire Engine Station on the right, a horse-drawn carriage travelling down centre of street and elegantly dressed pedestrians on pavements"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., and Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802].
"Miss Farren (left) sits at her dressing-table, contemplating with rapt admiration an earl's coronet on a wig-block which is a caricature of Lord Derby's head. The voluminous draperies of her dress define a thin and angular figure, with a long thin neck. At her feet is an open book: 'Tabby's Farewell to the Green Room'; near it is a torn paper: 'Elegy to the Memory of an Unfortunate Lady. How Lov'd how valued once avails thee not To whom Related or by whom Begot.' A pad for inflating the figure (cf. BMSat 8388, &c.) lies across a stool (right). A 'Genealogical Chart of British Nobility' hangs from the dressing-table; the tree issues from the recumbent figure of 'Willm Conqr'; on it lies a small-tooth comb beside which is an insect. Behind Miss Farren are the closed curtains of an ornate bed, whose valance is decorated with the cap of Libertas and the words 'Vive la Egalite'. On the wall hangs a 'Map of the Road from Strolling Lane to Derbyshire Peak'; the places, from S. to N., are: 'Strolling Lane', 'Beggary Corner', 'Servility Place', 'Old Drury Common', 'Affectation Lane', 'Insolence Green', 'Fool-Catching Alley', 'Derbyshire Peak viz Devils Ar.' A jewel-box, bottles, &c, are on the dressing-table, some inscribed: 'Bloom de Ninon', 'For Bad Teeth', 'Cosmetick', 'For the Breath'. On the ground, under the valance of the table, is a large bottle of 'Holland[s]'. After the title: '"A Coronet! - O, bless my sweet little heart! - ah, it must be mine, now there's nobody left to hinder! - and then - hey, for my Lady Nimminney-pimmenney! [see BMSat 8888] - O, Gemmini! - no more Straw-Beds in Barns; - no more scowling Managers! & Curtsying to a dirty Public! - but a Coronet upon my Coach; - Dashing at the Opera! - shining at the Court! - O dear! dear! what I shall come to!'"--British Museum online catalogue
Description:
Title etched below image., Printmaker's signature is repeated, the second signature located below lower right margin of design and in a slightly different form: Js. Gy. inv. & ft., Additional publication line, with slightly earlier date, is etched below lower left margin of design: Pubd. March 20th, 1797, by H. Humphrey, Bond Street & St. James's Street., Sheet trimmed within plate mark., and Temporary local subject terms: Hat-stands -- Mirrors -- Coronets: earl's coronet -- Cosmetics -- Pincussions -- Female dress: cork rumps -- Genealogy: British nobility -- Maps: satiric map of Derbyshire -- Allusion to Derbyshire -- Allusion to the Green Room -- Spirits: Hollands gin -- Boxes: jewelry boxes -- Furniture: stools -- Furnishings: bed curtains -- Emblems: bonnet rouge -- Elegies.
Publisher:
Pubd. March 25th, 1797, by H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829 and Smith-Stanley, Edward, 1752-1834
"A small ugly man rides a galloping horse in profile to the left, his leg thrust forward. He wears spectacles, his complexion is dark. There is a background of grass and trees, and in the distance a building with a pediment, evidently the new Knightsbridge Barracks (see 'Gent. Mag.', July 1797, p. 545, pl.)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Vide Hyde Park., Sheet trimmed within plate mark., Temporary local subject terms: Horseback riding -- Buildings: Knigthsbridge Barracks., and Watermark: Turkey Mills / J Whatman.
Publisher:
Pubd. June 5th, 1797, by H. Humphrey, 27 St. James's Street
Title from item., Sheet trimmed within plate mark, resulting in loss of second imprint below verse., Eight lines of verse in two columns below title: O love! What a Proteus thoug art! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Joseph Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Couples -- Farmers -- Male dress: smock.
Title from item., Publication date from Grego., Sheet trimmed within plate mark at bottom., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Magic lantern shows.
"Lord Kenyon (left), in wig and robes, flogs with great vigour the scarred back of Lady Buckinghamshire, whose wrists are tied to the back of a cart. He has a scourge in the right hand, a birch-rod in the left; from his pocket issues a paper: 'Laws against Gambling'. His head is in back view. His fat victim wears a feathered turban and fashionably dressed hair; her profile and gestures indicate shrieking protest. The horse plods (left to right) away from the spectator. On a pitchfork lashed to the cart is a placard: 'Faro's Daughter's Beware'. Behind is a crowd, divided between those (right) who watch the cart, grinning, in front of whom stands a constable with his staff, and those in back view who surround a pillory in which stand two ladies, closely confined, under a rain of missiles flung by the mob. Both wear feathers in their hair, one (left) has a profile somewhat resembling that of Lady Archer, but is perhaps Lady Elizabeth Luttrell; the other is probably Mrs. Concannon."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Vehicles: carts -- Punishment: flogging -- Scourge -- Birch-rod -- Pillory -- Constables -- Judges -- Reference to gambling -- Mrs. Concannon, fl. 1797 -- Lady Elizabeth Luttrell, d. 1799 or Sarah, Baroness Archer (1741-1801).
Publisher:
Pubd. March 25th, 1797, by H. Humphrey, New Bond & St. Jamess [sic] Street
Title from item., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Temporary local subject terms: Seamstresses -- Cribs -- Washer tubs -- Crowns -- Bonnet rouge., Watermark: J Whatman., and Mounted to 31 x 42 cm.
Publisher:
Pubd. by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, Thelwall, John, 1764-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Bedford, Francis Russell, Duke of, 1765-1802, and Lauderdale, James Maitland, Earl of, 1759-1839
Two men, one a parson on horseback, the other a lawyer walks by his side. They closely resemble each other in profile and appearance except that the latter is thin and angular. The ungainly horse walks slowly (left to right) along a country road, beside which is a milestone: 'Derby II. Leicester 17. London 116'. In the distance is a village church
Alternative Title:
Pair of portraits
Description:
Title etched below image., Attributed to Charles Williams. See British Museum catalogue., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: Folios of caricatures lent out for the evening.
Publisher:
Pubd. Decemr.11th, 1797, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Clergy, England, Lawyers, and Traffic signs & signals
Title from item., Two lines of verse below title: The sweeping scythe's keen edge he wets ... Vide page 15 line 91., Above image: Select poets., and Plate from: Cooke's Select poets.
Engraved titlepage with vignette from: The poetical works of Robert Dodsley [Cooke's edition] London : Printed for C. Cooke, and sold by all the booksellers in Great-Britain and Ireland, [1797]. and Temporary local subject terms: Milkmaids -- Young men.
Set of 12 engravings depicting Lady Emma Hamilton performing tableaux in Greek costume., Cover title, on engraved label: Lady Hamilton's attitudes., A re-engraved imitation of the original plates. The originals engraved by Tommaso Piroli. The title page of this edition has a long ess in the word permission, and there is no period after Hamilton., May have been issued 1802 or later. Various leaves of plates in both British Art Center copies have a duty stamp dated 1802. In BAC copy 1, the plates are mounted to paper watermarked 1799; in copy 2, the plates are mounted to paper watermarked 1802., Title page and plates printed on stained orange paper; each mounted on larger paper., Engraved throughout., BAC : British Art Center has 2 copies. Copy 1 in original wrappers, with engraved title label. Also bears bookseller's label on front cover: "Sold at Dunford's, Great Newport Street, London." Inscribed E. Saunders. Copy 2 also in original wrappers, with engraved title label. The title page for the London, Random & Stainbank, 1800 edition of this work (title: Lady Hamilton's attitudes. Drawings faithfully copied from nature at Naples) has been laid in. This title page was aquatinted by G. Shepheard after F. Rehberg., and Lacking cover title, with engraved label. Two prints with British customs stamps for tinted paper on verso. For further information, consult library staff.
Publisher:
Publish'd October 12th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street. Prints & drawings lent out on the plan of a circulating library
