Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.03
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young man stands with legs apart infront of the fireplace grate
Description:
Title devised by cataloger., Numbered 'Plate 1' in upper left corner., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
"An untidy garret with a man in a dressing-gown working on a poem entitled 'Poverty' while his wife is confronted by a milkmaid with a lengthy tally who demands payment; a baby in bed is crying; a dog eats meat from a plate on a chair; behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirate editions of his work."--British Museum online catalogue
Alternative Title:
Studious he sate, with all his books around
Description:
Title from Paulson., Two columns each with two lines of verse engraved below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profund! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2309., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 145.
Publisher:
Published Octr. 1st, 1797 by G.G. & J. Robinson, Paternoster Row, London
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.08
Image Count:
1
Resource Type:
still image
Abstract:
A young, fashionably dressed woman reposes on a chair, her eyes closed and her head thrown back thus exposing her bejewelled bosom
Description:
Title devised by cataloger., Numbered 'Plate 7' in upper left corner., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female dress, 1797 -- Fainting.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
Title devised by cataloger., Subject identified from: The courteous baronet, or, The Windsor advertiser. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9446., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Windsor Castle.
Portrait of Sir Anthony Denny; bust-length, turned slightly left; wearing a cap and a chain
Alternative Title:
Sir Anthony Denny
Description:
Title from note below image in Thomas Kirgate's hand., Engraved after a portrait by Hans Holbein. The original picture, set in a roundel, was formerly part of the Arundel collection; see British Museum online catalogue, registration no.: 1853,0112.1669., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., and Mounted on page 105 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Title from contemporary manuscript note in ink below image., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., Number "1" etched above image., and Mounted on page 101 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Portrait of a woman, head and shoulders slightly to left, head turned to right and glancing towards the viewer, wearing a low-necked gown with a rope of pearls hanging from the shoulder and a veil over her hair; in an oval
Description:
Title from note below image in Horace Walpole's hand., Date of publication based on death date of Horace Walpole, whose annotation is present on sheet., Sheet trimmed within plate mark on right and left sides., and Mounted on page 68 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Portrait of a man, probably Henry Howard, Earl of Surrey; bust length, turned slightly to the left; with a Van Dyke beard; wearing a hat and dark clothing
Description:
Title from note below image in Thomas Kirgate's hand., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed to plate mark., Probably engraved after the drawing by Vertue, copied from an original by Holbein, that was kept by Horace Walpole in the Holbein Chamber at Strawberry Hill., and Mounted on page 98 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[26 May 1797]
Call Number:
797.05.26.04
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young man on a promenade ogles through his quizzing glass a demure young woman walking in the opposite direction
Description:
Title devised by cataloger., Numbered 'Plate 10' in upper left corner., Plate from: An Olio of Good Breeding / by G.M. Woodward. London : Printed for the author and sold by W. Clarke, [1797]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Fashion -- Quizzing glasses.
Publisher:
Pubd. May 26, 1797, by G.M. Woodward, Berners Street
Portrait of Jane Seymour; bust-length, turned to right; wearing gable head-dress with veil hanging over her left shoulder, a pearl necklace, and a gown with a square neckline
Description:
Title from note below image in Thomas Kirgate's hand., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., Probably engraved after the drawing by Vertue, copied from an original by Holbein, that was kept by Horace Walpole in the Holbein Chamber at Strawberry Hill., and Mounted on page 101 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
publisher not identified
Subject (Name):
Jane Seymour, Queen, consort of Henry VIII, King of England, 1509?-1537, and Strawberry Hill (Twickenham, London, England)
Portrait of Hans Holbein; head and shoulders to right, looking towards the viewer; wearing a dark cap and doublet with standing collar
Description:
Title from note below image in Thomas Kirgate's hand., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., Apparently engraved after Holbein's self-portrait, perhaps after the copy by Eccardt that was kept by Horace Walpole in the Holbein Chamber at Strawberry Hill., and Mounted on page 101 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.05
Image Count:
1
Resource Type:
still image
Abstract:
A young man leans with both elbows on a table while attempting to put a large piece of food in his already full mouth
Description:
Title devised by cataloger based on the text this image illustrates., Numbered 'Plate 3' in upper left corner., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.06
Image Count:
1
Resource Type:
still image
Abstract:
Two men and two women are yawning widely, their eyes closed
Description:
Title devised by cataloger., Numbered 'Plate 4' in upper left corner., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ... [1797]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Boredom.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
Collection of small engravings from various works printed at Strawberry Hill. These include two fleurons, two decorated initial letters, two of Horace Walpole's bookplates (one printed on orange paper), and several vignettes, two of which are signed "C. Grignion sculp." Among the vignettes are several images of Strawberry Hill, one annotated "R. Bentley del." by Thomas Kirgate and another, printed in blue ink, annotated "J.H. Muntz del." by Horace Walpole. In addition to the arms on Walpole's bookplates, the Walpole crest is depicted on one vignette (annotated "Wale des." by Thomas Kirgate) and the Buckingham coat of arms with the motto "Templa quam dilecta" is depicted on another. Also included is a portrait in profile of Antonio Magliabechi, done from a medal; this is an early state of the plate printed on the title page of: Spence, J. A parallel : in the manner of Plutarch ... [Twickenham] : Printed at Strawberry-Hill, by W. Robinson ..., 1758
Description:
Title from note in Horace Walpole's hand near bottom of page., Date based on death date of Horace Walpole, who assembled this collection., Sheets trimmed to or within plate marks., and Prints mounted together on page 188 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[26 May 1797]
Call Number:
797.05.26.01
Image Count:
1
Resource Type:
still image
Abstract:
Two images on one plate. The top image represents a master glowering at his terrified footman; the bottom image shows a mistress scowling at a frightened maid
Description:
Title from item., Numbered 'Plate 6' in upper left corner., Title devised by cataloger., Plate from: An Olio of Good Breeding ... / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. May 26, 1797, by G.M. Woodward, Berners Street
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[26 May 1797]
Call Number:
797.05.26.03
Image Count:
1
Resource Type:
still image
Abstract:
Two images on one plate. Above: two men are shown bowing to a prescribed angle according to their social rank. Below: two women curtsy with similar understanding of their social positions
Description:
Title from item., Numbered 'Plate 9' in upper left corner., Title devised by cataloger based on the text this image illustrates., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Manners.
Publisher:
Pubd. May 26, 1797, by G.M. Woodward, Berners Street
Portrait of a lady thought to represent Anne Boleyn; bust-length, wearing rectangular-fronted headdress and pearl necklace with oval pendant
Description:
Title from note below image in Thomas Kirgate's hand; the name "Jane Seymour" is also written lightly at bottom of sheet., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., Apparently engraved after the picture by Holbein, perhaps after the copy by Eccardt that was kept by Horace Walpole in the Holbein Chamber at Strawberry Hill., and Mounted on page 101 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[26 May 1797]
Call Number:
797.05.26.02
Image Count:
1
Resource Type:
still image
Abstract:
A young woman is fashionably dressed in high-waisted dress, spencer jacket, high neckcloth and a beaver hat with a plume. She wears as a pendant a miniature of an officer and holds a large hand-muff in one hand. Her small dog is befitted with jacket and ribbons
Description:
Title devised by cataloger based on the text this image illustrates., Numbered 'Plate 8' in upper left corner., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female dress -- Fashion -- Pets.
Publisher:
Pubd. May 26, 1797, by G.M. Woodward, Berners Street
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.04
Image Count:
1
Resource Type:
still image
Abstract:
An obese woman sweats profusely over the plate of roast she is carving
Description:
Title from item., Numbered 'Plate 2' in upper left corner., Title devised by cataloger based on the text this image illustrates., Plate from: An Olio of Good Breeding : With Sketches Illustrative of the Modern Graces!! / by G.M. Woodward. London : Printed for the author and sold by W. Clarke ..., [1797]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Food: roasted meat.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
Title from caption below image., Plate from: Bridges, T. Burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book vii, page 21 in unidentified edition., Sheet trimmed to plate mark., No. 68 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book xii, page 221 in unidentified edition., Sheet trimmed to plate mark., No. 62 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from caption below image., Plate from: Bridges, T. Burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book ix, page 78 in unidentified edition., Sheet trimmed to plate mark., No. 65 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Small groups of men, some holdling candles, stand at the base of a cave looking up at stalactites. An opening at the top allows another group of tourists to look down into the cave, Peak Cavern (in the heart of the Derbyshire Dales). The group inside the cave includes a dog and a small boy
Description:
Title etched above image., Sheet partially trimmed to plate mark., Numbered 'Plate 95' in upper left corner., Plate from: Eccentric excursions / by G.M. Woodward, 1796., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Allen & Co., 15 Paternoster Row
Subject (Geographic):
England.
Subject (Topic):
Caving, Spelunkers, Caves, Rivers, Sightseers, and Stalactites & stalagmites
"Count Haslang sits alone in profile to the left at a small oblong table on which is a decanter. He holds a wineglass in his right hand; his left is slightly raised as if gesticulating, in response to some person (not depicted) at whom he looks sourly. He wears a star and ruffled shirt."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Coffee houses: Stevens's -- Count Haslang, fl. 1797.
Publisher:
Pubd. June 9th, 1797, by H. Humphrey, 27 St. James's Street
Saint Giles without Cripplegate Parish Church (London, England)
Published / Created:
[ca. 1756]
Call Number:
File 646 17-- D952+
Image Count:
1
Resource Type:
still image
Abstract:
An invitation to the ancient ceremony of beating the bounds, with a large view of St. Giles's from the south (figures include a strolling couple, a playing boy, and a cripple with his dog) and a vignette of the church. The form has blanks left for the signatures of the stewards as well as the date (day, month, and the two numbers for the decade) and place of dining to be written in by hand
Alternative Title:
Sir, you are desired to meet the rest of your parishioners on [blank] the [blank] of [blank] at [blank]
Description:
Title from first lines of text etched below image., Date of publication based on the manuscript signatures of the churchwardens and overseers, which are dated 1756-1757., Text below title begins: Sir, you are desired to meet the rest of your parishioners on [blank] the [blank] of [blank] at [blank] ..., At top of plate, the arms of Sir Benjamin Maddow and the text: Ex dono Benj. Maddox Barrti. June 1709., and Sheet trimmed to plate mark on three edges.
Publisher:
The Church stewards
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Saint Giles without Cripplegate Parish Church (London, England)
"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Title etched below image., Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!!, Sheet trimmed within plate mark., and Matted to 72 x 56 cm.
Publisher:
Pubd. Novr. 2d, 1797, by H. Humphrey, St. James's Street
Portrait of Thomas Cromwell, Earl of Essex; half length, directed and looking to right; wearing cap and fur-lined gown; in an oval
Description:
Title etched below image., Probably engraved after a picture by Holbein., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., and Mounted on page 102 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
"A face, wearing a plumed military hat, looks to the right out of a ferociously spurred military jack-boot which stands in profile to the left. The back of the head is concealed by the peak of the boot, which protects the wearer's knee. ..."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... and nobody can say, Mistress Cole, why did you so?, Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Literature: reference to Samuel Foote's Minor., and Watermark: Edmeads & Co.
Publisher:
Pubd. 16 Decr. 1797 by H. Humphrey, 27 St. James's Street
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book viii, page 35 in unidentified edition., Sheet trimmed to plate mark., Temporary local subject terms: King -- Throne -- Fear., No. 67 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from caption below image., Plate from: Bridges, T. Burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book viii, page 35 in unidentified edition., Sheet trimmed to plate mark., Temporary local subject terms: Crowns., No. 66 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book ix, page 265 in unidentified edition., Sheet trimmed to plate mark., Temporary local subject terms: Night clothes -- Candles., No. 63 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
"Double portrait after Richard Cosway, whole-length, the Prince at left turned to front, looking at his wife on his arm and gesturing towards the garden with deer beyond at left, the Princess directed towards him but head turned to look to front, a bouquet by her side in her left hand, pillar behind; re-engraved version of an earlier plate, the heads and background entirely re-worked."--British Museum online catalogue
Alternative Title:
Their Royal Highnessess the Prince and Princess of Wales and Their Royal Highnesses the Prince and Princess of Wales
Description:
Title etched below image., Unintelligible artist's signature in lower left. Artist attribution to Cosway from Daniell., "The plate was originally engraved as a portrait of Michal and Isabella Lasockich Oginscy, with Schiavonetti named as the engraver, from which the heads were entirely re-engraved and the background altered"--Curator's comments, British Museum online catalogue, registration no.: 1875,0814.1261., Window mounted to 51 x 36 cm., and Mounted before page 417 (leaf numbered '30' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published April 12, 1797, by Messrs. Schiavonetti, No. 12 Michael Place, Brompton
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,
"John Bull stands full-face, supporting a monstrous burden; he is short in proportion to his breadth by reason of the weight which presses on him, drops fall down his face; his breeches pockets, inscribed 'Empty', hang inside out. On his shoulders sits Pitt, his slim ankles crossed under John's chin. On his back, behind Pitt and extending far beyond his shoulders, is a vast burden inscribed (left): 'Subsidies - Taxes!! Taxes - More Taxes!! More Taxes!!!!'; and right: 'Subsidies - Taxes - Debt- More Money!!' On one end (left) sits Dundas, looking to the left, in Highland dress; on the other sits a schoolboy, evidently intended for Canning. On the top of the burden stand seven men, all wearing ribbons and evidently representing placemen and pensioners; they support on their hands and heads a long treasure-chest, heavily padlocked and inscribed: 'Benefices - Candle ends and Cheese Parings.' On the right and left of this sit jauntily two corpulent parsons, hands on hips. Between them, a hand on the head of each, stands, full-face, a stout and grinning bishop, with inflated lawn sleeves. His mitre forms the apex of the monstrous pyramid. Pitt turns his head in profile to the left, he and Dundas have expressions of concern; all the others appear complacent or pleased."--British Museum online catalogue
Title from item., Printmaker from earlier state. See Catalogue of prints and drawings in the British Museum, v. 7, no. 9015., Sheet trimmed within plate mark., Printseller's statement following the imprint: Folios of caracatures [sic] len [sic] out for the evening., Reworked state, with an additional figure riding the elephant. Cf. No. 9015 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: cock broth -- Lighting: candlesticks -- Dress: court dress -- Pictures amplifying subjects: Bacchus riding an elephant -- Cupid: Prince of Orange as sleeping Cupid., and Matted to 47 x 62 cm.; printmaker's name printed on mat below image. Subjects identified by numbers with a key printed on mat below image.
Publisher:
Pubd by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Pitt, William, 1759-1806, Smith Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
Title from item., Sheet trimmed to plate mark., Printseller's statement following the imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: cock broth -- Lighting: candlesticks -- Dress: court dress -- Pictures amplifying subjects: Bacchus riding an elephant -- Cupid: Prince of Orange as sleeping Cupid., and Watermark: Portal & Bridges.
Publisher:
Pubd by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Pitt, William, 1759-1806, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
Title from item., Printseller's statement following the imprint: Folios of caricatures lent for the evening., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: Gothic church -- House of Commons -- House of Lords -- Allusion to the Gunpowder Plot -- Watchmen: Fox as the Westminster watchman -- Opposition members -- Allusion to the secession of the Opposition., and Watermark: Strasburgl lily wtih initials I C V below.
Publisher:
Pub. June 20th 1797 by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Tooke, John Horne, 1736-1812, Lauderdale, James Maitland, Earl of, 1759-1839, Thelwall, John, 1764-1834, and Stanhope, Charles Stanhope, Earl, 1753-1816
A satirical representation of a procession to St. Paul's for the national thanksgiving for the naval victories. Lord Hawkesbury, Duke of Richmond, Loughborough, Wilberforce, George Rose, Horsely, Bishop of Rochester, John Bull, Pitt, Windham and Dundas (with two companions in traditional Scottish dress) are all recognizable carrying objects that suggest their role in the government policy which led to the tripling of the assessed taxes and the burden of taxation in general
Description:
Title etched below image., Printseller's statement following the imprint: Folios of caricatures lent., "A prelude" has been burnished from plate and etched in again further to the right, leaving a gap at the end of the first part of the title., and For further information consult library staff.
Publisher:
Pub. Decr. 11, 1797 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Horsley, Samuel, 1733-1806, Jenkinson, Charles, 1727-1808, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Rose, George, 1744-1818, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wilberforce, William, 1759-1833, and Windham, William, 1750-1810
Subject (Topic):
John Bull (Symbolic character), Taxation, History, Parades & processions, and Taxes
Title from item., Printmaker identified by former owner as probably Kingsbury., Sheet trimmed to plate mark on top., Place of publication from publisher's entry in Maxted, I. London book trades., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Tax collectors -- Tradesmen -- Taxes: tax book -- Weapons: pistols -- Emblems: royal crown stamped on pistol as proof of paid tax -- Ink-bottles attached to coat -- Furniture: inkstands -- Children -- Reference to coalition with Portugal., Mounted to 30 x 42 cm., and Watermark: Strasburg lily.
"A design in two compartments. [1] 'Billy, in the Devil's claws'. Fox as the Devil (left) grasps the thin and terrified Pitt round the waist, pointing with his left arm to a serried rank of French soldiers, landed from the boats of French men-of-war and marching up the steep coast. He is a grotesque hairy creature, short and heavy, with webbed wings attached to his ragged coat, a barbed tail and talons, and wearing a bonnet-rouge. He says, turning a glaring eye-ball on Pitt: "Ha! Traitor! - there's the French landed in Wales! what d'ye think of that, Traitor?" [2] 'Billy, sending the Devil packing'. Pitt kneels on one knee in profile to the right, holding up a paper: 'Gazette Defeat of the Spanish Fleet; by Sir John Jarvis.' He looks up at Fox with a contemptuous gesture and a subtly triumphant smile, saying: "Ha! Mr Devil! - we've Beat the Spanish Fleet what d'ye think of that Mr Devil?" Fox springs upwards with a terrified expression, his hands held up as if asking for mercy, his cap falls off and his tail is between his legs. On the right is the sea, with a naval battle in progress."--British Museum online catalogue
Alternative Title:
Table's turned, Billy in the Devil's claws, and Billy sending the Devil packing
Description:
Title etched below image and enclosed within curly brackets. and Temporary local subject terms: Invasions: French landing in Wales -- Spain: Spanish Fleet -- Reference to the battle of Cape St. Vincent, February 14, 1797 -- Newspapers: Gazette Extraordinary.
Publisher:
Pubd. March 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[7 August 1797]
Call Number:
Print00543
Image Count:
1
Resource Type:
still image
Alternative Title:
Barbers triumphant
Description:
Title from item., Sheet trimmed within plate mark on sides., Temporary local subject terms: Surgeons: unpopularity of surgeons -- Barber-surgeons -- Barbers' implements: bowl -- City companies: allusion to barber-surgeons -- Petitions: surgeons' petition for Corporation of Surgeons in London, 1797., and Trimmed within platemark to 24.3 x 34.6 cm.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[7 August 1797]
Call Number:
797.08.07.03+
Image Count:
1
Resource Type:
still image
Alternative Title:
Barbers triumphant
Description:
Title from item., Sheet trimmed within plate mark on sides., Temporary local subject terms: Surgeons: unpopularity of surgeons -- Barber-surgeons -- Barbers' implements: bowl -- City companies: allusion to barber-surgeons -- Petitions: surgeons' petition for Corporation of Surgeons in London, 1797., and Watermark: Budgen 1794.
"An officer (left) on a charger, evidently General Davies, see BMSat 9442, directed to the right, takes the salute from three officers who march (right to left) past him. The first, sabre in hand, point downwards, holds his left hand across the front of his high cocked hat. A young officer follows, carrying a standard of the Union flag with the White Horse of Hanover and a crown. The third marches with almost closed eyes and sword held point upwards. A crowd of amused spectators backed by a high wall forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Emblems: royal crown -- White horse of Hanover.
Publisher:
Pubd. July 10th, 1797, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Davies, Thomas, approximately 1737-1812
Subject (Topic):
Military parades & ceremonies, Flags, British, Military uniforms, and Spectators
Title etched below image., Design attributed to Richard Newton based on the drawing from which this print was made., One of the series of Laurie & Whittle drolls., Two lines of text below image: A British tar coming to an inn on his road to Plymouth ..., Numbered '180' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Buildings: Country inns -- Horses -- Ostlers -- Sailors -- Naval uniforms: Sailor's uniform -- Bludgeons., and Watermark: 1812.
Publisher:
Published June 10th, 1797, by Laurie & Whittle, 53 Fleet Street, London
Title from item., The characters ['er' in Jersey, scored through and replaced with an 'a'., Printseller's statement following the imprint: NB. Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Wigs: Bob-wig -- Slang: "Jazey" -- Reference to Regency -- Prince of Wales as Viceroy., and Watermark: Edmonds & Pine 1795.
Title from item., Numbered '191' in lower left of plate., One of the series of Laurie & Whittle drolls., Three lines of text below image: A countryman going along London streets, slip't down on the pavement ..., and Temporary local subject terms: Shops: grocer's shop -- Countrymen -- Grocers -- Tea: canisters of tea -- Tea: Souchong -- Casks -- Sugar Loaves.
Publisher:
Published 1st August 1797 by Laurie & Whittle, 53 Fleet Street, London
"Fox as a colossal Hercules, hairy and savage, bestrides the English Channel, supporting between the toes of his right foot the flag of 'Libertas'; his left foot is planted near a castle on a cliff flying the Union Jack. He wears a fox's skin over his shoulders, the head forming a cap, with a ragged coat and breeches. His arms and legs are bare; the large brush of his fox's skin almost sweeps the Channel. He flourishes his 'Whig-Club' (cf. BMSat 8996) above his head, saying, "Invade the Country, hay? - let them come, - thats all! - Zounds, where are they? - I wish I could see 'em here, thats all! - ay! ay! only let them come, - that's all!!!" The channel is filled with a fleet of men-of-war with ship's boats in the foreground, all making from France to England, and drawn by strings which Fox holds in his left hand."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Giants -- Ships: French fleet -- Flags: French flag -- Union Jack -- Puns: Whig club -- Foxes -- Clubs: reference to Whig Club -- Invasions.
Publisher:
Pubd. Feby. 19th, 1797, by H. Humphrey, New Bond Street
Title etched below image., Printmaker from British Museum online catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: Coaches: King's glass coach -- Crowds -- Opposition: members of the Opposition., Watermark: Strasburg bend with initial W below., Printseller's stamp in lower right corner: S.W.F., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Pub. N 2, 1797, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Stanhope, Charles Stanhope, Earl, 1753-1816
"Pitt, grotesquely thin and much caricatured, leads Eleanor Eden, a conventionally pretty woman, towards a bower (right) covered with a vine bearing many bunches of grapes interspersed with coronets. Within it are three large sacks inscribed '£'. His left hand is on her back, his right points to the bower. She advances demurely, a fan inscribed 'Treasury' held before her face. A Cupid with a torch flies before them. The Devil, a fat nude creature with webbed wings and the face of Fox, crouches behind the bower (right), impotently gnashing his teeth and clenching his fists. Ribbons with the jewels and star of an order are twined in the bower; more coronets and a star emerge from the ground. ..."--British Museum online catalogue
Alternative Title:
To the nuptial-bower he led her, blushing like the morn
Description:
Title etched at bottom of image., One line of quoted text to left of title: "To the nuptial-bower he led her, blushing like the morn.", Sheet trimmed within plate mark., Temporary local subject terms: Money: sacks of money -- Coronets -- Demons -- Cupids -- Female dress: fans -- William Pitt the Younger's debts -- Reference to Lord Auckland., and Watermark: Strasburg lily.
Publisher:
Pubd. Feby. 13th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Buckinghamshire, Eleanor Hobart, Countess of, 1777-1851
"Design in an oval. A travesty of the cameo known as the Marlborough Gem, now in the Museum of Fine Arts at Boston. The figures are light on a dark ground, as in the original. Miss Farren, tall, thin, with butterfly wings, her dress approximating to contemporary fashion, walks (left to right) on Lord Derby's left. He has the wings of Cupid, clipped, and is almost nude, with the fat limbs of a child together with a heavy paunch. He holds a dove, putting its beak to his lips. His scanty hair is in a small tail. Both are veiled. They are preceded by two winged boys, one with the torch of Hymen. A third follows, wearing a fool's cap simulating a cap of Liberty; he holds up an earl's coronet towards the bride, in place of the tray of fruit of the original."--British Museum online catalogue
Alternative Title:
Marriage of Cupid and Psyche
Description:
Title etched below image., A parody of Bartolozzi's engraving of the Marlborough Gem., Sheet trimmed to plate mark on right and left edges., Temporary local subject terms: Fool's cap as a bonnet rouge -- Cameos: Marlborough gem -- Crowns: earl's coronet -- Cherubs -- Torches: Hymen's smoking torch -- Marriages -- Birds: dove -- Wings -- Travesties., and Mounted to 32 x 48 cm.
Publisher:
Pubd. May 3d, 1797, by H. Humphrey, 27 St. James's Street
Subject (Name):
Smith-Stanley, Edward, 1752-1834, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Psyche (Greek deity), and Cupid (Roman deity)