"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Title etched below image., Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!!, Sheet trimmed within plate mark., and Matted to 72 x 56 cm.
Publisher:
Pubd. Novr. 2d, 1797, by H. Humphrey, St. James's Street
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester., Subjects identified on mat below image., 1 print : etching ; sheet 24 x 39 cm cm., and On wove paper, hand-colored, matted to 47 x 62 cm.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
"The fat and florid Lady Buckinghamshire, seated at the head of her faro-table, throws up her arms in dismay, turning towards her husband, who enters through a door (left), saying, "The Bank's stole! - we're ruin'd my Lady! - but I'll run to Bow Street & fix the Saddle upon the right horse, my Lady!" She exclaims: "The Bank stole, my Lord? - why I secur'd it in the Housekeepers-room myself! - this comes of admitting Jacobins into the house! - Ah! the Cheats! Seven Hundred gone smack; - without a single Cock of the Cards!" She fills the centre of the design, and is much larger than her husband. Her guests are crowded together on the right. A pretty young woman, Mrs. Concannon, seated on her left, clasps her hands, exclaiming, "Bank stole! - why I had a Gold snuffbox stole last night from my Table in Grafton Street." Lady Archer, on the extreme right, on the nearer side of the table, turns a corvine and angry profile towards Lord Buckinghamshire, saying, "Stole! - bless me why a Lady had her Pocket pick'd at my House last Monday." Opposite her sits Fox, wearing a hat and putting his hand over his mouth, saying, "Zounds! I hope they dont Smoke me." Sheridan looks over his shoulder, saying, "nor me". Behind Fox, Hanger stands in profile to the left, wearing a hat and holding his bludgeon; he says: "O! if they come to the Mount, if I don't tip them Shelalee" (see BMSat 8889). ... The door (left) resembles that of a strongroom, with two heavy locks and three bolts."--British Museum online catalogue
Alternative Title:
Rook's pigeon'd and Rook's pigeoned
Description:
Title etched below image., One line of quoted text following title: "When Greek meets Greek, then comes the tug of war!", Sheet trimmed within plate mark on bottom edge., and Literature: Quotation from Nathaniel Lee's The Rival Queens, iv. ii.
Publisher:
Pubd. Feby 2d, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Fox, Charles James, 1749-1806, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Sheridan, Richard Brinsley, 1751-1816, and Hanger, George, 1751?-1824
Subject (Topic):
Jacobins, Card games, Floor coverings, Gambling, Robberies, and Tables
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., and Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
"View on Cockspur Street with the Phoenix Fire Engine Station on the right, a horse-drawn carriage travelling down centre of street and elegantly dressed pedestrians on pavements"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., and Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802].
"Portrait of Horace Walpole, 4th Earl of Orford, after Reynolds; standing three-quarter length to left and leaning his right elbow on table with books, quill and print, his right hand to his cheek, eyes to front, wearing plain coat and waistcoat, lace collar and cuffs; in an oval, with Walpole's villa at Strawberry Hill below."--British Museum online catalogue, description of a later state
Description:
Title etched below image., State with new imprint and with alterations to the portrait and to the image of the estate. For a proof state before these alterations and with a 1796 publication line, see Lewis Walpole Library: Portraits W218 no. 6., and "Strawberry Hill" in all capitals is etched above title and below image of the estate.
Publisher:
Published as the act directs Feby. 14th, 1797, by W. Clarke, No. 38 New Bond Street
"Three people sit at a round table playing push-pin. The Duke of Queensberry (right) leans on the table, pushing the pin. In his right hand is a double lorgnette over which he leers at his vis-à-vis, a very corpulent woman in a flowered dress who stares through spectacles at the pins. A younger woman, spinsterish and demure, watches the game with down-dropped eyes. Both wear hats. The chairs are decorated with ormolu, and on the back of Queensberry's is his crest (without the coronet): a heart between wings. The floor is carpeted."--British Museum online catalogue
Description:
Title etched below image., Also with the figure of Mother Windsor, procuress., Sheet trimmed within plate mark resulting in loss of imprint., Imprint from untrimmed impression in Caricatures of Gillray at the Yale Center for British Art L296.32 (Folio A))., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827]., and Reduced copy of a print with the same title etched by Gillray and published by Hannah Humphrey in 1797.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
"The Duchess of Gordon runs in profile to the left, pursuing a bull which gallops away, out of reach. She holds out a ribbon inscribed 'Matrimony', tied in a bow, in which she wishes to noose the bull. She is stout, florid, and handsome, with tartan draperies hanging from her hair and looped about her dress. A slim daughter (Lady Georgiana) runs beside and behind her, saying, "Run, Mither! - run! run! O how I long to lead the sweet bonny Creature in a string! run! Mither! run. run." The Duchess cries: "De'el hurst your weam, ye overgrown Fool, what are ye kicking at? - are we not ganging to lead ye to Graze on the banks o' the Tweed, & to make ye free o' the Mountains o the North? - Stop! - stop! ye silly Loon ye! stop!, stop, stop." The scene is a bare and slightly mountainous moor. In the middle distance three other daughters of the Duchess dance hand in hand: one is in back view, half of her petticoats removed to show breeches, inscribed 'Manchester Velvet', indicating that she is Susan, who married the Duke of Manchester in 1793, and that she dominates her husband (cf. BMSat 8983). One (right) has a broom thrust through her sash to indicate that she is Louisa, m. Viscount Brome, 17 Apr. 1797. Beside the third (left) dances a spaniel attached to her waist by a ribbon inscribed 'K. Charles Breed', showing that she is Charlotte, who married Col. Lennox, see BMSat 7594 (afterwards Duke of Richmond). The Duchess was renowned for her match-making, in acquiring three dukes and a marquis for four of her five ill-dowered daughters. See Wraxall, 'Memoirs', 1884, iii. 391 ff.; 'Corr. of Lord G. Leveson Gower', 1917, i. 68, 73, 76. The pursuit of the Duke of Bedford was not at first successful, but Lady Georgiana was believed to have been engaged to him shortly before his death in 1803 (ibid. i. 336-7), after which she married, as his second wife, his brother and heir, the 6th Duke."--British Museum online catalogue
Alternative Title:
Bonny duchess hunting the Bedfordshire bull
Description:
Title etched below image., Temporary local subject terms: Match-making -- Matrimony -- Allusion to the Duke of Manchester -- Allusion to Col. Lennox -- Allusion to Viscount Brome -- Dogs: King Charles's spaniel -- Bulls -- Brooms -- Duchess of Manchester -- Viscountess Brome., and Mounted to 31 x 47 cm.
Publisher:
Pubd. April 19th, 1797, by H. Humphrey, New Bond & St. Jamess [sic] Street
Subject (Name):
Gordon, Jane Gordon, Duchess of, 1748-1812, Bedford, Georgina Gordon, Duchess of, 1781-1853, and Richmond and Lennox, Charlotte Gordon, Duchess of, 1768-1842
"A small ugly man rides a galloping horse in profile to the left, his leg thrust forward. He wears spectacles, his complexion is dark. There is a background of grass and trees, and in the distance a building with a pediment, evidently the new Knightsbridge Barracks (see 'Gent. Mag.', July 1797, p. 545, pl.)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Vide Hyde Park., Sheet trimmed within plate mark., Temporary local subject terms: Horseback riding -- Buildings: Knigthsbridge Barracks., and Watermark: Turkey Mills / J Whatman.
Publisher:
Pubd. June 5th, 1797, by H. Humphrey, 27 St. James's Street
"The Tree of Liberty (cf. BMSat 9214), often (in fact) a pole surmounted by a bonnet-rouge, is here a pike on which is the bleeding head of Fox, the eyes covered by a cap inscribed 'Libertas'. Round the base of the pike and on a grassy mound are heaped the heads of the Foxites. The six heads at the base of the pile are (left to right): Thelwall, a little apart from the others; beside him is a paper: 'Lectures upon the Fall of the Republic by J. Thelwall' (see BMSat 8685); against his head lies the blade of a headsman's axe; Derby (in 'profil perdu'), Lauderdale, Stanhope, M. A. Taylor, and Hanger. The two central heads are Erskine and Sheridan; next the latter is Horne Tooke. Behind, and forming the apex of the pile, are the head of (?) Grey [Incorrectly identified in Wright and Evans as Wilkes. It is possible that the head here identified as Grey is Byng, and that identified as Bedford is Grey.] in profile to the left and the handsome head of (?) Bedford. In the background are clouds, and below (right) the top of a hill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Tree of Liberty -- Foxites -- Clubs: Whig Club -- Weapons: spears -- Executioner's axe -- Allusion to Thelwall's Political Lectures., 1 print : etching on wove paper, hand-colored ; plate mark 35.6 x 25.1 cm, on sheet 39.3 x 29.4 cm., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 20 of volume 4 of 12.
Publisher:
Pubd. Feby. 16th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Bedford, Francis Russell, Duke of, 1765-1802, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, and Thelwall, John, 1764-1834
