"An imitation of British Museum Satires No. 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, page 129)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local Medical Library subject terms: Depression -- Songs., 1 print : etching with engraving, hand-colored ; sheet 208 x 250 mm., and Sheet trimmed within plate mark.
Publisher:
Publishd. June 16th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Topic):
Clergy, Alcoholic beverages, Pipes (Smoking), and Lemons
"Bust portrait in an oval. Scarcely a caricature but a study in facial expression of a cornered swindler. A man, fashionably dressed, but with dishevelled hair, gazes fixedly to the left, with pursed mouth and wrinkled forehead. Below the design is a list of eight names ('alias' repeated seven times) beginning: 'Mr Thos Ogle (the Notorious Swindler) - by which Name he Married Two Wives', and ending: 'Vide - his Examinations before the Magistrates of Bow Street in Novr 1801'."--British Museum online catalogue
Description:
Title from quotation etched above image., Text below title: Townsend, Pole. Officer, Bow Street., Temporary local subject terms: Swindler -- Thomas Ogle -- Major Semple -- William Smith -- Thomas Robison -- Batty -- Captain Johnson -- Thomas Bashford -- Robertson -- Lieut. Colt. Cs. Pullen., and Watermark: J Ruse 1799.
Publisher:
Publishd. Novr. 18th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street, London
"Bust portrait in an oval. Scarcely a caricature but a study in facial expression of a cornered swindler. A man, fashionably dressed, but with dishevelled hair, gazes fixedly to the left, with pursed mouth and wrinkled forehead. Below the design is a list of eight names ('alias' repeated seven times) beginning: 'Mr Thos Ogle (the Notorious Swindler) - by which Name he Married Two Wives', and ending: 'Vide - his Examinations before the Magistrates of Bow Street in Novr 1801'."--British Museum online catalogue
Description:
Title from quotation etched above image., Text below title: Townsend, Pole. Officer, Bow Street., Temporary local subject terms: Swindler -- Thomas Ogle -- Major Semple -- William Smith -- Thomas Robison -- Batty -- Captain Johnson -- Thomas Bashford -- Robertson -- Lieut. Colt. Cs. Pullen., 1 print : etching, aquatint, & stipple engraving on wove paper ; plate mark 25.6 x 20.5 cm, on sheet 34.2 x 27.6 cm., Watermark: J. Ruse., and Mounted on leaf 61 of volume 10 of 12.
Publisher:
Publishd. Novr. 18th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street, London
"Two terrified riders meet face to face on Hounslow Heath; each takes the other for a highwayman. One (left) losing his stirrups holds out his purse, saying, "Here is my Money! Spare my Life". The other dropping his whip, puts his hand in his waistcoat pocket, saying: "Ah! - don't Fire! - I'll give all". Both have dropped their reins. A signpost (left) points 'To Hounslow'."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Print signed using Brownlow North's device: A compass pointing north.
Publisher:
Publishd. June 6th, 1801, by H. Humphrey, No. 27 St. Jamess [sic] Street
"Two terrified riders meet face to face on Hounslow Heath; each takes the other for a highwayman. One (left) losing his stirrups holds out his purse, saying, "Here is my Money! Spare my Life". The other dropping his whip, puts his hand in his waistcoat pocket, saying: "Ah! - don't Fire! - I'll give all". Both have dropped their reins. A signpost (left) points 'To Hounslow'."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Print signed using Brownlow North's device: A compass pointing north., 1 print : etching with engraving on wove paper ; plate mark 26.0 x 36.4 cm, on sheet 28.1 x 41.5 cm., and Mounted on leaf 54 of volume 10 of 12.
Publisher:
Publishd. June 6th, 1801, by H. Humphrey, No. 27 St. Jamess [sic] Street
A sailor in oval within square frame, half-length turning to look at the viewer over his left shoulder
Alternative Title:
Heart of oak! and One of the brave tars who fought for, and protected this happy isle
Description:
Title etched below image., I.M. initials of Isaac Mills., Two lines of verse in two columns below title: God and a seaman all do adore in time of war and oft before. Now war is o'er and all things righted remember Jack's worth don't see him slighted., Attributed to Rowlandson by Grego., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 15 Novr., 1801 by R. Ackermann, Repository of Arts, 101 Strand
A caricature of a Jewish broker, standing full-length on the street outside a door. He uses his kerchief to wipe his spectacles. His walking stick is tucked under his right arm and a roll of papers under his left arm
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
A caricature of a Jewish broker, standing full-length on the street outside a door. He uses his kerchief to wipe his spectacles. His walking stick is tucked under his right arm and a roll of papers under his left arm
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper, hand-colored ; sheet 33.3 x 22.9 cm., Printmaker's signature, imprint, and publisher's announcement worn (or partially burnished?) from plate., Publisher's stamp "SWF" in lower right corner of sheet., and Mounted on leaf 59 of volume 7 of 14 volumes.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"A fat and vulgar woman, indecently décolletée, stands with right hand on her hip, a fan in her left hand, looking arrogantly up and to the left. She wears a large paradise plume in her hair with a small bunch of flowers. Her head is framed by an erect frill or ruff; her trained dress defines her clumsy figure."--British Museum online catalogue
Alternative Title:
Lioness
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 57 of volume 10 of 12.
Publisher:
Publishd. July 13th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
"Three brothers, with similar but identical profiles, sit squeezed together in a small rustic phaeton drawn (left to right) by three prancing goats, two being wheelers. The driver is nearest the spectator; all have leeks in their round hats; that of the driver has also the motto 'Ich dien'. On the phaeton are the initials 'WWW'; at the back is a large trunk. In the background is a craggy mountain on which goats are standing. A signpost (left) points 'To Wynnstay'."--British Museum online catalogue
Alternative Title:
Welsh tandem
Description:
Title etched below image. and Mounted on leaf 56 of volume 10 of 12.
Publisher:
Publishd. June 21st, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Williams-Wynn, Watkin, 1772-1840, Wynn, Charles Watkin Williams, 1775-1850, and Williams-Wynn, Henry Watkin, Sir, 1783-1856
"A Welshman and a Yorkshireman drink together at a table outside a rustic building; one holds a halter, waiting for a horse which a boy in the background is catching. The former says: '"Gots splutter I tell the County where I came from is so fertile that if you were to put in a seive over Night in a Close w [cropped] Hur Knows you would have hard matter to find it in the morning it would be so covered with grass.'' - Yn - "Phoo - thats nothing when compared to a Clos [cropped] is in Yorkshire where you may put in a Horse at Night and not be able to find him next morning.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum online catalogue., and Three lines of text below ttitle: Gots splutter I tell the Country where I came from is so fertile that if you were to put a seive over Night in a close which hur knows you would have hard matter to find...
Publisher:
Pub. July 1, 1801 by S.W. Fores, No. 50 Piccadilly
"Mrs. Billington, directed to the right, sings with head thrown back, right hand on her breast, left arm extended. She is stout and majestic, wears many jewels and quasi-contemporary dress, with four tall feathers and jewelled aigrette in her hair, from which hangs a long drapery."--British Museum online catalogue
Alternative Title:
Mandane
Description:
Title etched at top of image., Watermark: J. Ruse., and Mounted on leaf 63 of volume 10 of 12.
Publisher:
Publish'd Decr. 22d, 1801, by H. Humphrey, 27 St. James's Street
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
Feb 8, 1801.
Call Number:
801.02.08.01+
Image Count:
1
Resource Type:
still image
Abstract:
An obese man in a floral waistcoat and large lace collar rides his horse down a lane, his dog following behind
Description:
Title from item., Printmaker and artist from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Sir William Hamilton, old and bent, inspects his antiques. He stands in profile to left, looking through spectacles held in his right hand and reversed. He wears a round hat, a spencer over his coat and spurred top-boots, a stick in his (gloved) left hand; an expressive glove issues from his coat pocket. The objects at which he gazes are on a cloth-covered table. In the centre is a bust of 'Lais', the head that of Lady Hamilton, with fashionably dressed hair, but with nose, mouth, and chin broken away. Next it is a nude and headless Bacchante holding up a bunch of grapes (this was one of his wife's famous attitudes). Behind is a term with the head of a bull inscribed 'APIS'. Other objects are a weeping Cupid with a broken arrow, a grotesque goblet, a cracked chamber-pot on which nude figures dance. Against the wall (right) stands a mummy-like figure of 'MIDAS', with ass's ears. Other grotesque and broken objects stand on the carpet. On the wall are four pictures (left to right): 'Cleopatra', Lady Hamilton, three-quarter length, indecently décolletée and holding a bottle of 'Gin'; 'Mark Antony', Nelson, three-quarter length, a sea-fight in the background; a volcano in eruption; 'Claudius', a profile half length of Hamilton turning his back on the other pictures, the frame decorated with a stag's head."--British Museum online catalogue
Alternative Title:
Cognocenti contemplating the beauties of the antique and Cognoscenti contemplating the beauties of the antique
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Antiques -- Literature reference: Hamilton, Sir William, 1730-1803: Observations on Mount Vesuvius., and Matted to 62 x 49 cm.
Publisher:
Pubd. Feby. 11th, 1801, by H. Humphrey, 27 St. James's Street
"Sir William Hamilton, old and bent, inspects his antiques. He stands in profile to left, looking through spectacles held in his right hand and reversed. He wears a round hat, a spencer over his coat and spurred top-boots, a stick in his (gloved) left hand; an expressive glove issues from his coat pocket. The objects at which he gazes are on a cloth-covered table. In the centre is a bust of 'Lais', the head that of Lady Hamilton, with fashionably dressed hair, but with nose, mouth, and chin broken away. Next it is a nude and headless Bacchante holding up a bunch of grapes (this was one of his wife's famous attitudes). Behind is a term with the head of a bull inscribed 'APIS'. Other objects are a weeping Cupid with a broken arrow, a grotesque goblet, a cracked chamber-pot on which nude figures dance. Against the wall (right) stands a mummy-like figure of 'MIDAS', with ass's ears. Other grotesque and broken objects stand on the carpet. On the wall are four pictures (left to right): 'Cleopatra', Lady Hamilton, three-quarter length, indecently décolletée and holding a bottle of 'Gin'; 'Mark Antony', Nelson, three-quarter length, a sea-fight in the background; a volcano in eruption; 'Claudius', a profile half length of Hamilton turning his back on the other pictures, the frame decorated with a stag's head."--British Museum online catalogue
Alternative Title:
Cognocenti contemplating the beauties of the antique and Cognoscenti contemplating the beauties of the antique
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Antiques -- Literature reference: Hamilton, Sir William, 1730-1803: Observations on Mount Vesuvius., 1 print : etching on wove paper, hand-colored ; plate mark 36.0 x 25.1 cm, on sheet 40.3 x 29.2 cm., and Mounted on leaf 47 of volume 10 of 12.
Publisher:
Pubd. Feby. 11th, 1801, by H. Humphrey, 27 St. James's Street
As she looks directly at the viewer, a short, plump woman dressed in a short dickey bares her breasts as she stands, legs apart, between a dresser and an armchair. A cat with a shocked expression looks up under her short chemise
Description:
Title from caption etched below image., Printmaker and imprint from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 22 cm.
"An obese and carbuncled barrister stands in profile to the left, shouting with raised fingers; in his left hand is a sheaf of papers. He wears the wig of a serjeant-at-law, with its black patch (cf. No. 5900), and his gown drapes his old-fashioned professional dress. Behind him (right) stands a senile-looking and spectacled colleague, while a third (left), also in a serjeant's wig, sits in back view in an arm-chair."--British Museum online catalogue
Alternative Title:
Councillor
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and A companion print to: A money scrivener.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"An obese and carbuncled barrister stands in profile to the left, shouting with raised fingers; in his left hand is a sheaf of papers. He wears the wig of a serjeant-at-law, with its black patch (cf. No. 5900), and his gown drapes his old-fashioned professional dress. Behind him (right) stands a senile-looking and spectacled colleague, while a third (left), also in a serjeant's wig, sits in back view in an arm-chair."--British Museum online catalogue
Alternative Title:
Councillor
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., A companion print to: A money scrivener., 1 print : etching on laid paper ; sheet 34.4 x 24.1 cm., Sheet trimmed within plate mark. With publisher stamp: S.W.F., and Mounted on leaf 61 of volume 7 of 14 volumes.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
Title from item., After Rowlandson., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Crutches -- Amputated legs., Watermark: Strasburg Lily., and S.W. Fores; ownership stamp located in bottom right corner of sheet.
Publisher:
Pub. Jany. 1st, 1801. by S.W. Fores, No. 50 Piccadilly
"A half length portrait of Matthew Day standing in profile to the right. He is very obese, wears round hat, long coat, tasselled Hessian boots, and holds a cane in his gloved hand."--British Museum online catalogue
Description:
Title etched below image. and Leaf 31 in an album with the spine title: Characatures by Dighton.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[ 20 May 1801]
Call Number:
801.05.20.01
Image Count:
1
Resource Type:
still image
Alternative Title:
Rowland for your Oliver
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily.
Publisher:
Pub'd. May 20th, 1801 by S.W. Fores, 50 Piccadilly
Title etched below image., Artist from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to unpaid bills -- John Bull -- Creditors -- Vintners --Butchers -- Prostitutes., and Mounted to 29.5 x 29.5 cm.
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printseller's identification stamp located in lower right corner of print: S·W·F., Printmaker from British Museum catalogue., Temporary local subject terms: Devils -- Peace -- Punch bowl -- Pistols -- Razor., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Octor. 28th, 1801 by S.W. Fores, 50 Piccadilly
"An elderly man in old-fashioned dress stands at his desk, his right hand on an open ledger, looking down with a calculating grimace. He wears a night-cap and slippers; a pen is behind his ear. His high stool is behind him. In the background another elderly man writes seated at a desk. Papers spiked on files hang from the wall, and lie on the floor, with folio volumes. An 'Invoice' is pasted on the wall. Above a high shelf is the date '1800' etched over '1787', with 'R. 1788'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Companion print to: A Counciller, Sheet trimmed within plate mark., and Mounted on leaf 72 of volume 7 of 14 volumes.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"An elderly man in old-fashioned dress stands at his desk, his right hand on an open ledger, looking down with a calculating grimace. He wears a night-cap and slippers; a pen is behind his ear. His high stool is behind him. In the background another elderly man writes seated at a desk. Papers spiked on files hang from the wall, and lie on the floor, with folio volumes. An 'Invoice' is pasted on the wall. Above a high shelf is the date '1800' etched over '1787', with 'R. 1788'."--British museum online catalogue
Description:
Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., Printseller's stamp located in lower right corner of sheet: S·W·F., Temporary local subject terms: Furniture -- Desks -- Male costume -- Night-cap -- Slippers -- Money scrivners -- Scrivner's shops., and Watermark.
Publisher:
Pub. Jany. 1st, 1801 by S.W. Fores, No. 50, Piccadilly
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: 1801 -- Mops -- Kitchen utensils -- Brooms., and Watermark: Taylor 1797.
Publisher:
Pubd. Jany. 5th, 1801 by S.W. Fores, 50 Piccadilly
"A whole length portrait of a military officer standing in profile to the left holding papers in his (gloved) left hand; right hand behind his back. He wears a small pigtail, cocked hat, and sash. His sabre hangs very low, resting on the ground. He is Lord Berkeley (1745-1810), colonel of the South Gloucester Regiment (gazetted 14 Mar. 1794), see British Museum Satires No. 5140."--British Museum online catalogue
Description:
Title etched below image., Leaf 72 in an album with the spine title: Characatures by Dighton., Figure identified as "Lord Berkley" in pencil in lower left corner of sheet., and On verso is some arithmetic in pencil, beside which is written "3 plates" in ink.
Publisher:
Pub. Decr. 1801 by Dighton, Charg. Cross
Subject (Name):
Berkeley, Frederick Augustus Berkeley, Earl of, 1745-1810
"The Duke of Grafton stands directed to the left, his head in profile, both (gloved) hands resting on the head of his stick. He wears his accustomed and characteristic dress of an earlier fashion: small tricorne and full-skirted coat buttoned at the waist, with a star, and spurred top-boots."--British Museum online catalogue
Description:
Title etched below image., Leaf 30 in an album with the spine title: Characatures by Dighton., and Figure identified as "Duke of Grafton" in pencil below plate mark.
Publisher:
Pubd. Novr. 20th, 1801, by Dighton, Charg. Cross
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"Two heads emerge from the highly-polished boots of their respective owners, which face each other. They are finished portraits of Skeffington and Montagu Mathew, inseparables, see BMSat 9699. Skeffington's boot (left) is a tasselled Hessian; its pointed toe rests on the foot of Mathew's spurred top-boot. Both wear round hats of slightly differing shapes. Skeffington's dark hair is short, falling over his forehead; he has a large whisker. Mathew's fair hair is long and powdered, and tied by a ribbon at the tips; he has a small whisker. Round the two boots are grouped blacking materials. A large open book (left) is 'Essay on Blacking'; by it are bottles labelled 'Mr Broomhills Recipe' and 'The Princes Recipe', and a mixing-pot. Two volumes (right) are 'Chemistry'; on them are bottles labelled 'Pine Apple' and 'Spirit of Salt'. There are also two brushes, a polishing pad, a cake of 'Holdsworth's' blacking, and a broken bottle of 'Royal Blacking'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Mounted to 56 x 37 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 10th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Skeffington, Lumley St. George, Sir, 1771-1850 and Mathew, Montague James, 1773-1819
"Two heads emerge from the highly-polished boots of their respective owners, which face each other. They are finished portraits of Skeffington and Montagu Mathew, inseparables, see BMSat 9699. Skeffington's boot (left) is a tasselled Hessian; its pointed toe rests on the foot of Mathew's spurred top-boot. Both wear round hats of slightly differing shapes. Skeffington's dark hair is short, falling over his forehead; he has a large whisker. Mathew's fair hair is long and powdered, and tied by a ribbon at the tips; he has a small whisker. Round the two boots are grouped blacking materials. A large open book (left) is 'Essay on Blacking'; by it are bottles labelled 'Mr Broomhills Recipe' and 'The Princes Recipe', and a mixing-pot. Two volumes (right) are 'Chemistry'; on them are bottles labelled 'Pine Apple' and 'Spirit of Salt'. There are also two brushes, a polishing pad, a cake of 'Holdsworth's' blacking, and a broken bottle of 'Royal Blacking'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.7 x 25.3 cm, on sheet 40.3 x 29.5 cm., and Mounted on leaf 48 of volume 10 of 12.
Publisher:
Publish'd March 10th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Skeffington, Lumley St. George, Sir, 1771-1850 and Mathew, Montague James, 1773-1819
Title and printmaker from British Museum catalogue., Printseller's announcement following title: Folios of caracatures [sic] lent out for the evening., Watermark: J Whatman 17[??]., and Printseller's identification stamp in extreme lower right corner of sheet: S·W·[F].
Publisher:
Pub'd. July 4th, 1801 by S.W. Fores, 50 Piccadilly
"A sailor and a young woman in a low-necked dress standing next to and gazing at each other, an arm around each other's shoulders and clasping hands, their speech written above their heads. The girl says, 'you shall go with me I insist on it -'. The sailor replies, 'With all my heart my little Cruizer - but shiver my Timbers, - when I first look'd at you - and saw your out works so newly painted, and your rigging so light - that may I never cast anchor again - if I did not take you for a Modest Woman!"--British Museum online catalogue
Description:
Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sailors.
Publisher:
Pub'd. Sept. 12th, 1801 by R. Ackermann, No. 101 Strand
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Three lines of descrptive text below title: These men travelling together, agreed each to watch four hours at night, in turn, for the sake of security. The barber's lot came first, who shaved the scholar's head when asleep, then waked him when his turn came. The scholar scratching his head and feeling it bald exclaimed, "You wretch of a barber, you have waked the bald man instead of me.", Plate numbered '268' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 27th July, 1801 by Laurie & Whittle, 53 Fleet Street, London
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[20 April 1801]
Call Number:
801.04.20.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark., Four lines of text below title: Last week was married at M[inked over] Church Richard Drwewell, Coachman to George Clover, Esq. of D- P- to Nancy Brigadier, Cook to C- Robert Clover of G- P- ..., Printmaker from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub'd. April 20, 1801 by W. Holland, 50 Oxford Street
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Publication date from watermark., Reprinted from the original plate in 1801 or after., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: burning brands., and Watermark: (countermark) E & P, 1801.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"An obese and elderly citizen stands almost full-face holding up a (?) turbot, with an expression of intense satisfaction. His left hand holds his head, pushing up his wig. His dress is old-fashioned, with a flapped waistcoat. Between his feet is a shallow saucepan."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v 6., no. 7445 for a description of another state published in 1788., and Watermark: A Stace [?] 1798.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"An obese and elderly citizen stands almost full-face holding up a (?) turbot, with an expression of intense satisfaction. His left hand holds his head, pushing up his wig. His dress is old-fashioned, with a flapped waistcoat. Between his feet is a shallow saucepan."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v 6., no. 7445 for a description of another state published in 1788., 1 print : etching on laid paper, hand-colored ; sheet 33.7 x 22.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 60 of volume 7 of 14 volumes.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"Eight elderly topers with pipes and glasses surround a small oblong table, on which are punch-bowl, wine-glasses, tobacco, &c. All are much caricatured; some sing, a parson sleeps, a dog howls. The room is lit by a chandelier; a bracket-clock points to 3.40, on it is carved a Bacchanalian figure of Time astride a cask. A bust portrait of Anacreon holding pen and paper is on the wall (left)."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text above image: "Whilst, snug in our club-room, we jovially 'twine the myrtle of Wenus with Bacchus's wine.", Numbered in black ink lower right in an unknown hand: 505. Remnants of former blue mounting on verso., and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 24.5 x 31.4 cm, on sheet 32.9 x 34.9 cm.
Publisher:
Publish'd Decr. 1st, 1801, by H. Humphrey, 27 St. James's Street
"Eight elderly topers with pipes and glasses surround a small oblong table, on which are punch-bowl, wine-glasses, tobacco, &c. All are much caricatured; some sing, a parson sleeps, a dog howls. The room is lit by a chandelier; a bracket-clock points to 3.40, on it is carved a Bacchanalian figure of Time astride a cask. A bust portrait of Anacreon holding pen and paper is on the wall (left)."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text above image: "Whilst, snug in our club-room, we jovially 'twine the myrtle of Wenus with Bacchus's wine.", Watermark: Turkey Mills J. Whatman., and Mounted on leaf 62 of volume 10 of 12.
Publisher:
Publish'd Decr. 1st, 1801, by H. Humphrey, 27 St. James's Street
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publ'd. May 1st, 1801, by R. Ackermann, N. 101 Strand
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 25.5 x 30.4 cm., Sheet trimmed within plate mark with loss of imprint; printed on browned paper., and Mounted on leaf 71 of volume 7 of 14 volumes.
Publisher:
Publ'd. May 1st, 1801, by R. Ackermann, N. 101 Strand
Roberts, Piercy, active 1791-1805, printmaker, publisher
Published / Created:
[September 1801]
Call Number:
801.09.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A view of the shop of P. Roberts, publisher, from the street with a crowd on the sidewalk and street looking at the display of prints in the window. An elegant figure Roberts (?) stands in the doorway with a tool of his trade (a burin?) in hand; a customer is seated inside near the window. In the crowd are men, women and children, including a Black man and a man with no legs
Description:
Title from caption etched below image., Printmaker surmised from subject matter., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mss. note at top of sheet: No. 7.
Publisher:
Pub'd. Sepr. 1801 by P. Roberts, Middle Row, Holborn
Subject (Geographic):
England and London
Subject (Name):
Roberts, Piercy, active 1791-1805,
Subject (Topic):
Black people, City & town life, Crowds, Dogs, Merchandise displays, Prints, Stores & shops, Window displays, Printing industry, and People with disabilities
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", 1 print : etching with aquatint and stipple on wove paper, hand-colored ; sheet 25.5 x 20 cm., and Offset from another impression on verso.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", Figure identification in pencil in contemporary hand below plate mark., and Mounted to 39 x 29 cm.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", 1 print : etching with stipple on wove paper ; sheet 26.3 x 20.1 cm., Sheet trimmed to plate mark., Watermark: 1804 J. Whatman., and Mounted on leaf 45 of volume 10 of 12.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"Two jovial old pensioners sit together on a bench, smoking and gesticulating. The sailor (left) holds a frothing tankard, and raises his pipe above his head; his wooden leg extends stiffly. The soldier turns his head in profile to the left, gesticulating with his right hand; he has lost his left arm. Both are neatly dressed."--British Museum online catalogue
Alternative Title:
Descriptions of battles by sea and land
Description:
Title etched below image., Temporary local subject terms: Medical: wooden leg -- Greenwich Hospital pensioner -- Chelsea Hospital pensioner -- Pensioners., Temporary local Medical Library subject terms: Prostheses -- Greenwich Hospitals -- Chelsea Hospital., Leaf 63 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 22.1 x 17.3 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich. and Royal Hospital (Chelsea, London, England)
"Two jovial old pensioners sit together on a bench, smoking and gesticulating. The sailor (left) holds a frothing tankard, and raises his pipe above his head; his wooden leg extends stiffly. The soldier turns his head in profile to the left, gesticulating with his right hand; he has lost his left arm. Both are neatly dressed."--British Museum online catalogue
Alternative Title:
Descriptions of battles by sea and land
Description:
Title etched below image., Temporary local subject terms: Medical: wooden leg -- Greenwich Hospital pensioner -- Chelsea Hospital pensioner -- Pensioners., Temporary local Medical Library subject terms: Prostheses -- Greenwich Hospitals -- Chelsea Hospital., and 1 print : etching, hand-colored ; plate mark 223 x 172 mm.
Publisher:
Robert Dighton
Subject (Geographic):
Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich. and Royal Hospital (Chelsea, London, England)
"Two jovial old pensioners sit together on a bench, smoking and gesticulating. The sailor (left) holds a frothing tankard, and raises his pipe above his head; his wooden leg extends stiffly. The soldier turns his head in profile to the left, gesticulating with his right hand; he has lost his left arm. Both are neatly dressed."--British Museum online catalogue
Alternative Title:
Descriptions of battles by sea and land
Description:
Title etched below image., Temporary local subject terms: Medical: wooden leg -- Greenwich Hospital pensioner -- Chelsea Hospital pensioner -- Pensioners., Temporary local Medical Library subject terms: Prostheses -- Greenwich Hospitals -- Chelsea Hospital., and Provenance identification in contemporary hand near bottom of print.
Publisher:
Robert Dighton
Subject (Geographic):
Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich. and Royal Hospital (Chelsea, London, England)
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., "Dido" is a reference to a character from Virgil's Aeneid., Sheet trimmed within plate mark., and BAC: British Art Center copy is hand-colored. Bound with (as frontispiece): A new edition considerably enlarged, of Attitudes faithfully copied from nature (London: H. Humphrey, 1807).
Publisher:
Pubd. Feby. 6th, 1801, by H. Humphrey, No. 27 St. James Street, London
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., "Dido" is a reference to a character from Virgil's Aeneid., Sheet trimmed within plate mark., BAC: British Art Center copy is hand-colored. Bound with (as frontispiece): A new edition considerably enlarged, of Attitudes faithfully copied from nature (London: H. Humphrey, 1807)., 1 print : etching with engraving and stipple engraving on wove paper, hand-colored ; plate mark 25.2 x 36.0 cm, on sheet 28.7 x 40.2 cm., Watermark, partially trimmed: Ruse & Turners., and Mounted on leaf 46 of volume 10 of 12.
Publisher:
Pubd. Feby. 6th, 1801, by H. Humphrey, No. 27 St. James Street, London
Title etched below image., Publication year from unverified data from local card catalog record., Dated "April 2, 1801" in Grego, J. Rowlandson the caricaturist, v. 2, page 33., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Publication year from unverified data from local card catalog record., Dated "April 2, 1801" in Grego, J. Rowlandson the caricaturist, v. 2, page 33., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 23.3 x 18 cm., Sheet trimmed within plate mark., and Mounted on leaf 69 of volume 7 of 14 volumes.
Title from item, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Courtship -- Older couples.
Publisher:
Pubd. April 3rd, 1801 by R. Ackermann, No. 101 Strand
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 20 cm, on sheet 25.7 x 20.4 cm., and Mounted on leaf 68 of volume 7 of 14 volumes.
Publisher:
Pub'd. April 2nd, 1801, by R. Ackermann, No. 101 Strand
"A lady walks from the spectator holding out a closed parasol in her right hand; with the left she raises the back of her dress, showing a leg but letting her skirt trail on the ground. She wears a poke bonnet projecting horizontally beyond her face, a short-waisted clinging dress, with short sleeves and elbow length gloves. A frilled tippet or plastron blows back from her shoulders, forming a triangle."--British Museum online catalogue
Alternative Title:
Back front of a lady of fashion in the year 1801
Description:
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printseller's identification stamp located in lower right corner of sheet: S·W·F., and Temporary local subject terms: Parasol -- Poke bonnet -- Frilled tippet -- Plastron.
Publisher:
Pub'd. July 28, 1801, by S.W. Fores, 50 Piccadilly
Title from item., Artist supplied by cataloger., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Two lines of dialogue inscribed below design: Good lack a day John, what are you doing? you have broke all the tea things. "I can't help it Ma'am, that nasty cur[?] of yours has bit my lef." Bit your leg! has he? dear me; I hope the pretty little creature won't be sick after it!!, Numbered '259' in the Laurie & Whittle series of Drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Spilling tea service -- Tea trays -- Tea tables -- Birdcages -- Birds: parrot -- Domestic service -- Liveried Manservant.
Publisher:
Publish'd Feb. 4, 1801 by Laurie & Whittle, 53 Fleet Street, London
"A young and very smart officer lunges forward, pointing his tasselled cane at one of a line of soldiers who stand rigidly at attention full face, but with 'Eyes right' (the words inscribed at the end of the cane). He shouts: "Hold up your Head that Man there!" He holds his (sheathed) sword, attached to a sword-belt, in his left hand. The soldiers wear plumed shakos, long gaiters, and shoes with very pointed toes. Behind is a row of spectators, men and women, and one little boy. Some are fashionably dressed; one is a fat butcher."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., and Mounted on leaf 60 of volume 10 of 12.
Publisher:
Publishd. Novr. 12th, 1801, by H. Humphrey, 27 St. James's Street
"A caricature of Hamilton, in back view, in the form of a porcelain vase standing on a (chipped) base inscribed: 'D AM.N.Q.V.I.Σ.Σ.Ω.N'. The wig, with black bag, forms the cover of the vase. The shoulders are enormously wide and curved, with large projecting epaulettes. The curved body of the vase, broadened by the arms, dwindles to the coat-tails, and rests on a stem consisting of two short and bulging legs terminating in ungainly buckled shoes. See BMSat 9753."--British Museum online catalogue
Alternative Title:
From Sir William Hamilton's collection
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 51 of volume 10 of 12.
Publisher:
Publishd. May 8th, 1801, by H. Humphrey, No. 27 St. James's Street
General peace and general war and Interview at Rhampton
Description:
Title from item., Sheet trimmed within plate mark., Penned note in modern hand on backing sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Penned note in modern hand on backing sheet; mounted to 48 x 28 cm.
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with drypoint on wove paper, hand-colored ; plate mark 24.7 x 34.6 cm, on sheet 25.5 x 36.2 cm., Publisher's stamp "SWF" in lower right corner of sheet., and Mounted on leaf 77 of volume 7 of 14 volumes.
Publisher:
Pubd. Decr. 20, 1801, by R. Ackermann, No. 101 Strand
"A box-like room is suspended in the sea by ropes on pulleys, a shaft ascending from its roof. There is no front wall, enabling sea-monsters to attack the occupants, who are four terrified little men, naked except for breeches. In each of the three walls is a barred window; through one (right) a large fish has pushed its head to seize the head of a man in its jaws, while water gushes in."--British Museum online catalogue
Description:
Title etched above image., Printmaker identified as Gillray in the British Museum catalogue., and Mounted on leaf 58 of volume 10 of 12.
Publisher:
Publish'd July 19th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
"The resigning Ministers issue from the arched gateway of the 'Treasury', led by Pitt (right) who, with an oratorical gesture, holds out a document: 'Justice of Emancipating ye Catholicks'. Behind him is Dundas (Secretary of State for War), holding Pitt's right arm, and not in the usual Scottish dress (though he wears a tartan waistcoat). He holds a document: 'Advantages of the Union'; from his coat pocket issues a paper: 'Successes in the East'. Next walks Grenville (Foreign Secretary) in peer's robes holding a paper: 'Acquisitions from ye War. Malta, Cape of Good Hope, Dutch Islands' [Ceylon captured 1796]. Behind him walk Spencer (First Lord), holding 'Enemies Ships taken & Des[troyed]', and Loughboroug in his Chancellor's wig. Three heads are dimly visible in the shadow of the archway. From the left the Opposition, in the guise of a plebeian rabble, advance towards the Treasury gate but are held back by a sturdy grenadier sentry at the point of the bayonet. He is back view, with 'G.R' on his busby, and is probably George III, possibly Addington. Facing him, against the Treasury wall, is his sentry-box, placarded: 'G.R Orders for keeping all improper Persons out of the Public Offices'. The rabble are led by Sheridan and Tierney; the former a butcher with cleaver raised to strike, the latter a ragged cobbler wearing a bonnet rouge; he is about to fling a cat which he holds by the tail. Behind them are Jekyll, as a chimney-sweep with brush and shovel, but wearing a barrister's wig and (tattered) gown, Bedford dressed as a jockey and holding out whip and cap (cf. BMSat 9261, &c), Nicholls and Tyrhwitt Jones, both holding up hats with tricolour cockades. At the back are Norfolk, about to hurl a bottle of wine, and Burdett. There is also raised above the crowd an arm which has just hurled a full tankard of 'Whitbread's Entire' [see BMSat 10421]. Other missiles include a lighted squib, a bludgeon, vegetables, and a book: 'Jacobin Charges, Speeches Essays'. Bedford cries: "Push on, dam'me! - work 'em! - its our Turn now!" The sentry answers: "Your Turn! - no, no! - whoever goes out You'll not come in!" In the foreground, on the extreme left, are two dwarfish and ragged little newsboys blowing their horns; on the cap of one is 'Morning Chronicle' [see BMSat 9240]. Below the design: "Men in conscious Virtue bold! "Who dare their Honest purpose hold. "Nor heed the Mob's tumultuous cries; "And the vile rage of Jacobins - despise.""--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 37 of volume 5 of 12.
Publisher:
Pubd. Feby. 24th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Nicholls, John, 1745?-1832, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Jones, Thomas Tyrwhitt, Sir, 1765-1811, Burdett, Francis, 1770-1844, and Jekyll, Joseph, 1754-1837
A minister, possibly the Chancellor, holds out a large magnifying glass in his right and and gestures with his left hand. He is wearing a long coat and a long powdered wig. He addresses John Bull: Look through this glass Mr Bull and behold your future prosperity, looking towards a cloud within which the future is foretold. In the cloud John Bull is depicted in seven different scenarios: drinking unadulterated porter, free from taxes, smoking Trinidad tobacco, talking French & grown quite a fine gentleman, eating cinnamon from Ceylon, free from care, and with bread at 6d the quarter loaf. John Bull says: 'what be all those people I see. Mercy on us so many good things will be more than I can bear'. His companion replies: 'Look through this glass Mr. Bull & behold your future prosperity, it magnifies but very little I assure you'.
Alternative Title:
John Bull peeping into futurity
Description:
Title etched below image., Date of publication inferred from dates given in the British Museum catalogue for other prints after Woodward that were likewise etched and published by Roberts. Cf. Nos. 9729, 9850, and 9965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
National characteristics, English, Colonies, John Bull (Symbolic character), Hand lenses, and Ethnic stereotypes
John Bull winks his eye and licks his lip as he embraces a homely, larger woman with a patched-dress with warts on her face. His top hat, cane, and gloves are on a table to the right. In a speech bubble above his head: Come, come, no grinning!! A bad piece is better than no piece at all
Description:
Title from item. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A woman, elderly, short, and broad, with swarthy Jewish features, stands, her head turned in profile to the right, holding a goose perched on her forefinger. In her right hand is the end of a ribbon attached to its leg. She says: "Say little foolish Fluttering thing". Her head is covered with dark curls in which are flowers and a ribbon. She wears a short-waisted dress, with the slashed and vandyked bodice associated with the stage or (in caricature) with Spain. The background, with cast shadows, suggests the stage."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Printseller's identification mark located in lower right corner: S·W·F.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Costume -- Women -- Hats -- Umbrella.
Publisher:
Pubd. Sept. 10, 1801 by R. Ackermann, No. 101 Strand
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Costume -- Hats -- Young men.
Publisher:
Publish'd July 10, 1801 by R. Ackermann, No. 101 Strand
"The new Ministers (identified by inscriptions below the design) don the clothes of their predecessors. These are (left to right) the Chancellor (Eldon) on the Woolsack, in back view, wearing the wig, enormously elongated so that it trails on the floor, characteristic of Loughborough (cf. BMSat o. 6796): 'Lord L------gh------h's large Wig'. He says: "O such a Day as This, so renown'd so victorious, \ "Such a Day as This, was never seen!" His feet are pressed against the front bench. The principal figure is that of Addington standing in profile to the right on the 'Treasury Bench', inside an enormous jack-boot, reaching to his neck: over this hangs Pitt's far too large coat (the Windsor uniform, blue with red facings). His forehead disappears in a vast cocked hat, and his wig-bag is enormous. He is 'Mr Pitt's Jack-Boot'. He says: "Well! to be sure these here Cloaths do fit me to a inch! - & now that I've got upon this Bench, I think I may pass muster for a fine tall Fellow, & do as well for a Corporal, as my old Master, Billy, himself!!! - ". In front stands Hawkesbury, youthful, nervous, and almost tearful; he stands within the bulky breeches of his predecessor as 'Ld G - n - le's Breeches'; he says: "Mercy upon me! - what a Deficiency is here!!! ah poor Hawkee! - what will be the consequence, if these d------d Breeches should fall off in thy ''March to Paris", & thou should be found out a Sans-Culotte?" Lord Hobart, a very broad figure, 'Mr D-d-s's Broad Sword', stands full face, a curious divided petticoat (made out of Dundas's kilt) is buttoned under his arms, over a military coat. His head is overweighted by Dundas's large Scots cap; he stands defiantly, left hand on hip, in his right he holds erect a broad-sword dripping blood. He says: "Ay! Ay! leave Us to settle them all! here's my little Andrew Ferrara!!! - was it not Us that tip'd em the broadside in the Baltic? - was it not Us that gave ye Crocodiles a breakfast in Egypt? - I'm a Rogue if it is not Us that is to save little England from being swallow'd up in the Red Sea!!!" In the foreground (right) the fat, elderly, but comely Lord Glenbervie (who succeeded Canning as Paymaster General) sits on the floor in shirt and waistcoat, trying to pull on the pointed slippers which are far too long and too narrow for his gouty feet. He is 'Mr C-n-g's Old Slippers'. He says: "ah, Dam'n his narrow Pumps! I shall never be able to bear them long on my Corns! - zounds! are these Shoes fit for a Man, in present-pay Free Quarters". Behind him stand together the two new Treasury secretaries (John Hiley Addington, brother of the Minister, wearing spectacles, and Nicholas Vansittart). They wear the coats of their predecessors, which trail on the ground, and hold, like muskets at attention, two enormous pens. On the head of each is a vast round ink-pot: 'G. Rose's old Stand' and 'C. Long's old Stand'. They are 'Treasury Ink Stands'. Behind (left), partly hidden by Eldon and Addington, are two unidentified figures: a man wearing a large naval cocked hat, and a lawyer in back view. The former must be St. Vincent who succeeded Spencer at the Admiralty. The latter may be Law who became Attorney General. Between and behind Addington and Hawkesbury is a sulky-looking man in a military coat and an enormous busby in which is a huge pen: 'Wyndham's Cap & Feather'. He is Charles Yorke who succeeded Windham as Secretary of War."--British Museum online catalogue
Alternative Title:
Lilliputian substitutes equipping for public service
Description:
Title etched in top part of image. and Mounted on leaf 39 of volume 5 of 12.
Publisher:
Publish'd May 28th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Glenbervie, Sylvester Douglas, Baron, 1743-1823, Vansittart, Nicholas, 1766-1851, St. Vincent, John Jervis, Viscount, 1735-1823, and Yorke, Charles Philip, 1764-1834
Title from item., From the Laurie & Whittle series of Drolls., Eleven lines of descriptive verse inscribed in 3 columns below design: Betty with bridled chin extends her face, And then contracts her lips with simp'ring grace ..., Plate numbered '265' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Inns: exterior -- Covered carts -- Countrymen -- Quotation from literature: Dr. King, fl. 1801?, 'Little Mouths'.
Publisher:
Published 25th May, 1801, by Laurie & Whittle, 53 Fleet Street, London
"A half length portrait of Lord Sefton (1772-1838) seated on a high box-seat, driving; he leans slightly forward, his head in profile to the left, a bunch of reins in the left hand, a long whip in the right."--British Museum catalogue
Description:
Title etched below image., Leaf 18 in an album with the spine title: Characatures by Dighton., and Figure identified as "Ld. Sefton" in pencil below plate mark.
Publisher:
Pubd. Novr. 1801 by Dighton, Charg. Cross
Subject (Name):
Sefton, William Philip Molyneux, Earl of, 1772-1838
"A coach entering Fonthill, passing under the arch, two men on horseback holding torches in front of the coach, a soldier standing by the arch; other coaches in front and a group of figures under a marquee to the right celebrating."--British Museum online catalogue
Description:
Title etched below image., Date of publication from that of the periodical for which the print was issued., Plate from: The gentleman's magazine. London : John Nichols, v. 71 (April 1801), "Gent. Mag. April 1801, pl. I, p. 289"--Upper right corner., and Sheet trimmed to plate mark on right and left edges.
Market place at Cambridge and Markett place at Cambridge
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 78 of volume 7 of 14 volumes.
Title from caption below image; subtitle from text etched in lower right corner below image., Publisher's advertisement below title: Johnny Newcome in the island of Jamaica, a companion print to this from a drawing by the same humorous pencil, may be had of Mr. Holland ..., Design consists of seventeen individually-captioned panels arranged in three horizonal rows., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman 1824., and Date in imprint altered in ms. from "1801" to "1803."
Publisher:
Published by Willm. Holland, No. 50, Oxford Street
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", 1 print : etching with aquatint and stipple on wove paper, hand-colored ; plate mark 25.9 x 20.3 cm., and Trimmed to plate mark.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", Figure identification pencilled in contemporary hand below plate. Numbered above: 509., and Mounted to 37 x 27 cm.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", 1 print : etching with roulette & stipple on wove paper, hand-colored ; plate mark 25.7 x 20.5 cm, on sheet 31.3 x 23.4 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 49 of volume 10 of 12.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"A fat citizen (three-quarter length), seated in an armchair, endures an operation upon the carbuncles of his bloated nose. The operator (left), thin and high-shouldered, holds the patient's forehead and applies a small pointed instrument (a metallic tractor) causing flames to gush from nose and nostrils. On a small table (left) are a decanter of 'Brandy' with a jug and steaming glass, lemon, and sugar, the patient's pipe lying across a newspaper: 'The True Briton. Theatre Dead Alive. Grand Exhibition in Leicester Square, just arrived from America the Rod of Æsculapius. Perkinism in all its Glory - being a certain Cure for all Disorders, Red Noses, Gouty Toes, Windy Bowels, Broken Legs, Hump Backs. Just discover'd, the Grand Secret of the Philosopher's Stone with the True way of turning all Metals into Gold, pro bono publico.' On the wall (right) is a picture of an infant Bacchus, astride a cask, holding out a decanter and a glass."--British Museum online catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Metallic tractors -- Perkins, Elisha., 1 print : etching and aquatint with engraving, hand-colored ; sheet 24.4 x 31.5 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Novr. 11, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Perkins, Benjamin Douglas, 1774-1810
Subject (Topic):
Pain, Quacks and quackery, Quacks, Medical procedures & techniques, Medical equipment & supplies, Pipes (Smoking), Newspapers, and Dogs
"A fat citizen (three-quarter length), seated in an armchair, endures an operation upon the carbuncles of his bloated nose. The operator (left), thin and high-shouldered, holds the patient's forehead and applies a small pointed instrument (a metallic tractor) causing flames to gush from nose and nostrils. On a small table (left) are a decanter of 'Brandy' with a jug and steaming glass, lemon, and sugar, the patient's pipe lying across a newspaper: 'The True Briton. Theatre Dead Alive. Grand Exhibition in Leicester Square, just arrived from America the Rod of Æsculapius. Perkinism in all its Glory - being a certain Cure for all Disorders, Red Noses, Gouty Toes, Windy Bowels, Broken Legs, Hump Backs. Just discover'd, the Grand Secret of the Philosopher's Stone with the True way of turning all Metals into Gold, pro bono publico.' On the wall (right) is a picture of an infant Bacchus, astride a cask, holding out a decanter and a glass."--British Museum online catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Metallic tractors -- Perkins, Elisha., and Mounted on leaf 59 of volume 10 of 12.
Publisher:
Publish'd Novr. 11, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Perkins, Benjamin Douglas, 1774-1810
Subject (Topic):
Pain, Quacks and quackery, Quacks, Medical procedures & techniques, Medical equipment & supplies, Pipes (Smoking), Newspapers, and Dogs
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., With watermark: Russell & Co. 1799., and Mounted on leaf 65 of volume 7 of 14 volumes.
Publisher:
Pubd. 16 Feby., 1801, by R. Ackermann at his Repository of Arts, 101 Strand
"A fat country-woman, threatened by a fierce dog, has fallen face downwards in front of a pair of horses, causing them to stop suddenly, and paw the ground. The terrified coachman loses his hat and wig, the footman is flung across the roof of the low carriage towards the box. An elderly lady looks out of the carriage window to call: "John!" He answers: "Coming Ma'm." All are broadly burlesqued. On the door is a coat of arms with an earl's coronet."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Print signed using Brownlow North's device: A compass pointing north., Watermark: Edmeads & Co., and Mounted on leaf 53 of volume 10 of 12.
Publisher:
Publish'd June 1st, 1801, by H. Humphrey, No. 27 St. Jamess [sic] Street
Title etched below image., Sheet trimmed within plate mark., Plate numbered 'Plate 1' in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
19 January [1801?] and [printed approximately 1822]
Call Number:
801.01.19.01++
Image Count:
1
Resource Type:
still image
Abstract:
Lillipution figures
Description:
Title from caption below image., Artist from British Museum catalogue., Restrike. Date of printing based on watermark., Publisher's advertisement below image in lower right: Folios of caracatures [sic] lent out for the evening., One of a set of eight plates, each composed of three bordered horizontal strips, that were evidently intended to be cut up to form a border., and Watermark: J. Whatman 1822.
"Amateur musicians, the design based on 'Ars-Musica', BMSat 9586, altered, and much elaborated. Four ugly and elderly men grouped round a young woman who sits, full face, at a square piano lit by a guttering candle. She lifts her hands to thump, with grim determination. A 'cellist is on her right, a vast gouty leg thrust forward, a violinist on her left. Behind her are two flautists. Behind (left), a young officer and a girl flirt, hand in hand. In the background (right) are visitors: two military officers shake hands, one bowing so that his sword lifts up the petticoats of a fat lady walking off to the right. A dog howls with one paw on a music-book."--British Museum online catalogue
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., and Temporary local subject terms: Carpets -- Musicians -- Flautist -- Violinist -- Cellist -- Piano -- Flute -- Violin -- Pianist -- Cello.
Publisher:
Publish'd May 15th, 1801, by H. Humphrey, No. 27 St. James's Street
"Amateur musicians, the design based on 'Ars-Musica', BMSat 9586, altered, and much elaborated. Four ugly and elderly men grouped round a young woman who sits, full face, at a square piano lit by a guttering candle. She lifts her hands to thump, with grim determination. A 'cellist is on her right, a vast gouty leg thrust forward, a violinist on her left. Behind her are two flautists. Behind (left), a young officer and a girl flirt, hand in hand. In the background (right) are visitors: two military officers shake hands, one bowing so that his sword lifts up the petticoats of a fat lady walking off to the right. A dog howls with one paw on a music-book."--British Museum online catalogue
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Temporary local subject terms: Carpets -- Musicians -- Flautist -- Violinist -- Cellist -- Piano -- Flute -- Violin -- Pianist -- Cello., 1 print : etching with aquatint, engraving, & stipple engraving on wove paper, hand-colored ; plate mark 25.6 x 36.1 cm, on sheet 28.6 x 40.3 cm., Watermark: 1810 J. Whatman., and Mounted on leaf 52 of volume 10 of 12.
Publisher:
Publish'd May 15th, 1801, by H. Humphrey, No. 27 St. James's Street
"In a small space between the House Commons (left) and a rustic alehouse (right) Lord Temple and Lord Camelford play battledore and shuttlecock with the head (the features as in BMSat 9200) of Horne Tooke. In this are stuck feathers, five inscribed respectively: 'Deceit, Vanity, Jacobinism, New Morality [cf. BMSat 9240], Envy'. From the neck hang (torn) clerical bands. Camelford in back view, 'profil perdu', wears a rakish hat with curved brim (as in BMSat 9699), a naval officer's coat with sailor's striped trousers, and buckled shoes; from his coat pocket issues a paper: 'Effusion of Loyalty'. He says: "There's a Stroke for you, Messmate! and, if you kick him back, I'll return him again, dam'me! - if I should be sent on a cruise to Moorfields [i.e. Bedlam], for it! - go it, Coz:" Temple, a stout country gentleman, scarcely caricatured, wearing a stiff round hat, prepares to return the stroke vigorously, left fist clenched; he says: "Send him back? - yes, I'll send him back Twenty Thousand times, before such a high flying Jacobin-Shuttlecock shall pearch [sic] it here, in his Clerical band." Both play vigorously with legs astride. Through the wide doorway behind him, inscribed 'St Steevens', is seen the Opposition side of the House of Commons densely packed, the Speaker just visible in his chair, the Clerk staring apprehensively. All the (tiny) members wave red caps to cheer their champion, shouting "The Church for Ever, [?] dem[me]". Sheridan and Fox only are characterized. The alehouse is a primitive thatched building with the chequers sign. On it are two placards: 'The Old Sarum Electors', five pigs in a sty eating from a trough. Below: 'The House of Call for Independent Members'. Against the building are a rustic table and bench. On the ground by Camelford is a 'List of Candidates for Old Sarum, J. H. Tooke, Black Dick [it was reported, though denied by Camelford, that he had declared his intention of returning his black servant if Tooke's election should be annulled], Thelwall' [see vol. vii]. In the background between the buildings is seen a small ruinous village, representing Old Sarum, with a bare, decayed tree."--British Museum online catalogue
Alternative Title:
Old Brentford shuttlecock between Old-Sarum & the Temple of St. Steevens
Description:
Title from text in lower part of image., Mounted to 37 x 56 cm., Collector's annotations on mount., and Identifications in contemporary hand written below plate.
Publisher:
Publish'd March 15th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Pitt, Thomas, Baron Camelford, 1775-1804, Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"In a small space between the House Commons (left) and a rustic alehouse (right) Lord Temple and Lord Camelford play battledore and shuttlecock with the head (the features as in BMSat 9200) of Horne Tooke. In this are stuck feathers, five inscribed respectively: 'Deceit, Vanity, Jacobinism, New Morality [cf. BMSat 9240], Envy'. From the neck hang (torn) clerical bands. Camelford in back view, 'profil perdu', wears a rakish hat with curved brim (as in BMSat 9699), a naval officer's coat with sailor's striped trousers, and buckled shoes; from his coat pocket issues a paper: 'Effusion of Loyalty'. He says: "There's a Stroke for you, Messmate! and, if you kick him back, I'll return him again, dam'me! - if I should be sent on a cruise to Moorfields [i.e. Bedlam], for it! - go it, Coz:" Temple, a stout country gentleman, scarcely caricatured, wearing a stiff round hat, prepares to return the stroke vigorously, left fist clenched; he says: "Send him back? - yes, I'll send him back Twenty Thousand times, before such a high flying Jacobin-Shuttlecock shall pearch [sic] it here, in his Clerical band." Both play vigorously with legs astride. Through the wide doorway behind him, inscribed 'St Steevens', is seen the Opposition side of the House of Commons densely packed, the Speaker just visible in his chair, the Clerk staring apprehensively. All the (tiny) members wave red caps to cheer their champion, shouting "The Church for Ever, [?] dem[me]". Sheridan and Fox only are characterized. The alehouse is a primitive thatched building with the chequers sign. On it are two placards: 'The Old Sarum Electors', five pigs in a sty eating from a trough. Below: 'The House of Call for Independent Members'. Against the building are a rustic table and bench. On the ground by Camelford is a 'List of Candidates for Old Sarum, J. H. Tooke, Black Dick [it was reported, though denied by Camelford, that he had declared his intention of returning his black servant if Tooke's election should be annulled], Thelwall' [see vol. vii]. In the background between the buildings is seen a small ruinous village, representing Old Sarum, with a bare, decayed tree."--British Museum online catalogue
Alternative Title:
Old Brentford shuttlecock between Old-Sarum & the Temple of St. Steevens
Description:
Title from text in lower part of image., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 25.8 x 35.9 cm, on sheet 29.0 x 40.1 cm., Watermark: J. Whatman., and Mounted on leaf 38 of volume 5 of 12.
Publisher:
Publish'd March 15th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Pitt, Thomas, Baron Camelford, 1775-1804, Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Windham, not caricatured, lies in bed dreaming, his right hand extended, his left hand against his head. The coverlet is patterned (inconspicuously) with dragons, &c. The bed is surrounded by solid clouds, supporting visions. At its head (right) is an olive branch bent down by the weight of a vulture, which clutches a bleeding hare, while it savagely croaks 'Peace!' On the left Death, a skeleton on stilts formed of spears (skeleton A stilts coloured red), bestraddles a pile of British trophies; one spearpoint pierces a 'List of British Conquests: Cape of Good Hope Malta Egypt West India [Islands]'; the other rests on a tilted dish inscribed 'Oh! the Roast Beef of Old England', from which a sirloin is slipping. The other objects are steaming pudding, an overturned tankard inscribed 'J. Bull's Old Stout', small cask of 'True British Spirits', spilling its contents; two coronets, a mitre, and a mace. The skeleton, reminiscent of Death in BMSat 6699, by Gillray, is in back view, turning a grinning head towards Windham; ['London und Paris' quotes (p. 319), as probably in Gillray's mind, Milton, 'Paradise Lost', ii. 285-7: 'Death Grinn'd horrible a ghastly smile, to hear His famine should be fill'd . . .'] it wears a large bonnet rouge and in the right hand is a cord attached to the dripping blade of a guillotine. This emerges from clouds beside the blazing dome of St. Paul's, from which the ball and cross are falling. On the extreme left is the Tower of London flying the French flag. By the foot of the bed stands a fat demon with barbed tail, webbed wings, and the features of Fox; he plays a guitar and sings delightedly: "Caira! - Caira! - Ca-i-r-a!" [cf. BMSat 10566, where he has discarded the song]. By the near side of the bed sits (on a chamber-pot) a small figure, Justice, with bowed head registering despair, her scales broken and dismantled, her sword, inscribed 'Justicia', broken. Emerging from clouds are four figures: Hawkesbury, with a sulky, youthful profile, writes 'Peace' on Britannia's 'Death-Warrant'. Behind him stands Pitt guiding his hand, a finger to his lips. Near them Bonaparte, scarcely caricatured, stands arrogantly, holding a rope which is round the neck of Britannia, while he points imperiously towards the guillotine on his right. She stands full face, weeping, her wrists shackled, with a broken shield and trident. Behind her is a (captured) fleet, in full sail, with tricolour flags. Above their heads flies a demoniac Fame, blowing two trumpets. Two groups of tiny decapitated figures kneel at the head of the bed, appealing to the sleeper. The French are on Windham's right, those in the front row being evidently (left to right) the Dauphin, Louis XVI, Marie Antoinette, Mme Elisabeth; the King holds out a placard: 'Oh! Remember Our Cause! poor Ghosts of French Ladies and Gentlemen.' Behind, two bishops are conspicuous. On Windham's left are men in peers' robes; their placard is inscribed: 'Ah! See what is to become of Us poor English Men of Consequence'. In the foreground are two groups of (Opposition) politicians with the heads of rats. One eats from a dish of 'Cheese Parings', the other from a coffer of 'Candle Ends', inscribed 'Treasury' [both phrases derive from a speech by Windham in which he is alleged to have derided paltry economies, an old gibe, see BMSat 9515 and 'Windham Papers', ii. 178]. Both are filled with papers inscribed 'Place', 'Pension', 'Sinecure', 'Office'. The former group are identified (in Gillray's hand) [On a slip evidently written for Miss Banks, pasted to an impression from the Banks Collection.] as Erskine, Sheridan, Tierney, Norfolk, and Bedford; the latter are Nicholls, Grafton, Stanhope, and the Earl of Oxford (who is unmistakably Burdett), Sir G. Shuckburgh. Running towards the dish (left) are M. A. Taylor and Derby, (right) Jekyll (resembling Col. Walpole)."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 41 of volume 5 of 12.
Publisher:
Publish'd Novr. 9th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Napoleon I, Emperor of the French, 1769-1821, Louis XVI, King of France, 1754-1793, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Elisabeth, Princess of France, 1764-1794, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Nicholls, John, 1745?-1832, Taylor, Michael Angelo, 1757-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Burdett, Francis, 1770-1844, Stanhope, Charles Stanhope, Earl, 1753-1816, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, and Jekyll, Joseph, 1754-1837
"A buxom young woman, wearing a straw bonnet and many trinkets, including a miniature, kneels at a chair in profile to the right. Behind her on a table are a punch-bowl, spirit decanter, glasses, and a long pipe; above it is a framed picture of a man-of-war. She prays to Thetis 'from the sign of the Punch-Bowl' for protection to her favourite sailors, now at sea, 'all generous fellows, and bleed freely'. She asks to be enabled to redeem her pawned trinkets, so that she may 'appear lovely in the eyes of the whole fleet'."--British Museum online catalogue
Description:
Title printed in letterpress below plate line., Two paragraphs of letterpress text below title: Charming Thetis, thou who blushest not at sleeping with the sun ..., and Mounted on verso of leaf 76 of volume 7 of 14 volumes.
Publisher:
Printed by E. Spragg, No. 27, Bow-Street, Covent Garden and Pubd. 20 Septr., 1801, by R. Ackermann, N. 101 Strand
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably an earlier reversed version of print published in 1812. Cf. No. 11972 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 236., Title, statement of responsibilty, and imprint trimmed and re-mounted below design., Removed from a blue mounting: Formerly part of a shop album?, and Mounted on verso of leaf 70 of volume 7 of 14 volumes.
Publisher:
Pubd. July 14, 1801, by R. Ackermann, No. 101 Strand
"Lord Hawkesbury as a drummer boy, very thin and weedy, marches (left to right) in front of John Bull with awkward and shambling aggressiveness; he steps on to a rotten plank inscribed 'Heart of Oak' which connects the shores of England and France. His drum-sticks are a rolled document, 'Preliminaries', and an olive branch. Across his dishevelled bearskin is a ribbon: 'Peace'; from it hangs the end of a fool's cap. From his coat-pocket issues a paper: 'Instructions from Park Place' [Pitt's London address]; [So given in the Royal Kalendar (alphabetical list of the House of Commons). Broadley notes that Malmesbury lived at Park Place, Henley (this was his third country house). The crest on the drum, as well as political probability, supports the Pitt interpretation.] his drum is slung from his neck by a tricolour ribbon, and has on its side the Pitt crest, a stork holding an anchor. His expression is deprecatingly wary; and he looks sideways at John Bull, who is accompanied by a swarm of little English 'Jacobins'. He says: "Allons, Enfans de la Patrie! - now's your time Johnny! - my dear Boys! - did not I promise long ago, to take my Friends by the hand, & lead them on to March to the Gates of Paris? - Allons! vive la Liberta!!" In the narrow Channel which he is about to cross float Britannia's discarded shield, a large money-bag of '£400 Million', and papers inscribed: 'Malta', 'West India Islands', 'Cape of Good Hope', 'Map of Egypt', 'Restoration of French Monarchy', 'List of Soldiers & Sailors Killed'. John Bull (left), a simple yokel, very fat and good-natured, marches after Hawkesbury in high glee waving his hat; over his civilian dress is a sword-belt from which a sword falls to the ground, hilt downwards. He shouts: "Rule Britannia! - \ Britannia Rules the Waves!!! \ Caira! - Caira!" He is being urged forward by a crowd of little figures, members of the Opposition, who wave or wear their bonnets rouges. They vary in scale: the most prominent is Fox who marches along blowing a trumpet; Norfolk drags John forward, clutching his coat with both hands; behind Norfolk Tierney's head appears. Behind Fox is Sheridan pushing John from behind; on Sheridan's right is General Walpole; on his left, Burdett. Behind him on the extreme left is Moira, with a conspicuous whisker. Other persons are represented by arms waving caps. In front and under John's feet are three tiny naked mannikins: Nicholls holdup his eyeglass, his legs attached to his shoulders to show that he is 'nobody', cf. BMSat 5570; the paunchy Derby, blowing a French horn, and, smallest of all, M. A. Taylor blowing a trumpet. Across the water, in France, and on the extreme right, is a ramshackle building, perhaps a ruined church, with a large placard: 'Vive la Liberta'. Before it is planted a Tree of Liberty; a garlanded pole supporting an enormous bonnet rouge, round which tiny simian figures dance, holding hands. They wear bonnets rouges and have tails."--British Museum online catalogue
Alternative Title:
John Bull and his little friends "marching to Paris"
Description:
Title etched in top part of image. and Mounted on leaf 40 of volume 5 of 12.
Publisher:
Publish'd Octr. 6th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Walpole, George, 1761-1830, and Smith-Stanley, Edward, 1752-1834
"Members of the Opposition in a row, talk in couples, except for the arch-egotist Erskine (see British Museum satires no. 9246) on the extreme left, who exclaims: "Peace - and I not consulted 'tis very strange, by Gad". Sheridan (left), seated in profile to the right, reads the 'Gazzette Extraordina[ry] Peace! Peace!' with an expression of dismay. He says: "It is here, sure enough, I can scarcely believe my eyes, then all my fine speeches respecting the continuance of the War is dish'd, its no farce." Burdett stands with legs astride looking down at him; he says: "O it can't be true depend upon it." The centre pair, Fox and Bedford, face each other in profile. Fox says: "This is a curious kind of business. I heard of it at the Crown and Anchor." Bedford, in top-boots, and a riding whip under his arm, answers: "I heard of it in Bedfordshire." On the right little Lord Derby turns to Tierney, asking, "Pray who is this Peace Maker - this Mr A- Ad, Ad, what's his name, I never can think of it dam my Wig" [he is almost bald, with a tiny pigtail]. Tierney, looking down morosely, his arms folded, answers: "I really cannot immediately recollect, but I know he is not one of us - however we can find it in the Red Book"."--British Museum online catalogue
Alternative Title:
Politicians puzzled
Description:
Title etched below image., Approximate date of publication from the British Museum catalogue., With publisher's watercolor., and Watermark: W. Elgar 1797.
Publisher:
Pubd. by P. Roberts, 28 Middle-Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Bedford, Francis Russell, Duke of, 1765-1802, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Tierney, George, 1761-1830, and Burdett, Francis, 1770-1844
Subject (Topic):
Whig Club (London, England), Whig Party (Great Britain), and Politics and government
"Burdett (right) declaims a speech whose heads are inscribed on a gigantic scroll held out to him by Fox. Fox raises his arms high to hold the scroll, one end of which falls behind his head and shoulders. The other end, still rolled and blank, is held by Sheridan who stands on the extreme left behind a writing-table over which the scroll passes. Horne Tooke, seated full face behind the table, an inkpot in one hand, writes on the scroll with a sourly inscrutable expression. Burdett, with arms thrown wide, hat in right hand, stands with legs astride on a large tattered volume: 'List of them London Corresponding Society'. He says: "There! - there! - see the causes of all our Woe! - Oh! my ruin'd Country! - Enslav'd! - ah Traitors! - Expiring Liberty! - precious, Aristocratic Villains! - Oh Unaccounted Millions! - murder'd Myriads! oh, Gallows! - Block! - Guillotine! - Caira! Caira!" Sheridan, the theatrical expert, leans forward delightedly to say: "Bravo! - Bravo! - but it should give more Emphasis to the beginning of the last Line of Exclamation." Fox, very corpulent and gouty, his gloomy face shaded by the scroll, says: "Bravissimo! - Encore the Unaccounted Millions! - Encore! - " The scroll is inscribed: 'Ministerial Crimes & Misdemeanours. - Ist Espousing the Cause of Loyalty & Old England. - 2d Making War against the Enemies of Loyalty and Old England. - 3d Destroying the Navy of the Enemies of Loyalty & Old England - 4th Capturing Malta, & all the foreign Possessions of the Enemies of loyalty and Old England. - 5th Ruining the Commerce of the Enemies . . . [ut supra]. - 6th Paying off the National Debt, in spite of the well-wishers to the Enemies . . . [ut supra]. 7th Uniting & Defending our Irish Brethren, when Invaded by the Enemies . . . [ut supra]. 8th Refusing to break Faith with the Allies of Loyalty . . . [etc.] 9th Holding out to the last, & Fighting single-handed with all the Enemies . . . [etc.] 10th Rejecting the profer'd Reconciliation with the Enemies of Loyalty and Old England, until Peace could be ratified upon Honorable Terms.' Much that follows is obscured by folds in the scroll; a few words stand out: '. . . French Principles and destroying Democratic P ... 16th Extirpating [?] the Hydra of [?] Faction .. . Loyalty & Old England.' The words again become clear where the scroll rests on the table, and enfl under the pen of Horne Tooke: '18th - Destroying all hopes of a Revolution & leaving the Enemies of Loyatly [sic] & Old England to Despair & to hang themselve . . .' [see BMSat 9258, &c.]. Under the scroll lie other papers: 'Last dying Speech . . . Aristocratic Ministry' and 'Scheme of Ministerial Equality.' Against the wall and forming a background to Sheridan, Horne Tooke, and Fox is a high book-case, the books covered by a curtain, parted to reveal to inscribed 'Thel[wall]', 'Revoluti[on]', 'Cromw[ell]', 'Machiavel'. On the top three busts partly decapitated by the upper margin: 'Tom Paine, Abbé Seyeis', and 'Rob'spear'. Their positions imply that they are the 'doublures' (cf. BMSat 9261) respectively of Sheridan, Tooke, and Fox; for Fox as Ropespierre see BMSat 8450; for Tooke and Sieyes cf. BMSat 9270. On a small cabinet behind Burdett stands a model of a guillotine. Tooke wears a bonnet rouge with tricolour cockade, a dressing-gown with (torn) clerical bands (cf. BMSat 9716)."--British Museum online catalogue
Alternative Title:
Private rehearsal of "The ci-devant Ministry in danger".
Description:
Title etched below image., Temporary local subject terms: Bonnet rouge -- Guillotine -- Quill Pens -- Ogle Swindler., and Mounted to 32 x 42cm.
Publisher:
Publish'd Decr. 4th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Sheridan, Richard Brinsley, 1751-1816, and Burdett, Francis, 1770-1844
"Burdett (right) declaims a speech whose heads are inscribed on a gigantic scroll held out to him by Fox. Fox raises his arms high to hold the scroll, one end of which falls behind his head and shoulders. The other end, still rolled and blank, is held by Sheridan who stands on the extreme left behind a writing-table over which the scroll passes. Horne Tooke, seated full face behind the table, an inkpot in one hand, writes on the scroll with a sourly inscrutable expression. Burdett, with arms thrown wide, hat in right hand, stands with legs astride on a large tattered volume: 'List of them London Corresponding Society'. He says: "There! - there! - see the causes of all our Woe! - Oh! my ruin'd Country! - Enslav'd! - ah Traitors! - Expiring Liberty! - precious, Aristocratic Villains! - Oh Unaccounted Millions! - murder'd Myriads! oh, Gallows! - Block! - Guillotine! - Caira! Caira!" Sheridan, the theatrical expert, leans forward delightedly to say: "Bravo! - Bravo! - but it should give more Emphasis to the beginning of the last Line of Exclamation." Fox, very corpulent and gouty, his gloomy face shaded by the scroll, says: "Bravissimo! - Encore the Unaccounted Millions! - Encore! - " The scroll is inscribed: 'Ministerial Crimes & Misdemeanours. - Ist Espousing the Cause of Loyalty & Old England. - 2d Making War against the Enemies of Loyalty and Old England. - 3d Destroying the Navy of the Enemies of Loyalty & Old England - 4th Capturing Malta, & all the foreign Possessions of the Enemies of loyalty and Old England. - 5th Ruining the Commerce of the Enemies . . . [ut supra]. - 6th Paying off the National Debt, in spite of the well-wishers to the Enemies . . . [ut supra]. 7th Uniting & Defending our Irish Brethren, when Invaded by the Enemies . . . [ut supra]. 8th Refusing to break Faith with the Allies of Loyalty . . . [etc.] 9th Holding out to the last, & Fighting single-handed with all the Enemies . . . [etc.] 10th Rejecting the profer'd Reconciliation with the Enemies of Loyalty and Old England, until Peace could be ratified upon Honorable Terms.' Much that follows is obscured by folds in the scroll; a few words stand out: '. . . French Principles and destroying Democratic P ... 16th Extirpating [?] the Hydra of [?] Faction .. . Loyalty & Old England.' The words again become clear where the scroll rests on the table, and enfl under the pen of Horne Tooke: '18th - Destroying all hopes of a Revolution & leaving the Enemies of Loyatly [sic] & Old England to Despair & to hang themselve . . .' [see BMSat 9258, &c.]. Under the scroll lie other papers: 'Last dying Speech . . . Aristocratic Ministry' and 'Scheme of Ministerial Equality.' Against the wall and forming a background to Sheridan, Horne Tooke, and Fox is a high book-case, the books covered by a curtain, parted to reveal to inscribed 'Thel[wall]', 'Revoluti[on]', 'Cromw[ell]', 'Machiavel'. On the top three busts partly decapitated by the upper margin: 'Tom Paine, Abbé Seyeis', and 'Rob'spear'. Their positions imply that they are the 'doublures' (cf. BMSat 9261) respectively of Sheridan, Tooke, and Fox; for Fox as Ropespierre see BMSat 8450; for Tooke and Sieyes cf. BMSat 9270. On a small cabinet behind Burdett stands a model of a guillotine. Tooke wears a bonnet rouge with tricolour cockade, a dressing-gown with (torn) clerical bands (cf. BMSat 9716)."--British Museum online catalogue
Alternative Title:
Private rehearsal of "The ci-devant Ministry in danger".
Description:
Title etched below image., Temporary local subject terms: Bonnet rouge -- Guillotine -- Quill Pens -- Ogle Swindler., 1 print : etching on wove paper, hand-colored ; plate mark 25.4 x 36.0 cm, on sheet 29.5 x 40.2 cm., and Mounted on leaf 42 of volume 5 of 12.
Publisher:
Publish'd Decr. 4th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Sheridan, Richard Brinsley, 1751-1816, and Burdett, Francis, 1770-1844
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Russell & Co. 1799., and Mounted on leaf 66 of volume 7 of 14 volumes.
Publisher:
Pubd. 1 April, 1801, by R. Ackermann at his Repository of Arts, 101 Strand
