"An imitation of British Museum Satires No. 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, page 129)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local Medical Library subject terms: Depression -- Songs., 1 print : etching with engraving, hand-colored ; sheet 208 x 250 mm., and Sheet trimmed within plate mark.
Publisher:
Publishd. June 16th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Topic):
Clergy, Alcoholic beverages, Pipes (Smoking), and Lemons
"Bust portrait in an oval. Scarcely a caricature but a study in facial expression of a cornered swindler. A man, fashionably dressed, but with dishevelled hair, gazes fixedly to the left, with pursed mouth and wrinkled forehead. Below the design is a list of eight names ('alias' repeated seven times) beginning: 'Mr Thos Ogle (the Notorious Swindler) - by which Name he Married Two Wives', and ending: 'Vide - his Examinations before the Magistrates of Bow Street in Novr 1801'."--British Museum online catalogue
Description:
Title from quotation etched above image., Text below title: Townsend, Pole. Officer, Bow Street., Temporary local subject terms: Swindler -- Thomas Ogle -- Major Semple -- William Smith -- Thomas Robison -- Batty -- Captain Johnson -- Thomas Bashford -- Robertson -- Lieut. Colt. Cs. Pullen., and Watermark: J Ruse 1799.
Publisher:
Publishd. Novr. 18th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street, London
"Two terrified riders meet face to face on Hounslow Heath; each takes the other for a highwayman. One (left) losing his stirrups holds out his purse, saying, "Here is my Money! Spare my Life". The other dropping his whip, puts his hand in his waistcoat pocket, saying: "Ah! - don't Fire! - I'll give all". Both have dropped their reins. A signpost (left) points 'To Hounslow'."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Print signed using Brownlow North's device: A compass pointing north.
Publisher:
Publishd. June 6th, 1801, by H. Humphrey, No. 27 St. Jamess [sic] Street
A sailor in oval within square frame, half-length turning to look at the viewer over his left shoulder
Alternative Title:
Heart of oak! and One of the brave tars who fought for, and protected this happy isle
Description:
Title etched below image., I.M. initials of Isaac Mills., Two lines of verse in two columns below title: God and a seaman all do adore in time of war and oft before. Now war is o'er and all things righted remember Jack's worth don't see him slighted., Attributed to Rowlandson by Grego., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 15 Novr., 1801 by R. Ackermann, Repository of Arts, 101 Strand
A caricature of a Jewish broker, standing full-length on the street outside a door. He uses his kerchief to wipe his spectacles. His walking stick is tucked under his right arm and a roll of papers under his left arm
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"A Welshman and a Yorkshireman drink together at a table outside a rustic building; one holds a halter, waiting for a horse which a boy in the background is catching. The former says: '"Gots splutter I tell the County where I came from is so fertile that if you were to put in a seive over Night in a Close w [cropped] Hur Knows you would have hard matter to find it in the morning it would be so covered with grass.'' - Yn - "Phoo - thats nothing when compared to a Clos [cropped] is in Yorkshire where you may put in a Horse at Night and not be able to find him next morning.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum online catalogue., and Three lines of text below ttitle: Gots splutter I tell the Country where I came from is so fertile that if you were to put a seive over Night in a close which hur knows you would have hard matter to find...
Publisher:
Pub. July 1, 1801 by S.W. Fores, No. 50 Piccadilly
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
Feb 8, 1801.
Call Number:
801.02.08.01+
Image Count:
1
Resource Type:
still image
Abstract:
An obese man in a floral waistcoat and large lace collar rides his horse down a lane, his dog following behind
Description:
Title from item., Printmaker and artist from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Sir William Hamilton, old and bent, inspects his antiques. He stands in profile to left, looking through spectacles held in his right hand and reversed. He wears a round hat, a spencer over his coat and spurred top-boots, a stick in his (gloved) left hand; an expressive glove issues from his coat pocket. The objects at which he gazes are on a cloth-covered table. In the centre is a bust of 'Lais', the head that of Lady Hamilton, with fashionably dressed hair, but with nose, mouth, and chin broken away. Next it is a nude and headless Bacchante holding up a bunch of grapes (this was one of his wife's famous attitudes). Behind is a term with the head of a bull inscribed 'APIS'. Other objects are a weeping Cupid with a broken arrow, a grotesque goblet, a cracked chamber-pot on which nude figures dance. Against the wall (right) stands a mummy-like figure of 'MIDAS', with ass's ears. Other grotesque and broken objects stand on the carpet. On the wall are four pictures (left to right): 'Cleopatra', Lady Hamilton, three-quarter length, indecently décolletée and holding a bottle of 'Gin'; 'Mark Antony', Nelson, three-quarter length, a sea-fight in the background; a volcano in eruption; 'Claudius', a profile half length of Hamilton turning his back on the other pictures, the frame decorated with a stag's head."--British Museum online catalogue
Alternative Title:
Cognocenti contemplating the beauties of the antique and Cognoscenti contemplating the beauties of the antique
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Antiques -- Literature reference: Hamilton, Sir William, 1730-1803: Observations on Mount Vesuvius., and Matted to 62 x 49 cm.
Publisher:
Pubd. Feby. 11th, 1801, by H. Humphrey, 27 St. James's Street
As she looks directly at the viewer, a short, plump woman dressed in a short dickey bares her breasts as she stands, legs apart, between a dresser and an armchair. A cat with a shocked expression looks up under her short chemise
Description:
Title from caption etched below image., Printmaker and imprint from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 22 cm.
"An obese and carbuncled barrister stands in profile to the left, shouting with raised fingers; in his left hand is a sheaf of papers. He wears the wig of a serjeant-at-law, with its black patch (cf. No. 5900), and his gown drapes his old-fashioned professional dress. Behind him (right) stands a senile-looking and spectacled colleague, while a third (left), also in a serjeant's wig, sits in back view in an arm-chair."--British Museum online catalogue
Alternative Title:
Councillor
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and A companion print to: A money scrivener.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
Title from item., After Rowlandson., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Crutches -- Amputated legs., Watermark: Strasburg Lily., and S.W. Fores; ownership stamp located in bottom right corner of sheet.
Publisher:
Pub. Jany. 1st, 1801. by S.W. Fores, No. 50 Piccadilly
"A half length portrait of Matthew Day standing in profile to the right. He is very obese, wears round hat, long coat, tasselled Hessian boots, and holds a cane in his gloved hand."--British Museum online catalogue
Description:
Title etched below image. and Leaf 31 in an album with the spine title: Characatures by Dighton.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[ 20 May 1801]
Call Number:
801.05.20.01
Image Count:
1
Resource Type:
still image
Alternative Title:
Rowland for your Oliver
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily.
Publisher:
Pub'd. May 20th, 1801 by S.W. Fores, 50 Piccadilly
Title etched below image., Artist from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to unpaid bills -- John Bull -- Creditors -- Vintners --Butchers -- Prostitutes., and Mounted to 29.5 x 29.5 cm.
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printseller's identification stamp located in lower right corner of print: S·W·F., Printmaker from British Museum catalogue., Temporary local subject terms: Devils -- Peace -- Punch bowl -- Pistols -- Razor., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Octor. 28th, 1801 by S.W. Fores, 50 Piccadilly
"An elderly man in old-fashioned dress stands at his desk, his right hand on an open ledger, looking down with a calculating grimace. He wears a night-cap and slippers; a pen is behind his ear. His high stool is behind him. In the background another elderly man writes seated at a desk. Papers spiked on files hang from the wall, and lie on the floor, with folio volumes. An 'Invoice' is pasted on the wall. Above a high shelf is the date '1800' etched over '1787', with 'R. 1788'."--British museum online catalogue
Description:
Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., Printseller's stamp located in lower right corner of sheet: S·W·F., Temporary local subject terms: Furniture -- Desks -- Male costume -- Night-cap -- Slippers -- Money scrivners -- Scrivner's shops., and Watermark.
Publisher:
Pub. Jany. 1st, 1801 by S.W. Fores, No. 50, Piccadilly
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: 1801 -- Mops -- Kitchen utensils -- Brooms., and Watermark: Taylor 1797.
Publisher:
Pubd. Jany. 5th, 1801 by S.W. Fores, 50 Piccadilly
"A whole length portrait of a military officer standing in profile to the left holding papers in his (gloved) left hand; right hand behind his back. He wears a small pigtail, cocked hat, and sash. His sabre hangs very low, resting on the ground. He is Lord Berkeley (1745-1810), colonel of the South Gloucester Regiment (gazetted 14 Mar. 1794), see British Museum Satires No. 5140."--British Museum online catalogue
Description:
Title etched below image., Leaf 72 in an album with the spine title: Characatures by Dighton., Figure identified as "Lord Berkley" in pencil in lower left corner of sheet., and On verso is some arithmetic in pencil, beside which is written "3 plates" in ink.
Publisher:
Pub. Decr. 1801 by Dighton, Charg. Cross
Subject (Name):
Berkeley, Frederick Augustus Berkeley, Earl of, 1745-1810
"The Duke of Grafton stands directed to the left, his head in profile, both (gloved) hands resting on the head of his stick. He wears his accustomed and characteristic dress of an earlier fashion: small tricorne and full-skirted coat buttoned at the waist, with a star, and spurred top-boots."--British Museum online catalogue
Description:
Title etched below image., Leaf 30 in an album with the spine title: Characatures by Dighton., and Figure identified as "Duke of Grafton" in pencil below plate mark.
Publisher:
Pubd. Novr. 20th, 1801, by Dighton, Charg. Cross
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"Two heads emerge from the highly-polished boots of their respective owners, which face each other. They are finished portraits of Skeffington and Montagu Mathew, inseparables, see BMSat 9699. Skeffington's boot (left) is a tasselled Hessian; its pointed toe rests on the foot of Mathew's spurred top-boot. Both wear round hats of slightly differing shapes. Skeffington's dark hair is short, falling over his forehead; he has a large whisker. Mathew's fair hair is long and powdered, and tied by a ribbon at the tips; he has a small whisker. Round the two boots are grouped blacking materials. A large open book (left) is 'Essay on Blacking'; by it are bottles labelled 'Mr Broomhills Recipe' and 'The Princes Recipe', and a mixing-pot. Two volumes (right) are 'Chemistry'; on them are bottles labelled 'Pine Apple' and 'Spirit of Salt'. There are also two brushes, a polishing pad, a cake of 'Holdsworth's' blacking, and a broken bottle of 'Royal Blacking'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Mounted to 56 x 37 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 10th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Skeffington, Lumley St. George, Sir, 1771-1850 and Mathew, Montague James, 1773-1819
Title and printmaker from British Museum catalogue., Printseller's announcement following title: Folios of caracatures [sic] lent out for the evening., Watermark: J Whatman 17[??]., and Printseller's identification stamp in extreme lower right corner of sheet: S·W·[F].
Publisher:
Pub'd. July 4th, 1801 by S.W. Fores, 50 Piccadilly
"A sailor and a young woman in a low-necked dress standing next to and gazing at each other, an arm around each other's shoulders and clasping hands, their speech written above their heads. The girl says, 'you shall go with me I insist on it -'. The sailor replies, 'With all my heart my little Cruizer - but shiver my Timbers, - when I first look'd at you - and saw your out works so newly painted, and your rigging so light - that may I never cast anchor again - if I did not take you for a Modest Woman!"--British Museum online catalogue
Description:
Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sailors.
Publisher:
Pub'd. Sept. 12th, 1801 by R. Ackermann, No. 101 Strand
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Three lines of descrptive text below title: These men travelling together, agreed each to watch four hours at night, in turn, for the sake of security. The barber's lot came first, who shaved the scholar's head when asleep, then waked him when his turn came. The scholar scratching his head and feeling it bald exclaimed, "You wretch of a barber, you have waked the bald man instead of me.", Plate numbered '268' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 27th July, 1801 by Laurie & Whittle, 53 Fleet Street, London
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[20 April 1801]
Call Number:
801.04.20.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark., Four lines of text below title: Last week was married at M[inked over] Church Richard Drwewell, Coachman to George Clover, Esq. of D- P- to Nancy Brigadier, Cook to C- Robert Clover of G- P- ..., Printmaker from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub'd. April 20, 1801 by W. Holland, 50 Oxford Street
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Publication date from watermark., Reprinted from the original plate in 1801 or after., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: burning brands., and Watermark: (countermark) E & P, 1801.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"An obese and elderly citizen stands almost full-face holding up a (?) turbot, with an expression of intense satisfaction. His left hand holds his head, pushing up his wig. His dress is old-fashioned, with a flapped waistcoat. Between his feet is a shallow saucepan."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v 6., no. 7445 for a description of another state published in 1788., and Watermark: A Stace [?] 1798.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"Eight elderly topers with pipes and glasses surround a small oblong table, on which are punch-bowl, wine-glasses, tobacco, &c. All are much caricatured; some sing, a parson sleeps, a dog howls. The room is lit by a chandelier; a bracket-clock points to 3.40, on it is carved a Bacchanalian figure of Time astride a cask. A bust portrait of Anacreon holding pen and paper is on the wall (left)."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text above image: "Whilst, snug in our club-room, we jovially 'twine the myrtle of Wenus with Bacchus's wine.", Numbered in black ink lower right in an unknown hand: 505. Remnants of former blue mounting on verso., and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 24.5 x 31.4 cm, on sheet 32.9 x 34.9 cm.
Publisher:
Publish'd Decr. 1st, 1801, by H. Humphrey, 27 St. James's Street
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publ'd. May 1st, 1801, by R. Ackermann, N. 101 Strand
Roberts, Piercy, active 1791-1805, printmaker, publisher
Published / Created:
[September 1801]
Call Number:
801.09.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A view of the shop of P. Roberts, publisher, from the street with a crowd on the sidewalk and street looking at the display of prints in the window. An elegant figure Roberts (?) stands in the doorway with a tool of his trade (a burin?) in hand; a customer is seated inside near the window. In the crowd are men, women and children, including a Black man and a man with no legs
Description:
Title from caption etched below image., Printmaker surmised from subject matter., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mss. note at top of sheet: No. 7.
Publisher:
Pub'd. Sepr. 1801 by P. Roberts, Middle Row, Holborn
Subject (Geographic):
England and London
Subject (Name):
Roberts, Piercy, active 1791-1805,
Subject (Topic):
Black people, City & town life, Crowds, Dogs, Merchandise displays, Prints, Stores & shops, Window displays, Printing industry, and People with disabilities
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", 1 print : etching with aquatint and stipple on wove paper, hand-colored ; sheet 25.5 x 20 cm., and Offset from another impression on verso.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", Figure identification in pencil in contemporary hand below plate mark., and Mounted to 39 x 29 cm.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"Two jovial old pensioners sit together on a bench, smoking and gesticulating. The sailor (left) holds a frothing tankard, and raises his pipe above his head; his wooden leg extends stiffly. The soldier turns his head in profile to the left, gesticulating with his right hand; he has lost his left arm. Both are neatly dressed."--British Museum online catalogue
Alternative Title:
Descriptions of battles by sea and land
Description:
Title etched below image., Temporary local subject terms: Medical: wooden leg -- Greenwich Hospital pensioner -- Chelsea Hospital pensioner -- Pensioners., Temporary local Medical Library subject terms: Prostheses -- Greenwich Hospitals -- Chelsea Hospital., and 1 print : etching, hand-colored ; plate mark 223 x 172 mm.
Publisher:
Robert Dighton
Subject (Geographic):
Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich. and Royal Hospital (Chelsea, London, England)
"Two jovial old pensioners sit together on a bench, smoking and gesticulating. The sailor (left) holds a frothing tankard, and raises his pipe above his head; his wooden leg extends stiffly. The soldier turns his head in profile to the left, gesticulating with his right hand; he has lost his left arm. Both are neatly dressed."--British Museum online catalogue
Alternative Title:
Descriptions of battles by sea and land
Description:
Title etched below image., Temporary local subject terms: Medical: wooden leg -- Greenwich Hospital pensioner -- Chelsea Hospital pensioner -- Pensioners., Temporary local Medical Library subject terms: Prostheses -- Greenwich Hospitals -- Chelsea Hospital., Leaf 63 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 22.1 x 17.3 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich. and Royal Hospital (Chelsea, London, England)
"Two jovial old pensioners sit together on a bench, smoking and gesticulating. The sailor (left) holds a frothing tankard, and raises his pipe above his head; his wooden leg extends stiffly. The soldier turns his head in profile to the left, gesticulating with his right hand; he has lost his left arm. Both are neatly dressed."--British Museum online catalogue
Alternative Title:
Descriptions of battles by sea and land
Description:
Title etched below image., Temporary local subject terms: Medical: wooden leg -- Greenwich Hospital pensioner -- Chelsea Hospital pensioner -- Pensioners., Temporary local Medical Library subject terms: Prostheses -- Greenwich Hospitals -- Chelsea Hospital., and Provenance identification in contemporary hand near bottom of print.
Publisher:
Robert Dighton
Subject (Geographic):
Great Britain.
Subject (Name):
Royal Hospital for Seamen at Greenwich. and Royal Hospital (Chelsea, London, England)
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., "Dido" is a reference to a character from Virgil's Aeneid., Sheet trimmed within plate mark., and BAC: British Art Center copy is hand-colored. Bound with (as frontispiece): A new edition considerably enlarged, of Attitudes faithfully copied from nature (London: H. Humphrey, 1807).
Publisher:
Pubd. Feby. 6th, 1801, by H. Humphrey, No. 27 St. James Street, London
Title etched below image., Publication year from unverified data from local card catalog record., Dated "April 2, 1801" in Grego, J. Rowlandson the caricaturist, v. 2, page 33., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from item, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Courtship -- Older couples.
Publisher:
Pubd. April 3rd, 1801 by R. Ackermann, No. 101 Strand
"A lady walks from the spectator holding out a closed parasol in her right hand; with the left she raises the back of her dress, showing a leg but letting her skirt trail on the ground. She wears a poke bonnet projecting horizontally beyond her face, a short-waisted clinging dress, with short sleeves and elbow length gloves. A frilled tippet or plastron blows back from her shoulders, forming a triangle."--British Museum online catalogue
Alternative Title:
Back front of a lady of fashion in the year 1801
Description:
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printseller's identification stamp located in lower right corner of sheet: S·W·F., and Temporary local subject terms: Parasol -- Poke bonnet -- Frilled tippet -- Plastron.
Publisher:
Pub'd. July 28, 1801, by S.W. Fores, 50 Piccadilly
Title from item., Artist supplied by cataloger., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Two lines of dialogue inscribed below design: Good lack a day John, what are you doing? you have broke all the tea things. "I can't help it Ma'am, that nasty cur[?] of yours has bit my lef." Bit your leg! has he? dear me; I hope the pretty little creature won't be sick after it!!, Numbered '259' in the Laurie & Whittle series of Drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Spilling tea service -- Tea trays -- Tea tables -- Birdcages -- Birds: parrot -- Domestic service -- Liveried Manservant.
Publisher:
Publish'd Feb. 4, 1801 by Laurie & Whittle, 53 Fleet Street, London
General peace and general war and Interview at Rhampton
Description:
Title from item., Sheet trimmed within plate mark., Penned note in modern hand on backing sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Penned note in modern hand on backing sheet; mounted to 48 x 28 cm.
A minister, possibly the Chancellor, holds out a large magnifying glass in his right and and gestures with his left hand. He is wearing a long coat and a long powdered wig. He addresses John Bull: Look through this glass Mr Bull and behold your future prosperity, looking towards a cloud within which the future is foretold. In the cloud John Bull is depicted in seven different scenarios: drinking unadulterated porter, free from taxes, smoking Trinidad tobacco, talking French & grown quite a fine gentleman, eating cinnamon from Ceylon, free from care, and with bread at 6d the quarter loaf. John Bull says: 'what be all those people I see. Mercy on us so many good things will be more than I can bear'. His companion replies: 'Look through this glass Mr. Bull & behold your future prosperity, it magnifies but very little I assure you'.
Alternative Title:
John Bull peeping into futurity
Description:
Title etched below image., Date of publication inferred from dates given in the British Museum catalogue for other prints after Woodward that were likewise etched and published by Roberts. Cf. Nos. 9729, 9850, and 9965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
National characteristics, English, Colonies, John Bull (Symbolic character), Hand lenses, and Ethnic stereotypes
John Bull winks his eye and licks his lip as he embraces a homely, larger woman with a patched-dress with warts on her face. His top hat, cane, and gloves are on a table to the right. In a speech bubble above his head: Come, come, no grinning!! A bad piece is better than no piece at all
Description:
Title from item. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A woman, elderly, short, and broad, with swarthy Jewish features, stands, her head turned in profile to the right, holding a goose perched on her forefinger. In her right hand is the end of a ribbon attached to its leg. She says: "Say little foolish Fluttering thing". Her head is covered with dark curls in which are flowers and a ribbon. She wears a short-waisted dress, with the slashed and vandyked bodice associated with the stage or (in caricature) with Spain. The background, with cast shadows, suggests the stage."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Printseller's identification mark located in lower right corner: S·W·F.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Costume -- Women -- Hats -- Umbrella.
Publisher:
Pubd. Sept. 10, 1801 by R. Ackermann, No. 101 Strand
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Costume -- Hats -- Young men.
Publisher:
Publish'd July 10, 1801 by R. Ackermann, No. 101 Strand
Title from item., From the Laurie & Whittle series of Drolls., Eleven lines of descriptive verse inscribed in 3 columns below design: Betty with bridled chin extends her face, And then contracts her lips with simp'ring grace ..., Plate numbered '265' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Inns: exterior -- Covered carts -- Countrymen -- Quotation from literature: Dr. King, fl. 1801?, 'Little Mouths'.
Publisher:
Published 25th May, 1801, by Laurie & Whittle, 53 Fleet Street, London
"A half length portrait of Lord Sefton (1772-1838) seated on a high box-seat, driving; he leans slightly forward, his head in profile to the left, a bunch of reins in the left hand, a long whip in the right."--British Museum catalogue
Description:
Title etched below image., Leaf 18 in an album with the spine title: Characatures by Dighton., and Figure identified as "Ld. Sefton" in pencil below plate mark.
Publisher:
Pubd. Novr. 1801 by Dighton, Charg. Cross
Subject (Name):
Sefton, William Philip Molyneux, Earl of, 1772-1838
"A coach entering Fonthill, passing under the arch, two men on horseback holding torches in front of the coach, a soldier standing by the arch; other coaches in front and a group of figures under a marquee to the right celebrating."--British Museum online catalogue
Description:
Title etched below image., Date of publication from that of the periodical for which the print was issued., Plate from: The gentleman's magazine. London : John Nichols, v. 71 (April 1801), "Gent. Mag. April 1801, pl. I, p. 289"--Upper right corner., and Sheet trimmed to plate mark on right and left edges.
Title from caption below image; subtitle from text etched in lower right corner below image., Publisher's advertisement below title: Johnny Newcome in the island of Jamaica, a companion print to this from a drawing by the same humorous pencil, may be had of Mr. Holland ..., Design consists of seventeen individually-captioned panels arranged in three horizonal rows., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman 1824., and Date in imprint altered in ms. from "1801" to "1803."
Publisher:
Published by Willm. Holland, No. 50, Oxford Street
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", Figure identification pencilled in contemporary hand below plate. Numbered above: 509., and Mounted to 37 x 27 cm.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", 1 print : etching with aquatint and stipple on wove paper, hand-colored ; plate mark 25.9 x 20.3 cm., and Trimmed to plate mark.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"A fat citizen (three-quarter length), seated in an armchair, endures an operation upon the carbuncles of his bloated nose. The operator (left), thin and high-shouldered, holds the patient's forehead and applies a small pointed instrument (a metallic tractor) causing flames to gush from nose and nostrils. On a small table (left) are a decanter of 'Brandy' with a jug and steaming glass, lemon, and sugar, the patient's pipe lying across a newspaper: 'The True Briton. Theatre Dead Alive. Grand Exhibition in Leicester Square, just arrived from America the Rod of Æsculapius. Perkinism in all its Glory - being a certain Cure for all Disorders, Red Noses, Gouty Toes, Windy Bowels, Broken Legs, Hump Backs. Just discover'd, the Grand Secret of the Philosopher's Stone with the True way of turning all Metals into Gold, pro bono publico.' On the wall (right) is a picture of an infant Bacchus, astride a cask, holding out a decanter and a glass."--British Museum online catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Metallic tractors -- Perkins, Elisha., 1 print : etching and aquatint with engraving, hand-colored ; sheet 24.4 x 31.5 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Novr. 11, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Perkins, Benjamin Douglas, 1774-1810
Subject (Topic):
Pain, Quacks and quackery, Quacks, Medical procedures & techniques, Medical equipment & supplies, Pipes (Smoking), Newspapers, and Dogs
Title etched below image., Sheet trimmed within plate mark., Plate numbered 'Plate 1' in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
19 January [1801?] and [printed approximately 1822]
Call Number:
801.01.19.01++
Image Count:
1
Resource Type:
still image
Abstract:
Lillipution figures
Description:
Title from caption below image., Artist from British Museum catalogue., Restrike. Date of printing based on watermark., Publisher's advertisement below image in lower right: Folios of caracatures [sic] lent out for the evening., One of a set of eight plates, each composed of three bordered horizontal strips, that were evidently intended to be cut up to form a border., and Watermark: J. Whatman 1822.
"Amateur musicians, the design based on 'Ars-Musica', BMSat 9586, altered, and much elaborated. Four ugly and elderly men grouped round a young woman who sits, full face, at a square piano lit by a guttering candle. She lifts her hands to thump, with grim determination. A 'cellist is on her right, a vast gouty leg thrust forward, a violinist on her left. Behind her are two flautists. Behind (left), a young officer and a girl flirt, hand in hand. In the background (right) are visitors: two military officers shake hands, one bowing so that his sword lifts up the petticoats of a fat lady walking off to the right. A dog howls with one paw on a music-book."--British Museum online catalogue
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., and Temporary local subject terms: Carpets -- Musicians -- Flautist -- Violinist -- Cellist -- Piano -- Flute -- Violin -- Pianist -- Cello.
Publisher:
Publish'd May 15th, 1801, by H. Humphrey, No. 27 St. James's Street
"In a small space between the House Commons (left) and a rustic alehouse (right) Lord Temple and Lord Camelford play battledore and shuttlecock with the head (the features as in BMSat 9200) of Horne Tooke. In this are stuck feathers, five inscribed respectively: 'Deceit, Vanity, Jacobinism, New Morality [cf. BMSat 9240], Envy'. From the neck hang (torn) clerical bands. Camelford in back view, 'profil perdu', wears a rakish hat with curved brim (as in BMSat 9699), a naval officer's coat with sailor's striped trousers, and buckled shoes; from his coat pocket issues a paper: 'Effusion of Loyalty'. He says: "There's a Stroke for you, Messmate! and, if you kick him back, I'll return him again, dam'me! - if I should be sent on a cruise to Moorfields [i.e. Bedlam], for it! - go it, Coz:" Temple, a stout country gentleman, scarcely caricatured, wearing a stiff round hat, prepares to return the stroke vigorously, left fist clenched; he says: "Send him back? - yes, I'll send him back Twenty Thousand times, before such a high flying Jacobin-Shuttlecock shall pearch [sic] it here, in his Clerical band." Both play vigorously with legs astride. Through the wide doorway behind him, inscribed 'St Steevens', is seen the Opposition side of the House of Commons densely packed, the Speaker just visible in his chair, the Clerk staring apprehensively. All the (tiny) members wave red caps to cheer their champion, shouting "The Church for Ever, [?] dem[me]". Sheridan and Fox only are characterized. The alehouse is a primitive thatched building with the chequers sign. On it are two placards: 'The Old Sarum Electors', five pigs in a sty eating from a trough. Below: 'The House of Call for Independent Members'. Against the building are a rustic table and bench. On the ground by Camelford is a 'List of Candidates for Old Sarum, J. H. Tooke, Black Dick [it was reported, though denied by Camelford, that he had declared his intention of returning his black servant if Tooke's election should be annulled], Thelwall' [see vol. vii]. In the background between the buildings is seen a small ruinous village, representing Old Sarum, with a bare, decayed tree."--British Museum online catalogue
Alternative Title:
Old Brentford shuttlecock between Old-Sarum & the Temple of St. Steevens
Description:
Title from text in lower part of image., Mounted to 37 x 56 cm., Collector's annotations on mount., and Identifications in contemporary hand written below plate.
Publisher:
Publish'd March 15th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Pitt, Thomas, Baron Camelford, 1775-1804, Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Members of the Opposition in a row, talk in couples, except for the arch-egotist Erskine (see British Museum satires no. 9246) on the extreme left, who exclaims: "Peace - and I not consulted 'tis very strange, by Gad". Sheridan (left), seated in profile to the right, reads the 'Gazzette Extraordina[ry] Peace! Peace!' with an expression of dismay. He says: "It is here, sure enough, I can scarcely believe my eyes, then all my fine speeches respecting the continuance of the War is dish'd, its no farce." Burdett stands with legs astride looking down at him; he says: "O it can't be true depend upon it." The centre pair, Fox and Bedford, face each other in profile. Fox says: "This is a curious kind of business. I heard of it at the Crown and Anchor." Bedford, in top-boots, and a riding whip under his arm, answers: "I heard of it in Bedfordshire." On the right little Lord Derby turns to Tierney, asking, "Pray who is this Peace Maker - this Mr A- Ad, Ad, what's his name, I never can think of it dam my Wig" [he is almost bald, with a tiny pigtail]. Tierney, looking down morosely, his arms folded, answers: "I really cannot immediately recollect, but I know he is not one of us - however we can find it in the Red Book"."--British Museum online catalogue
Alternative Title:
Politicians puzzled
Description:
Title etched below image., Approximate date of publication from the British Museum catalogue., With publisher's watercolor., and Watermark: W. Elgar 1797.
Publisher:
Pubd. by P. Roberts, 28 Middle-Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Bedford, Francis Russell, Duke of, 1765-1802, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Tierney, George, 1761-1830, and Burdett, Francis, 1770-1844
Subject (Topic):
Whig Club (London, England), Whig Party (Great Britain), and Politics and government
"Burdett (right) declaims a speech whose heads are inscribed on a gigantic scroll held out to him by Fox. Fox raises his arms high to hold the scroll, one end of which falls behind his head and shoulders. The other end, still rolled and blank, is held by Sheridan who stands on the extreme left behind a writing-table over which the scroll passes. Horne Tooke, seated full face behind the table, an inkpot in one hand, writes on the scroll with a sourly inscrutable expression. Burdett, with arms thrown wide, hat in right hand, stands with legs astride on a large tattered volume: 'List of them London Corresponding Society'. He says: "There! - there! - see the causes of all our Woe! - Oh! my ruin'd Country! - Enslav'd! - ah Traitors! - Expiring Liberty! - precious, Aristocratic Villains! - Oh Unaccounted Millions! - murder'd Myriads! oh, Gallows! - Block! - Guillotine! - Caira! Caira!" Sheridan, the theatrical expert, leans forward delightedly to say: "Bravo! - Bravo! - but it should give more Emphasis to the beginning of the last Line of Exclamation." Fox, very corpulent and gouty, his gloomy face shaded by the scroll, says: "Bravissimo! - Encore the Unaccounted Millions! - Encore! - " The scroll is inscribed: 'Ministerial Crimes & Misdemeanours. - Ist Espousing the Cause of Loyalty & Old England. - 2d Making War against the Enemies of Loyalty and Old England. - 3d Destroying the Navy of the Enemies of Loyalty & Old England - 4th Capturing Malta, & all the foreign Possessions of the Enemies of loyalty and Old England. - 5th Ruining the Commerce of the Enemies . . . [ut supra]. - 6th Paying off the National Debt, in spite of the well-wishers to the Enemies . . . [ut supra]. 7th Uniting & Defending our Irish Brethren, when Invaded by the Enemies . . . [ut supra]. 8th Refusing to break Faith with the Allies of Loyalty . . . [etc.] 9th Holding out to the last, & Fighting single-handed with all the Enemies . . . [etc.] 10th Rejecting the profer'd Reconciliation with the Enemies of Loyalty and Old England, until Peace could be ratified upon Honorable Terms.' Much that follows is obscured by folds in the scroll; a few words stand out: '. . . French Principles and destroying Democratic P ... 16th Extirpating [?] the Hydra of [?] Faction .. . Loyalty & Old England.' The words again become clear where the scroll rests on the table, and enfl under the pen of Horne Tooke: '18th - Destroying all hopes of a Revolution & leaving the Enemies of Loyatly [sic] & Old England to Despair & to hang themselve . . .' [see BMSat 9258, &c.]. Under the scroll lie other papers: 'Last dying Speech . . . Aristocratic Ministry' and 'Scheme of Ministerial Equality.' Against the wall and forming a background to Sheridan, Horne Tooke, and Fox is a high book-case, the books covered by a curtain, parted to reveal to inscribed 'Thel[wall]', 'Revoluti[on]', 'Cromw[ell]', 'Machiavel'. On the top three busts partly decapitated by the upper margin: 'Tom Paine, Abbé Seyeis', and 'Rob'spear'. Their positions imply that they are the 'doublures' (cf. BMSat 9261) respectively of Sheridan, Tooke, and Fox; for Fox as Ropespierre see BMSat 8450; for Tooke and Sieyes cf. BMSat 9270. On a small cabinet behind Burdett stands a model of a guillotine. Tooke wears a bonnet rouge with tricolour cockade, a dressing-gown with (torn) clerical bands (cf. BMSat 9716)."--British Museum online catalogue
Alternative Title:
Private rehearsal of "The ci-devant Ministry in danger".
Description:
Title etched below image., Temporary local subject terms: Bonnet rouge -- Guillotine -- Quill Pens -- Ogle Swindler., and Mounted to 32 x 42cm.
Publisher:
Publish'd Decr. 4th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Sheridan, Richard Brinsley, 1751-1816, and Burdett, Francis, 1770-1844
"Key to Smith's print 'The Annual Ceremony of administering the Oath of Allegiance &c on Novr. 8th, the Day preceding Lord Mayors Day,' listing the aldermen and sheriffs, including Newnham and John Boydell, portrayed, assembled in the Guildhall."--British Museum online catalogue
Description:
Title from caption above image., Names of the people portrayed inscribed below image., and Printmaker from the British Museum online catalogue, registration no.: 1873,0712.513.
Publisher:
Published June 4th, 1801 by John & Josiah Boydell, No. 90 Cheapside & at the S. Gallery, Pall Mall
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and India paper sheet 10.9 x 17.5 cm.
Publisher:
Published Nov. 1, 1801 by J. Wheble, Warwick Square
Young men and women playing in a field, throwing hay at each other
Description:
Title from item., Printmaker from unverified data in local card catalog record., Number 256 in the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Plate numbered '260' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd April 14th, 1801 by Laurie & Whittle, 53 Fleet Street, London
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman 1824., and Later printing.
Title from item., Number 256 in the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Caption of three lines below design: Sally! Sally! what are you about, where is my supper; where is the rabbit smother'd with onions which I order'd an hour ago ..., Plate numbered '256' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Medical Crutches -- Animals: Rabbit -- Food: Onions -- Kitchen Utensils -- Cooking Pot -- Spoons -- Kitchen Stove -- Furniture -- China Cupboard -- China Plates -- China Bowls -- Dishes -- Kitchen Equipment.
Publisher:
Published Novr. 23, 1801, by Laurie & Whittle, 53 Fleet Street, London
Title from item., No. '254' in Laurie & Whittle Drolls series., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Chandois Street.
Publisher:
Published 8th Jany., 1801, by Laurie & Whittle, 53 Fleet Street, London
Title from item., Printmaker from unverified data in local card catalog record., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Plate numbered '253' in lower left corner.
Publisher:
Publish'd 8th Jany., 1801 by Laurie & Whittle, 53 Fleet Street, London
A social satire: a woman in a apron and with a kerchief on her head is seated at a low table with a basket of lobsters; she holds out one lobster that is pulling a man's nose, as she says "There d-n your Eyes, who stinks now?" He winces in pain and pushes back against her arm as he replies, "Begar he bite! Oh!!!"
Description:
Title etched below image., Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Decbr. 1, 1801, by S. Howitt, Panton Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 July 1801]
Call Number:
Bunbury 801.07.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on age and pretension: a caricatured elderly couple dancing together; behind two people laugh at them through a window; on the wall to right is a bill lettered, "Assembly / Hockley in the Hole / H Hog master of the ceremonies"."--British Museum online catalogue, description of an earlier state
Alternative Title:
Strephon and Chloe
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 28 November 1772 by J. Bretherton. Cf. No. 4755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Remnant of former publisher's street address left unburnished below image: No. 134., Imperfect; sheet trimmed within plate mark on two sides with partial loss of statement of responsibility from right edge. Complete statement of responsibility from earlier state in the British Museum., and Watermark.
Publisher:
Pub'd July 1, 1801, by S.W. Fores, No. 50 Piccdilly [sic]
Title from item., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Plate 4 in a series: Symptoms of the shop., Caption within design: Adorable compound of sweets, __ thou tamarind of excellence! __ more luscious than a turkey fig. __ and at the same time graceful as a stick of barley sugar. __ have compassion on a little grocer that adores you!!, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. May 14th, 1801 by S.W. Fores, No. 50 Piccadilly
Title from item., Printseller's announcement following publication statement: Prints and drawings on the plan of a Library. Folios of caracatures [sic] lent out for the even[in]g., Plate 6 in a series of 12., Caption within design: Thou proof print of unsullied beauty, __ lovely transparency of unblemished charms, behold a print seller at your feet, who does not with to varnish over his passion with the opake [sic] mixture of fulsome flattery..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: B & L., and Printseller's stamp in lower right cornert: S·W·F.
Title from item., Plate 10 in the series of 12., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: B & R., and Printseller's stamp in lower right corner of print: S·W·F.
Publisher:
Pub. June 1st, 1801 by S.W. Fores, No. 50 Piccadilly
Title from item., Plate number twelve in the series., Sheet has thread margins., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 1st, 1801, by S.W. Fores, No. 50, Piccadilly
Title from item., Printseller's announcement following publication statement: Prins [sic] and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Plate 2 in the series: Symptoms of the shop., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Printseller's stamp in the lower right corner: S·W·F.
Publisher:
Pub. March 1st, 1801, by S.W. Fores, No. 50, Piccadilly
Title from item., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Printseller's identification stamp located in the lower right corner of the print: S·W·F., Plate 5 in a series: Symptoms of the shop, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. March 1st, 1801, by S.W. Fores, No. 50, Piccadilly
Title from item., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Plate 8 in the series: Symptoms of the shop., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Printseller's stamp located in lower right corner: S·W·F.
Publisher:
Pub. April 1st, 1801, by S.W. Fores, No. 50, Piccadilly
Title from item., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Plate 9 in the series: Symptoms of the shop., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Printseller's stamp with price located in lower right corner: S·W·F. Price 1 s.
Publisher:
Pub. June 1st, 1801 by S.W. Fores, No. 50 Piccadilly
Title from item., Plate 11 in the series., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. June 1st, 1801 by S.W. Fores No. 50 Piccadilly
Title from item., Printseller's announcement following publication statement: Prins [sic] and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Printseller's identification stamp located in the lower right corner of the print: S·W·F., Plate 3 in a series: Symptoms of the shop, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. March 1st, 1801, by S.W. Fores, No. 50, Piccadilly
Title from item., Printseller's announcement following publication statement: Prints and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Plate 7 in the series: Symptoms of the shop., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 1st, 1801, by S.W. Fores, No. 50, Piccadilly
Title from item., First plate in the series of 12., Printseller's announcement following publication statement: Prins [sic] and drawings lent on the plan of a Library. Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Printseller's stamp in the lower right corner of the print: S·W·F.
Publisher:
Pub. March 1st, 1801, by S.W. Fores, No. 50, Piccadilly
"The invalid, unshaven, in a nightcap, and wearing a dressing-gown over unfastened waistcoat, breeches, and ungartered stockings, stands as in British Museum Satires No. 9584, grimacing with disgust at a cup of medicine, the bottle in his left hand. In place of the fireplace is a table on which are medicine bottles, pill-box, and a small case inscribed 'Tractors', see British Museum Satires No. 9761. Behind him is a commode. A strip of bed-curtain appears on the extreme right. A companion print to British Museum Satires No. 9805. Cf. British Museum Satires No. 10304, &c."--British Museum online catalogue
Description:
Title from item., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., An imitation of Gillray's print of the same title; cf. No. 9584 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Temporary local subject terms: Physic -- Medicine bottles -- Pill boxes -- Close stools., and Temporary local Medical Library subject terms: Purgatives -- Toilet facilities.
Publisher:
Published by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Laxatives, Tractors, Metallic, Medicines, Medical procedures & techniques, and Sick persons
"The invalid, unshaven, in a nightcap, and wearing a dressing-gown over unfastened waistcoat, breeches, and ungartered stockings, stands as in British Museum Satires No. 9584, grimacing with disgust at a cup of medicine, the bottle in his left hand. In place of the fireplace is a table on which are medicine bottles, pill-box, and a small case inscribed 'Tractors', see British Museum Satires No. 9761. Behind him is a commode. A strip of bed-curtain appears on the extreme right. A companion print to British Museum Satires No. 9805. Cf. British Museum Satires No. 10304, &c."--British Museum online catalogue
Description:
Title from item., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., An imitation of Gillray's print of the same title; cf. No. 9584 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Temporary local subject terms: Physic -- Medicine bottles -- Pill boxes -- Close stools., Temporary local Medical Library subject terms: Purgatives -- Toilet facilities., and 1 print : etching, hand-colored ; plate mark 31.5 x 22.0 cm.
Publisher:
Published by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Laxatives, Tractors, Metallic, Medicines, Medical procedures & techniques, and Sick persons
"Two connoisseurs, one holding a monocle, admiring a new acquisition of a monstrous grimacing figure in a harlequin costume, the speech of the owner above their heads: 'There neighbour Jenkins, what do you think of my new purchase - theres Taste for you - Mr. Bronze bought it for me - I think he calls it a Chinese Goss or Joss or something like that ...'"--British Museum online catalogue
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub'd. April 2nd, 1801 by R. Ackermann, No. 101 Strand
Title from item., Giles Grinagain is a pseudonym., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms:, and Watermark.
Publisher:
Publish'd Decr. 1, 1801 by S. Howitt, Panton Street
"A provincial evening party; all the guests are elderly, plain, and unfashionable. Those in the foreground sit in an irregular semicircle. Three men laugh together on the left, one makes a gesture which jerks a woman's tea-cup from her hand; she scowls at him with fury. The scalding tea pours over the leg of her neighbour on the right who flourishes his cane, knocking off the wig of a man who stands behind. This man throws up his arms, his cup and saucer fly into the air, the tea pouring on to the head of the man with the cane. The man losing his wig is struck in the face by a spurt of tea from the mouth of a man on the right, trying to restrain his laughter at the sequence of accidents, and unaware that his own skimpy pigtail is burning in a candle. These last two stand behind the semicircle. Behind it (left) four people are playing cards. In the centre two men stand facing each other in profile, much amused."--British Museum online catalogue
Alternative Title:
Game of consequences just begun
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Artist identified by British Museum catalogue., and Cf. British Museum catalogue no. 9822 for description of state without imprint.
Publisher:
Pub'd. May 11th, 1801 by S.W. Fores, 50 Piccadilly corner of Sackville St.
Title printed in letterpress below plate line., Three paragraphs of text and printer's line printed in letterpress below title: Generous and exhilarating Bacchus, pour down, I beseech thee, ..., Printmaker from unverified data from card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple engraving on wove paper, hand-colored ; sheet 42.4 x 25.5 cm, Sheet trimmed within plate mark with loss of printer's line., and Watermark: J. Ruse.
Publisher:
Pub'd. June 4th, 1801, by R. Ackermann, No. 101 Strand
"A drunken orgy by the members of a convivial club, grouped round an oblong table in a dignified room, which suggests a fashionable society. The chairman (left) with raised hammer gives a toast which is drunk sitting. Most are jovial, three are vomiting, one over a prostrate member. An elderly man protests angrily; his neighbour tries to make him sit down. The room is lit by a chandelier hanging from an ornate ceiling. A servant draws a cork, another enters with a punchbowl from behind a screen (right). Bottles stand in a magnificent wine-cooler, round which empty bottles are massed. The members' hats are piled on an ornate chimney-piece; a Jew reaches over a low screen to take a hat, unaware hat a member has risen to denounce him. This screen is in front of a 'Ballotin Box', with two round apertures inscribed 'Nay' and 'yea'. On the wall (left) is a placard: 'Rules to be observed in this Society, Ist That each Member shall fill a half pint Bumper to the first Toast. 2nd That after Twenty four Bumper toasts are gone round, every [sic] may fill as he pleases. 3 That any Member refusing to comply with the above Regulations to be fine a bumper of Salt & Water'."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Title etched below image., Caption in two lines below title: "Buck" you scoundrel how durst you tell me that the river was fordable here?? I fell in over head and ear the first step. "Countryman" Why Measter [sic] I thought it was passable for my Geese go over every day., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Geese -- Country versus City -- Wet., and Printseller's identification stamp in lower right corner of sheet: S·W·F.
Publisher:
Pub. July 1, 1801 by S.W. Fores, No. 50 Piccadilly
Title engraved below image., Printmaker from British Museum online catalogue., Description based on imperfect impression; sheet trimmed within plate mark with partial loss of the title., Annotations on mounting sheet identify George III and Pitt in the print., Temporary local subject terms: Lance -- Spurred boots., Mounted to 27 x 46 cm., and Ms. note on the mounting sheet: Malta surrendered to the English in Sept. 1800 after a blockade of two years ...
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Malta.
Subject (Name):
Paul I, Emperor of Russia, 1754-1801, Pitt, William, 1759-1806, and George III, King of Great Britain, 1738-1820
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting British and Continental customs: a portly Briton bows to an elegant French or Italian man with a long queue apparently in a piazza."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement and text below image burnished out, of a print originally published 20 March 1773 by J. Bretherton. Cf. No. 4716 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Watermark., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
From the pulpit a minister wearing eyeglasses (right) reads to his small, mostly asleep congregation a sermon from a pile of papers resting on a pillow: "He brews, ten and twelve!!" A sleepy-looking man with a bulbous nose and carbuncels (foreground, left) looks up and in a speech balloon above is head: And no bad stuff either let me tell you. I should like a to take a mug
Description:
Title etched below image., Place and date of publication inferred from a reversed copy published by R. Ackermann. Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 33., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Topic):
Eyeglasses, Preaching, Religious services, and Sleeping
From the pulpit a minister wearing eyeglasses (right) reads to his small, mostly asleep congregation a sermon from a pile of papers resting on a pillow: "He brews, ten and twelve!!" A sleepy-looking man with a bulbous nose and carbuncels (foreground, left) looks up and in a speech balloon above is head: And no bad stuff either let me tell you. I should like a to take a mug
Description:
Title from caption etched below image., Printmaker and publication line from Grego., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub'd. July 20, 1801 by R. Ackermann, No. 101 Strand
Subject (Topic):
Eyeglasses, Preaching, Religious services, and Sleeping
"Pitt (left) and St. Patrick (right) bestride bulls whose horns are locked in combat, their noses pressed together; the bulls are similar, but the Irish animal is sturdier, its head heavier, its tail erect. Pitt wears armour with a plumed helmet and a cloak. He holds a baton and says: "Never fear St Patrick all will be yet very well they are a little restive at first but they will take to it, kindly enough bye and bye - I'll warrant you." St. Patrick, wearing a tiara and holding a crozier, says: "Pon my Conscience I don't know what you call it but the duece of any thing like an Union do I see except their horns being fastened together". Pitt's cloak and St. Patrick's robe fly out, as if the two had been riding rapidly towards their impact."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Library ink stamp in inscription area: Philosophical Institution, Beaumont Square M.E. [i.e. Mile End].
Publisher:
Publish'd Janry. 1801 by R. Ackermann, N. 101 Strand
Subject (Name):
Pitt, William, 1759-1806 and Patrick, Saint, 373?-463?