Title from caption below item., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 30 x 44 cm.
Publisher:
Pubd. April 24th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, and Wardle, Gwyllym Lloyd, 1762?-1833
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Alternative Title:
Company of undertakers
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 144., Copy of an engraving by Hogarth that was published in 1736. Cf. No. 2299 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 144., and Temporary local Medical Library subject terms: Criticism of the medical profession -- Dod, Pierce (1683-1754) -- Bamber, Dr.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
Great Britain
Subject (Name):
Mapp, Sarah, -1737,, Taylor, John, 1703-1772,, and Ward, Joshua, 1685-1761,
Subject (Topic):
Physicians, Quacks and quackery, Costume, Medical equipment & supplies, Staffs (Sticks), and Wigs
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue
Alternative Title:
Dissapointed epicures and Disappointed epicures
Description:
Title etched below image., Publisher from British Museum catalogue., Plate numbered "27" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., and Also issued separately.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue
Alternative Title:
Dissapointed epicures and Disappointed epicures
Description:
Title etched below image., Publisher from British Museum catalogue., Plate numbered "27" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.5 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 25 in volume 1.
"An obese old doctor sits between Mrs Clarke and a thin elderly officer (right), chapeau-bras, sitting grotesquely expectant on the edge of his Easy Chair. The doctor puts a money-bag inscribed 800 into the dress which Mrs. Clarke holds up to receive it, pointing to the officer, one Captain Tuck. From his pocket hangs a paper Doctor Doneover [Donovan] Agent to Old Nick-Deanery 2000, Commissary 1000, Majority 800 Mrs. Clarke (left) sits in a Ricketty Chair; its seat is Morocco Bottom [an allusion to Taylor, see No. 11218]; under her feet are three papers: My admirable angel My Dear dear pretty little darling; My Love my Life I cannot exist without you; Gazzette. She is one of Rowlandson's pretty meretricious women, and does not resemble Mrs. Clarke. Behind her is a curtained bed, its head inscribed Boudoir; above this hangs a bust profile portrait of Fredirick 2 beneath which a paper is pinned up: List of Candidates for Promotion Sums offered Clav . . . [Clavering, see No. 11247] 2000, Dow. [Dowler, see No 11253]-800, OM [O'Meara, see No. 11258] 300 .. . 200. Beside the bed is an ornate table with decanters and glass, and a paper: Rogues all sing tanta-ra-ra-Blood an Thunder when Whore and Rogue are rent asunder. On the floor is a book, Mrs Clarks Ledger, on which are papers spiked on a file: Promotions paid for. Two quotations from Gay's 'Beggars Opera' complete the design. Above the doctor's head, on a large scroll, are eight lines beginning:"Tis Woman that seduces all mankind, Under Tuck's chair is a paper: If you mention vice or bribe, Tis so pat to all the tribe-each cries that was levelled at me."--British Museum online catalogue
Alternative Title:
Industrious Mrs. Clarke winding up her accounts
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed to plate mark on one side., and Mounted to 30 x 43 cm.
Publisher:
Pubd. M. Febry. 15, 1809, by Thos. Tegg, No. 111 Cheapside
"Interior of the grand room in the palace; at far end a velvet canopy with royal arms; a chandelier hangs from centre of ceiling; men and women dressed in finery mill around room."--British Museum online catalogue
Alternative Title:
Drawing Room, Saint James's
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 76., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 113.
Publisher:
Pub. July 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the grand hall, during a formal dinner; four long tables lin room, the central two joined at far end; Corinthian pillasters framing hall."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 51., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 181., and Watermark: J. Whatman 1808.
Publisher:
Pub. 1st Jany. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Mansion House (London, England)
Subject (Topic):
Halls, Events, Interiors, Columns, and Chandeliers
"A rich farmer's parlour or drawing-room, with curtains drawn over two high windows (right). Betty, plump and bucolic, wearing a high-waisted dress with short sleeves, sits at a square piano (left), in profile to the left, laboriously playing and singing, her eyes on the music: 'Bluebells of Scotland Sung by Mrs Jordan. O Where & O Where is my Highland Laddie gone'. The farmer and his wife stand by the piano, gaping in delighted admiration; they are stout, good-humoured, and plainly dressed. A younger girl, slimmer and less rustic, stands by the piano (left), singing; she holds up a fan. Under the piano is a book: 'Songs of Catalani'. Three elderly ladies sit at a card-table (right), on which are spread drawings or embroidery by 'B. Giles'. One sleeps, two gossip with spiteful zest. A son of the house sits primly with his back to the windows, in profile to the left, his hands folded, ill at ease in frilled shirt, and powdered hair. A small foot-boy enters from the right with a decanter and glasses on a salver and a cake-basket on his arm, the cakes falling out. A spaniel sits dejectedly in the foreground. The room is lit by two pairs of candles in sconces, two candles on the piano, and one on the table. The chairs are of modern shape, with stuffed backs and ormolu ornament. Above the chimney-piece is a heavily framed sampler with two alphabets, figures from 1 to 12, 'Evil communications Corrupt good Manners', and a design of two birds flanking two hearts pierced with arrows, inscribed: 'Betty Giles aged 16. 1808. Cheese Hall'. Over the piano in an oval frame is a view of 'Cheese-Farm': the corner of a house next a small thatched cottage and two haystacks. A gigantic horse looks over the cottage roof, and in the foreground a woman milks a large cow, beside which are two geese and a cock larger than the woman."--British Museum online catalogue
Alternative Title:
Farmer Giles and his wife shewing off their daughter Betty to their neighbours on her return from school
Description:
Title etched below image., Artist questionably identified as Col. Braddyll in the British Museum catalogue., and Window mounted to 38 x 53 cm.
Publisher:
Publish'd January 1st, 1809, by H. Humphrey, 27 St. James's Street
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four ladies sit at a round table, two old and ugly, the others young and comely. The ugliest (left) peers through spectacles at a newspaper, screaming, "Mercy on us here is news!! They write from Hanover that when Boney part took possession of that country, he ravish'd all the Women!!" The other, holding up her fan, exclaims: "O! the Wretch". The two younger ladies (right) turn to each other, saying, "It is very true Ma'am it is only a word and a blow with him-Your Honour or your property", and "Well Ma'am if he should come here, at all events I will take care of my property". A young girl, sitting demurely at a little distance from the table, her wrists crossed on her lap, says: "So will I Mamma!" A butler with a tray of glasses enters the door, grinning."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; date appears to have been burnished from end of imprint statement., Date of publication from British Museum catalogue., Plate reissued in 1815; see: Grego, J. Rowlandson the caricaturist, v. 2, page 289., Plate numbered "271" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling coulered [sic].", and Leaf 50 in volume 4.
"Illustration to a broadside, printed in four columns in the manner of a newspaper, and covering the upper part of the third and fourth columns. A whole-length portrait of Mrs. Clarke (unrecognizable, but alluring), standing with one hand on the head of a sofa. In the background are four oval bust portraits of other women: 'Miss Taylor' [see British Museum Satires No. 11229], 'Mrs Carey' [see British Museum Satires No. 11050], 'Miss Gifford', and 'Mrs Shaw'. ... The text, in eight chapters, is in the quasi-biblical language not uncommon in satires, e.g., British Museum Satires No. 6465, and afterwards exploited by Hone. The text is an account of the relations between the Duke of York and Mrs. Clarke, and the Parliamentary proceedings, highly flattering to Wardle and Burdett. It ends: 'And behold he [the Duke] walketh in a vain shew, which shall fade in the sight of the people, whilst the fame of Wardle, Whitbread, and Burdett shall flourish and endure . . . the tergiversation of the Black Coats may whiten his honour [see British Museum Satires No. 11269], but who can believe him innocent of folly, vice, and acknowledged adultery? ... Now the rest of the Acts of Mary Ann Clarke, ... are they not written in the Chronicles of Blue Covers which flutter on the Stalls.'"--British Museum online catalogue
Description:
Title from letterpress text above image., Date of publication from the British Museum catalogue., Companion print to: Second book of the Chronicle of the Isles., and "Price one shilling."--Following imprint.
Publisher:
Printed by and for J. Herbert, at his Newspaper Office, 4, Merlin's Place, Spa Fields and Sold by W. Wilson, 4, Little Warner Street
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Whitbread, Samuel, 1764-1815., Gibbs, Vicary, Sir, 1751-1820., Burdett, Francis, 1770-1844., and Wardle, Gwyllym Lloyd, 1762?-1833.
