"Six men at a dinner-table, four in regimentals. An officer stands (right) to give a toast, the man seated on his left having said "Come Jack favor us with a Toast". He responds: "Here is the Lady that can raise Five Hundred Members!!" A civilian on his right says: "very fair--very fair". The man at the foot of the table (left) asks his civilian neighbour "How much did you give to be Gazzetted. The man answers gloomily: Five hundred hard cash!!" The sixth man says: "I did not think it would have been done up so soon-- I had promised at least a Dozen promotions"."--British Museum online catalogue
Description:
Title from caption below image., Printmaker identified in the British Museum catalogue., (Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VIII, 1947) See No. 11216, &c. A reference to Mrs. Clarke's effect on the Commons, cf. No. 11238. Wilberforce records in his diary: 'House examining Mrs. Clarke for two hours--cross-examining her in the Old Bailey way--she elegantly dressed, consummately impudent, and very clever: clearly got the better in the tussle' (1 Feb.). 'Mrs. Clarke by fascinating the House has prevented its degradation by appearing to stifle the inquiry, and take too strong a part with the Duke of York--curious to see how strongly she has won upon people' (Feb. 26)., Sheet trimmed to plate mark on two sides., and Mounted to 28 x 42 cm.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 34.7 cm, on sheet 25.6 x 41.8 cm., and Leaf 16 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and Imperfect; "sc." following the name "Bunbury" in lower right corner has been mostly erased from sheet.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and 1 print : etching, hand-colored ; plate mark 24.0 x 34.5 cm.
"Admiral Sir George Young, in naval uniform, stands in profile to the left, slim and erect, heels together, hand on the hilt of his sword. He wears a cocked hat and high boots. His expression is firm, alert, benevolent."--British Museum catalogue
Description:
Title etched below image., Leaf 8 in an album with the spine title: Characatures by Dighton., and Figure identified as "Admiral Young" in pencil in lower left corner of sheet.
"Mrs. Clarke (left) bestrides a large cannon on a gun-carriage, her back to the muzzle, hammering a spike into it with great gusto; she says: "A Wise General shoud make good his Retreat". The Duke of York kneels on the ground (right), looking over his right shoulder at her, and exclaiming, "Alas! Alas for ever ruined and Undone, / See See she has spiked my great Gun". His cocked hat and sword lie on the ground. In the background (left) two military officers followed by a parson run away to the left, and on the right Mrs. Clarke beats a drum, playing the 'Rogues March', while tiny soldiers flee before her."--British Museum online catalogue
Alternative Title:
Darling angel's finishing stroke
Description:
Title from caption below item., Printmaker identified in, Sheet trimmed to plate mark on one side., and Mounted to 29 x 42 cm.
Publisher:
Pubd. March 13th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile on the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next to him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness, one turned away from the table, with outstretched legs in top-boots, yawns violently. From the left enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs, one of whom is toppling over with sleepiness
Description:
Title from caption below image., Statement of responsibility from impression in the British Museum. See British Museum online catalogue, registration no.: 1935,0522.8.169., Date of publication based on watermark., A copy in reverse of no. 6144 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., The Lewis Walpole Library impression: statement of responsibility has been erased from lower left corner of sheet., and Watermark partially trimmed: 1809.
Publisher:
publisher not identified
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A very fat man, broadly caricatured, with a gouty leg, sits full face in an arm-chair, staring with open mouth and goggling eyes. Above his head: 'Who the Devil do you stare at? Get along about your Business'. He wears a night-cap, a handkerchief round his neck, a loose coat over shirt. At his left hand is the corner of a table with a decanter of 'Madeira' and a glass."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on complete imprint on earlier state: London, Pubd. Sept. 30th, 1809, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11463 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "143" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of innocence., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 166, Temporary local subject terms: Male costume, 1809 -- Night-cap -- Gout -- Madeira., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., and Leaf 84 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A very fat man, broadly caricatured, with a gouty leg, sits full face in an arm-chair, staring with open mouth and goggling eyes. Above his head: 'Who the Devil do you stare at? Get along about your Business'. He wears a night-cap, a handkerchief round his neck, a loose coat over shirt. At his left hand is the corner of a table with a decanter of 'Madeira' and a glass."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on complete imprint on earlier state: London, Pubd. Sept. 30th, 1809, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11463 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "143" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of innocence., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 166, and Temporary local subject terms: Male costume, 1809 -- Night-cap -- Gout -- Madeira.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat, middle-aged, and meretricious-looking woman sits full face with a full glass in her hand, eyelids lowered, the fingers of her left hand spread deprecatingly. Beside her is a bottle of 'Coniac Brandy'. Above her head: 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!' Large red stones or beads form a double necklace and bracelets, and ornament a fillet in her hair and her short sleeves."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication from British Museum catalogue and Grego., Plate numbered "144" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of impertinence!, "Price one shilling coloured.", Temporary local subject terms: Female costume, 1809 -- Cognac -- Jewelry -- Necklace -- Bracelets -- Fillet., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 85 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat, middle-aged, and meretricious-looking woman sits full face with a full glass in her hand, eyelids lowered, the fingers of her left hand spread deprecatingly. Beside her is a bottle of 'Coniac Brandy'. Above her head: 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!' Large red stones or beads form a double necklace and bracelets, and ornament a fillet in her hair and her short sleeves."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication from British Museum catalogue and Grego., Plate numbered "144" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of impertinence!, "Price one shilling coloured.", and Temporary local subject terms: Female costume, 1809 -- Cognac -- Jewelry -- Necklace -- Bracelets -- Fillet.
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., 1 print : etching with stipple, hand-colored ; 273 x 381 mm., and Sheet trimmed within plate mark on three sides (top, right and left).
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., and Mounted to 49 x 62 cm.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
Title from caption below image., Originally published: December 23, 1809 by Thomas Tegg. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall --Carlton House -- Lighting -- Gas lamps -- Male Costume, 1809 -- Irishmen -- Quakers -- Female cosutme -- Fur muff., and Ms. annotation in lower right corner of sheet.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Plate numbered "173" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 25 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Plate numbered "173" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., Mounted to 24 x 33 cm., and Probably a late impression from a worn plate; price statement and printmaker's signature are lightly printed and barely legible.
"The Duke of York, in a pilgrim's gown, wearing a mitre and with a crosier for his staff, approaches the corner of a house where two women, Mrs. Clarke and Miss Taylor, look eagerly from an open window. Behind him his path, 'Road to destruction', leads down from a country house in trees, Oatlands. Beside the path is a stone: 'Stumbling Block'. Near the house the Duchess of York kneels imploringly, raising her arms towards the distant Duke. Behind her is one of her many pet dogs (see British Museum Satires No. 11023). The Duke tramples on two open books: 'Thoughts on Connubial Happiness' and 'Thou shalt not commit Adultery'. He says: "Now for a meeting with my Dearest Dear". On the house many bills are posted: 'Man Traps are placed every Night in these grounds'; 'Diamonds by Mrs Clarke Lapidary to his Highness'; 'This evening will be performed Duke and No Duke [by Tate, 1685] By his Majesties Servts . . .'; 'Agency Office business transacted on moderate Terms'; 'Leakes Pills by appoint. . Taylor'; 'Suppression of vice'; 'To all-Journeymen Taylors wanted'."--British Museum online catalogue
Alternative Title:
Pilgrimage from Surrey to Gloucester Place, or, The bishop in an extacy and Bishop in an extacy
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Oatlands Country house -- Mrs. Clarke., and Mounted to 42 x 29 cm.
Publisher:
Pubd. Febry. 27, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Possibly a later state; first half of imprint statement has been partially worn away or burnished from plate but is still legible., Design consists of eight figures arranged in two horizontal rows, each figure having a caption etched above., Plate numbered "165" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling couloured [sic].", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume, 1809: smock -- Female costume, 1809 -- Wigs -- Landlords -- Pitchforks., and Mounted to 31 x 43 cm.
Publisher:
Pubd. August 19th, 1809, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Possibly a later state; first half of imprint statement has been partially worn away or burnished from plate but is still legible., Design consists of eight figures arranged in two horizontal rows, each figure having a caption etched above., Plate numbered "165" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling couloured [sic].", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume, 1809: smock -- Female costume, 1809 -- Wigs -- Landlords -- Pitchforks., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Sheet trimmed within plate mark on bottom edge., and Leaf 19 in volume 3.
Publisher:
Pubd. August 19th, 1809, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A parson, just arrived at an inn, a grosser Dr. Syntax (see British Museum Satires No. 11507), makes advances to a comely and willing chambermaid, who holds warming-pan, lighted candle, and saddle-bags, and is conducting him to his room. They are at the foot of the staircase. A young military officer on the stairs tipsily directs a stream towards the parson's hat. On the wall behind the latter: 'Fountain Inn-Entertainment for Man and Horse Gentlemen supplied with Fishing Tackle &c &c'. Behind his back (right) an elderly man in a night-shirt looks angrily from a room, holding a lighted candle. In the foreground (right) is a clutter of chamber-pots, bucket, mop, boot-jack, &c."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue. Grego suggests a date of 1807., Four lines of quoted verse below title: "Who'er has travell'd life's dull round, through all its various paths hath been, must oft have wondered to have found, his warmest welcome at an inn., Plate numbered "148" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Leaf 89 in volume 3.
"Dr. Gretton walks in profile to the left, wearing mortar-board, gown, bands, and cassock. He has a pouched and wrinkled face and short white hair or wig. He holds a handkerchief in his right hand which rests on his breast, the left is in the pocket of his cassock. William Gretton (1736-1813) was Master of Magdalene from 1797, and Vice-Chancellor 1800-1."--British Museum online catalogue
Alternative Title:
View from Magdalene College, Cambridge
Description:
Title etched below image., Leaf 50 in an album with the spine title: Characatures by Dighton., and Figure identifed as "Dr. Gretton" in pencil at bottom of sheet; this note corrects another pencil annotation, now scored through, identifying the figure as "Dr. Grafton".
"Dr. Wood walks meditatively in profile to the left, holding his gown to his waist. He has short white hair or wig, a white eyebrow, wears a mortar-board, bands over a shirt-frill, and knee-breeches, showing a neat leg."--British Museum online catalogue and "James Wood (1760-1839), Fellow of St. John's and mathematician, was the son of a Lancashire weaver. He was B.D. 1793, D.D. 1815, Master of his College 1815-39, and Dean of Ely from 1820. He was the most influential man in the University, and according to the 'D.N.B.' the model head of a college ..."--British Museum catalogue
Alternative Title:
View from St John's College Cambridge
Description:
Title etched below image., Leaf 51 in an album with the spine title: Characatures by Dighton., and Figure identified as "Mr. Wood" in pencil in lower left corner of sheet.
"An elderly man with an alert, wrinkled face, stands very erect in profile to the left, his hands resting on his cane. He wears an old-fashioned cocked hat with cockade, with white or powdered hair in a neat (military) pigtail; his long double-breasted blue coat has a small scarlet facing on the high collar; his shoes have large buckles. He is General Robert Donkin, father of Sir R. F. Donkin, died 1821, aged 94."--British Museum online catalogue
Description:
Title etched below image., Leaf 58 in an album with the spine title: Characatures by Dighton., and Figure identified as "Genl. Donkin" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Donkin, Robert, 1727-1821
Subject (Topic):
Generals, British, Older people, and Staffs (Sticks)
"A coachman in a single-breasted coat reaching to his boot-tops stands looking to the left. His cylindrical hat has an irregular brim. A team-whip leans against his left shoulder and he holds the end of the lash between the tips of the fingers of both hands."--British Museum online catalogue and "Dick Vaughan, the driver of the Cambridge Telegraph, a famous coach, was known as Hell-Fire-Dick, and was 'a favourite companion of University fashionables'."--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Leaf 22 in an album with the spine title: Characatures by Dighton.
"An elderly man shambles from right to left in profile, right hand on his stick, left hand in his coat-pocket. He wears a hat with a curved brim, a curled, old-fashioned brown wig, a long coat, and an overcoat, with ill-fitting gaiters reaching to the thigh. Two seals hang from a fob. He is Councillor John Morris or Morriss."--British Museum online catalogue
Description:
Title etched below image. and Leaf 57 in an album with the spine title: Characatures by Dighton.
"An elderly man of clerical appearance, stands in profile to the right knees slightly flexed, right hand resting on a heavy cane, left hand raised in an expository gesture. He wears an ill-fitting powdered wig with a curl at the back, a round hat with the brim turned up at the side, long buttoned coat, wrinkled stockings, high-quartered buckled shoes, and gloves. Identified as Dr. John Shepherd."--British Museum online catalogue
Description:
Title etched below image. and Leaf 56 in an album with the spine title: Characatures by Dighton.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate numbered "208" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.9 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 65 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate numbered "208" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant.
"The stage of Covent Garden Theatre is seen from the right with a small part of the pit in the left foreground; the boxes and galleries adjoining the stage form the background on the left. The pittites are standing and blow trumpets, spring rattles, ring bells, and shout. Those in the crowded boxes behave in the same way; with one exception all are men. Two men occupy each of the two boxes over the stage-door; they watch passively. The musicians' seats are empty, but candles burn beside their open music-books, and one of the orchestra stands facing the audience, threatening them with fist and baton. On the stage three men stand together addressing the audience. The man in the centre holds out a paper: 'Riot Act'; he says: "We shall Read the riot act". Behind them stands Kemble wearing a tail-coat and white trousers, appealing to the audience with his hands meekly together as if in prayer. Large notices and placards hang from the galleries and boxes: 'Old Prices' [five times]; 'Harris will but Kemble won,t'; 'No Kembles No more insults'; 'Kemble remember the Dublin Tin Man'; 'No Foreign Sofas'; 'Iohn Bull against Iohn Kemble'; 'No Catalani'; 'Old Prices' [three times]; 'No Italian Private Boxes'; '£6000 for Caterwauling'; 'Catalani', below a print of a cat dressed as a woman, and singing 'Me Yo' from a music-book; 'No Catalani!! Mountain-- Billington, and Dickons for ever'; 'Ol Price for ever No caterwauling'; 'Old Prices No Catalani'; a gigantic placard: 'Statement-- £ Subscribed -- £80-000 Fire Office -- 50-000 Old Materials -- 25-000 155-000 New Theatre ---- 150-000 Managers of it ---- 5-000' Held up by a 'John Bull' in the pit who blows a trumpet: 'No Catalani No Pigeon Holes Old Prices No Private Boxes'. A man shouts from a box: "Off Off Off Off"; he springs a rattle."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac and George Cruikshank in the British Museum catalogue., Date of publication from British Museum catalogue., and Matted to 47 x 54 cm, with a token for a box seat, Prince's side (BPS), New Theatre Covent Garden 1809.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Nares, John, 1754-1816., Billington, Elizabeth, 1765-1818., Catalani, Angelica, 1780-1849., Dickons, Maria, approximately 1774-1833., Harris, Thomas, -1820., Reed, James, active 1808., Mountain, Rosoman, approximately 1768-1841., and Covent Garden Theatre,
Subject (Topic):
Interiors, Stages (Platforms), Actors, Orchestras, Theater audiences, Theaters, and 1809
"Two designs on one plate. Above, the Duke of York sits, pen in hand, writing a love-letter, but turns from his table to declaim towards the window (right): To morrow I inspect my regiment--and then for my Dearest--Dearest--Dearest--Love. A negro servant (left) wearing a jewelled turban regards him with dismay: Bless my Massa what be de matter with him--him in love I fear--Sambo once be in love with bad Woman but him repent. On table and floor are papers inscribed: O Love is the cause of my Folly, My Amiable Girl; My Dearest Dear I hope to be in your Arms; Love Letters. Below, an elderly military officer without sword or gorget, scowls through an eye-glass at a pert boy (right) in uniform with sword and gorget. He says: Can I believe my eyes, why this is the little foot boy--who waited on us at the house of a Lady of a certain description. The boy (Carter) answers, hands on hips, I beg Sir you will not come for to go, to affront a gemmen--."--British Museum online catalogue
Alternative Title:
Scene at Weymouth
Description:
Title for upper design etched above image; title for lower design etched below image., Printmaker from British Museum catalogue., Artist identified as Woodward in the British Museum online catalogue., Plate numbered "69" in upper right corner., Temporary local subject terms: Eye glass -- Blacks., and Mounted to 43 x 30 cm.
Publisher:
Pubd. Febry. 26, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"George III stands on a low rectangular platform placed upon a boarded floor and is approached from all sides by applicants for office. He is in back view, but turns his head in profile to the left, to inspect a group through his spy-glass, saying: Well Gentlemen,--I have taken a peep at you all: but I am afraid that you won't do--for some of you are too Heavy & Broad-Bottom'd for Service; & the rest seem to have no Bottom at all.--So Gentlemen, I think I shall he content with my Old Servants. In the front row (left), bowing low, are three Grenvilles, the Broad-Bottoms par excellence (see No. 10530): Grenville, holding a gold-laced coachman's hat and long whip, says: Does your Honor want a steady Broad-Bottom'd Coachman to drive you; in bowing he has split his tight breeches. His nephew Temple is next him, then the spectacled Buckingham who says: We'll do any Thing; his son (Temple) adds and in any Way! [cf. No. 10721]. Close behind is the emaciated Sidmouth, hat in hand and holding out a bottle labelled Cathartic; he says: Pray your Honor remember Doctor Slop! your Old Apothecary, who Physick'd the French! [see No. 9849]. Next him and nearer the spectator stands Whitbread, dressed as a porter, and mopping his head. His porter's knot is on the ground, inscribed: Saml Froth his Knot--Carries any Weight in any Weather. He supports against his knees a huge rectangular pile of Motions to be brought in the House of Commons. These are inscribed: Motion against Royal Family [cf. No. 11234]; Motion against the Ministry; against the War; against y Judges; against the Church; against Magna Charta; Motion against. He says: If his Honor wants an Honest Porter, I'm his Man! Behind him and on the extreme left Lord Henry Petty capers to a dancing-master's kit which he plays with his fingers; he asks: Does his Honor want a Fidler to play a Jig [see No, 10589]. Behind Petty and Whitbread are two men dressed as chairmen with straps across the shoulder: one is Grattan; the other (?) Ponsonby, asks: Does his Honor want a pair of Irish Chairmen to carry his Honor clean through the Mud? Behind these and in the doorway (left) is a group of three: Cobbett, holding up his hat and a sheaf of Cobbett Political Register, says: Does his Honor want a Patriotic Reformer? Burdett asks: Does his Honor want a Partner in Business!--ask him Townsend. Townsend, the Bow Street officer, holding up his constable's staff, faces the group, saying sternly: Out with you & be damn'd; from the back of his head a label floats towards the Grenvilles: Take care of your Pockets--Gentlemen Broad bottoms. Horne Tooke says: I'm not Bill Soanes [see No. 10708]. ..."--British Museum online catalogue
Alternative Title:
Old English gentleman pestered by servants wanting places
Description:
Title etched at bottom of image., Mounted to 32 x 46 cm., and Figures identified by ms. notes in a modern hand.
Publisher:
Pubd. May 16th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Burdett, Francis, 1770-1844, Cobbett, William, 1763-1835, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tooke, John Horne, 1736-1812, Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Tierney, George, 1761-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and St. Vincent, John Jervis, Viscount, 1735-1823
Title from caption below image., Printmaker from unverified data from local card catalog record., Sheet trimmed to plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "98" in upper left corner., Temporary local subject terms: Wine cooler., and Mounted to 28 x 42 cm.
Publisher:
Pubd. July 18th 1809 by Thos. Tegg No. 111 Cheapside
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Description:
Title from text heading vignette in left panel., Printmaker from British Museum catalogue., Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., Sheet trimmed within plate mark., Trimmed to two top images only; lower two images lacking., and Print numbered in ms. along the upper edge: 100.
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Description:
Title from text heading vignette in left panel., Printmaker from British Museum catalogue., Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., and Sheet trimmed within plate mark.
Foundling Hospital: above, the achievement of arms; below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. The lower scene shows Coram carrying the Royal Charter, granted in 1739, under his arm. Hogarth made the original drawing to head the subscription roll of the hospital
Description:
Title etched below image., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 152., Sheet trimmed to plate mark on right edge., and Two images on one plate. Top image is a copy of an engraving after Hogarth from ca. 1747; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 230. Bottom image is a copy of an engraving after Hogarth from the 1740s; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 225.
"Interior of the board room, in the Treasury, Whitehall; men at work around central table, and desk to the left; active fireplace against right wall."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 86., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 197.
Publisher:
Pub. Octr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Great Britain. Treasury. and Great Britain. Board of Trade.
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: French military uniforms -- Grenadiers -- Officer -- Austrian military soliders., and Print numbered in ms. near upper edge of sheet.
Publisher:
Pubd. June 12th, 1809 by R. Ackermann, No. 101 Strand
Subject (Name):
Charles, Archduke of Austria, 1771-1847 and Napoleon I, Emperor of the French, 1769-1821
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title from text in center of image., Above title are the phrases "Ever changing," "Ever new," and "Vive la bagatelle.", Plate numbered "100" in upper right corner., Title page to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For an 1821 reissue of this title page, see no. 11457 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., Mounted on laid paper backing., and Title page to volume 4.
A ship's boat filled with rollicking prostitutes, cheering and lifting glasses as they are rowed towards a ship on the right extreme left, with guns projecting from port-holes; two women climb on board by a rope-ladder from a boat, watched by sailors and an officer, while from a window of the captain's cabin another woman looks out. Two other ships, one in full sail, are shown on the left
Description:
Title from item., Compare to "Exporting cattle not insurable"., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Decr. 1st 1809 by R. Ackermann, No. 101 Strand
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., and Mounted to 29 x 43 cm.
Publisher:
Pubd. March 4, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, Croker, John Wilson, 1780-1857, Adam, William, 1751-1839, and Wardle, Gwyllym Lloyd, 1762?-1833
Title from caption below item., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 30 x 44 cm.
Publisher:
Pubd. April 24th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, and Wardle, Gwyllym Lloyd, 1762?-1833
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Alternative Title:
Company of undertakers
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 144., Copy of an engraving by Hogarth that was published in 1736. Cf. No. 2299 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 144., and Temporary local Medical Library subject terms: Criticism of the medical profession -- Dod, Pierce (1683-1754) -- Bamber, Dr.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
Great Britain
Subject (Name):
Mapp, Sarah, -1737,, Taylor, John, 1703-1772,, and Ward, Joshua, 1685-1761,
Subject (Topic):
Physicians, Quacks and quackery, Costume, Medical equipment & supplies, Staffs (Sticks), and Wigs
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue
Alternative Title:
Dissapointed epicures and Disappointed epicures
Description:
Title etched below image., Publisher from British Museum catalogue., Plate numbered "27" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., and Also issued separately.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue
Alternative Title:
Dissapointed epicures and Disappointed epicures
Description:
Title etched below image., Publisher from British Museum catalogue., Plate numbered "27" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.5 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 25 in volume 1.
"An obese old doctor sits between Mrs Clarke and a thin elderly officer (right), chapeau-bras, sitting grotesquely expectant on the edge of his Easy Chair. The doctor puts a money-bag inscribed 800 into the dress which Mrs. Clarke holds up to receive it, pointing to the officer, one Captain Tuck. From his pocket hangs a paper Doctor Doneover [Donovan] Agent to Old Nick-Deanery 2000, Commissary 1000, Majority 800 Mrs. Clarke (left) sits in a Ricketty Chair; its seat is Morocco Bottom [an allusion to Taylor, see No. 11218]; under her feet are three papers: My admirable angel My Dear dear pretty little darling; My Love my Life I cannot exist without you; Gazzette. She is one of Rowlandson's pretty meretricious women, and does not resemble Mrs. Clarke. Behind her is a curtained bed, its head inscribed Boudoir; above this hangs a bust profile portrait of Fredirick 2 beneath which a paper is pinned up: List of Candidates for Promotion Sums offered Clav . . . [Clavering, see No. 11247] 2000, Dow. [Dowler, see No 11253]-800, OM [O'Meara, see No. 11258] 300 .. . 200. Beside the bed is an ornate table with decanters and glass, and a paper: Rogues all sing tanta-ra-ra-Blood an Thunder when Whore and Rogue are rent asunder. On the floor is a book, Mrs Clarks Ledger, on which are papers spiked on a file: Promotions paid for. Two quotations from Gay's 'Beggars Opera' complete the design. Above the doctor's head, on a large scroll, are eight lines beginning:"Tis Woman that seduces all mankind, Under Tuck's chair is a paper: If you mention vice or bribe, Tis so pat to all the tribe-each cries that was levelled at me."--British Museum online catalogue
Alternative Title:
Industrious Mrs. Clarke winding up her accounts
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed to plate mark on one side., and Mounted to 30 x 43 cm.
Publisher:
Pubd. M. Febry. 15, 1809, by Thos. Tegg, No. 111 Cheapside
"Interior of the grand room in the palace; at far end a velvet canopy with royal arms; a chandelier hangs from centre of ceiling; men and women dressed in finery mill around room."--British Museum online catalogue
Alternative Title:
Drawing Room, Saint James's
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 76., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 113.
Publisher:
Pub. July 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the grand hall, during a formal dinner; four long tables lin room, the central two joined at far end; Corinthian pillasters framing hall."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 51., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 181., and Watermark: J. Whatman 1808.
Publisher:
Pub. 1st Jany. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Mansion House (London, England)
Subject (Topic):
Halls, Events, Interiors, Columns, and Chandeliers
"A rich farmer's parlour or drawing-room, with curtains drawn over two high windows (right). Betty, plump and bucolic, wearing a high-waisted dress with short sleeves, sits at a square piano (left), in profile to the left, laboriously playing and singing, her eyes on the music: 'Bluebells of Scotland Sung by Mrs Jordan. O Where & O Where is my Highland Laddie gone'. The farmer and his wife stand by the piano, gaping in delighted admiration; they are stout, good-humoured, and plainly dressed. A younger girl, slimmer and less rustic, stands by the piano (left), singing; she holds up a fan. Under the piano is a book: 'Songs of Catalani'. Three elderly ladies sit at a card-table (right), on which are spread drawings or embroidery by 'B. Giles'. One sleeps, two gossip with spiteful zest. A son of the house sits primly with his back to the windows, in profile to the left, his hands folded, ill at ease in frilled shirt, and powdered hair. A small foot-boy enters from the right with a decanter and glasses on a salver and a cake-basket on his arm, the cakes falling out. A spaniel sits dejectedly in the foreground. The room is lit by two pairs of candles in sconces, two candles on the piano, and one on the table. The chairs are of modern shape, with stuffed backs and ormolu ornament. Above the chimney-piece is a heavily framed sampler with two alphabets, figures from 1 to 12, 'Evil communications Corrupt good Manners', and a design of two birds flanking two hearts pierced with arrows, inscribed: 'Betty Giles aged 16. 1808. Cheese Hall'. Over the piano in an oval frame is a view of 'Cheese-Farm': the corner of a house next a small thatched cottage and two haystacks. A gigantic horse looks over the cottage roof, and in the foreground a woman milks a large cow, beside which are two geese and a cock larger than the woman."--British Museum online catalogue
Alternative Title:
Farmer Giles and his wife shewing off their daughter Betty to their neighbours on her return from school
Description:
Title etched below image., Artist questionably identified as Col. Braddyll in the British Museum catalogue., and Window mounted to 38 x 53 cm.
Publisher:
Publish'd January 1st, 1809, by H. Humphrey, 27 St. James's Street
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four ladies sit at a round table, two old and ugly, the others young and comely. The ugliest (left) peers through spectacles at a newspaper, screaming, "Mercy on us here is news!! They write from Hanover that when Boney part took possession of that country, he ravish'd all the Women!!" The other, holding up her fan, exclaims: "O! the Wretch". The two younger ladies (right) turn to each other, saying, "It is very true Ma'am it is only a word and a blow with him-Your Honour or your property", and "Well Ma'am if he should come here, at all events I will take care of my property". A young girl, sitting demurely at a little distance from the table, her wrists crossed on her lap, says: "So will I Mamma!" A butler with a tray of glasses enters the door, grinning."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; date appears to have been burnished from end of imprint statement., Date of publication from British Museum catalogue., Plate reissued in 1815; see: Grego, J. Rowlandson the caricaturist, v. 2, page 289., Plate numbered "271" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling coulered [sic].", and Leaf 50 in volume 4.
"Illustration to a broadside, printed in four columns in the manner of a newspaper, and covering the upper part of the third and fourth columns. A whole-length portrait of Mrs. Clarke (unrecognizable, but alluring), standing with one hand on the head of a sofa. In the background are four oval bust portraits of other women: 'Miss Taylor' [see British Museum Satires No. 11229], 'Mrs Carey' [see British Museum Satires No. 11050], 'Miss Gifford', and 'Mrs Shaw'. ... The text, in eight chapters, is in the quasi-biblical language not uncommon in satires, e.g., British Museum Satires No. 6465, and afterwards exploited by Hone. The text is an account of the relations between the Duke of York and Mrs. Clarke, and the Parliamentary proceedings, highly flattering to Wardle and Burdett. It ends: 'And behold he [the Duke] walketh in a vain shew, which shall fade in the sight of the people, whilst the fame of Wardle, Whitbread, and Burdett shall flourish and endure . . . the tergiversation of the Black Coats may whiten his honour [see British Museum Satires No. 11269], but who can believe him innocent of folly, vice, and acknowledged adultery? ... Now the rest of the Acts of Mary Ann Clarke, ... are they not written in the Chronicles of Blue Covers which flutter on the Stalls.'"--British Museum online catalogue
Description:
Title from letterpress text above image., Date of publication from the British Museum catalogue., Companion print to: Second book of the Chronicle of the Isles., and "Price one shilling."--Following imprint.
Publisher:
Printed by and for J. Herbert, at his Newspaper Office, 4, Merlin's Place, Spa Fields and Sold by W. Wilson, 4, Little Warner Street
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Whitbread, Samuel, 1764-1815., Gibbs, Vicary, Sir, 1751-1820., Burdett, Francis, 1770-1844., and Wardle, Gwyllym Lloyd, 1762?-1833.
Title from text printed in letterpress below image., Two columns of verse in letterpress below title: The first of September, at five in the morn, The weather quite cloudy, the prospect forlorn..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Watermark.
Title from caption above images., Four images on one plate, each separately titled with series titles and plates numbered. Also each image signed below with artist (left) and printmaker (right)., Imprint from British Museum catalogue., and Sheet trimmed within plate mark.
Facius, Johann Gottlieb, approximately 1750- printmaker, publisher
Published / Created:
[10 May 1809]
Call Number:
809.05.10.02
Image Count:
1
Resource Type:
still image
Abstract:
"Portait of William Cole, half-length, slightly turned to the left, dressed in a mantle over his dark frockcoat with a powdered bobwig on his head, his arms below."--British Museum online catalogue
Description:
Title from text below image., Imprint from untrimmed impression in the British Museum., Copy trimmed with loss of imprint., and Formerly housed in Misc Mss (now LWL Mss 36) with a 1770 letter to James Granger from William Cole.
Publisher:
Publish'd May 10. 1809. by I.G. & G.S. Facius N.8 Macclesfield Street Soho
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Description:
Title etched below image. and Gustavus Lord Viscount Boyne was an Irish nobleman (1710-1746); 1735 member of the English House of Commons; 1737 Commissioner of the Revenue of Ireland.
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Description:
Title etched below image. and Gustavus Lord Viscount Boyne was an Irish nobleman (1710-1746); 1735 member of the English House of Commons; 1737 Commissioner of the Revenue of Ireland.
"Scene in a London churchyard, lit by a waning moon. An old woman, wife of Thimble, a tailor, wearing a hooded shroud, emerges from a grave beside a spade, pickaxe, skulls, &c. She threatens with two bones the terror-struck sexton who sits on the ground. He had come 'To saw off her finger, and steal the ring'. She frightens him away. The refrain: 'With her roley, poley, gammon, and spinnage Heigho! says Thimble.'"--British Museum online catalogue
Description:
Caption title from letterpress text printed below image (plate mark 18.2 x 22.9 cm)., "Tune-Heigho! says Rowley.", Two columns of verse in letterpress below title: Thimble's scolding wife lay dead ; -Heigho! says Thimble ..., Sheet trimmed to within thread margin of plate mark on two sides., and Plate numbered '510' in upper left corner.
Publisher:
Published 16 Septr. 1809 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below item., Printmaker identified in the British Museum catalogue., Sheet trimmed to plate mark on one side., Variant state with plate number of no. 11344 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 8., Plate numbered "97" in upper left corner., Temporary local subject terms: Animals: crocodile -- Hell -- Scales -- Devil., and Mounted to 28 x 42 cm.
Publisher:
Pubd. July 9, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852. and Wardle, Gwyllym Lloyd, 1762?-1833.
A series of six cartoons, with text parodying "The House that Jack Built", satirizing the scandal surrounding Mary Anne Clarke, former mistress of Frederick, duke of York, and her attempt to publish his love letters. In this print, the second in the series, Sir Francis Burnett, the Reverend O'Meara, William Dowler a witness in the trial, and the printer are all represented; the two other scenes depict the published volumes on the one hand and the destruction of the volumes in a fire
Description:
Title from from first of six boxed caricatures; series title from lower margin., Possibly by Rowlandson., Second of two plates., Numbered '89' in upper left corner., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 28 x 43 cm.
Publisher:
Pubd. May 26, 1809 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Burdett, Francis, 1770-1844, Clarke, Mary Anne Thompson, 1776-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, O'Meara, Reverend, fl. 1809, and Dowler, William.
A series of six cartoons, with text parodying "The House that Jack Built", satirizing the scandal surrounding Mary Anne Clarke, former mistress of Frederick, duke of York, and her attempt to publish his love letters. This print, the first in the series, begins with a view of the house; an image of Mary Anne Clarke; an image of a bishop; an image of Cupid smiling over a pile of letters; an image of 'brave Wardle'; an image of Lord Folkstone
Description:
Title from caption in first image, upper left., Possibly by Rowlandson., Numbered '89' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 28 x 43 cm., and Watermark: Ruse & Turners. 1805.
Publisher:
Pubd. May 28, 1809 by Thos. Tegg, No. 111 Cheapside
"Interior of the armoury; cavalry in full armour lined up against back wall for inspection; helmets and other pieces of armour hanging from walls and ceiling."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 101., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 188.
Publisher:
Pub. Novr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the House of Lords, Westminster; in session."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 52., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 183.
Publisher:
Pub. 1st Jan. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Image upper left: A satirical view a shooting party with the man center holding out his wig to a group of three men with a dog who hold guns and look amused at his dismay. To the left two other huntres and their dog look on also amused, Image upper right: A woman in a bonnet and apron walks into a cottage holding a pitcher. One man (center) looks at her with surprise and horror. Another man sits at a table (left) and smiles at the scene. On the table are two cups and a pipe; behind the table, a tall clock. On the wall, a sporting calendar, Image lower left, Plate 1: A satirical view of a squire's housekeeper wearing the newest fashion. She is shown full-length from the back with her gown bunched up over her blue quilted petticoat, splashed with mud, and short enough to show thick legs. The gown is decorated with a large sunflower, tight waist, and elbow-sleeves with ruffles. Her bonnet over her cap complete the contrast with contemporary, fashionable dress. See British Museum catalogue, and Image lower right, Plate 2: A woman stands under a tree talking to a yokel in a smock. She wears a red cloak and high pattens
Description:
Title from caption below image., Four images on one plate, each separately titled or captioned. Series title and numbering etched above lower two image., Artist, printmaker, and imprint from British Museum catalogue., Sheet trimmed within plate mark., and Imperfect, with loss of plates 3 and 4. Numbered in ms. '176'. Sheet trimmed to: 21.2 x 16.5 cm.
Image upper left: A satirical view a shooting party with the man center holding out his wig to a group of three men with a dog who hold guns and look amused at his dismay. To the left two other huntres and their dog look on also amused, Image upper right: A woman in a bonnet and apron walks into a cottage holding a pitcher. One man (center) looks at her with surprise and horror. Another man sits at a table (left) and smiles at the scene. On the table are two cups and a pipe; behind the table, a tall clock. On the wall, a sporting calendar, Image lower left, Plate 1: A satirical view of a squire's housekeeper wearing the newest fashion. She is shown full-length from the back with her gown bunched up over her blue quilted petticoat, splashed with mud, and short enough to show thick legs. The gown is decorated with a large sunflower, tight waist, and elbow-sleeves with ruffles. Her bonnet over her cap complete the contrast with contemporary, fashionable dress. See British Museum catalogue, and Image lower right, Plate 2: A woman stands under a tree talking to a yokel in a smock. She wears a red cloak and high pattens
Description:
Title from caption below image., Four images on one plate, each separately titled or captioned. Series title and numbering etched above lower two image., Artist, printmaker, and imprint from British Museum catalogue., and Sheet trimmed within plate mark.
"John Bull, blindfold, stands on a massive truncated pillar holding the beam of a pair of scales. In one scale (left), near the ground, Mrs. Clarke sits composedly among a mass of papers, holding one inscribed My dear Dearest Dearest Darling [see British Museum satires no. 11228, &c.]. The others are inscribed: Sandon, Toyne [Tonyn], Dowler, Omeara, Carter, French, Knight, Clavering. In the other scale the Duke of York swings high in the air, and shouts down to three men on the ground: Save me save me Save my Honour [cf. British Museum satires no. 11269]. They haul hard at ropes attached to his scale, which they tilt sideways so that he is in danger of falling out. One, a drink-blotched bishop wearing a mitre, says: Pull away Pull away the Church is in danger; the other two say: Pull away Pull away we lose all our Places, and Pull away pull away we shall lose our Noble Commander. On the pillar Britannia is depicted seated with her shield and lion; she holds the broken staff of a flag."--British Museum online catalogue
Alternative Title:
John Bull as Justice weighing a commander
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue, with a possible collaboration with George Cruikshank also noted., and Mounted on linen and formerly sewn in an album with only the holes remaining on top edge.
Publisher:
Pubd. by J. Johnstone, 101 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
John Bull (Symbolic character), Britannia (Symbolic character), Political corruption, History, Sex, Political aspects, Justice, Blindfolds, Scales, Columns, and Bishops
"An elderly man with his hat tied over his ears and his right hand plunged deep in his coat-pocket walks (left to right) in a wintry landscape, across ice or snow. A flying demon, 'Jacky Frost', nips his nose between finger and thumb; he has webbed wings of ice fringed with icicles, and is naked except for a night-cap and skates. He has long pointed ears, grotesque features, and a tail. A dog walks in front of his master, looking up, and raising his paws as if hurt by the icy ground. In the background are tiny skaters."--British Museum online catalogue
Description:
Title from caption below item., Date from George's Catalogue of prints and drawings in the British Museum, Printmaker dentified as John Cawse after Woodward. See British Museum registration number: 1935,0522.7.7, Sheet trimmed leaving thread margins on three sides., and Watermark: TACE.
Title from text printed in letterpress below image., Printmaker from British Museum catalogue., Letterpress text continues following title: Tune--"Madam Fig's Gala" written and sung by Mr. Emery, with unbounded applause, at the Theatre Royal, Haymarket., Four columns of verse in letterpress in lower portion of sheet: I'll sing you a bit of a song, to a very old tune, I confess sirs ..., Plate numbered '508' in upper left corner., and Temporary local subject terms: Song -- Shop window -- Spurs.
Publisher:
Published 15, Augt., 1809 by Laurie & Whittle, 53 Fleet Street, London
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Simple-minded people gaze up at placards inviting subscriptions to unsound companies. A high wall runs from a house partly visible on the extreme left, to the street corner, enclosing a large building placarded Hospital for Incurables Supported by Voluntary Subscribers [i.e. for victims of speculation mania]. On the right are old-fashioned houses, one of which is alined with a church, the scene suggesting one of the older parts of the City of London with seventeenth-century houses. The high wall on the left is covered with large bills at which the gullible are gazing: [1] Doctors Company--Capital One Million divided into Shares at -- Pr Share--the Advantages incalculable No Charge for Emetics opening draughts Injections &c-- [signed] Sam Sexton Clerk, [2] Patent Coffins provided on the shortest notice --No Surgeons Admitted--. [3] Genuine Milk Company free from Chalk Poison Water &--. [4] Company of Menders--Open to both Sxes in shares at--pr Share. None to be Admitted but who can give undeniable proofs of mending either their wives or Husbands Neighbours or Friends and lastly but most particularly Themselves. [5] Company of Scavengers Nightman [sic] and all imposters to be sent to the House of Correction. [6] Company of White Washers NB No Lawyers admitted [cf. British Museum Satires Nos. 11269, 11272]. [7] More Advantages-- A New Cabbage and Potatoe Compy Warrented Genuine No cooking required saves time and trouble 5s each Share. [8] Match and Tinder Compy Capital 2 Millions five farthings each Share. [9] Blacking Company. On the opposite side of the wide irregular street is a low-grade barber's shop, with the barber shaving a customer in the doorway. Outside the door his dwarfish assistant sharpens a razor on a grindstone. Above the door is a large tilted board: Tim, Slashem Barber and Perriwig Maker--begs leave to inform the patronizers of Merit--that he means to form a New Company of Mowers of Beards having discovered a New Machine to Shave 60 men in a minute, to comb oil and powder their wigs in the Bargain. NB. Bleeding and Teeth drawn gratis. The striped pole slants forward above the board. At a casement window under the roof a woman is washing; a cat prowls on the tiles. This is a corner-house, its (invisible) side facing Bubble Alley, where the corner-house has a large placard: Peter Puff--Manufacturer of Deal Boards--without Knots from genuine Saw dust &c. At right angles to this is a narrow street receding towards the church. On this are more bills and a projecting lantern: Subscri[bers or ptions] taken in here. Spectators gaze at the bills in the foreground, middle distance, and background. On the left a fat 'cit' and his taller and more fashionable wife walk purposefully; she dangles a reticule, his hand is deep in a pocket, they are clearly deluded subscribers. A yokel and his wife gaze up at the 'Milk Company' advertisement. On the right a countryman on horseback followed by his dog stares up at the barber's notice, as does a bearded Jew carrying a sack (of old clothes)."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "174" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., Temporary local subject terms: Churches - Jewish people -- Male costumes -- Female costumes -- Incurables Hospital., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 26 in volume 3.
Publisher:
Pubd. by Thos. Tegg
Subject (Topic):
Jews, Barbershops, Churches, and Posting signs & notices
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Simple-minded people gaze up at placards inviting subscriptions to unsound companies. A high wall runs from a house partly visible on the extreme left, to the street corner, enclosing a large building placarded Hospital for Incurables Supported by Voluntary Subscribers [i.e. for victims of speculation mania]. On the right are old-fashioned houses, one of which is alined with a church, the scene suggesting one of the older parts of the City of London with seventeenth-century houses. The high wall on the left is covered with large bills at which the gullible are gazing: [1] Doctors Company--Capital One Million divided into Shares at -- Pr Share--the Advantages incalculable No Charge for Emetics opening draughts Injections &c-- [signed] Sam Sexton Clerk, [2] Patent Coffins provided on the shortest notice --No Surgeons Admitted--. [3] Genuine Milk Company free from Chalk Poison Water &--. [4] Company of Menders--Open to both Sxes in shares at--pr Share. None to be Admitted but who can give undeniable proofs of mending either their wives or Husbands Neighbours or Friends and lastly but most particularly Themselves. [5] Company of Scavengers Nightman [sic] and all imposters to be sent to the House of Correction. [6] Company of White Washers NB No Lawyers admitted [cf. British Museum Satires Nos. 11269, 11272]. [7] More Advantages-- A New Cabbage and Potatoe Compy Warrented Genuine No cooking required saves time and trouble 5s each Share. [8] Match and Tinder Compy Capital 2 Millions five farthings each Share. [9] Blacking Company. On the opposite side of the wide irregular street is a low-grade barber's shop, with the barber shaving a customer in the doorway. Outside the door his dwarfish assistant sharpens a razor on a grindstone. Above the door is a large tilted board: Tim, Slashem Barber and Perriwig Maker--begs leave to inform the patronizers of Merit--that he means to form a New Company of Mowers of Beards having discovered a New Machine to Shave 60 men in a minute, to comb oil and powder their wigs in the Bargain. NB. Bleeding and Teeth drawn gratis. The striped pole slants forward above the board. At a casement window under the roof a woman is washing; a cat prowls on the tiles. This is a corner-house, its (invisible) side facing Bubble Alley, where the corner-house has a large placard: Peter Puff--Manufacturer of Deal Boards--without Knots from genuine Saw dust &c. At right angles to this is a narrow street receding towards the church. On this are more bills and a projecting lantern: Subscri[bers or ptions] taken in here. Spectators gaze at the bills in the foreground, middle distance, and background. On the left a fat 'cit' and his taller and more fashionable wife walk purposefully; she dangles a reticule, his hand is deep in a pocket, they are clearly deluded subscribers. A yokel and his wife gaze up at the 'Milk Company' advertisement. On the right a countryman on horseback followed by his dog stares up at the barber's notice, as does a bearded Jew carrying a sack (of old clothes)."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "174" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., Temporary local subject terms: Churches - Jewish people -- Male costumes -- Female costumes -- Incurables Hospital., and Watermark: Stacey Wise & Co.
Publisher:
Pubd. by Thos. Tegg
Subject (Topic):
Jews, Barbershops, Churches, and Posting signs & notices
"A pretty girl reclines on a sloping hayfield, a broken pitcher at her feet; a handome young haymaker points to the pitcher. Sixteen lines of verse are sung by 'sly Barney M'Cleary'. They end: For very soon after poor Kitty's disaster, The Devil a pitcher was 'whole' in Colerain."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Two columns of verse in letterpress below title: As beautiful Kitty one morning was tripping, with a pitcher of milk from the fair of Colerain ..., and Plate numbered '507' in upper left corner.
Publisher:
Publish'd Apr. 4, 1809, by Laurie & Whittle, 53 Fleet Street, London
"Scene at the door of a Portsmouth brothel, a corner-house. A handsome young prostitute, elaborately dressed, with curls, feathered hat, and fluttering sash, walks from it, gazing straight before her. Behind her is a fat and hideous bawd, hands on hips, who watches her with calculating malevolence. The bawd wears a watch and seals dangling from her waist; behind her is a doorway inscribed 'Hotel', with an oil-lamp (as in No. 11454) projecting from the door-post; a bell-pull is inscribed 'Ring the Bell'. Just within the door is a dark lobby lit by a lamp hanging from the ceiling and leading to a second (closed) door in which there is a small grille or judas. On the wall of the house is the inscription 'Portsmouth Dock', and three bills: 'From the Country an Assortment of Fresh Ware'; 'A Tragedy in Rehearsal'; 'Leakes Genuine Pills'. In the background is a humbler establishment, with irregular gabled roof and a porch inscribed 'Lodgings'. A sailor stands looking up at a woman who leans from the window with outstretched arms. Flames and smoke belch from the chimney. Behind it are masts and sails."--British Museum online catalogue
Description:
Title from caption below item., Sheet trimmed within plate mark., Plate numbered "207" in upper right corner., and Mounted to 29 x 38 cm.
Publisher:
Pubd. Febry. 1, 1809 by Thomas Tegg No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene at the door of a Portsmouth brothel, a corner-house. A handsome young prostitute, elaborately dressed, with curls, feathered hat, and fluttering sash, walks from it, gazing straight before her. Behind her is a fat and hideous bawd, hands on hips, who watches her with calculating malevolence. The bawd wears a watch and seals dangling from her waist; behind her is a doorway inscribed 'Hotel', with an oil-lamp (as in British Museum Satires No. 11454) projecting from the door-post; a bell-pull is inscribed 'Ring the Bell'. Just within the door is a dark lobby lit by a lamp hanging from the ceiling and leading to a second (closed) door in which there is a small grille or judas. On the wall of the house is the inscription 'Portsmouth Dock', and three bills: 'From the Country an Assortment of Fresh Ware'; 'A Tragedy in Rehearsal'; 'Leakes Genuine Pills'. In the background is a humbler establishment, with irregular gabled roof and a porch inscribed 'Lodgings'. A sailor stands looking up at a woman who leans from the window with outstretched arms. Flames and smoke belch from the chimney. Behind it are masts and sails."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Febry. 1, 1809, by Thomas Tegg, No. 111 Cheapside." Cf. No. 11461 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "207" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 130-1., and Leaf 64 in volume 3.
"Scene in a lawyer's office with writing-desk, books, &c. An old man, flinching from a grotesque hairy Devil, who beckons him to Hell, is supported by a pretty young woman. On the wall are a print: 'Pilgrims Progress', a tiny figure surrounded by demons and flames; a notice inscribed 'Stamps'; and a pictorial '[Alm]anack'. On the chimney-piece a figure holds a (tilted) pair of scales and a candle gutters."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Two columns of verse in letterpress below title: Old Flam was a lawyer so grim, he married his maid, people say ..., Plate numbered '509' in upper left corner., Sheet trimmed within plate mark., and Watermark: John Hall 1805.
Publisher:
Published 24 Augt. 1809 by Laurie & Whittle, No. 53 Fleet Street, London
"View of the interior of a hall in which a lottery is taking place; at centre on a raised stage, five men seated at a table, in front of and beneath which are seated more men; to either side, in front of tall, open receptacles each topped with a crown, is a man reading a piece of paper, a woman holding up an empty hand, and a seated man watching proceedings; at the front, many spectators watching from rows of counters on which are laid broad sheets of paper."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 53., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 193.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
"View of the interior of a hall in which a lottery is taking place; at centre on a raised stage, five men seated at a table, in front of and beneath which are seated more men; to either side, in front of tall, open receptacles each topped with a crown, is a man reading a piece of paper, a woman holding up an empty hand, and a seated man watching proceedings; at the front, many spectators watching from rows of counters on which are laid broad sheets of paper."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 53., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 193., 1 print : aquatint and etching on wove paper, hand-colored ; plate mark 22.4 x 26.9 cm, on sheet 26.8 x 34.1 cm., and Watermark: J. Whatman 1808.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
"Heading to (printed) verses ... A countryman relates his adventures on a visit to London. The scene is a promenade in Hyde Park. The countryman looks askance at a young woman with a parasol on a hinged stick who has just passed, but stares back at him. The fifth of seven verses: I went one day to spy The gentry in Hyde Park, Sirs, A girl push'd rudely by, To whom I did remark, Sirs-- "Though your face be mighty fair, I've seen a bear more civil;" Then so little clothes they wear, Oh! Lunnon is the Devil. Ta, ra [&c.]."--British Museum online catalogue
Description:
Title from text printed in letterpress in lower portion of sheet., Imprint statement from text in letterpress printed in lower right corner of sheet., Text in letterpress following title: Tune-When I was a pure. The music published by Goulding, Phipps, D'Almaine, and Co. 124, New Bond Street., Four columns of verse in letterpress: When at home with dad, we never had no fun sirs ..., and Plate numbered '506' in upper left corner.
Publisher:
Published February 14, 1809, by Laurie and Whittle, 53 Fleet Street London
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Subject (Topic):
Parks, Walkways, Umbrellas, Dogs, and Military uniforms
"Interior view of the chapel, attached to Magdalen House, London; an ocatagonal building, the congregation sat at pews in centre, facing each other, the priest delivers a sermon from the pulpit on the left."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 54., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 196.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Magdalen Hospital (London, England). Chapel.
Subject (Topic):
Chapels, Religious services, Interiors, and Pulpits
"Illustration of the show rooms of Morgan & Sanders, cabinet makers, at 16 & 17 Catherine Street, Strand, London; interior view of the room with a globe at the centre next to the staircase going down; figures around, chairs to be seen on the left wall, a cabinet to the right and four post bed with large anchor partially seen to the right; illustration to Ackermann's 'Repository of Arts'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and 'Plate 10, vol. 2' in upper right corner.
Publisher:
No. 8 of Ackermann's Repository of Arts &c., pub. Augt. 1st, 1809, at 101 Strand, London
Subject (Name):
Morgan & Sanders.
Subject (Topic):
Furniture stores, Stores & shops, Globes, and Interiors
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Domestic scene based on Beresford's 'Miseries of Human Life' (1806), illustrating lines which follow the title (partially damaged) of the design: '[getting up] early in a cold gloomy morning, and on running down into the breakfast room for warmth and comfort, finding chairs, ta[ble, shovel, tongues,] poker and fender huddled into the middle of the room. Carpet tossed backward. - floor newly washed, windows wide open. - bee[s wax brush and ru]bber in one corner - brooms, mops and pails in another - and a dingy Drab on her knees before an empty grate -'. A man arrested at the door of a room disarrayed by cleaning, wearing a dressing gown and with a gouty slippered foot, his hands held out warily in front of him, his teeth clenched together and his nose dripping; at left, kneeling in front of the grate, a stout and grotesque maid scrubbing the floor; a bust portrait of a man above the mantelpiece, looking disapprovingly down on the maid; cat and caged bird at far right."--British Museum online catalogue
Description:
Title etched below image., Reissue, with altered plate number and with beginning of imprint statement burnished from plate, of a print published 9 October 1807 by Thomas Tegg. Cf. Lewis Walpole Library call no.: 807.10.09.01., Date of publication from Grego., Plate numbered "257" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling cold."--Following imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 40 in volume 4.
"Wardle stands in a bedroom addressing a crowd in the street below through an open sash-window flush with the floor. Behind him stands Mrs. Clarke (left), with arms outstretched, pointing at Wardle, and declaiming: "And Clarke said unto Felix. Thou art the Man- behold the Furniture! and Felix Trembled". Wardle, fashionably dressed and wearing Hessian boots, stands with clasped hands and flexed knees. He says: "Good People of the United Kingdom suspend your judgement for the present till I get this woman placed in the pillory-I never did any thing naughty with her no more than the child unborn-it was all for the good of my Country I assure you I am as firm a patriot as ever purchased a convex Mirror, or a red turkey Carpet". The heads and shoulders of the proletarian and much amused spectators are closely grouped on the extreme right, with a background of town houses. Behind Mrs. Clarke is a draped dressing-table on which stands a bottle of 'Ratifie' and glasses. The curtains of the bed form a background (left)."--British Museum online catalogue
Alternative Title:
Fresh accusations
Description:
Title from caption below item., Printmaker identified by George., Sheet trimmed leaving thread margins on two sides., Plate numbered "96" in upper left corner., and Mounted to 29 x 42 cm.
Publisher:
Pubd. July 14, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Wardle, Gwyllym Lloyd, 1762?-1833
"View of the Horse Guards in St James's Park; soldiers marching in formation on the right, spectators gathered in foreground to left."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 56., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 206.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Saint James's Park (London, England), London (England), England, and London.
"A fat 'cit' on an ill-bred horse leans back in the saddle with legs thrust forward; the angle of his seat is shown by a dotted half-circle above his head on which 90 degrees are marked, above his point of contact with the horse. An absurd dog barks at the horse's heels. In the background two riders are being flung from their horses. Behind them is St. Paul's and adjacent houses. On the right is a windmill. Illustration to an account of a grotesque City subscription hunt, whose rule is never to go out of sight of St. Paul's."--British Museum catalogue
Description:
Title etched below image; series title etched above image., Date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Hopwood, James, approximately 1752-1819, printmaker
Published / Created:
April 15th, 1809.
Call Number:
809.04.15.01
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Mr Taylor, a shoemaker; half-length, standing to right, holding up a sealed letter in his right hand and hat under his left arm; wearing open coat, waistcoat and neckerchief; rectangular design with border of double line."--British Museum online catalogue
Description:
Title etched below image., Plate from: The investigation of the charges brought against His Royal Highness the Duke of York ... London : J. Stratford, 1809., and Sheet trimmed within plate mark.
"Mrs. Clarke sits on Wardle's right shoulder, to place over the head of the Duke of York a giant extinguisher which covers all but his legs and (military) coat-tails. At the apex of the extinguisher is a five-pointed star surrounded by the letters 'T' 'R' 'U' 'T' 'H'. She says: "Beneath this Canopy's oblivious shade Detected Y------hides his diminished head" On the cone are the inscriptions: 'Multum in Papvo' [sic] and: 'Now Phoenix like, with renovated fire To noble deeds our Army shall aspire Whilst haughty Gaul shall emulate its praise And England round a Woman's brow entwine the Bays.' Wardle wears regimentals and sword and is tall and handsome; a letter 'To Col Wardle' projects from a pocket."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1809 by I. Blacklock, Royal Exchange
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Fire extinguishers, Military uniforms, British, and Mistresses
"Above, Mrs. Clarke stands on a round dais, under a canopy, receiving her clients. These are headed by six military officers; the foremost makes a sweeping bow, cocked hat in hand. Next is a fat parson holding a money-bag inscribed 800; behind is an obese doctor, with three other elderly men. She says to them: Ye Captains and ye Colonels-ye parsons wanting place, Advice I'll give ye gratis and think upon your case, If there is possibility, for you I'll raise the dust, But then you must excuse me-if I serve myself the first. Below, Mrs. Clarke, much décolletée, looks from an open ground-floor window of a London house, to see a fashionably dressed man, Taylor, walking towards her holding a sealed packet. He looks over his shoulder at a yokel with a cudgel, who asks: I say Measter Shoe-maker where be you going in such a woundy hurry? Taylor answers: Dont speak to me fellow you should never pry into State affairs. Mrs. Clarke says: Open the door John here comes the Ambassador Now for the dear delightful Answer. Behind the yokel, evidently John Bull, is his dog. On the right is a house with a door-plate inscribed Mrs Weston."--British Museum online catalogue
Alternative Title:
Mrs. Clarkes levee
Description:
Title of top design from text above image; title of bottom design from text below image., Printmaker from British Museum catalogue., Mounted to 44 x 29 cm., and Watermark: E & P.
Publisher:
Pubd. Febry. 20th, 1809, by Thos. Tegg, No. 111 Cheapside
Williams, Charles, active 1797-1830, printmaker, artist
Published / Created:
[25 February 1809]
Call Number:
809.02.25.03
Image Count:
1
Resource Type:
still image
Abstract:
"Mrs. Clarke stands in the lobby of the House of Commons, a section of which is seen through the partly open door: the corner of three tiers of empty benches and the gallery, with a strip of the Speaker's chair, showing his right elbow. She is directed to the right, with head turned to the spectator. She wears a plain blue pelisse over a white dress, a straw bonnet with lace drapery which she raises from her face. In her dropped right hand she holds a huge (?) chinchilla muff. She is elegant, alluring, and assured."--British Museum online catalogue
Description:
Title etched below image. and Watermark: J. Whatman 1805.
Publisher:
Pubd. Feby. 25, 1809, by S.W. Fores, 50 Piccadilly
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Interior view of the chapel, in the prison; condemned prisoners kneel and pray in the Dock, around a coffin."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 57., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 209.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Newgate (Prison : London, England)
Subject (Topic):
Chapels, Interiors, Prisoners, Prayer, Coffins, and Pulpits
"Interior view of the Old Bailey, on Newgate Street, London; court in session."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 58., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 212., and Watermark: J. Whatman 1801.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the auditorium of the Opera House in Haymarket, London; a performance taking place; actors dancing on stage, the audience watching from six tiered galleries on either side, and from the pit."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 59., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 213.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
King's Theatre (London, England)
Subject (Topic):
Opera houses, Interiors, Auditoriums, and Audiences
"An irregular pyramidal erection is based on a solid block of stone, inscribed: The Foundation York Folly! On this rests a damaged block of similar shape more dilapidated and rather smaller: Crackd Portland Stone [see British Museum Satires No. 10716]. Above, slightly smaller but smoother and more rectangular, is Folk-stone of the First Quality. On this stand (left to right) a barrel of Whitbreads Intire [see British Museum Satires No. 10421], a large decanter of Burdetts Stingo, and a slightly smaller one of Wardlles British Spirit. They support a slab of Romilly Free Stone. On this rest two balls or bubbles; in each sits a man gloomily contemplating a writing-table, one a civilian, Sandon, the other an officer, Clavering. On these rests a slab inscribed Sandon & Claverings Dumps which supports the apex of the monument, a pyramid: Mrs Clarks Pyramid. From behind the base project (left) a mitre and crosier (see British Museum Satires No. 10227), with a paper: The New Morality [the title deriving from Canning's poem, see British Museum Satires No. 9240]; and (right) the Duke's cocked hat and sword, with papers inscribed My Darling and Love Letters [see British Museum Satires No. 10228, &c.]. There is a background of cloud."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins on two sides., and Mounted to 43 x 29 cm.
Publisher:
Pubd. April 4th, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Clarke, Mary Anne, 1776?-1852., and Wardle, Gwyllym Lloyd, 1762?-1833.
"Interior of the Pantheon on Oxford Street, during a masquerade; the hall crowded with figures in costume dancing and making merry; a band plays on the stage; other figures on balconies to left and right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 60., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 215.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
"Interior of the chapel, in Bermondsey; a priest delivering a sermon from pulpit in foreground."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 61., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 222.
Publisher:
Pub. 1st April 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Philanthropic Society (London, England)
Subject (Topic):
Chapels, Religious services, Interiors, and Pulpits
"Sheridan (left) and the Duke of Norfolk, bloated and senile, stagger tipsily on the pavement of St. James's Street, walking from the door of 'Brooks's' (right) which they have just left. Lamps light the façade of the club, part of which is visible with three (lighted) windows on the first floor. Sheridan holds the Duke's right arm, and raises his right fist in a rhetorical gesture, saying, "And now, have at the Ministry, Damme!"; in his pocket are papers: 'Motions for to Badger Ministry'. The Duke says: "and Now for the Majesty of the People!" From his coat-pocket projects a bottle of 'Port'."--British Museum online catalogue
Description:
Title etched below image., Text below title, in lower right: Three o'clock & a cloudy morning., Sheet trimmed within plate mark., and Mounted to 41 x 29.5 cm.
Publisher:
Publish'd Feby. 1st, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Norfolk, Charles Howard, Duke of, 1746-1815
"View of Cockspur Street, Charing Cross, with two men in the pillory in the centre surrounded by an enthusiastic crowd, on the right the equestrian statue of Charles I stands watching over the scene."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 62., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 226.
Publisher:
Pub. 1st April 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Charing Cross (London, England), London (England), England, and London.
"Political satire: two registers recording the road from the 'Gate of Reform' over the 'Colonnade of Constituional Loyalty' to the 'Pleasure Grounds'."--British Museum online catalogue
Description:
Title from caption below item., Printmaker from unverified data from local card catalog record., Sheet trimmed leaving thread margins on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "82" in upper right corner., Temporary local subject terms: Whitbread Brew., and Mounted to 28 x 43 cm.
Publisher:
Publish'd May 12, 1809 by Thos. Tegg No. 111 Cheapside
Political satire: two registers recording the road from the 'Arch of Corruption' to the "Waste Ground'.
Description:
Title from caption below item., Printmaker from unverified data from local card catalog record., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "82" in upper right corner., and Mounted to 30 x 43 cm.
"The meeting taking place in a hall, with gallery."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 64., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 236.
Publisher:
Pub. 1st April 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England., England, and London.
Subject (Topic):
Quakers, Interiors, Religious services, and Meetings
"View of Buckingham Palace from St James's Park; figures in foreground including children and soldiers."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 65., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 1.
Publisher:
Pub. 1st May 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Saint James's Park (London, England), England, and London.
"Mrs. Clarke and four other women stoop down and directs blasts from large posteriors, defined by tight dresses, against the sails of a windmill (right) which pivot upon the head of the Duke of York. The four sails are inscribed respectively, Army, State, Navy, Church. The mill, on a low hill to which a winding path ascends, is Commission Warehouse. The names of the five meretricious-looking women are inscribed on their posteriors. One clutching a tree, on the extreme left, and advantageously placed on a hillock, is Carey. She says: If this wont raise the Wind, I do not know what will, This is not the first time I have employed my bottom to raise the Wind. The other four are close together: Cressaid, Sutherland, Cook, and Clarke, who says: Aye and no bad way to raise an Army-also. Between the women and the mill stands a dismayed little man with arms extended; he says: O ho this will not bring Grist to my Mill I must put a stop to this; and remove this Mill to Charing Cross."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified In British Museum catalogue., Sheet trimmed to plate mark on three sides., and Watermarks: Budgen 1805.
Publisher:
Published by S. W. Fores 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from description of earlier state in the British Museum online catalogue., Later state, with former plate number "No. 4" removed and a new number etched in its place. For earlier state, see British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from unverified data in local card catalogue record., Plate numbered "230" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on bottom edge leaving thread margin., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Domestic service: Waiters -- Male Costume, 1790 -- Apron -- Price of food., and Watermark: 1816.
