Caption title, below image., "Extracted from the Monthly mirror-new series, no. XIV.", Place of publication follows street address., Plate numbered: 484., Plate mark: 18.6 x 22.4 cm., Letterpress poem below engraved image begins: A comely young lad liv'd, a few years ago, in a street in the city of Seville, who took by the nostrils full many a beau, and soon brought their chins to a level ..., Watermark: Ivy Mill. Countermark: 1809., and Date of printing: 1809?
Publisher:
Publish'd Mar. 15, 1808 by Laurie & Whittle, 53 Fleet Street
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 18 of volume 10 of 14 volumes.
Publisher:
Pubd. June 20th, 1809, by R. Ackermann, No. 101 Strand
"An elderly parson (right) capers wildly, arms outstretched, wig flying off, his hat on the floor. On the left a comely wife and two boys watch him with astonishment. They sit by a table on which are wine and fruit. She says: "Why my Dear-you are quite frantic, what is the matter with you". He answers: "Frantic-I believe I am,-I have been preaching before Royalty, our Fortunes are made,-such a Sermon-neat text-quarter of an hours discourse-appropriate prayer at the conclusion,-O, to see them cry, it would have melted an heart of Stone,-Oh bless that Mrs Clarke I shall never forget her"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Watermark: E & P., and Mounted on leaf 43 of volume 10 of 14 volumes.
Publisher:
Pubd. April 1st, 1809, by Thos. Tegg, No. 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and Imperfect; "sc." following the name "Bunbury" in lower right corner has been mostly erased from sheet.
"An elderly man with his hat tied over his ears and his right hand plunged deep in his coat-pocket walks (left to right) in a wintry landscape, across ice or snow. A flying demon, 'Jacky Frost', nips his nose between finger and thumb; he has webbed wings of ice fringed with icicles, and is naked except for a night-cap and skates. He has long pointed ears, grotesque features, and a tail. A dog walks in front of his master, looking up, and raising his paws as if hurt by the icy ground. In the background are tiny skaters."--British Museum online catalogue
Description:
Title from caption below item., Date from George's Catalogue of prints and drawings in the British Museum, Printmaker dentified as John Cawse after Woodward. See British Museum registration number: 1935,0522.7.7, Sheet trimmed leaving thread margins on three sides., and Watermark: TACE.
"A fat 'cit' on an ill-bred horse leans back in the saddle with legs thrust forward; the angle of his seat is shown by a dotted half-circle above his head on which 90 degrees are marked, above his point of contact with the horse. An absurd dog barks at the horse's heels. In the background two riders are being flung from their horses. Behind them is St. Paul's and adjacent houses. On the right is a windmill. Illustration to an account of a grotesque City subscription hunt, whose rule is never to go out of sight of St. Paul's."--British Museum catalogue
Description:
Title etched below image; series title etched above image., Date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
"The rider leans forward, leaving the vertical of 90 degrees behind his head. He rides (towards St. Paul's) over a dog, and chases two ducks. Behind is a horseman in difficulties."--British Museum catalogue
Description:
Title etched below image; series title etched above image. and Date of publication from Grego.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue
Alternative Title:
Dissapointed epicures and Disappointed epicures
Description:
Title etched below image., Publisher from British Museum catalogue., Plate numbered "27" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., and Also issued separately.
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Description:
Title from text heading vignette in left panel., Printmaker from British Museum catalogue., Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., Sheet trimmed within plate mark., Trimmed to two top images only; lower two images lacking., and Print numbered in ms. along the upper edge: 100.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Simple-minded people gaze up at placards inviting subscriptions to unsound companies. A high wall runs from a house partly visible on the extreme left, to the street corner, enclosing a large building placarded Hospital for Incurables Supported by Voluntary Subscribers [i.e. for victims of speculation mania]. On the right are old-fashioned houses, one of which is alined with a church, the scene suggesting one of the older parts of the City of London with seventeenth-century houses. The high wall on the left is covered with large bills at which the gullible are gazing: [1] Doctors Company--Capital One Million divided into Shares at -- Pr Share--the Advantages incalculable No Charge for Emetics opening draughts Injections &c-- [signed] Sam Sexton Clerk, [2] Patent Coffins provided on the shortest notice --No Surgeons Admitted--. [3] Genuine Milk Company free from Chalk Poison Water &--. [4] Company of Menders--Open to both Sxes in shares at--pr Share. None to be Admitted but who can give undeniable proofs of mending either their wives or Husbands Neighbours or Friends and lastly but most particularly Themselves. [5] Company of Scavengers Nightman [sic] and all imposters to be sent to the House of Correction. [6] Company of White Washers NB No Lawyers admitted [cf. British Museum Satires Nos. 11269, 11272]. [7] More Advantages-- A New Cabbage and Potatoe Compy Warrented Genuine No cooking required saves time and trouble 5s each Share. [8] Match and Tinder Compy Capital 2 Millions five farthings each Share. [9] Blacking Company. On the opposite side of the wide irregular street is a low-grade barber's shop, with the barber shaving a customer in the doorway. Outside the door his dwarfish assistant sharpens a razor on a grindstone. Above the door is a large tilted board: Tim, Slashem Barber and Perriwig Maker--begs leave to inform the patronizers of Merit--that he means to form a New Company of Mowers of Beards having discovered a New Machine to Shave 60 men in a minute, to comb oil and powder their wigs in the Bargain. NB. Bleeding and Teeth drawn gratis. The striped pole slants forward above the board. At a casement window under the roof a woman is washing; a cat prowls on the tiles. This is a corner-house, its (invisible) side facing Bubble Alley, where the corner-house has a large placard: Peter Puff--Manufacturer of Deal Boards--without Knots from genuine Saw dust &c. At right angles to this is a narrow street receding towards the church. On this are more bills and a projecting lantern: Subscri[bers or ptions] taken in here. Spectators gaze at the bills in the foreground, middle distance, and background. On the left a fat 'cit' and his taller and more fashionable wife walk purposefully; she dangles a reticule, his hand is deep in a pocket, they are clearly deluded subscribers. A yokel and his wife gaze up at the 'Milk Company' advertisement. On the right a countryman on horseback followed by his dog stares up at the barber's notice, as does a bearded Jew carrying a sack (of old clothes)."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "174" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., Temporary local subject terms: Churches - Jewish people -- Male costumes -- Female costumes -- Incurables Hospital., and Watermark: Stacey Wise & Co.
Publisher:
Pubd. by Thos. Tegg
Subject (Topic):
Jews, Barbershops, Churches, and Posting signs & notices
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat, middle-aged, and meretricious-looking woman sits full face with a full glass in her hand, eyelids lowered, the fingers of her left hand spread deprecatingly. Beside her is a bottle of 'Coniac Brandy'. Above her head: 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!' Large red stones or beads form a double necklace and bracelets, and ornament a fillet in her hair and her short sleeves."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication from British Museum catalogue and Grego., Plate numbered "144" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of impertinence!, "Price one shilling coloured.", and Temporary local subject terms: Female costume, 1809 -- Cognac -- Jewelry -- Necklace -- Bracelets -- Fillet.
Image upper left: A satirical view a shooting party with the man center holding out his wig to a group of three men with a dog who hold guns and look amused at his dismay. To the left two other huntres and their dog look on also amused, Image upper right: A woman in a bonnet and apron walks into a cottage holding a pitcher. One man (center) looks at her with surprise and horror. Another man sits at a table (left) and smiles at the scene. On the table are two cups and a pipe; behind the table, a tall clock. On the wall, a sporting calendar, Image lower left, Plate 1: A satirical view of a squire's housekeeper wearing the newest fashion. She is shown full-length from the back with her gown bunched up over her blue quilted petticoat, splashed with mud, and short enough to show thick legs. The gown is decorated with a large sunflower, tight waist, and elbow-sleeves with ruffles. Her bonnet over her cap complete the contrast with contemporary, fashionable dress. See British Museum catalogue, and Image lower right, Plate 2: A woman stands under a tree talking to a yokel in a smock. She wears a red cloak and high pattens
Description:
Title from caption below image., Four images on one plate, each separately titled or captioned. Series title and numbering etched above lower two image., Artist, printmaker, and imprint from British Museum catalogue., Sheet trimmed within plate mark., and Imperfect, with loss of plates 3 and 4. Numbered in ms. '176'. Sheet trimmed to: 21.2 x 16.5 cm.
"The lecturer leans on a table, lit by four candles, to address a small well-dressed audience, seated on chairs. On the table are a telescope and a magic-lantern. He says: "Ladies & Gentlemen-- I have the honor for the first time in this county of Kent to deliver a Lectur on Optic's". A fat elderly man rises from his chair to say: "I humbly ax pardon Sir -but before you get on furder, I rises with all due difference to inform you as how in this country we do not call them Hop sticks but Hop poles". The others, more sophisticated, are amused, while the hop-merchant's son, standing behind, registers anguish. A dog, with 'Hop Mer...' on its collar, watches the lecturer."--British Museum online catalogue
Description:
Title from caption below item., Sheet trimmed within plate mark., and Watermark: Whatman.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate numbered "208" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from description of earlier state in the British Museum online catalogue., Later state, with former plate number "No. 4" removed and a new number etched in its place. For earlier state, see British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from unverified data in local card catalogue record., Plate numbered "230" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on bottom edge leaving thread margin., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Domestic service: Waiters -- Male Costume, 1790 -- Apron -- Price of food., and Watermark: 1816.
Title, date, and printmaker from unverified data in local card catalog record., Later state. For earlier state, see Lewis Walpole Library call no.: 809.00.00.34.1+., and Sheet trimmed within plate mark.
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption above images., Four images on one plate, each separately titled with series titles and plates numbered. Also each image signed below with artist (left) and printmaker (right)., Imprint from British Museum catalogue., and Sheet trimmed within plate mark.
"A rich farmer's parlour or drawing-room, with curtains drawn over two high windows (right). Betty, plump and bucolic, wearing a high-waisted dress with short sleeves, sits at a square piano (left), in profile to the left, laboriously playing and singing, her eyes on the music: 'Bluebells of Scotland Sung by Mrs Jordan. O Where & O Where is my Highland Laddie gone'. The farmer and his wife stand by the piano, gaping in delighted admiration; they are stout, good-humoured, and plainly dressed. A younger girl, slimmer and less rustic, stands by the piano (left), singing; she holds up a fan. Under the piano is a book: 'Songs of Catalani'. Three elderly ladies sit at a card-table (right), on which are spread drawings or embroidery by 'B. Giles'. One sleeps, two gossip with spiteful zest. A son of the house sits primly with his back to the windows, in profile to the left, his hands folded, ill at ease in frilled shirt, and powdered hair. A small foot-boy enters from the right with a decanter and glasses on a salver and a cake-basket on his arm, the cakes falling out. A spaniel sits dejectedly in the foreground. The room is lit by two pairs of candles in sconces, two candles on the piano, and one on the table. The chairs are of modern shape, with stuffed backs and ormolu ornament. Above the chimney-piece is a heavily framed sampler with two alphabets, figures from 1 to 12, 'Evil communications Corrupt good Manners', and a design of two birds flanking two hearts pierced with arrows, inscribed: 'Betty Giles aged 16. 1808. Cheese Hall'. Over the piano in an oval frame is a view of 'Cheese-Farm': the corner of a house next a small thatched cottage and two haystacks. A gigantic horse looks over the cottage roof, and in the foreground a woman milks a large cow, beside which are two geese and a cock larger than the woman."--British Museum online catalogue
Alternative Title:
Farmer Giles and his wife shewing off their daughter Betty to their neighbours on her return from school
Description:
Title etched below image., Artist questionably identified as Col. Braddyll in the British Museum catalogue., and Window mounted to 38 x 53 cm.
Publisher:
Publish'd January 1st, 1809, by H. Humphrey, 27 St. James's Street
