Title from caption below image., Possibly a later state; imprint partially burnished from plate., Temporary local subject terms: Crowds -- Paintings -- Books -- Families -- Hobbyhorses -- Dogs -- Customers -- Military officers., and Watermark, partially trimmed: A. Stace 801.
Publisher:
Pubd. June 1st, 1816, by J. Johston [sic], Cheapside
Title etched below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Figure identified by manuscript annotation in pencil near lower edge of sheet: Lady Barrymore.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The title indicates the three figures in the design. A young woman, elegantly dressed, with a long round neck, looks down through an eyeglass at a fat butcher, spherical in contour, who gazes up with an admiring smile. Behind him (right) his wife sits primly on a chair, watching her husband with a sour and menacing expression. All are in front of the butcher's shop. Over the door, where a carcass hangs behind the seated woman: 'Roger Gibbs But[cher]'. A bull-dog lies in the foreground intently watching the younger lady; his collar is inscribed 'Gibbs'. Joints of meat hang in the open shop-front, with a butcher's block in front of it. The lower parts of two casement windows suggest a modest establishment as does a bunch of hearts, &c., hanging from a nail."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "388" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Novemr. 1816 by T. Tegg, No. 111 Cheapside, London. Cf. No. 12844 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "197" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on right and left edges., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 41.8 x 25.6 cm., and Leaf 96 in volume 3.
Publisher:
By T. Tegg, No. 111 Cheapside, London
Subject (Topic):
Butchers, Butcher shops, Bulldogs, Monocles, and Umbrellas
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The title indicates the three figures in the design. A young woman, elegantly dressed, with a long round neck, looks down through an eyeglass at a fat butcher, spherical in contour, who gazes up with an admiring smile. Behind him (right) his wife sits primly on a chair, watching her husband with a sour and menacing expression. All are in front of the butcher's shop. Over the door, where a carcass hangs behind the seated woman: 'Roger Gibbs But[cher]'. A bull-dog lies in the foreground intently watching the younger lady; his collar is inscribed 'Gibbs'. Joints of meat hang in the open shop-front, with a butcher's block in front of it. The lower parts of two casement windows suggest a modest establishment as does a bunch of hearts, &c., hanging from a nail."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "388" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Novemr. 1816 by T. Tegg, No. 111 Cheapside, London. Cf. No. 12844 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "197" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark on right and left edges.
Publisher:
By T. Tegg, No. 111 Cheapside, London
Subject (Topic):
Butchers, Butcher shops, Bulldogs, Monocles, and Umbrellas
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on one side., Temporary local subject terms: Male costume: 1816, smock, gaiters -- Female costume: 1816., and Manuscript "252" written on right side beyond plate mark.
Publisher:
Pubd. Augt. 1816 by S.W. Fores 50 Piccadilly
Subject (Topic):
Clergy, Dandies, Dragons, Staffs (Sticks)., and Umbrellas
In the hull of a ship, sea-sick men lay in their bunks, some vomiting over the side; an overturned chamber pot sits in the middle of the floor. One hardy-looking man heads up the ladder with a simple sextant in his arm. Sea chests are seen below the bunks and swords are hung on the walls
Description:
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12720 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Chamber pots, Motion sickness, Ships, and Vomiting
A group of British soldiers sit around a table drinking while a woman sitting on a traveling trunck holds a child on her lap (right). An Indian servant pulls out another bottle of wine from a box (left). A dog sleeps on a rug (center). The doors to the room suggest they are in a cell?
Description:
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12742 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Sheet trimmed within plate mark.
A group of military men stand in an arcade. One man in the center holds out to another a piece of paper entitled "New art of tormenting to be submitted". On the walls through the arches are seen three pictures that illustrate the subject of the print. On the left, a picture of a buildings "Recorders Court"; in the center, partially obscured by a pillar a picture of an ass entitled "The ass ... Natural history"; and on the right a picture of a white man whipping a black man whose hands are tied to a stack, entitled View of Go[...] Coast of Afr[ica]. Below the picture on the right is a shelf with three books with spine titles: Johnaton[...], Spelling book, and Oeconomy. On the wall on the far right is a chart "Memorandum for myself. Eigleon Manuevers" followed by two columns of numbers
Description:
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12738 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Sheet trimmed within plate mark.
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., After the title, a three-line verse by Dryden., Plate numbered "374" in upper right corner., Temporary local subject terms: John Bull -- See-saws -- Costume: male, jack-boots -- Crutches -- Wine -- Beef., Watermark: J. Whatman 1818., and Manuscript "273" in upper center of plate.
Publisher:
Pubd. June 1816 by T. Tegg No. 111 Cheapside
Subject (Name):
Léopold I, King of the Belgians, 1790-1865, Charlotte Augusta, Princess of Great Britain, 1796-1817, and George IV, King of Great Britain, 1762-1830
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Bloodhounds seizing their prey, i.e., Bow Street patrole upon private business and Bow Street patrole upon private business
Description:
Title etched below image., Two lines of quoted text following title: "Proud Nimrod first the bloody chace began, "a mighty hunter, and his prey was man. Pope., Plate numbered "383" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Reference to Bow Street officers -- Male costume, 1816 -- Police officer -- Swords in scabards -- Thieves., and Leaf 79 in volume 5.
Three men sit by a supper-table, a grandfather-clock behind them points to XI. The man on the left is having his jack-boots pulled off by a small boy; the boy stands astride his right leg pulling hard, his back to the man, who is scowling and pushes his other booted foot against the boy's back; on the floor are a pair of spurs, a pair of slippers, and a boot-jack. A man (right) wearing a night-cap, but otherwise completely dressed and wearing spurred boots, leans one elbow on the table, his face contorted as if in pain, he holds his hand to his thigh. On the table beside him is a small packet inscribed "Diaculum". In the centre, and on the farther side of the table, the third man leans both elbows on the table, his hair is tousled and his eyes are shut. A servant behind, yawning, is carrying off a square box, probably a wig-box, while a maidservant stands on the right, a candle in one hand, a warming-pan in the other, watching with amusement the efforts of the boy to pull off the boot. Three hats hang on the wall; a bottle, a plate, three wine-glasses, and a guttering candle, burnt down to the socket, stand on the table. See related image in the British Museum catalogue
Alternative Title:
Man of feeling
Description:
Title etched below image., Date of publication based on watermark., A copy of no. 5920 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: W. Pickering & Co. 1816., and With a biographical note in pencil, from John Heiton's Castes of Edinburgh, about Henry MacKenzie of Scotland, author of Man of feeling.
Publisher:
publisher not identified
Subject (Name):
Mackenzie, Henry, 1745-1831.
Subject (Topic):
Boots, Boys, Candles, Dining tables, Drinking vessels, Hats, Longcase clocks, Medicine, Slippers, Servants, Women domestics, and Yawning
"A companion plate to No. 12826. Byron is the centre of a promenade scene resembling No. 12840; he walks (left to right) with a lady on each arm; they have some resemblance to two of the women in No. 12826, and one may be Mrs. Mardyn. Both frown angrily; one holds a huge muff. Byron wears a bell-shaped top-hat on projecting curls, with a high collar and stock, and a coat buttoned to the waist, and sweeping the ground, with baggy trousers gathered at the ankle. They meet a third lady, apparently pregnant, both arms in a muff, who stares angrily at Byron. All wear flaunting hats or bonnets with high cylindrical crowns, short full skirts. Behind them walks a stout ugly woman who passes a letter to a man behind her, grinning slyly, while he leers grotesquely and thrusts papers into a reticule hanging from her wrist. He is an absurd dandy with very wide trousers, shock of hair, small hat, and high neck-cloth. In the background is a high phaeton driven by a man of fashion. In the foreground (left) is an amateur coachman in back view, holding a coach-whip, and wearing a voluminous multi-caped coat resting on the ground (cf. No. 12375)."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from British Museum online catalogue., Sheet trimmed to plate mark., and Watermark: J. Whatman 1814.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fierce monster in quasi-oriental dress, with webbed wings, hoofs, and tail, strides, across clouds, from a dome among minarets, inscribed 'Turkey', to the dome of St. Paul's in 'London'. He holds up in his left hand a fool's bauble, in the right a paper: 'Plan for turning St Pauls to a Bazaar'. Clouds of smoke inscribed 'Bazaar' issue from his mouth and spread all round him, from which rays descend on London inscribed 'Bazaar' in large letters. His turban is inscribed 'Bazaar'. In his sash are two papers: 'Destruction to Poor Shopkeep . . .' and 'List of Places Intended for Bazaar House of Lords, House of Commons, Carlton House, St Jame's, the Monument, British Meseum [sic], Bullocks Meseum [see British Museum Satires No. 12702], Drury Lane & Covent Garden Theatres &c &c &c.' At the base of the Monument, which he bestrides, is a building inscribed 'Excambrean Baza . .' Below the design: 'This Monster who is a Native of Turkey has lately made his appearance in London & such is his power that by first appearing in Soho he got Acquainted with Mr Tr-t-r sinse which he has Spread Destruction through all the best houses in Town to the Great anoyance of all poor Shop-keepers'."--British Museum online catalogue
Description:
Title etched above image., Questionable attribution to John Cawse from the British Museum online catalogue, registration no.: 1868,0808.8322., Plate numbered "366" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Male costume: Oriental -- Monsters -- Reference to Turkey -- St. Paul's Cathedral -- Toys: Fool's bauble., Mounted on laid paper backing., and Leaf 96 in volume 5.
Equestrian portrait of Prince Frederick Augustus, Duke of York and Albany, riding to the left, head turned to the right, one hand holding the reins and the other gesturing with his drawn saber; a bicorne with a feather cockade on his head, in military uniform with star on his breast; a landscape with a distant city in the background
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816., Watermark: 1815., and Two impressions in the folder.
Publisher:
Published 18th of May 1815, by Richard Evans, Whites Row, Spitalfields
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827,
Equestrian portrait of Prince Frederick Augustus, Duke of York and Albany, riding to the left, head turned to the right, one hand holding the reins and the other gesturing with his drawn saber; a bicorne with a feather cockade on his head, in military uniform with star on his breast; a landscape with a distant city in the background
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816., 1 print : etching with engraving and stipple ; sheet 22.8 x 34.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on three sides., and Bound in after page [28].
Publisher:
Published 18th of May 1815, by Richard Evans, Whites Row, Spitalfields
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827,
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman stands over a wash-tub raising her hands in astonishment to see a little man standing waist-deep in the soapsuds, saying with a smile: "here am I!! Betty!! how are you off for Soap." She answers: "Lord!! Mr Vansittart!!--who could have thought of seeing You in the Washing Tub." She wears a mob-cap and pattens. Two tubs stand on a bench, with a basket beside it on which lies a pair of breeches. Through a window (right) are seen clothes on a line, and trees. A fire burns under a large copper (left) from which rise clouds of steam. Against the wall are coal-box, shovel, and broom."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "375" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Wash-tub -- Female costume: Mob-cap -- Patterns., Watermark: 1817., and Leaf 78 in volume 5.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a spectacled citizen, sits by the table in the Commons reading an 'Extraordinary Red Book' and registering frantic anger. He shouts: "Oh!!--Monstrous!!!--that twenty six State Cormorants should swallow annually an aggregate sum: under the name of salaries, independent of the indefinible emoluments which result from other sources of gain amounting to--£453,692. Can we any longer wonder that the love of Place in these men should supersede every more exalted consideration." The mace rests on a scroll which hangs from the table: 'Plac[es] Earl of Liverpool 14,000,-- Mr Vansittart £7,500, &--Ge Rose £16,551--Vist Melville £11,000-- Mr Wellesley Pole £10,000.' On the floor is a paper: 'Droits of Admiralty' [see British Museum Satires No. 10967]. On the right behind John's chair Ministerial members sit in a close row, with a second row standing behind them. One stands on the extreme right holding a long scroll whose coiled end is under John's chair. It is 'A List of Placemen Pensions and Sinecures--Lord Arden £38,574 [cf. British Museum Satires No. 12802]--Earl Bathurst and C°--£37,225--Lord Castlereagh for Two Years Service £71,000--Ld Ellenborough £24,100--Ld Eldon £40,000 & & &c--Marquis Camden £23,000.' The members are burlesqued; four of them say: "I swallow--£10,000 and do very little for it"; "and I £16,000-- for doing next to nothing"; "and I 40,000£--for doing less"; "and I [Castlereagh] £71,000--for doing nothing at all." A fifth, wearing tartan with a Scots cap and taking snuff from a ram's horn mull (evidently Melville), says: "and I 18,000--for doing worse!"."--British Museum online catalogue
Alternative Title:
John Bull reading the extraordinary red book
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "205" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Temporary local subject terms: House of Commons -- Maces., and Manuscript "94" in upper center of plate.
Publisher:
By Ths. Tegg, 111 Cheapside
Subject (Name):
Arden, Charles George Perceval, Baron, 1756-1840., Wellesley-Pole, William, Earl of Mornington, 1763-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., Vansittart, Nicholas, 1766-1851., Rose, George, 1744-1818, Bathurst, Henry Bathurst, Earl, 1714-1794., Ellenborough, Edward Law, Baron, 1750-1818., Eldon, John Scott, Earl of, 1751-1838, Camden, John Jeffreys Pratt, Marquis of, 1759-1840., Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Castlereagh, Robert Stewart, Viscount, 1769-1822
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a spectacled citizen, sits by the table in the Commons reading an 'Extraordinary Red Book' and registering frantic anger. He shouts: "Oh!!--Monstrous!!!--that twenty six State Cormorants should swallow annually an aggregate sum: under the name of salaries, independent of the indefinible emoluments which result from other sources of gain amounting to--£453,692. Can we any longer wonder that the love of Place in these men should supersede every more exalted consideration." The mace rests on a scroll which hangs from the table: 'Plac[es] Earl of Liverpool 14,000,-- Mr Vansittart £7,500, &--Ge Rose £16,551--Vist Melville £11,000-- Mr Wellesley Pole £10,000.' On the floor is a paper: 'Droits of Admiralty' [see British Museum Satires No. 10967]. On the right behind John's chair Ministerial members sit in a close row, with a second row standing behind them. One stands on the extreme right holding a long scroll whose coiled end is under John's chair. It is 'A List of Placemen Pensions and Sinecures--Lord Arden £38,574 [cf. British Museum Satires No. 12802]--Earl Bathurst and C°--£37,225--Lord Castlereagh for Two Years Service £71,000--Ld Ellenborough £24,100--Ld Eldon £40,000 & & &c--Marquis Camden £23,000.' The members are burlesqued; four of them say: "I swallow--£10,000 and do very little for it"; "and I £16,000-- for doing next to nothing"; "and I 40,000£--for doing less"; "and I [Castlereagh] £71,000--for doing nothing at all." A fifth, wearing tartan with a Scots cap and taking snuff from a ram's horn mull (evidently Melville), says: "and I 18,000--for doing worse!"."--British Museum online catalogue
Alternative Title:
John Bull reading the extraordinary red book
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "205" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Temporary local subject terms: House of Commons -- Maces., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25.1 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 61 in volume 3.
Publisher:
By Ths. Tegg, 111 Cheapside
Subject (Name):
Arden, Charles George Perceval, Baron, 1756-1840., Wellesley-Pole, William, Earl of Mornington, 1763-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., Vansittart, Nicholas, 1766-1851., Rose, George, 1744-1818, Bathurst, Henry Bathurst, Earl, 1714-1794., Ellenborough, Edward Law, Baron, 1750-1818., Eldon, John Scott, Earl of, 1751-1838, Camden, John Jeffreys Pratt, Marquis of, 1759-1840., Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 127261 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Sheet trimmed within plate mark.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12743 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Sheet trimmed within plate mark.
Equestrian portrait of Sir Thomas Graham, Baron Lynedoch, riding on his white horse to the left, head turned to the right; his left hand holding the reins and his right hand pointing forward; wearing a military uniform, a bicorne with a feather cockade on his head; in the distance, a battle rages on.
Alternative Title:
Lieutenant General Lord Linedock and Lieutenant General Lord Lynedoch
Description:
Title etched below image., Sheet trimmed within plate mark on top edge., and Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816.
Publisher:
Published by Richd. Evans, Whites Row, Spitalfields
"Equestrian portrait of Sir Eyre Coote junior, riding to the left, one hand holding the reins and the other gesturing with his drawn sabre, a bicorne with a feather cockade on his head, in military uniform with blue facings with gold and silver lace, his lapels turned back, bullion epaulettes on his shoulders, the stars of the Order of the Bath on his breast, his white horse rearing up, a landscape with a military encampment beyond."--British Museum online catalogue
Alternative Title:
Lieutenant General Sir Eire Coote K.B. K.C. & M.P. and Lieutenant General Sir Eyre Coote K.B. K.C. & M.P.
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816., Watermark: K 1809., and Two impressions in the folder, the second trimmed with loss of imprint.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12730 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Sheet trimmed within plate mark.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12722 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Temporary local subject terms: Indian servants -- Smoking., and Sheet trimmed within plate mark.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull stands in a court of law, in profile to the right, facing the judge, who sits in a high carved chair of Gothic design. He is a 'cit' with a gouty foot in a large shoe; his crutch and hat are under his right arm, his right hand deep in his coat pocket. He wears old-fashioned dress with an ill-fitting wig, and scratches his forehead, saying, "My Name Your Worship--is John Bull my buisness here is to give notice to my Creditors to avail myself of the benefit of the Insolvent Act." His short, broad, and over-dressed wife stands behind him, saying, "I long thought it would come to this, I told him over and over a gain what would be the end of his Mad career." John's bulldog is at his feet, morose and aggressive. The judge, counsel, and attendants look at John with pained surprise. The judge, perhaps intended for Lord Ellenborough, says: "however such a Circumstance might be looked forward to, it--certainly was not expected Just now." Clerks sit in the foreground (right) writing. On their table is a paper with the Royal Arms and the words 'London Gazette'. Behind is a Gothic window."--British Museum online catalogue, description of an earlier state
Alternative Title:
National bankruptcy, or, John Bull taking the benefit of the Insolvent Act, Iohn Bull takeing the benefit of the Insolvent Act, and John Bull taking the benefit of the Insolvent Act
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Later state, with first half of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. June 15, 1816, by Ts. Tegg, No. 111 Cheapside. Cf. No. 12779 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "206" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 62 in volume 3.
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.6 x 35 cm, on sheet 25 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 21 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon," "Castlereagh," "Liverpool," "Vansittart," and "Ellenborough" identified in black ink above title; date "June 1820" written in lower right corner.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12737 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Watermark.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A pair of scales hangs in a landscape, suspended from a hook in a block against the upper margin inscribed 'Constitution', the central pivot inscribed ('Equilibrium'). The left scale is weighted only by a document headed 'Acts for the more effectually Sarving' [sic], on the right scale, inscribed 'Prices of Provisions.', are a leg of mutton, a frothing tankard, and a loaf; it is much outweighed by the other, inscribed 'Old England', which descends below the level of the ground into a rocky pit or 'Abyss of Corruption'. On the ground below the right scale lies a starving and half-naked peasant who raises his arm to touch it, crying, "Oh! I shall famish if you don't fall." The 'Acts' enumerated on the scroll are 'Butter and Cheese Laws 56 G 3d--3d Corn Bill 55th G 3d---2d Corn Bill 45th G 3d--1st Corn Bill--' A well-dressed man, his hands on his knees, stoops in profile to the left over the descending scale, saying, "How rich I shall get by plundering the Poor, now my old Master is blind and there is no one to watch me." Over his head, and hanging from the beam of the scales is a ribbon inscribed 'Sir Harry Pare-nail'. He is watched by George III who leans from a crenellated tower inscribed 'Windsor', on the extreme left, with his spy-glass to his eye as in British Museum Satires No. 10019, &c. He wears a round hat topped by a small crown, and shouts: "Heigh! Heigh! Fellow! pull away those d--d heavy Corn Laws, and Butter and Cheese Laws; let the prices find the level & come within the reach of my distress'd people; I say pull them of directly Fellow, d'ont you see Old England is sunk almost out of sight, you thought I could not see did you Fellow Heigh! Heigh!" A face within a sun dipping behind the skyline sheds tears. A scale of (corn) prices explains the tilt of the scales by lines intersecting at the pivot, representing the tilt of the beam of the scales, downwards or upwards; the right end is inscribed with the price, the opposite end by a word expressing its result in social conditions. A double line is horizontal at the price of '40s'; this is 'Well Level'. Below this level the slanting lines are progressively (reading downwards): '38s', '36s', '34s', '32'. These are respectively 'Happily' [corresponding to 38s.], 'Comfortaly' [sic], 'Gloriously', 'Princely', at which point, 32s., the 'Prices of Provisions' would rest on the ground (and the agricultural interest be ruined). Above the horizontal level, the lines slanting upwards from left to right are inscribed (reading upwards) '60s', '80s', '100s', '120s', '140s', '160s'; these correspond respectively to 'Inconvenience', 'Distress', 'Want', 'Misery', 'Sarvation' [sic], 'Total Ruin'. The actual level of the beam is a price of 140s., just short of 'Total Ruin'. The pointer of the beam is along a slanting line inscribed 'Adversity'; with a price of 34s. it would point to 'Prosperity'."--British Museum online catalogue
Alternative Title:
Political balances, Unexpected inspection, and Good old master takeing a peep into the state of things himself
Description:
Title etched below image; a terminal letter "s" may be etched at the end of the word "balance"., Printmaker and date of publication from British Museum catalogue., Probably a later state; beginning of imprint statement has been burnished from plate., Text following title: Take away the dross from the silver, and there shall come forth a vessel for the finer. Proverbs., Plate numbered "204" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., and Leaf 59 in volume 3.
Publisher:
By T. Tegg, 111 Cheapside
Subject (Name):
George III, King of Great Britain, 1738-1820 and Parnell, Henry, Sir, 1776-1842.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12735 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, vol. 8., Sheet trimmed within plate mark., and Temporary local subject terms: India.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12741 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Temporary local subject terms: India.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 127361in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., Temporary local subject terms: India., and Watermark.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12726 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Temporary local subject terms: India.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12739 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Temporary local subject terms: India.
Title from caption below image., Place and date of publication from British Museum catalogue., Variant lacking imprint statement. Cf. No. 12744 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Temporary local subject terms: India.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The three members of the Royal family who had recently been given the Freedom of the City as members of the Fishmongers' Company are represented as Billingsgate porters, carrying baskets of fish on their heads, and being kissed by Billingsgate women. All wear flat round hats and aprons. Prince Leopold has a German sausage (cf. British Museum Catalogue No. 12759) projecting from his coat-pocket, and another is in his basket. A comely woman puts her arms round his neck, saying, "My dear Boy you are Welcome to Billinsgate, come give us a buss!! Charlotte wont be angry." He answers: "Stop my Dear I lay down my Sole, and give you bit de german saucage." Two women (left) hurry up from the left, eagerly wiping their mouths on their aprons. They say: "By Goles he's a nice fellow Come do make haste Poll," and "That's right Bet! if you dont look sharp we shant get a taste." The Duke of Sussex, fat and good-natured, is beset by two women, one, an Irishwoman, kisses his mouth. He says: "You Hussey you'll upset my Cod!" She answers: "By the Powers if I care about that my Jewel! I'll have a taste of your Jowl, and a rare Jolly one it is!!" A paper projects from his pocket: 'Freedom of the City of London'. In the middle distance (right) stands the Duke of Gloucester, silent between three women who say: "Now let me have the first an I'll carry your fish; Give me the first and I'll carry you and fish too my heart I'll have such a smack," and "You have a smack indeed I'm the girl for smacking & know the true Gloucester go." A woman sitting by her basket (right) drinking gin says: "you may smack there I'll smack here! so God Bless the Royal Fishmongers." Behind are masts and sails with (right) the colonnade of Billingsgate Market on the quay-side."--British Museum online catalogue
Alternative Title:
Royal fishmongers, or, A welcome to Billingsgate, Welcome to Billinsgate, and Welcome to Billingsgate
Description:
Title etched below image., Printmaker from initials present on earlier state: C.W. [Charles Williams]., Later state; printmaker's initials and imprint statement have been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Novemr. 1816 by Thos. Tegg, 111 Cheapside. Cf. No. 12815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Three lines of quoted text following title: "They printed melting kisses, "balmy as Burnetts gin, chaste as Drurys maids, "and keen as longing mothers., Plate numbered "203" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 58 in volume 3.
Publisher:
Thomas Tegg
Subject (Name):
Léopold I, King of the Belgians, 1790-1865, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, and William Frederick, Duke of Gloucester, 1776-1834
Cartoon shows ministers, among them Vansittart and Castlereagh, vomiting taxes into a large bag labeled "budget." The Prince Regent stands nearby, supported on crutches labeled "more money" and "increase in income", holding rolled documents under his arms labeled with descriptions of some of his extravagant expenses and "On the right is a group of Ministers vomiting taxes. On the left the Regent stands directed to the right, supported on crutches, one inscribed 'More Money', the other 'Increase of Income'. The swathing of his gouty leg is tied above the knee by his 'Garter, inscribed 'Honi . . . Pense'. Under each arm are large rolled documents inscribed 'Expences of Pavillion', 'd° of Thatch'd Cottage', 'D° of Furniture', 'D° of Pall Mall', 'Pulling down Rebuilding &c Pulling down again for New Street!', 'Drinking Expence'. Beside him and on the extreme left is the end of a cloth-covered table on which are balls; one larger than the others is 'Economy', and is labelled: 'This bolus to be taken immediately'. Beside it are four others, all inscribed 'Petition against Property Tax'. The Regent, ill and melancholy, says: "Aye, this comes of your cursed Pill economy which you forced me to take a Month back, no one knows what I have suffered from this Econmical [sic] Spasm; I am afraid we shall all be laid up togather." Six Ministers stand over a low, wide-mouthed sack inscribed 'Budget', the edge of which is held by Vansittart (right), wearing his Chancellor of the Exchequer's gown and a large wig. Facing him, and with his back to the Regent is Castlereagh, his hands on his stomach. These and two others vomit streams inscribed 'Property Tax', 'Economy', 'Standing Armies', 'increase of Salaries', 'Cock Bugs provi[sion]'. The contents of the full sack are similarly inscribed. Another Minister (? Liverpool) stands behind Vansittart, with open mouth and distressed expression."--British Museum online catalogue
Alternative Title:
Sick of the property tax, or, Ministerial influenza, Ministerial influnza, and Ministerial influenza
Description:
Title etched below image. and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by S.W. Fores, March 8, 1816, at No. 50 Piccadilly, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Léopold I, King of the Belgians, 1790-1865., Cockburn, George, Sir, 1772-1853., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
Gout, Crutches, Government officials, Vomiting, Taxes, and Economic policy
"View looking across the front of St Paul's School and the east side of St Paul's Churchyard; two men working on the road in foreground to left."--British Museum online catalogue
Alternative Title:
Saint Paul's School
Description:
Title from caption below image. and Plate from: The history of the colleges of Winchester, Eton, and Westminster : with the Charter-House, the schools of St. Paul's ... London : Printed for and published by R. Ackermann ..., [1816].
Publisher:
Pubd. Decr. 1, 1816, at 101 Strand, for R. Ackermann's History of St. Paul's School
Vansittart and Castlereagh, as surgeons, bleeding coins from the arms of John Bull. The coins are collected by Prince Leopold, Princess Charlotte, a tiny McMahon, a Chinese mandarin, and the gouty Regent. Brougham, stands on the left, pointing finger at John Bull, saying, "Retrench! Johnny, Retrench! practise [sic] a little more Economy." and "John Bull sits foursquare in an arm-chair, between two surgeons, his arms extended horizontally and supported by the vertical poles which he clutches; these are spirally striped, like the barber's pole, and are such as were used by practisers of phlebotomy. The one in his right hand is inscribed 'Additional Military Staff to support the Peace'; the other: 'Wellington's Staff'. The surgeon on the left is Vansittart, in his Chancellor of the Exchequer's gown, triumphantly holding up his lancet as guineas spout from the incision in John's right arm. The coin is collected by Prince Leopold in a warming-pan inscribed '60,000 per Ann'. [see British Museum Satires No. 12754] and by Princess Charlotte, who holds out a large receptacle inscribed 'For Wedding Garm[ents] Diamond Trinkets & Baubles'. She looks sideways at the warming-pan; her very décolletée dress has a train, and she wears a small crown or coronet. His military tunic is covered with stars, and he stares intently at the golden shower. Castlereagh, with a cynical smile, operates on the left arm. A tiny McMahon swarms up the pole and holds out his 'Privy Purse', see British Museum Satires No. 11874, to catch a trickle from the wound. The main shower of guineas falls into the enormous jaws of a squatting and grotesque Chinese mandarin (see British Museum Satires No. 12749) whose obese body, in the form of a large bag, is inscribed 'To pay off Arrears of the Civil List'. Over this bag, the biggest of the receptacles depicted, the gouty Regent stoops forward, supported on crutches, his head turned to the left, staring with apprehensive malevolence at Brougham who stands on the extreme left, not caricatured. John Bull, a stout 'cit', wears patched and ragged waistcoat and breeches. His empty pockets are inside out. He registers alarm, and exclaims: "Pray good folks have a little mercy & spare the Vital stream which sustains me!-- Consider what Oceans I have spilt in the late Wars!--I am too much exhausted to Bleed as freely as formerly--You have Open'd so many veins & drain'd me so incessantly that I fear my Constitution is impair'd for ever! My Friends, say that I am Declining fast & will certainly Die of a Galloping Consumption!!!" Two hussars with drawn sabres stand on guard behind his chair, watching the operation with pleased surprise. Behind them, the middle distance and background are filled with soldiers standing at attention with drawn sabres or fixed bayonets, wearing braided tunics and high hussar caps. They have British flags, faintly indicated, one being a Union flag, another the Royal Standard, and a fringed banner inscribed 'Standing Army For the Peace Establishment'. On the right, behind the Regent, the Tsar walks off to the right, looking over his shoulder with a pleased smile; he carries a sack across his shoulder inscribed 'Subsidies Russia'. With him, but less conspicuous, are Francis I and Frederick William; each carries a basket on his head heaped with coins, one 'Subsidies For Austria', the other 'Subsidies for Prussia'. All three wear uniform. Brougham, who wears a long loose coat, with trousers, and holds a top-hat, stands in profile to the right, his right arm extended with admonitory finger pointing at John Bull. He says: "Retrench! Johnny, Retrench!--practise a little more Economy in your present Wretched State, or you'll never Recover!--you have too many Physicians & their constant Employment is very Expensive they will not leave you till they have the last Shilling!--Kick out the Doctors & a fig for the Disease!!" At his feet and in the foreground is a neat box inscribed '37 Styptics [see British Museum Satires No. 12750, &c.] for Curing John Bull's Dreadful Disorder by Brougham & C°.' Near it are the fragments of a broken tub inscribed: 'Property Tax receiver rendered useless by the "ignorant impatience" of John Bull.' In front of John are a jar of 'Leeches' and a book: 'The Red Book or or [sic] a list of Persons Holding Sinecures'. Three tubs heaped with coin stand on the right, each progressively larger in size, inscribed: [1] 'Regency Presents & Yearly Allowance to Bonaparte & the Govenors [sic] Establist at St Helena'; [2] 'To Support the Allied Army in France'; [3] 'Extra Allowance for Commissrs of Dockyards & other fresh-water Agents of the Navy who will on the Peace Establishment of 1816 greatly exceed in expence the War Estabt of 1804 when the British Navy with 140,000 seamen Covered the Ocean.'"--British Museum online catalogue
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by F. Sidebotham, 96 Strand
Subject (Geographic):
England
Subject (Name):
Vansittart, Nicholas, 1766-1851, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Charlotte Augusta, Princess of Great Britain, 1796-1817, McMahon, John, approximately 1754-1817, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Wellington, Arthur Wellesley, Duke of, 1769-1852., Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
John Bull (Symbolic character), Phlebotomy, Gout, Taxes, and Military personnel
Bennett, W. J. (William James), 1787-1844, printmaker
Published / Created:
[1 February 1816]
Call Number:
Topos L847 no. 43+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image. and Plate from: The history of the royal residences of Windsor castle, St. James's palace ... / By W. H. Pyne. ... London: Printed for A. Dry, 1819.
"Evidently by an amateur. The names of the four Russians who advance from the right in profile are etched below the design. A hugely broad and fat don at the head of a procession of senior, and very ugly, members of the University takes with his left hand the left hand of the 'Duchess of Oldenburgh' who is straight and thin, her head entirely concealed in a huge 'Oldenburgh bonnet', and wearing long hanging sleeves resembling those of the dons' gowns. Behind him (left) is a don holding a (?) Bible. The duchess is followed by two hideous old women, broad and squat, 'Mesds Aladensky & Volochousky' [? the wife of Prince Nikita Volkonsky, A.D.C. to the Tsar]. Behind them walks 'Prince Gagarin', hat in hand, very broad and tall, and heavily whiskered. In the middle distance is a crowd of slim undergraduates, some of whom throw their caps into the air, with a few ladies. Behind is the dome of the Radcliffe Camera with the towers and spires of Oxford."--British Museum online catalogue
Description:
Title from caption below image., Temporary local subject terms: Ekaterina Pavlovna of Russia (Duchess of Oldenburg)., and Watermark: T.H. Monds 1823.
Publisher:
publisher not identified
Subject (Name):
Wolkonsky, Zenaide, 1781-1862. and Gagarin, Nichola, 1784-1842.
"Holiday-making 'cits' drive, ride, and walk (right to left) on a dusty road, in the direction of a sign-post (right) pointing 'To Wimbledon' (left); the opposite arm points (right) to: 'a near Cut to Batter sea'. [An allusion to the retort to a simpleton: 'You must go to Battersea to get your simples cut.' E. C. Brewer, 'Dict, of Phrase and Fable'. Cf. No. 12831.] On the extreme left is the back of a coach, with outside passengers, one with a huge frothing tankard. A fat man trudges between two women, followed by a bloated dog. A 'cit' on a bucking horse follows. Next is a family party: a fat woman carrying an infant, her lean husband holding a bag and a telescope, and dragging a go-cart in which sit four young children, while a chimney-sweep stands on the back of the cart, followed by another hanging to his coat; a child angrily threatens them with a coral and bells. Two meretricious-looking women walk arm-in-arm, closely followed and ogled by two absurd men in extravagant dandy costume, also arm-in-arm. These have enormous bell-trousers as in No. 12840. Driving beside these two groups is John Bull with his wife and four children in a two-wheeled cart drawn by a lean horse, flogged into a gallop. The cart is inscribed 'J.B Tax Cart N° 1816'. Behind him a would-be dandy drives a lady in a gig. In the background is the front of the procession which has turned to the right on to open common, where are tents, a swing, with a large bonfire to which men are dragging a whole tree, just cut down."--British Museum online catalogue
Alternative Title:
Waterloo review!!!!!!
Description:
Title from caption below image., Temporary local subject terms: Cits -- Crowds -- Families -- Fires -- Tents -- Carriages -- Dustmen., and Watermark: 1801.
"One of designs in lines and dots, attributed to G. Cruikshank (British Museum Satires Nos. 12955-12958). Tiny figures, composed of lines, one each for trunk and limbs, with small dots for head, hands, and feet, are generally in violent action. Women are denoted by petticoats. Animals and accessories are as a rule more realistically drawn. A sequence of six designs in two rows, divided by intersecting lines, each with a caption, a number showing the cockney's age, and inscription. 'Fishing at 16 for Turbot, & Salmon, in the New River Islington'. He sits on the bank, his line hanging vertically. A sign-post points (left) 'To Sadlers Wells'; behind, St. Paul's dominates houses and spires. Cf. No. 8939. 'Spouting 18 Performing the Part of Romeo before the Cook & Errand Boy in the Kitchen'. He rants to a fat cook and boy. 'Shooting 20 In practising Sparrow Shooting at Hornsey Wounds a Young Porker'. He fires point-blank at a pig beside a cottage; birds fly off. St. Paul's is in the background. 'Hunting 22 at the Easter Hunt, getting on at a Good rate, ....... not at all behind!' His horse leaps a low fence, he flies over its head, not far from the stag. Cf. No. 10813. 'Sporting 30 In Attempting to kill Game Shoots his Faithful Pompey'. He fires at his dog, which rolls on its back, birds fly off. 'Stuffing 40 At a Civic Feast very lucky indeed! hits the Mark every time'. He carves a plum-pudding, a waiter behind his chair holds two bottles. Two other guests are depicted."--British Museum online catalogue
Alternative Title:
Cockney's amusements and sports
Description:
Title etched above image., Attributed to George Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Smith & Allnutt 1816.
Publisher:
Published according to act by Fores, Sackville Str. Piccadilly
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Oriental pipes -- Costume: male, Chinese -- Flags: Union Jack -- Swords -- Costume: female, 1816 -- Mandarins -- Bloomfield, Benjamin Bloomfield, 1st Baron, 1768-1846 -- Queen Charlotte's snuffboxes., Watermark: W[?]SS, and Manuscript "189" in upper center of plate.
Publisher:
Pubd. by J. Sidebotham No. 96 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Amherst of Arracan, William Pitt Amherst, Earl, 1773-1857, Hertford, Isabella Anne (Ingream Shepheard), Marchioness of, fl. 1813, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,, Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Eldon, John Scott, Earl of, 1751-1838, Ellenborough, Edward Law, Baron, 1750-1818, Sligo, Howe Peter Browne, Marquess of, 1788-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Charlotte, consort of George III, King of Great Britain, 1744-1818, and McMahon, John
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Father of the fameily takeing his eldest boy from school and Father of the family taking his eldest boy from school
Description:
Title etched below image., Questionable attribution to John Cawse from unverified data in local card catalog record., Publisher and date of publication from unverified data in local card catalog record., Plate numbered "365" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Crowns -- Devils -- Satan., Watermark: Basted Mill 1817., and Leaf 95 in volume 5.
"In a room at the Pavilion Prince Leopold is introduced to Princess Charlotte, a bashful girl holding a skipping-rope in her gloved hands. She is pushed forward by Queen Charlotte (right), lean, ugly, and wearing court dress with a tiara. The Queen holds a large snuff-box inscribed 'Strasbo[urg]' (see British Museum Satires No. 12066) and says: "Go along Scape grace speak kindly to him." The Regent in the doorway on the extreme left propels the prince forward with the end of a crutch, using the other as a support to his gouty left leg. He says: "Courage Man! don't be bashfull!" A garter inscribed 'Honi soit' holds up the bulky covering of his gouty leg. Prince Leopold wears a braided and fur-bordered hussar tunic with tight pantaloons and spurred Hessian boots. His left hand is on the hilt of a large sabre, and he holds his heavily plumed and tasselled shako before his face. He says: "Madam I have no money, but I'm of the right breed, true German, an blood Royal." The Princess answers: "I had rather you was English! but a German husband is better than none." Both stand with flexed knees and lowered eyes. Behind Princess Charlotte is a much-festooned window looking on to the sea. Dragons dominate the decorations of the room, and, as in British Museum Satires No. 12754, the Regent's crutches. They support the curtains, a window-seat, and a console-table (right) where a large china mandarin sits with his back reflected in a wall-mirror; below it is a large Chinese jar. Bells dangle from the curtain draperies."--British Museum online catalogue
Alternative Title:
Miss out of her teens
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1816 by Johnston, Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, and Royal Pavilion (Brighton, England),
Subject (Topic):
Gout, Interiors, Princesses, Jump ropes, Snuff, Crutches, Doors & doorways, Draperies, and Windows
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a thieves' kitchen or cellar into which a steep flight of steps (left) descends. All the inmates have seen Matthew Wood, the Mayor, followed by constables, coming quietly down the stairs except for a sleeping woman and a watchman seated with his back to the stairs and holding up a glass of gin. He says, with a grin, to a terrified woman who falls over backwards, kicking his hand: "You had like'd to have kick'd the Blue Ruin [gin, generally bad gin, from c. 1810; Partridge, 'Slang Dict'., 1938] out of my hand, come let's have our Old toast! Industrious Thieves, and Idle Magistrates." The woman screams: "Oh the Night Mare!! we're ruind by the Lord." A man wearing top-boots crouches behind her chair, trying to hide his plunder, a watch, seals, &c., under his hat. He says: "We are dish'd Bet by G-- if I escape I'll live honestly as long as this chaps in Office --for he'l ruin the Consarn!" Two men and a woman try to escape through a door: she says: "D-- his Eyes when does he sleep!!" The watchman wears a helmet-like hood, a long coat with his rattle thrust through the belt, his staff and (smoking) lantern lie on the floor. Wood is handsome and fashionably dressed in a long frogged overcoat. He says to the constables: "Here's a pretty fellow for a Guardian of the Night--Blue Ruin shall bring him to the Black hole!"."--British Museum online catalogue
Alternative Title:
Night mare, or, Magistratical vigilance, Nightmare, or, Magistratical vigilance, and Magistratical vigilance
Description:
Title etched below image; the letters "re" in "mare" are scored through and "yor" is etched above., Printmaker and date of publication from British Museum catalogue., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Three lines of text following title: "Seest thou a man diligent in his business? He shall stand before kings. Prov. xxii. 29. If you enquire not attentively and diligently, you shall never be able to discern a number of mechanical motions - Bacon., Plate numbered "198" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 52 in volume 3.
A very plump young woman in a bonnet stands in a park leaning forward into the wind ; her skirt is blown tightly around her backside and above her knees. Two foppish looking men eye her with amusement, the one using an eyeglass, the other holding his hat and wearing a long braided coat. Another couple on the right, struggle with an umbrella in the wind. Like the woman on the left, this woman's dress is also blown above her knees; her companion is dressed in wide trousers tied at the ankles. Between these two scenes, in the distance, a young woman walks along a rail toward the left struggling against the wind; a little black footboy follows her holding the hem of her skirt and her reticule. Beyond the rail another man and a woman struggle in the wind with their hats and she with her umbrella
Description:
Title from item., Sheet trimmed within plate mark at bottom resulting in loss of imprint., and Numbered '199' in upper right corner. Cf. British Museum copy which is numbered '385'.
Publisher:
Pubd. Septemr. 1816 by T. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Topic):
Blacks, Clothing & dress, Dandies, Parks, Servants, and Umbrellas
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plump young woman stands with feet together bending before the wind, and holding down the short (muslin) skirt of her high-waisted décolletée dress. The wind makes it define her plump posterior and she says, "La, Bless me how cool it is." Her brightly coloured ankle-boots have a border of swan's-down. Two absurd fops walking close behind inspect her with amusement, one using an eyeglass says: "It is certainly more gratifying to view, than the Regents Bomb!!!!!!" [see British Museum Satires No. 12799, &c.]. The other says: "I think she intends it as an opposition, to that in St James's Park." One wears a long braided coat to the ground, the other loose trousers and narrow coat-tails which blow round his legs. Both wear stocks, collars, small hats, and fluffed-out hair like those of the dandies in British Museum Satires No. 12840. On the right a couple walk off to the right, in difficulties with an umbrella. The woman's dress is well above her knees; the man wears wide trousers tied in at the ankle, and coat-tails like streamers of ribbon. Farther from the spectator, and walking from right to left is a young woman followed by a little negro foot-boy. She holds on her bonnet, and holds down her very short skirt in front, saying, "What a rude wind this is, old [sic] fast behind Mung." He holds down the hem of her skirt, and carries her reticule; he answers: "Yes, Miss'e I wont let Loose if you dont." In the background, behind the rails, a man chases his hat, a woman holds an umbrella which is inside out, and sees her bonnet blow away."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "385" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. Septemr. 1816 by T. Tegg, 111 Cheapside. Cf. No. 12842 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "199" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 53 in volume 3.
"Portrait of John Jervis, half-length, seated to left in an armchair, with arms on chair arms; wearing a double-breasted coat fastened with four buttons, and star on his chest at right."--British Museum online catalogue
Description:
Title from Catalogue of engraved British portraits.
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds