Sears, Matthew Urlwin, approximately 1800- printmaker
Published / Created:
[1825?]
Call Number:
825.00.00.24
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Following title: Milton., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Nine images on one plate, eight in two rows; the center image of Liston as Paul Pry is two columns high., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Liston, John, 1776-1846
Subject (Topic):
Performances, Actors, British, Actors, British, and Theatrical productions
"Social satire; a tall thin man with a tasselled tricorn hat in one hand and wearing a sword, wig, buckled shoes and rings on both hands steps forward towards a large lady with a wreath in her hair, beauty spots, several rings, a cupid's bow and arrow on a ribbon round her neck, a large muff, and a very low decolletage; behind them their two dogs mimic their actions; the man asks "Beauty need note de foraine aid of ornamen but ees ven unadorn adorn de mos.", to which the woman replies "I really cannot resist the pleasing truth of the bewitching Markeee. - - ah! Sweet Sir I yield, ah!""--British Museum online catalogue
Description:
Title etched below image., Attributed to Cruikshank on unverified card catalog record., Imprint burnished from plate. Originally published in 1798., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Song is an allusion to the Roast beef of Old England., and Watermark: John Hall 1825.
"Mrs. Coutts (right), fat, swarthy, and moustached, sits at a table, holding out a cheque for £100.000 to Lord Burford. Her Cheque Book lies on the table. He steps forward, hat in hand, left hand on breast, in profile to the right. She says: Why you seem to be a good looking hard working young fellow, but I must tell you my business is extensive And I shall expect you will employ your time day and night for the benefit of the Concern, you must also be humble and submissive, should this be realized on Trial I will make you a Sleeping Partner. And here's a trifle for you to buy a pair of gloves. He answers with eager deference: You may depend upon it Madam I shall endeavour to give you every satisfaction. I shall be very attentive and if I can't get through the business as you like, you are at liberty to employ an Assistant. Mrs. Coutts is décolletée and bejewelled, wearing a turban trimmed with a paradise-plume. The gold-bordered tablecloth is weighted with balls inscribed £20,000 and £9,000. Large money-bags are on the floor behind her: £800,000 and . . . 000. Under her chair are a glass and a decanter of White Tape. Behind her is a picture of heaped sovereigns and money-bags. Other pictures are a cow looking over the wall of Mrs C--s Dairy, and (left) a castle: View near St Albans. The chairs are decorated with coins pouring from cornucopias."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 32 x 46.4 cm.
Publisher:
Pubd. March 1825 by G. Humphrey, 27 St. James's Street, London
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837 and St. Albans, William Beauclerk, Duke of, 1801-1849
Racist caricature lampooning the inept attempt by African Americans to mimic the leisure culture of white high society depicting an African American tea party hosted by "Mr. Ludovico" and "Miss Rosabella." To the far right of the table, "Miss Rosabella" pours steaming hot tea into a cup which tips over and spills onto a startled cat on the floor. To her right, "Mr. Ludovico" attends to the needs of "Miss Araminta" who protests his taking the trouble. Next to them, a disgruntled guest demands "anoder cup" of tea. An African American servant and the other guests, a mother holding her baby and her small son, observe and comment about the spilled tea on the cat and the flirtatious behavior of "Mr. Ludovico."
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1831.
"Four card-players at a round table in an old maid's parlour, with expressions that indicate a crisis in the game. A monkey sits on the back of the hostess's chair, about to snatch off her cap. A cockatoo is on a high perch before a tall folding screen decorated with prints. A kettle boils on the fire."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Published Jany 4, 1825 by S.W. Fores, Picadilly [sic]
Subject (Topic):
Playing cards, Card games, Cockatoos, Interiors, Parlors, Mirrors, and Monkeys
A grotesque racist caricature of a buxom black woman in a white dress decorated with flowers and a bonnet with ribbons, grinning at the viewer and saying 'Don't you think you Fancy me now Massa'. Probably inspired by the "High Life in Philadelphia'' series by Edward Williams Clay between 1828 and 1830 mocking supposed racial differences and modeled after George and Robert Cruikshank's Life in London
Description:
Title etched below image., Print signed using an unidentified artist's device: An image of a hand, palm facing the viewer., Date of publication from dealer's description., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Pasted on a blue album sheet at corners: 21.5 x 18 cm.
Title from caption below image., Printmaker identified by cataloger., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Four men, much caricatured, fish from a punt which is anchored to a pole. One sleeps, another has hooked a giant frog, which a third is about to scoop up in a landing-net. The fourth registers excitement. In the punt is a chair."--British Museum online catalogue
Description:
Title from caption below image. and Printmaker from British Museum catalogue.
"An obese, elderly, bottle-nosed man stands in his garden, in profile to the left, his knees flexed, in slippers, ungartered stockings, open waistcoat; he shades his eyes and looks up ecstatically. A cloud of flies buzz round his bald head; a panting spaniel looks up at him. A parrot perches on its open cage. The path is bordered by tulips; many butterflies are in the air."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., and Temporary local subject terms: Seasons -- Spring.
Title from caption below image., Two lines of dialogue below title: John, I'm going to raise your rent. Sir, I'm very much obliged to you for I can't raise it myself., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by S. Knight, Sweetings Alley
Subject (Topic):
Storytelling, Fireplaces, Military uniforms, and Yawning
"A pedestrian struggles through deep slushy snow, facing driving snow, with a broken umbrella, the spokes projecting through the cover. He clutches at his cloak and hat; he wears gaiters to the knee with socks over them, and overshoes. Cape and comforter stream behind him. In the background is a row of three- and four-storied houses, some with shop-fronts. He shouts his greeting in the teeth of the storm to the woman in British Museum Satires No. 15000, a companion plate with the same signatures and imprint. A carriage and pair faces the storm, the coachman's cape swirling above his head. Men shovel the snow from the roofs, overturning a passer-by."--British Museum online catalogue
Alternative Title:
Merry Christmas and a happy new year in London
Description:
Title etched below image., Sheet trimmed within plate mark on lower edge., Companion print to: The same to you sir, & many of e'm., and Watermark: J. Whatman.
Publisher:
Pubd. by Pyall & Hunt, 18, Tavistock Street, Covent Garden
Subject (Topic):
Blizzards, Carriages & coaches, Salutations, Snow, Umbrellas, and Winter
"In an ornate foreshortened bed which is the centre of the design, propped against a frilled pillow, is a lady, dismayed at the sight of a grotesque infant which a nurse (right) holds out to her. Her husband (left) is a grotesque dandy, wearing a small top-hat on bunched-out hair, and with a heavy black moustache, and whiskers which meet, projecting from the chin. He inspects the child, looking through an eye-glass in the handle of a riding-switch. The infant is a little replica, heavily bearded, of its father, and holds up a similar switch; it wears a trimmed chemise with spurred boots. The father: Is it possible that I can be the Author of such an Eccentric production. The mother: Oh the little Brute! Who can doubt that when they see the horrid Likeness. The nurse: Brute indeed! why its a perfect angel And the very model of his Pa! Oh who can help Longing to Kiss him. A fashionable interior is indicated."--British Museum online catalogue
Description:
Title from caption below image., Approximate year of publication from British Museum catalogue., Sheet trimmed within plate mark on lower edge., and Two of the figures identified by ms. notes in a contemporary hand.
Publisher:
Published by Harrisson Isaccs [sic], Charles St., Soho Square
Subject (Topic):
Beds, Eyeglasses, Fireplaces, Governesses, Infants, Monocles, and Servants
Title from caption below image., Date of publication from unverified data from local card catalog record., Reissue. Originally published 1825 by Thomas McLean., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Reference to whiskey -- Scots -- Male costume: Scottish -- Taverns., and Print numbered in ms. near top edge of sheet: 120.
Publisher:
Pubd. by Pyall & Hunt, 18 Tavistock Strt., Covent Garden
Title from caption below image., Four lines of dialogue below title: Hey master Scote can ye change me a note ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A man sits backwards in his chair at the counter of an shop as he smiles with pleasure as he spoons his ice from his glace. In the background are drawers and a shelf with jars
Description:
Title from caption below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print captions on either side of title: "O Lor' sir! I've lost my honor!" "Then ma'am you shou'dn't have played the odd trick.", Sheet trimmed within plate mark on right and left edges., and Watermark: J. Whatman.
Title from caption below image., Sheet trimmed within plate mark., and Temporary local subject terms: Mrs. Stopford -- Tom Best -- Long's Hotel (Bond Street).
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered in lower left corner: No. 2., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by H. Fores, 16 Panton Street, Haymarket
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Tmeporary local subject terms: Justice -- Sailors -- Crowds.
Title etched below image., Shortshanks is the pseudonym of Robert Seymour., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A young couple face each other as they begin to dance in a hall lighted by a wall sconce with a mirror and a chandelier. Behind them an older woman looks on.
Description:
Title from caption below image., Publication information from unverified data from local card catalog record., Four lines of verse below title: "While graceful Marian leads the gay Quadrille", "What new sensations Henry's boson fill," "An introduction gained, the youth advances" "And hope she's disengaged the two next dances.", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Bowing, Clothing & dress, Couples, Dance parties, and Etiquette
Title from caption below image., Date of publication from unverified data from local card catalog record., Four lines of verse below title: "With sighs and vows persists the wounded swain, ...", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Couples -- Courtship., and Watermark [trimmed partially]: J Whatman 1824.
Publisher:
Pubd. by Hunt & Pyall, 18 Tavistock Street, Covent Garden
A hunter tracking a game bird trips in the woods and as he falls accidently shoots his dog
Description:
Title from caption below image., Plate numbered in lower left corner: No. 1., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published, by H. Fores, No. 16 Panton Street, Haymarket
