"No. 9."--Upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Text above image: A Pygmy cat hunt., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker based on similar prints by Rowlandson. See Grego, J. Rowlandson the caricaturist, v. 2, page 395., Publication information from imprint on rightmost sheet., Title devised by curator., and Two separate sheets mounted on one leaf, probably from two different plates. Rightmost sheet has imprint: Pub. Aug 1, 1799, by R. Ackermann, 101 Strand.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker and publication information based on similar prints by Rowlandson. See Grego, J. Rowlandson the caricaturist, v. 2, page 395., and Two separate sheets mounted on one leaf, possibly once part of the same plate. Top image from left sheet captioned: Yes I have but just got into the method of painting...
Subject (Name):
Ackermann, Rudolph, 1764-1834, Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"A Thames pair-oar wherry, with two passengers, a man and woman, is about to collide with a sturdier boat in which are three men and a stout trollop, whose shouts and gesture shock the passengers in the wherry. The river is wide, with trees on the opposite shore and a sailing-barge in the middle distance."--British Museum online catalogue, description of variant state.
Alternative Title:
Freshwater salute
Description:
Date from Grego., For variant state with artist's signature, see no. 9464 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Rowlandson attribution from artist's signature on variant state: Rowlandson delt., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"View of a mountainous landscape, the sea in the distance at left; several figures gathered in the doorway of a partly ruined building in the foreground at right, including a man playing a harp and a woman seated on the ground, singing a ballad from a songsheet."--British Museum online catalogue.
Description:
Date from British Museum online catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker from Grego., Title etched below image., and Two lines of verse below title: Here vulgar nature plays her courser part. And eyes speak out the language of [the] heart ...
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker from Grego., Temporary local subject terms: Female dress: headdress -- Male costume: night-cap-- Dishes: coffee service -- Coffee cups without handles, 1799., Title etched below image., and Two lines of verse below title: Here like the fly, vice flirts the painted wing without, all saint within, a venomed sting! ...
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Subject (Topic):
Couples. , Eyeglasses. , Jewelry., Older people. , and Young adults.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Proof before letters., Temporary local subject terms: Female dress: headdress -- Male costume: night-cap-- Dishes: coffee service -- Coffee cups without handles, 1799., and Title, printmaker and publication information from lettered state.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Subject (Topic):
Couples. , Eyeglasses. , Jewelry., Older people. , and Young adults.
"A burly and ragged Irishman with a wooden leg sits on the knee of a fat and grotesque Englishwoman; they kiss, his right arm round her neck, both her arms round his shoulders. A poverty-stricken room is indicated by a low casement window with broken panes, bricks showing through broken plaster, and a rough plank door (left). On a table is an enormous tankard and a small measure of gin."--British Museum online catalogue.
Alternative Title:
Union between England and Ireland
Description:
Printmaker, date and artist from the British Museum catalogue. Or later? See drawing in the Lewis Walpole Library attributed to Woodward. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A sculptured monument to Sir George Savile against a stone wall. A life-like half length figure of Savile looking to the right is set in an alcove with inscriptions above and below. Above: 'The Guardian Genius of that Good Man and Upright Senator \ Sir George Saville Bart \ Hovers with anxiety over The Tomb; not without Hopes, that his Countrymen \ may e're it be too late, see the Necessity of Peace, - the Improbability of \ the Present Ministers making it, - & the Benefit which would result, from a Temperate Reformation of those Abuses, "from which {to use his own memorable words) \ it was notorious, that all our Calamities Sprung."!!!' Below: 'Fuimus Troes, fuet [sic] Ilium et ingens Gloria Teucrorum. Virgil Here lie the Remains of the \ - Requisition, - \ The last Hopes of the Independent Gentlemen of Yorkshire; \ in full Confidence \ that when Corruption shall have ceased to prey upon the \ Human Frame, that it will rise again to \ - Immortal Glory.- \ Reader, \ You will no longer doubt the just Cause or upright \ Intention of this Requisition, when you learn, that \ the Merchants of Leeds, its greatest Enemies, have \ Thought that an Elegant Monument should be dedicated \ to it's \ Memory. \ "Your Cause of Sorrow must not be measured by his \ "Worth, for then it hath no End." Shakespere Mackbeth \ "Quis Desiderio sit Pudor aut Modus \ "Tam chari Capitis." Horace.'"--British Museum online catalogue.
Description:
Probably commissioned by the Yorkshire Reform movement. See British Museum catalogue., Temporary local subject terms: Monuments: sepulchral monument to George Savile, 8th Bt. -- Literature: Shakespeare's Macbeth, v.8.44 -- Literature: Virgil, Aeneid., and Title, printmaker, and questionable date of publication from British Museum catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Savile, George,--Sir,--1726-1784--Portraits.
"Scene on the Thames near Chelsea; a large pleasure party of young men and women on a boat, drinking toasts, rowed by six watermen wearing jockey caps, a servant and two men playing French horns at the helm at right, where a union jack is flying from a pole; other boats on the water behind, bridge and church at left, the Chelsea Hospital on the bank beyond at centre."--British Museum online catalogue.
Alternative Title:
Chelsea Reach
Description:
Companion print to: Bay of Biscay., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, page 262., Temporary local subject terms: Boats: shallop -- Chelsea -- Flags: Union Jack -- Musical instruments: French horn -- Musical instruments: flute -- Watermen -- Buildings: Battersea Church., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Companion print to: Chealsea Reach., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, p. 262, Temporary local subject terms: Boat or ship -- Storms -- Reference to Bay of Biscay., and Title from item.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Publication information based on similar plates from the same series., Title and printmaker from Grego., and Twenty-second of 24 plates from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799.
Publisher:
[H. Angelo, Curzon Street, May Fair]
Subject (Name):
Angelo, Henry, 1756-1835, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"No. 12" etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"A lady and gentleman are enjoying an aquestrian promenade, too busily engaged in flirting to notice that their horses are riding over some wandering pigs. A Jew is in a chaise, taking his pleasure in the air; the fair Jewess, his wife, is driving, the rest of their family are by their side. A stout elderly volunteer in his uniform is out for exercise and relaxation, mounted on a heavy horse from the cart, ridden with blinkers."--Grego.
Description:
Date from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue.
"A fat man stands at the door of a house chaffering with an elderly couple (left). In each hand he holds a goose by the neck. The woman holds up a third goose to her nose, with an expression of suspicious anger; her husband sniffs at it and holds out both hands in protest. The goose-vendor resembles a countryman, and wears a white apron and short gaiters. On the ground is his large basket covered with a white cloth. The house is a comer one, with a carved doorway over which is a pestle and mortar to show that it belongs to an apothecary. Behind are handsome Queen Anne or early Georgian houses; a hackney coach drives off (right)."--British Museum online catalogue.
"A stout and ragged woman, typical of St. Giles, bawls her broadsides inscribed: 'Last Dying Speech and Confession of the unfortunate Malefactors who were executed this Morning'. She stands full-face, one hand to her cheek, a pouch suspended from her neck hangs over her apron. She wears a cloak, and one foot is bare. Behind her is the corner of a house; in the doorway stands a young woman holding an infant; a little boy beside her looks up at the bawling woman, as does a dog. In the middle distance a little boy takes a handkerchief from a pedestrian's pocket. Behind (right) are houses."--British Museum online catalogue.
Alternative Title:
Cries of London ; no. 3 and Last dying speech and confession
"A pretty young maidservant stands on a doorstep (right) while a man, Irish in appearance, gazes insinuatingly into her face as he fills her bowl with brick-dust from a jar. He has an ass which stands patiently, a double sack pannier-wise across his back and a second jar or measure standing on the sack. The profile of a shrewish old woman looks through the door at the couple, who are intent on each other. A dog barks at the girl. Behind is a street, the nearer houses tall the farther ones lower and gabled. At the doorway opposite a woman appears to be giving food to a poor woman and child. A man and woman lean from the attic windows of adjacent houses to converse. A little chimney-sweep emerges from a chimney, waving his brush."--British Museum online catalogue.
"A handsome young man sells pot-plants to a pretty young woman who stands on a door-step (left); a little girl beside her points eagerly to the flowers. He has a two-wheeled cart drawn by an ass; in it are small shrubs in large pots; two pots of flowering plants are on the ground. The background is formed by part of a palatial house having a portico raised on an arcade."--British Museum online catalogue.
Alternative Title:
Cries of London ; no. 6 and Cries of London ; no. 6.
Cries of London ; no. 7 and Old clothes any old clothes
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below series title and number.
"A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him."--British Museum online catalogue.
Alternative Title:
Cries of London ; no. 8 and Hot cross buns, two a penny buns
Description:
Title etched below series title and number.
Publisher:
R. Ackermann's, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher. and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Baked products., Beggars. , Children., Churches., City & town life., Clergy., Peddlers., Vegetables., and Women.
Temporary local subject terms: Opposition -- Press: attack on radical press -- Potions -- Allusion to the Whig Club -- Reference to Kosciuszko uprising, Poland, 1794 --Reference to Jack Cade's Rebellion, 1450 -- Reference to Jack Straw and Wat Tyler -- Reference to the Great Rebellion, 1381 -- Reference to the Duke of Bedford's family. and The interior of the 'Cave of Despair', with demons put to flight by a ray of divine light from the letters 'I A H' in a triangle in the upper left corner of the design. Three wizards (right) in monkish robes tend a boiling cauldron inscribed: 'Eye of Straw & toe of Cade ... For the ingredients of our cauldron'. Facing them (right) sits the Devil enthroned, holding a trident, with a three-headed scaly monster beside him; he says: "Pour in Streams of Regal Blood Then the Charm is firm & good." Burning pamphlets feed the fire under the cauldron; they are being heaped up by Horne Tooke, from whose mouth issues a label: 'H - T. Tis time tis time tis time'. The next, stirring the contents, says "Thrice! and Twice King's Heads have fallen". The third (? Dr. Towers), [Perhaps Dr. Parr; Towers died 20 May 1799.] flourishing a broom-stick, says, "Thrice the Gallic Wolves have bayed"; he holds an open book: 'Lying Whore \ False Swearing'. Behind the wizards is a procession of the Opposition. The first three (abreast) are Bedford, Norfolk, and Lord Derby. They say respectively: "Where are they! - gone Pocketed the Church and Poorlands The Tythes next" ..."Oh fallen Sovereingty degraded Counseller" ...; "Poor joe is done No test or Corporation Acts" ... The next three are Fox, Erskine, and Tierney; they say respectively: "Where can I hide my secluded Head" ... "Ah woe is me - poor I" ... "Would I had never spoke of the Licentiousness of the Press". Behind them is Burdett, saying, "What can I report to my Friends at the Bastile" .... Behind there is an undifferentiated crowd entering the cave and headed by Thelwall holding a volume of 'Thelwalls Lectures' ... exclaiming, "Tm off to Monmouthshire". The procession is watched by a snaky monster (left). Above their heads and resting on clouds are small figures: the King, allegorically depicted, holding a serpent in each hand. Behind him are Pitt, saying, "Suspend their Bodies", (?) Grenville, (?) Windham, saying "Almighty God has been pleased to grant us a great Victory", and Kenyon, saying "Take them to the Kings Bench & Cold Bath fields" ... The divine ray is inscribed: 'Afflavit Deus et dissipantur \ Your Destruction cometh as a Whirlwind \ Vengeance is ripe.' Four winged demons fly off (right) in the smoke of the cauldron, three have collars on which their names are engraved: 'Robesp[ierre]', 'Voltaire', and 'Price'. An ape dressed as a newsboy, with 'Courier' on his cap (..., blows his horn towards the cauldron. Behind him, in the extreme right corner, is an open book: 'Analitical Review \ Fallen never to rise again.' The seditious papers which feed the fire are: 'Equali[ty]'; 'Blasphemy Sedition'; 'Sophims' [sic]; 'Heresy'; 'Atheism'; 'Resistance is Prudence'; 'Belshams History'; 'Whig Club'; 'The Vipers of Monarchy and Aristocracy will soon be strangled by the Infant Democracy' ... 'Fraud'; 'Third of September' [see BMSat 8122]; 'Rights of Nature' [by Thelwall, attacking Burke, 1796]; '21st of January' ... 'Frends Atheism'; 'Quigleys Dying Speech'... 'O'Connors Manifesto' ... 'Oakleys Pyrology'; 'Deism'; 'Kings can do good Joel Barlow'; 'Uritaranism' [sic]; 'Sedition'; 'France is free'; 'Duty of Insurrection'; 'Darwins topsy turvy Plants and Animals Destruction' [cf. BMSat 9240]; 'Kings are S------TS' [serpents, as in Barlow's 'Conspiracy of Kings', pub. J. Johnson, 1792]; 'Political Liberty'. 1 February 1799 Etching
Description:
Frontispiece from: The Anti-Jacobin Review and Magazine. London, 1799, v. 2., Imprint altered: 'J. Wright, Piccadilly' after publication date burnished from plate., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Kenyon, Lloyd Kenyon,--Baron,--1732-1802--Caricatures and cartoons., Laurie & Whittle, publisher., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Price, Richard,--1723-1791--Caricatures and cartoons., Robespierre, Maximilien,--1758-1794--Caricatures and cartoons., Thelwall, John,--1764-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., and Voltaire,--1694-1778--Caricatures and cartoons.
Subject (Topic):
Caves., Demons. , Devil., Monkeys. , Monsters., Vice., and Wizards.
"Infantry guardsmen demonstrating ten lessons in swordplay; Nos. 1-8, at either side, each show a single Highland guard, demonstrating Outside Guard, Inside Guard, St George's Guard, Hanging Guard, Outside Half Hanger, Inside Half Hanger, Medium Guard, Half Circle; the ninth and tenth lessons, at top, showing two figures fighting, at left 'The consequence of not shifting the leg', with a hussar injured; at right, 'The advantage of shifting the leg'."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched within image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Plate from the 'Anti-Jacobin Review', ii. 233: On the extreme right the Devil holds up a canvas, 'le Tableau Parlant', which terrifies twelve Irishmen grouped round an oblong table. In their alarm the heavy table has been overturned, some are on the ground, others (left) flee in terror. The Devil, who looks round the edge of his picture, wears a bonnet-rouge inscribed 'Anarchy'; labels hang from his horn: 'Blasph[emy]' and 'Parracide'. He says "Stew it well - It cannot be Overdone for you and me". In the picture, 'Irish Stew I A Favourite Disk for French Palates', two French soldiers superintend the boiling of a Revolutionary Pot, in which stand three naked Irishmen shrieking for mercy; one says: "Liberty of being Stewed"; the other, "Equality - all to be stewed en Masse". Above the table five harpies fly off with a tattered cloth inscribed 'Map of Ireland'. They are intended for the Directors, three having belts inscribed 'Tallien' (not a Director), 'Barras', and 'Le Paux'. On the table is a paper, 'United Irishmen'. The Irishmen make gestures of terror or despair. Most look at the picture, one looks upwards, saying: "Poor Erin How thourt torn to pieces by these five Harpies." A fugitive looks round to say "What your own A. O Connor too!" A lawyer (? Curran): "So much for Republicani[sm] and glorious Independence! No Money! No Lawyer." A monk: "By St Patrick a complete Catholic Emancipation." Three others say: "I now howl in Vain - We are all gone to Pot"; "Brother John [Bull] would not have treated us so -" ; "My Merits with the Republic should have saved me, but I find we must all stew together" [he is perhaps Grattan]; "A Radical Reform by Jasus". Beside the last speaker, a ragged peasant, lies a bundle of pikes, &c.
Description:
Plate from: The Anti-Jacobin review and magazine. London, 1799, v. 2, page 233, Printmaker from British Museum catalogue., Temporary local subject terms: United Irishmen -- Maps: map of Ireland torn by demons -- Reference to the French Revolution -- Allusion to the Directory -- Allusion to anarchy -- Pictures: le tableau parlant., and Title etched below image.
Publisher:
T. Whittle, Peterborough Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barras, Paul,--vicomte de,--1755-1829--Caricatures and cartoons., Harvey, Francis--Ownership., Laurie & Whittle, publisher., and Tallien, Jean-Lambert,--1767-1820--Caricatures and cartoons.
"Pl. to the 'Anti-Jacobin Review' (issued separately). Grattan (right) has risen from his arm-chair to greet with outstretched hands two young men whom a servant (left), with a knowing gesture, has just shown into his library. One introduces the other: "Mr Grattan give me leave to introduce Mr Jn° H--gh--'s"; Grattan says: "I suppose Sir you are an United Irishman"; Hughes answers: "I am". A bust of 'Le Paus' (see BMSat 9240) on a high pedestal on the extreme right looks down cynically at Grattan. On the wall behind him are portraits of 'Lord Fitzgerald' (see BMSat 9227), 'Tom Paine' (a mere scrawl), and 'Robespier[re]', with a placard: 'New Irish Government Liberty and Equality to be introduced by our worthy & disinterested Allies the French'. The other two walls are lined with bulky volumes: 'Towers Tracts' (see BMSat 7890); 'Republic'; 'Wakefield' (see BMSat 9371); 'Parr' (see BMSat 9430); 'The Press' (see BMSat 9186, &c); 'The Courier' (see BMSat 9194, &c); 'Christie'; 'Molineux'; 'Pain's Works' (see BMSat 8137, &c); 'Critical Review' (see BMSat 9240); 'Mc Niven'; 'Priestly Works' (see BMSat 7887); 'O'Connor' (see BMSat 9245, &c.) On the writing-table are documents: 'Constitution of United Irishmen' and 'Copy of the [illegible word] of ye Test of Oath'. On the floor at Grattan's feet is a sheaf of pikes with papers: 'Contract for Pikes'; 'Plan for the destruction of both Houses of Parlaiment Bank & . . by Tone'; 'Dispatches from the French Conventi[on]'; 'List of united Irishmen in London Hamburg . . .'; a portfolio: 'Charts of the Irish Coast with remarks where foreign troops may be landed with great safety'; two large books: 'Art of Assassination' and 'Rise and Progress of Jacobinism'."--British Museum online catalogue.
Description:
Plate from: The Anti-Jacobin Review and Magazine, or, Monthly Politique and Literary Censor. London, 1799, issued separately., Printmaker from British Museum catalogue., Temporary local subject terms: United Irishmen -- Tinnehinch estate -- Interiors: private library -- Writing materials: inkstand and quills -- Furniture: slip-covered armchair -- Domestic service: manservant -- Pictures amplifying subject: portraits of Robespierre and Fitzgerald -- Placards -- Busts -- Allusion to jacobinism -- John Hughes., and Title etched below image.
Publisher:
T. Whittle, Peterboro' Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzgerald, Edward,--Lord,--1763-1798--Caricatures and cartoons., Grattan, Henry,--1746-1820--Caricatures and cartoons., Harvey, Francis--Ownership., La Revellière-Lépeaux, Louis-Marie de,--1753-1824--Caricatures and cartoons., Laurie & Whittle, publisher., and Robespierre, Maximilien,--1758-1794--Caricatures and cartoons.
Eight horizontal strips depicting various fencing positions, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Twelve lines of text etched to the left of title, and eleven lines of text etched to the right of the title.
Publisher:
Mr. H. Angelo
Subject (Name):
Angelo, Henry, 1756-1835, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title and series number etched below image.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., One line of text within design: This horse is certainly an astronomer! ..., Series title and number etched above image., Temporary local subject terms: Male dress: riding habit., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within design: This is the sort for mending the roads ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: This is what I call travelling to music! ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: This is certainly a very devout animal ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: What are you poking your nose here about ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: This is the finest horse in the world for a calculator ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Male dress: riding habit -- Yokels., Title etched below image., and Two lines of text within image: That's for comtempt in court you scoundril ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: This I presume is by way or proving to a certainty ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: If thee tak'st it into thy head to stand still every five minutes ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: Here's grace and elegance-these are the pleasing effects ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Date appears before publication statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: Here's your acres roods and perches! ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Duck Alley., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Insurance companies., Offices., Stock exchanges., and Stockbrokers.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: If you must be at your vaulting vagaries ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A man with a prodigious paunch standing squarely in the centre of the design with an expression of uncomplicated joy, legs and arms wide apart and his removed tricorne and wig in his raised hands."--British Museum online catalogue.
Alternative Title:
City fluctuations! ; sketch 3
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A stout, bewigged and bespectacled man seated in an armchair in profile to left, looking with set disappointment at a letter in his right hand: 'Sir, I am sorry to inform you your scheme for manuring Land with Old Wigs - will not do. I am Sir yours."--British Museum online catalogue.
Alternative Title:
Comforts of the city! ; sketch 6
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Series title and number etched above image., Temporary local subject terms: Publicans -- Squires -- Interiors: publican's parlor -- Smoking -- Dishes: tankards -- Pictures: Rowlandson's 4 Horse accomplishments prints on wall., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Original of No. 9486A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Series title and number etched above image., Temporary local subject terms: Law: justice -- Law: lawyer -- Writing implements: inkstand and quills., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A lank barber, holding his customer by the nose and negligently slicing at it with his razor, reads from 'The London Gazette' which his victim holds: They write from Amsterdam (cf. BMSat 9412). The enraged customer shouts "Hallohl you Sir - what are you about? are you going to cut my nose off."--British Museum online catalogue.
Alternative Title:
Country characters ; no. 3
Description:
Series title and number etched above image., Temporary local subject terms: Reference to Amsterdam -- Containers: jugs., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher. and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Date from alternate state. See The Lewis Walpole Library, call no. 799.08.30.05., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Taxes: tax collector -- Window tax -- Income tax -- Bird cages -- Pets: cat., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Date from alternate state. See The Lewis Walpole Library, call no. 799.08.30.06., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Squires -- Glass: wine bottle -- Wine glasses., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Two vicars sit at a table in a sitting room; a painting on the wall behind them is labelled "View of the vicarage". One of the men is very fat and wears a night cap; he dozes in an arm chair, his foot on a sleeping dog at his feet, the "Oxford Journal" on the floor having apparently dropped from his hand. The other, a thinner man, pours two generous glasses of port from a full carafe, and observes to his companion "What is life without the enjoyment of a friend".
Alternative Title:
Country characters, no. 7
Description:
Date from alternate state. See The Lewis Walpole Library, call no. 799.09.10.01., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Date from alternate state. See The Lewis Walpole Library, call no. 799.09.10.02., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Date from alternate state. See The Lewis Walpole Library, call no. 799.09.10.03., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Excisemen -- Barrels -- Writing implements: tax collector's ink bottle., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"The steward, in night-cap and slippers, sits (left) in his office, looking up with stern suspicion at a yokel in a long smock who scratches his head, saying, "Donna look so Glum your Honor - I would pay my Rent un I could but consider what a Nation bad hay time it has been." A 'Survey of the Estate', books (List of 'Tenan[ts]') are on the wall; writing-materials on a small table, on which is a 'Rental'."--British Museum online catalogue description of alternate state.
Alternative Title:
Country characters ; no. 10
Description:
Date based on alternate state. See The Lewis Walpole Library, call no. 799.09.10.04., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Suvorov, bald and with heavy eyebrows and moustache, caricatured as in BM Satires 9390, standing at left before his mirror, on the upper part of the frame of which is written 'Not used these forty years'; he looks at his reflection, his head in profile and striking an attitude with his left hand to his shoulder; wearing skin-tight costume with pointed boots and a thick, hairy garment worn over his shoulders; plumed helmet and cylindrical case on a stool in front of the mirror at right."--British Museum online catalogue.
Alternative Title:
Suwarrow and his looring glass!
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Two lines of text etched below title: Since I have crept in favour with myself ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Cribbage -- Furniture: card table -- Ladder-back chairs., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.