"Mrs. Clarke stands behind the bar of the House of Commons holding up a flower-pot-shaped vessel (the pan of a commode) inscribed Opposition Stink Box. In her right hand she holds up its lid: Cover of Infamy. From this 'box' issue flames, smoke, and fanged serpents which dart towards and obscure the Royal Arms above the Speaker's chair. The House is seen from the left so that only a corner of the front bench is visible on the Ministerial side of the House, while the Opposition benches with a corner of the gallery above form the greater part of the background (right). Members of the Government hold their noses in disgust while the Opposition listen with avid delight, and the back-benchers wave their hats ecstatically. Only three Ministerialists are characterized: (left to right) Castlereagh, wearing a cocked hat, Canning, Perceval. On the right the four in the front rows to the right of Mrs. Clarke and closest to her are Petty, clasping his hat, Whitbread and Burdett behind him, and (behind Whitbread) Sheridan. Wilberforce (?) stands, waving his hat, Windham is in the second row. The serpents issuing from the 'box' are Calumny, Lies, Ingratitude, Deceit, Revenge, Forgery, Perjury. The commode (left) stands open, cylindrical and ornate, inscribed: Broad Bottom Reservoir. Round it bundles of documents are heaped: Forged Letters & Forged Answers from the Duke; Forged Orders; Forged Appointments; Scheme to destroy the House of Brunswick [see No. 11234]; Commissions & Appointments for Sale to the best Bidder, Agents to conduct the Sale--Frome, Sanden, Dowler, Kennet, Donnovan, Corri; Love Letters from Mr Waddle [Wardle], Mr Finnerty, Gen Clamering [Clavering], Mr Maltby, Major Hogan; Private Communications from his Excell. The Morrocco Ambassador; Prices of Commissions in the Army, A Clarke Secy; List of Mrs Clarkes Pension[s] £1000 . . . Mrs. Clarke's dress is approximately correct (cf. No. 11225), but her (white) hat is coloured blue, the length of the veil is exaggerated; her (profile) features are made coarser and bolder, and a patch (signifying disreputability) is added to her cheek."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Whitbread, Samuel,--1764-1815--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"Sheridan (left) and the Duke of Norfolk, bloated and senile, stagger tipsily on the pavement of St. James's Street, walking from the door of 'Brooks's' (right) which they have just left. Lamps light the façade of the club, part of which is visible with three (lighted) windows on the first floor. Sheridan holds the Duke's right arm, and raises his right fist in a rhetorical gesture, saying, "And now, have at the Ministry, Damme!"; in his pocket are papers: 'Motions for to Badger Ministry'. The Duke says: "and Now for the Majesty of the People!" From his coat-pocket projects a bottle of 'Port'."--British Museum online catalogue.
Description:
Text below title, in lower right: Three o'clock & a cloudy morning. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
One print in a series of views in Oxford and Cambridge. See Grego. and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Cambridge--Pictorial works.
Subject (Topic):
Universities and colleges--England--Cambridge--Pictorial works.
Attribution to Rowlandson from description by Grego of other prints in the series., Probably part a series of views in Oxford and Cambridge. See: Grego, J. Rowlandson the caricaturist, v. 2, page 184., and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Oxford--Pictorial works.
Subject (Topic):
Universities and colleges--England--Oxford--Pictorial works.
"Ten figures arranged in two rows, each with a caption. 'A Modest Woman of Quality': a lady stands holding a fan, directed to the right and looking to the left. 'A Primitive Bishop': a plainly dressed and ugly parson stands in profile to the right. 'A Real Maid of Five and Thirty': a woman walks in profile to the left, with a veil over hair and forehead, looking down and holding a half-closed fan before her face. 'An Exciseman with a Conscience' stands with his hands plunged in his breeches pocket, book under one arm, ink-bottle with pen fastened to his coat, a second pen behind his ear. An 'Author with a second suit of Cloaths' capers delightedly, apparently admiring his tasselled Hessian boots. 'A Great Man of Common Sense' is a handsome young man wearing a military coat with clocked stockings and pumps standing in profile to the right. 'A Woman who has continued three Months a Widow!' She looks alluringly through the meshes of a veil which partly covers her face; her dress is décolletée, and her pose inviting. 'A Theatrical Hero of Modesty and oeconomy': a good-looking young man bows, hat in hand. 'A Complete Honest Attorney' stands with head turned in profile to the right. 'A Man of Talents, Wit and Learning--possess'd of a Thousand a Year': a stout middle-aged man with a handsome profile stands holding out a bunch of papers inscribed '300', '200', '300', 10[0]."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 162., Date of publication based on earlier state with the complete imprint "London, Pubd. Augst. 1st, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "278" in upper right corner., Reissue; former plate number "102" has been replaced with a new number, and year has been burnished from imprint statement leaving a gap between "London, Pubd. Augst. 1st." and "by Thos. Tegg, No. 111 Cheapside.", and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"An oddly drawn lion (right) with the head of the Duke of York, wearing cocked hat, stock, and gorget, crouches away from the heels of two kicking asses (left) with human heads, asses' ears, and collars engraved What a Cur it is.-and Every Man has his Price. A third ass (right), without a collar, looks benevolently down at the lion, saying -P'shaw- P'Shaw- dont be afraid I shall not kick you may depend upon it-you may be of service to me hereafter. Below the title: "When the Royal Beast, was sick to death-and unable to defend himself, the minor beasts he had injured came to revile him with their / "Wrongs-but when the dull Asses came to fling their heels at him, the Royal Animal exclaimed-" Injuries from / "others I can bear with resignation but to bear insult from such vile animals as Asses is to die and [sic] hundred / "Deaths. Vide-Mr Waithmans Speech at the common Hall."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Waithman, Robert,--1764-1833.
"An irregular pyramidal erection is based on a solid block of stone, inscribed: The Foundation York Folly! On this rests a damaged block of similar shape more dilapidated and rather smaller: Crackd Portland Stone [see British Museum Satires No. 10716]. Above, slightly smaller but smoother and more rectangular, is Folk-stone of the First Quality. On this stand (left to right) a barrel of Whitbreads Intire [see British Museum Satires No. 10421], a large decanter of Burdetts Stingo, and a slightly smaller one of Wardlles British Spirit. They support a slab of Romilly Free Stone. On this rest two balls or bubbles; in each sits a man gloomily contemplating a writing-table, one a civilian, Sandon, the other an officer, Clavering. On these rests a slab inscribed Sandon & Claverings Dumps which supports the apex of the monument, a pyramid: Mrs Clarks Pyramid. From behind the base project (left) a mitre and crosier (see British Museum Satires No. 10227), with a paper: The New Morality [the title deriving from Canning's poem, see British Museum Satires No. 9240]; and (right) the Duke's cocked hat and sword, with papers inscribed My Darling and Love Letters [see British Museum Satires No. 10228, &c.]. There is a background of cloud."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1846, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833.
"An elderly parson (right) capers wildly, arms outstretched, wig flying off, his hat on the floor. On the left a comely wife and two boys watch him with astonishment. They sit by a table on which are wine and fruit. She says: "Why my Dear-you are quite frantic, what is the matter with you". He answers: "Frantic-I believe I am,-I have been preaching before Royalty, our Fortunes are made,-such a Sermon-neat text-quarter of an hours discourse-appropriate prayer at the conclusion,-O, to see them cry, it would have melted an heart of Stone,-Oh bless that Mrs Clarke I shall never forget her"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York (left), in uniform, wearing cocked hat, gorget, and sword, runs towards John Bull (right), a stolid yokel in a smock. He says: "Good-Bye Johny-I am going to resign-but dont take it so much to heart, perhaps I may soon come back again". John, who stands hat in hand, holds a handkerchief to his eye, to conceal a smile. He looks down, saying, "O Dunna-dunna go-it will break my heart to part with you-you be such a despirate Moral Character!!""--British Museum online catalogue.
Alternative Title:
John Bull over-whelmd. with grief, John Bull overwhelmed with grief, and Resignation, or, John Bull overwhelmed with grief
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.