"The Duke of York, in regimentals, his hat and sword beside him, kneels with clasped hands before the vast head of a whale, which projects into the design from the right, and rests on a low wooden platform. He says: "O Mighty Monster of the Deep, continue to attract the attention of John Bull, bend his mind solely towards thee, for in that is my only hope-fascinated by thy powerful attractions he may perhaps forget the honour of a P------e."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A doctor (left), grotesquely obese, stands in profile regarding with a satisfied smile his dead or dying patient, who leans back in an arm-chair with closed eyes. The patient, old and emaciated, wears night-cap and dressing-gown over breeches and stockings. Behind him are the curtains of his bed (right). At his side is a round table with a bowl, medicine-bottle, and a paper: 'Prescriptions, Bolus, Blisters'. On the ledge of a casement window is a close array of medicine-bottles. The doctor says: "My Dear Sir you look this Morning the Picture of health I have no doubt at my next visit I shall find you intirely cured of all your earthly infirmitys." He wears old-fashioned dress, with tricorne hat and gold-headed cane. A fat woman stands in the doorway (left), her hands clasped."--British Museum online catalogue, description of a later state.
Alternative Title:
A going! A going!!!
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 267., Early state, with intact imprint statement and variant plate numbering. For a later state with beginning of imprint removed from plate and with number "291" etched in upper right, see no. 12152 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "95" in upper left corner., and Title etched below image.
"A very fat man, broadly caricatured, with a gouty leg, sits full face in an arm-chair, staring with open mouth and goggling eyes. Above his head: 'Who the Devil do you stare at? Get along about your Business'. He wears a night-cap, a handkerchief round his neck, a loose coat over shirt. At his left hand is the corner of a table with a decanter of 'Madeira' and a glass."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Companion print to: A lump of innocence., Plate numbered "143" in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A fat, middle-aged, and meretricious-looking woman sits full face with a full glass in her hand, eyelids lowered, the fingers of her left hand spread deprecatingly. Beside her is a bottle of 'Coniac Brandy'. Above her head: 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!' Large red stones or beads form a double necklace and bracelets, and ornament a fillet in her hair and her short sleeves."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Companion print to: A lump of impertinence!, Publisher and date of publication from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London,
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue.
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "173" in upper right corner., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Sheridan, Richard Brinsley,--1751-1816., Tegg, Thomas, 1776-1846, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Mrs. Clarke kneels on one knee in profile to the left, extending her arms towards a sacrificial pile of burning books, and looking up at an irradiated sun containing a profile bust portrait of the Duke of York. The books are on a rectangular altar, 'The Alter of Repentance', with classical mouldings, the corners being satyrs' heads. The books are inscribed 'Life of Mrs Clarke' and 'Memoirs'; with them are burning papers inscribed 'Love'; 'Darling'; 'Love Letter'. A mass of flame ascends to merge with the rays from the sun, from which the Duke looks down benevolently at Mrs. Clarke; she says, "Thus perish all that gives my Darling pain". She wears feathers and drapery in her hair."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York, in a pilgrim's gown, wearing a mitre and with a crosier for his staff, approaches the corner of a house where two women, Mrs. Clarke and Miss Taylor, look eagerly from an open window. Behind him his path, 'Road to destruction', leads down from a country house in trees, Oatlands. Beside the path is a stone: 'Stumbling Block'. Near the house the Duchess of York kneels imploringly, raising her arms towards the distant Duke. Behind her is one of her many pet dogs (see British Museum Satires No. 11023). The Duke tramples on two open books: 'Thoughts on Connubial Happiness' and 'Thou shalt not commit Adultery'. He says: "Now for a meeting with my Dearest Dear". On the house many bills are posted: 'Man Traps are placed every Night in these grounds'; 'Diamonds by Mrs Clarke Lapidary to his Highness'; 'This evening will be performed Duke and No Duke [by Tate, 1685] By his Majesties Servts . . .'; 'Agency Office business transacted on moderate Terms'; 'Leakes Pills by appoint. . Taylor'; 'Suppression of vice'; 'To all-Journeymen Taylors wanted'."--British Museum online catalogue.
Alternative Title:
Bishop in an extacy and Pilgrimage from Surrey to Gloucester Place, or, The bishop in an extacy
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Oatlands Country house -- Mrs. Clarke., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Price one shilling couloured [sic].", Design consists of eight figures arranged in two horizontal rows, each figure having a caption etched above., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "105" in upper left corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Markwell, M. Advice to sportsmen, rural or metropolitan, noviciates or grown persons ... London : Thomas Tegg, 1809., Publisher and date of publication from those of the volume in which the plate was issued., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A parson, just arrived at an inn, a grosser Dr. Syntax (see British Museum Satires No. 11507), makes advances to a comely and willing chambermaid, who holds warming-pan, lighted candle, and saddle-bags, and is conducting him to his room. They are at the foot of the staircase. A young military officer on the stairs tipsily directs a stream towards the parson's hat. On the wall behind the latter: 'Fountain Inn-Entertainment for Man and Horse Gentlemen supplied with Fishing Tackle &c &c'. Behind his back (right) an elderly man in a night-shirt looks angrily from a room, holding a lighted candle. In the foreground (right) is a clutter of chamber-pots, bucket, mop, boot-jack, &c."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue. Grego suggests a date of 1807., Four lines of quoted verse below title: "Who'er has travell'd life's dull round, through all its various paths hath been, must oft have wondered to have found, his warmest welcome at an inn., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "148" in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Johnstone, Henry Arthur--Ownership.
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "208" in upper right corner., Probably a reissue; first half of imprint statement has been burnished from plate., Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Two designs on one plate. Above, the Duke of York sits, pen in hand, writing a love-letter, but turns from his table to declaim towards the window (right): To morrow I inspect my regiment--and then for my Dearest--Dearest--Dearest--Love. A negro servant (left) wearing a jewelled turban regards him with dismay: Bless my Massa what be de matter with him--him in love I fear--Sambo once be in love with bad Woman but him repent. On table and floor are papers inscribed: O Love is the cause of my Folly, My Amiable Girl; My Dearest Dear I hope to be in your Arms; Love Letters. Below, an elderly military officer without sword or gorget, scowls through an eye-glass at a pert boy (right) in uniform with sword and gorget. He says: Can I believe my eyes, why this is the little foot boy--who waited on us at the house of a Lady of a certain description. The boy (Carter) answers, hands on hips, I beg Sir you will not come for to go, to affront a gemmen--."--British Museum online catalogue.
Alternative Title:
An unexpected meeting. and Scene at Weymouth
Description:
Artist identified as Woodward in the British Museum online catalogue., Plate numbered "69" in upper right corner., Printmaker from British Museum catalogue., Temporary local subject terms: Eye glass -- Blacks., and Title for upper design etched above image; title for lower design etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"George III stands on a low rectangular platform placed upon a boarded floor and is approached from all sides by applicants for office. He is in back view, but turns his head in profile to the left, to inspect a group through his spy-glass, saying: Well Gentlemen,--I have taken a peep at you all: but I am afraid that you won't do--for some of you are too Heavy & Broad-Bottom'd for Service; & the rest seem to have no Bottom at all.--So Gentlemen, I think I shall he content with my Old Servants. In the front row (left), bowing low, are three Grenvilles, the Broad-Bottoms par excellence (see No. 10530): Grenville, holding a gold-laced coachman's hat and long whip, says: Does your Honor want a steady Broad-Bottom'd Coachman to drive you; in bowing he has split his tight breeches. His nephew Temple is next him, then the spectacled Buckingham who says: We'll do any Thing; his son (Temple) adds and in any Way! [cf. No. 10721]. Close behind is the emaciated Sidmouth, hat in hand and holding out a bottle labelled Cathartic; he says: Pray your Honor remember Doctor Slop! your Old Apothecary, who Physick'd the French! [see No. 9849]. Next him and nearer the spectator stands Whitbread, dressed as a porter, and mopping his head. His porter's knot is on the ground, inscribed: Saml Froth his Knot--Carries any Weight in any Weather. He supports against his knees a huge rectangular pile of Motions to be brought in the House of Commons. These are inscribed: Motion against Royal Family [cf. No. 11234]; Motion against the Ministry; against the War; against y Judges; against the Church; against Magna Charta; Motion against. He says: If his Honor wants an Honest Porter, I'm his Man! Behind him and on the extreme left Lord Henry Petty capers to a dancing-master's kit which he plays with his fingers; he asks: Does his Honor want a Fidler to play a Jig [see No, 10589]. Behind Petty and Whitbread are two men dressed as chairmen with straps across the shoulder: one is Grattan; the other (?) Ponsonby, asks: Does his Honor want a pair of Irish Chairmen to carry his Honor clean through the Mud? Behind these and in the doorway (left) is a group of three: Cobbett, holding up his hat and a sheaf of Cobbett Political Register, says: Does his Honor want a Patriotic Reformer? Burdett asks: Does his Honor want a Partner in Business!--ask him Townsend. Townsend, the Bow Street officer, holding up his constable's staff, faces the group, saying sternly: Out with you & be damn'd; from the back of his head a label floats towards the Grenvilles: Take care of your Pockets--Gentlemen Broad bottoms. Horne Tooke says: I'm not Bill Soanes [see No. 10708]. ..."--British Museum online catalogue.
Alternative Title:
Old English gentleman pestered by servants wanting places
Description:
Title etched at bottom of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Grattan, Henry,--1746-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., Portland, William Henry Cavendish-Bentinck,--Duke of,--1738-1809--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Whitbread, Samuel,--1764-1815--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Alternative Title:
Caleb Quizem, Esqr., How to vault from the saddle., and The true method of sitting on a horse mathematically delineated.
Description:
Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., Printmaker from British Museum catalogue., and Title from text heading vignette in left panel.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1846, publisher.
"A preacher in a bulky gown almost fills an hexagonal pulpit, in which he stands full face, the right hand raised in exhortation, left on a book which rests on the tasselled cushion. His face is repulsively sub-human, with broad flattened nose, scowling forehead, eyes slanting up from the nose, long upper lip and wide curved mouth, with short hair and whiskers, and suggests an embodiment of evil. The head is ironically irradiated by the fan-shaped carving at the back of the pulpit from which winged heads look down at the preacher. At the base of the design and obscuring the lower part of the pulpit is a cloud radiating flashes of lightning."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Text below title: "For the Devil could quote scripture, he was up to that." Extract verbat. et literat., and Title etched at bottom of image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue.
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Adam, William,--1751-1839--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Croker, John Wilson,--1780-1857--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"Counsellor Clifford, realistically drawn, stands in profile to the left, his feet together, holding behind his back a flaming fire-brand, emitting thick clouds of smoke. He wears a hat, and has a sinister expression--a sly grimace with a hint of smile. His long, drink-blotched nose, projecting forehead and underlip are conspicuous. He stands on the cobblestones outside the east front of the new theatre, which forms a background, and is on fire. The façade is still intact but vast masses of flame and smoke rise from within, lighting up the windows. In the foreground lie three bottles, all labelled 'Brandy', and a paper: 'Clifford versus Brandon--Verdict by Blunder £5'. ..."--British Museum online catalogue.
Description:
Six lines of verse below title: In the sketch above we find, the face an index of the mind, but this face and body are, by nature destin'd for the bar, if in his proper sphere he'd shine, we recommend th' Old Bailey-line! and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue.
Alternative Title:
Disappointed epicures and Dissapointed epicures
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "27" in upper right corner., Publisher from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An obese old doctor sits between Mrs Clarke and a thin elderly officer (right), chapeau-bras, sitting grotesquely expectant on the edge of his Easy Chair. The doctor puts a money-bag inscribed 800 into the dress which Mrs. Clarke holds up to receive it, pointing to the officer, one Captain Tuck. From his pocket hangs a paper Doctor Doneover [Donovan] Agent to Old Nick-Deanery 2000, Commissary 1000, Majority 800 Mrs. Clarke (left) sits in a Ricketty Chair; its seat is Morocco Bottom [an allusion to Taylor, see No. 11218]; under her feet are three papers: My admirable angel My Dear dear pretty little darling; My Love my Life I cannot exist without you; Gazzette. She is one of Rowlandson's pretty meretricious women, and does not resemble Mrs. Clarke. Behind her is a curtained bed, its head inscribed Boudoir; above this hangs a bust profile portrait of Fredirick 2 beneath which a paper is pinned up: List of Candidates for Promotion Sums offered Clav . . . [Clavering, see No. 11247] 2000, Dow. [Dowler, see No 11253]-800, OM [O'Meara, see No. 11258] 300 .. . 200. Beside the bed is an ornate table with decanters and glass, and a paper: Rogues all sing tanta-ra-ra-Blood an Thunder when Whore and Rogue are rent asunder. On the floor is a book, Mrs Clarks Ledger, on which are papers spiked on a file: Promotions paid for. Two quotations from Gay's 'Beggars Opera' complete the design. Above the doctor's head, on a large scroll, are eight lines beginning:"Tis Woman that seduces all mankind, Under Tuck's chair is a paper: If you mention vice or bribe, Tis so pat to all the tribe-each cries that was levelled at me."--British Museum online catalogue.
Alternative Title:
Industrious Mrs. Clarke winding up her accounts
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An elderly parson (right) capers wildly, arms outstretched, wig flying off, his hat on the floor. On the left a comely wife and two boys watch him with astonishment. They sit by a table on which are wine and fruit. She says: "Why my Dear-you are quite frantic, what is the matter with you". He answers: "Frantic-I believe I am,-I have been preaching before Royalty, our Fortunes are made,-such a Sermon-neat text-quarter of an hours discourse-appropriate prayer at the conclusion,-O, to see them cry, it would have melted an heart of Stone,-Oh bless that Mrs Clarke I shall never forget her"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Hopwood, James, approximately 1752-1819, printmaker.
Call Number:
Auchincloss Rowlandson v. 10
Image Count:
1
Abstract:
"Portrait of Dr. O'Meara, half-length, in profile to the left, one hand resting on a book, dressed in an academic gown with bands at his neck and a powdered bobwig on his head, the interior of a church behind."--British Museum online catalogue.
Alternative Title:
Dr. O'Meara
Description:
Plate from: The investigation of the charges brought against His Royal Highness the Duke of York. London: J. Stratford, 1809. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A rich farmer's parlour or drawing-room, with curtains drawn over two high windows (right). Betty, plump and bucolic, wearing a high-waisted dress with short sleeves, sits at a square piano (left), in profile to the left, laboriously playing and singing, her eyes on the music: 'Bluebells of Scotland Sung by Mrs Jordan. O Where & O Where is my Highland Laddie gone'. The farmer and his wife stand by the piano, gaping in delighted admiration; they are stout, good-humoured, and plainly dressed. A younger girl, slimmer and less rustic, stands by the piano (left), singing; she holds up a fan. Under the piano is a book: 'Songs of Catalani'. Three elderly ladies sit at a card-table (right), on which are spread drawings or embroidery by 'B. Giles'. One sleeps, two gossip with spiteful zest. A son of the house sits primly with his back to the windows, in profile to the left, his hands folded, ill at ease in frilled shirt, and powdered hair. A small foot-boy enters from the right with a decanter and glasses on a salver and a cake-basket on his arm, the cakes falling out. A spaniel sits dejectedly in the foreground. The room is lit by two pairs of candles in sconces, two candles on the piano, and one on the table. The chairs are of modern shape, with stuffed backs and ormolu ornament. Above the chimney-piece is a heavily framed sampler with two alphabets, figures from 1 to 12, 'Evil communications Corrupt good Manners', and a design of two birds flanking two hearts pierced with arrows, inscribed: 'Betty Giles aged 16. 1808. Cheese Hall'. Over the piano in an oval frame is a view of 'Cheese-Farm': the corner of a house next a small thatched cottage and two haystacks. A gigantic horse looks over the cottage roof, and in the foreground a woman milks a large cow, beside which are two geese and a cock larger than the woman."--British Museum online catalogue.
Alternative Title:
Farmer Giles and his wife shewing off their daughter Betty to their neighbours on her return from school
Description:
Artist questionably identified as Col. Braddyll in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lord Chatham (left) flies across the Channel towards the English coast on a wooden horse, mule, or ass with feathered wings. Two little puppets labelled 'Dutch Dolls' are placed before him on his saddle. From two ends of a rope passing across the animal's back fly out (left) five dismantled ships inscribed 'Castles in the Air Wooden Ones', and (right) three large labels inscribed respectively: 'Walcheren Beveland'; 'Plan and Fortifications of Flushing'; 'Loss in Killed & Wounded Sick List'. The animal emits a blast from its rump inscribed 'Rockets Devil take the hindmost'. Chatham, with drawn sword, blandly addresses John Bull and his wife who stand on the shore (right) looking up at him: "Here I am my Dear Johnny escaped from Fire, Water, Plague, Pestilence & Famine My Fireworks have given general Satisfaction abroad-I must now Couch on a bed of Roses [see British Museum Satires No. 10558, &c]- and hope when I awake to be rewarded with a Pension and Dukedom for brilliant Services". John, a fat 'cit', holding out a cudgel and clenching his fist, says: "General Cheathem flying back as I foretold garnish'd with dross and Dutch Metal Where is the Ten Million of British Bullion you Scarecrow-the Sinking Fund suits your talents better than Sinking of Ships". His fat wife, holding up a little parasol, exclaims: "Lord Mr Bull what a Man of Mettle it is". Sailing towards land is a small vessel, a sail inscribed 'Commodore Cur-Tis'; the only occupant is Curtis, waving his hat and shouting: "A New Contract for Mouldy Buisciuts-Expeditions for ever Huzza". On the horizon (left) land is indicated, with buildings and a flag; above are the words 'Mortality at Flushing'."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Plate numbered "108" in upper left corner., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Chatham, John Pitt,--Earl of,--1756-1835--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue, description of later state.
Alternative Title:
One too many
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 267., Early state, with intact imprint statement and variant plate numbering. For a later state with beginning of imprint removed from plate and with number "292" etched in upper right, see no. 12153 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "95" in upper left corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Newton, Richard, 1777-1798, artist., and Tegg, Thomas, 1776-1845, publisher.
One print in a series of views in Oxford and Cambridge. See Grego. and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Cambridge--Pictorial works.
Subject (Topic):
Universities and colleges--England--Cambridge--Pictorial works.
"Simple-minded people gaze up at placards inviting subscriptions to unsound companies. A high wall runs from a house partly visible on the extreme left, to the street corner, enclosing a large building placarded Hospital for Incurables Supported by Voluntary Subscribers [i.e. for victims of speculation mania]. On the right are old-fashioned houses, one of which is alined with a church, the scene suggesting one of the older parts of the City of London with seventeenth-century houses. The high wall on the left is covered with large bills at which the gullible are gazing: [1] Doctors Company--Capital One Million divided into Shares at -- Pr Share--the Advantages incalculable No Charge for Emetics opening draughts Injections &c-- [signed] Sam Sexton Clerk, [2] Patent Coffins provided on the shortest notice --No Surgeons Admitted--. [3] Genuine Milk Company free from Chalk Poison Water &--. [4] Company of Menders--Open to both Sxes in shares at--pr Share. None to be Admitted but who can give undeniable proofs of mending either their wives or Husbands Neighbours or Friends and lastly but most particularly Themselves. [5] Company of Scavengers Nightman [sic] and all imposters to be sent to the House of Correction. [6] Company of White Washers NB No Lawyers admitted [cf. British Museum Satires Nos. 11269, 11272]. [7] More Advantages-- A New Cabbage and Potatoe Compy Warrented Genuine No cooking required saves time and trouble 5s each Share. [8] Match and Tinder Compy Capital 2 Millions five farthings each Share. [9] Blacking Company. On the opposite side of the wide irregular street is a low-grade barber's shop, with the barber shaving a customer in the doorway. Outside the door his dwarfish assistant sharpens a razor on a grindstone. Above the door is a large tilted board: Tim, Slashem Barber and Perriwig Maker--begs leave to inform the patronizers of Merit--that he means to form a New Company of Mowers of Beards having discovered a New Machine to Shave 60 men in a minute, to comb oil and powder their wigs in the Bargain. NB. Bleeding and Teeth drawn gratis. The striped pole slants forward above the board. At a casement window under the roof a woman is washing; a cat prowls on the tiles. This is a corner-house, its (invisible) side facing Bubble Alley, where the corner-house has a large placard: Peter Puff--Manufacturer of Deal Boards--without Knots from genuine Saw dust &c. At right angles to this is a narrow street receding towards the church. On this are more bills and a projecting lantern: Subscri[bers or ptions] taken in here. Spectators gaze at the bills in the foreground, middle distance, and background. On the left a fat 'cit' and his taller and more fashionable wife walk purposefully; she dangles a reticule, his hand is deep in a pocket, they are clearly deluded subscribers. A yokel and his wife gaze up at the 'Milk Company' advertisement. On the right a countryman on horseback followed by his dog stares up at the barber's notice, as does a bearded Jew carrying a sack (of old clothes)."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Also issued separately., Date of publication from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "174" in upper right corner., Temporary local subject terms: Churches - Jewish people -- Male costumes -- Female costumes -- Incurables Hospital., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Barbershops, Churches, Jews.--depicted, and Posting signs & notices.
"Scene at the door of a Portsmouth brothel, a corner-house. A handsome young prostitute, elaborately dressed, with curls, feathered hat, and fluttering sash, walks from it, gazing straight before her. Behind her is a fat and hideous bawd, hands on hips, who watches her with calculating malevolence. The bawd wears a watch and seals dangling from her waist; behind her is a doorway inscribed 'Hotel', with an oil-lamp (as in British Museum Satires No. 11454) projecting from the door-post; a bell-pull is inscribed 'Ring the Bell'. Just within the door is a dark lobby lit by a lamp hanging from the ceiling and leading to a second (closed) door in which there is a small grille or judas. On the wall of the house is the inscription 'Portsmouth Dock', and three bills: 'From the Country an Assortment of Fresh Ware'; 'A Tragedy in Rehearsal'; 'Leakes Genuine Pills'. In the background is a humbler establishment, with irregular gabled roof and a porch inscribed 'Lodgings'. A sailor stands looking up at a woman who leans from the window with outstretched arms. Flames and smoke belch from the chimney. Behind it are masts and sails."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 130-1., Date of publication based on earlier state with the complete imprint "Pubd. Febry. 1, 1809, by Thomas Tegg, No. 111 Cheapside." Cf. No. 11461 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "207" in upper right corner., Reissue, with first half of imprint statement burnished from plate., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Newton, Richard, 1777-1798, artist., and Tegg, Thomas, 1776-1845, publisher.
Attribution to Rowlandson from description by Grego of other prints in the series., Probably part a series of views in Oxford and Cambridge. See: Grego, J. Rowlandson the caricaturist, v. 2, page 184., and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Oxford--Pictorial works.
Subject (Topic):
Universities and colleges--England--Oxford--Pictorial works.
"Domestic scene based on Beresford's 'Miseries of Human Life' (1806), illustrating lines which follow the title (partially damaged) of the design: '[getting up] early in a cold gloomy morning, and on running down into the breakfast room for warmth and comfort, finding chairs, ta[ble, shovel, tongues,] poker and fender huddled into the middle of the room. Carpet tossed backward. - floor newly washed, windows wide open. - bee[s wax brush and ru]bber in one corner - brooms, mops and pails in another - and a dingy Drab on her knees before an empty grate -'. A man arrested at the door of a room disarrayed by cleaning, wearing a dressing gown and with a gouty slippered foot, his hands held out warily in front of him, his teeth clenched together and his nose dripping; at left, kneeling in front of the grate, a stout and grotesque maid scrubbing the floor; a bust portrait of a man above the mantelpiece, looking disapprovingly down on the maid; cat and caged bird at far right."--British Museum online catalogue.
Description:
"Price one shilling cold."--Following imprint., Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "257" in upper right corner., Reissue, with altered plate number and with beginning of imprint statement burnished from plate, of a print published 9 October 1807 by Thomas Tegg. Cf. Lewis Walpole Library call no.: 807.10.09.01., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A fat 'cit' on an ill-bred horse leans back in the saddle with legs thrust forward; the angle of his seat is shown by a dotted half-circle above his head on which 90 degrees are marked, above his point of contact with the horse. An absurd dog barks at the horse's heels. In the background two riders are being flung from their horses. Behind them is St. Paul's and adjacent houses. On the right is a windmill. Illustration to an account of a grotesque City subscription hunt, whose rule is never to go out of sight of St. Paul's."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 1
Description:
Date of publication from British Museum catalogue. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Illegible letter or monogram, possibly part of a former publisher's statement, precedes R. Ackermann's name in imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second digit, probably a "3," in day of publication in imprint is lightly printed and barely legible., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Above, Mrs. Clarke stands on a round dais, under a canopy, receiving her clients. These are headed by six military officers; the foremost makes a sweeping bow, cocked hat in hand. Next is a fat parson holding a money-bag inscribed 800; behind is an obese doctor, with three other elderly men. She says to them: Ye Captains and ye Colonels-ye parsons wanting place, Advice I'll give ye gratis and think upon your case, If there is possibility, for you I'll raise the dust, But then you must excuse me-if I serve myself the first. Below, Mrs. Clarke, much décolletée, looks from an open ground-floor window of a London house, to see a fashionably dressed man, Taylor, walking towards her holding a sealed packet. He looks over his shoulder at a yokel with a cudgel, who asks: I say Measter Shoe-maker where be you going in such a woundy hurry? Taylor answers: Dont speak to me fellow you should never pry into State affairs. Mrs. Clarke says: Open the door John here comes the Ambassador Now for the dear delightful Answer. Behind the yokel, evidently John Bull, is his dog. On the right is a house with a door-plate inscribed Mrs Weston."--British Museum online catalogue.
Alternative Title:
Mrs. Clarkes levee, The ambassador of Morocco on a special embassy., and The ambassador of Morrocco on a special embassy.
Description:
Printmaker from British Museum catalogue. and Title of top design from text above image; title of bottom design from text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An elderly man stands in profile to the right outside a building on which are election placards, holding out his (orange-coloured) hat in which is a favour and a ticket inscribed Milton. He is curiously square, round-shouldered, long-waisted, and bandy-legged, wearing riding-dress with spurred top-boots, and a coat reaching nearly to his heels, with a fox embroidered on the collar. On the wall which forms a background is a placard: State of the Poll. Wilberforce 11808, Milton 11.177, Lascelles 10,990. Other placards are Steele Traps [see No. 10743], No Pretender, No Popery [torn] [cf. No. 10709], No Melville No Plunder. [see No. 10377, &c.] No Slavery [see No. 10778] Milton for Ever. From a narrow board inscribed Etridge on the corner of the wall projects a flagstaff supporting a pennant inscribed Saville in large letters."--British Museum online catalogue.
Description:
Artist identified as F. Hawkesworth in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An irregular pyramidal erection is based on a solid block of stone, inscribed: The Foundation York Folly! On this rests a damaged block of similar shape more dilapidated and rather smaller: Crackd Portland Stone [see British Museum Satires No. 10716]. Above, slightly smaller but smoother and more rectangular, is Folk-stone of the First Quality. On this stand (left to right) a barrel of Whitbreads Intire [see British Museum Satires No. 10421], a large decanter of Burdetts Stingo, and a slightly smaller one of Wardlles British Spirit. They support a slab of Romilly Free Stone. On this rest two balls or bubbles; in each sits a man gloomily contemplating a writing-table, one a civilian, Sandon, the other an officer, Clavering. On these rests a slab inscribed Sandon & Claverings Dumps which supports the apex of the monument, a pyramid: Mrs Clarks Pyramid. From behind the base project (left) a mitre and crosier (see British Museum Satires No. 10227), with a paper: The New Morality [the title deriving from Canning's poem, see British Museum Satires No. 9240]; and (right) the Duke's cocked hat and sword, with papers inscribed My Darling and Love Letters [see British Museum Satires No. 10228, &c.]. There is a background of cloud."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1846, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833.
"The Tower of Babel is represented by a vast pile of bundles of documents tied by tricolour ribbon, culminating in the allegations of Mrs. Clarke against the Duke of York. It is being destroyed by the Speaker, Abbot, who swoops down upon it from a cloud with uplifted and irradiated mace, and holding up a long scroll: Justice Triumphant-- Decisions of the Rt Honble The House of Commons--Majority against the Evidence of a Prostitute--Majority against the Machinations of Republicans & Levellers--. The tower totters sideways under blasts from the mouths of Canning, Castlereagh, and (below) Perceval, who lean forward from clouds on the left of the design. Between the two clouds appears part of a curving band, on which is a sign of the Zodiac, the Scales, evenly balanced to show that they are an emblem of Justice (cf. No. 10972). The leaders of the 'Republicans' fall headlong from the tower (right) as it topples, and are also struck down by a copious stream of water from the sky inscribed Royal-Water-Spout. Mrs. Clarke receives its full impact. She is astride the shoulders of Wardle who is falling downwards from the summit. Her large muff (see No. 11225), inscribed Mrs A. Clarke's Old Conjuring Muff, To be sold to the best Bidder, flies from her hand. In her hair are the serpents of Discord. To her belt of Ingratitude is attached a bag of Plunder. Wardle wears regimentals; in his pocket is a paper: Wardle Private Reas[ons]. Just below him Lord Folkestone is falling; he drops Patriotic Harangues by Fid Fad Folkstone and a large bundle of papers inscribed Motions for Kicking up a Row in the House of Commons. In his pocket are papers: Cobbetts Hints. Just below him is Whitbread who has fallen on a (falling) ladder, breaking it in half; he sprawls across the broken fragment, struck down by one of his own barrels, inscribed Barrel of Mischief. Its frothing contents pour over his head, inscribed Quassia [see No. 10574], Cocus Indicus, Opium [see No. 10795]; the falling barrel-head is Whitbreads Entire Butt [see No. 10421]. He drops a paper: Essay upon Political Brewing without Malt or Hops, and an open book: Political Divinity by Sam Froth--The Wicked shall be caught in the work of their own Hands. The ladder which he has broken is the Broad-Bottom Ladder of Ambition [cf. No. 10530]. The vast Lord Temple has broken the lower rungs and lies on his back, his legs in the air, the ladder on top of him. ..."--British Museum online catalogue.
Description:
Three lines of quoted text following title: "And they said, go to, let us build to us a city and a tower, whose top may reach to heavens, and let us make us a name!" ... and Title etched below image.
Subject (Name):
Abbot, Charles,--Baron Colchester,--1757-1829--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., Radnor, William Pleydell-Bouverie,--Earl of,--1779-1869--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.
"Mrs. Clarke stands behind the bar of the House of Commons holding up a flower-pot-shaped vessel (the pan of a commode) inscribed Opposition Stink Box. In her right hand she holds up its lid: Cover of Infamy. From this 'box' issue flames, smoke, and fanged serpents which dart towards and obscure the Royal Arms above the Speaker's chair. The House is seen from the left so that only a corner of the front bench is visible on the Ministerial side of the House, while the Opposition benches with a corner of the gallery above form the greater part of the background (right). Members of the Government hold their noses in disgust while the Opposition listen with avid delight, and the back-benchers wave their hats ecstatically. Only three Ministerialists are characterized: (left to right) Castlereagh, wearing a cocked hat, Canning, Perceval. On the right the four in the front rows to the right of Mrs. Clarke and closest to her are Petty, clasping his hat, Whitbread and Burdett behind him, and (behind Whitbread) Sheridan. Wilberforce (?) stands, waving his hat, Windham is in the second row. The serpents issuing from the 'box' are Calumny, Lies, Ingratitude, Deceit, Revenge, Forgery, Perjury. The commode (left) stands open, cylindrical and ornate, inscribed: Broad Bottom Reservoir. Round it bundles of documents are heaped: Forged Letters & Forged Answers from the Duke; Forged Orders; Forged Appointments; Scheme to destroy the House of Brunswick [see No. 11234]; Commissions & Appointments for Sale to the best Bidder, Agents to conduct the Sale--Frome, Sanden, Dowler, Kennet, Donnovan, Corri; Love Letters from Mr Waddle [Wardle], Mr Finnerty, Gen Clamering [Clavering], Mr Maltby, Major Hogan; Private Communications from his Excell. The Morrocco Ambassador; Prices of Commissions in the Army, A Clarke Secy; List of Mrs Clarkes Pension[s] £1000 . . . Mrs. Clarke's dress is approximately correct (cf. No. 11225), but her (white) hat is coloured blue, the length of the veil is exaggerated; her (profile) features are made coarser and bolder, and a patch (signifying disreputability) is added to her cheek."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Whitbread, Samuel,--1764-1815--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"Sheridan (left) and the Duke of Norfolk, bloated and senile, stagger tipsily on the pavement of St. James's Street, walking from the door of 'Brooks's' (right) which they have just left. Lamps light the façade of the club, part of which is visible with three (lighted) windows on the first floor. Sheridan holds the Duke's right arm, and raises his right fist in a rhetorical gesture, saying, "And now, have at the Ministry, Damme!"; in his pocket are papers: 'Motions for to Badger Ministry'. The Duke says: "and Now for the Majesty of the People!" From his coat-pocket projects a bottle of 'Port'."--British Museum online catalogue.
Description:
Text below title, in lower right: Three o'clock & a cloudy morning. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
"Interior of the Great Room in the Adelphi, during a meeting; a presentation taking place; large paintings cover walls of the room."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 67., Plate numbered in upper right, above image: Plate 71., The Lewis Walpole Library: From the Topographical Prints collection., and Title etched below image.
Publisher:
R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
London (England)--Pictorial works.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bluck, John (Printmaker), printmaker., Harvey, Francis--Ownership., Pugin, Augustus, 1762-1832, artist., and Society for the Encouragement of Arts, Manufactures, and Commerce (Great Britain)
Subject (Topic):
Conference rooms--England--London., Interiors--England--London., and Meetings--England--London.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Text below title, with the heading "Copy of the letter," begins: My Dearest Dear, I received your sweet dear little letter, and with them the leather breeches and blessed be the fair hand that sewed on the buttons ..., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"View of the repository, near Hyde Park Corner, at time of sale; a horse is paraded in front of a row of gentlemen on the right."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 172., Plate numbered in upper right, above image: Plate 83., and Title etched below image.
"The words are framed by a curtain, held back at the sides by 'Mrs Clarke' (left) and 'Colonel Wardle' (right), who stand on low round pedestals, as if flanking a proscenium. Both point to the inscription. The curtain is centred above by a group composed of the Duke's cocked hat and sword, with mitre and crosier (see British Museum Satires No. 11227) on a scale larger than the two figures. On the ground, between the curtains, the space is filled by a large open book: 'Thou shalt not commit Adultery' and by papers inscribed 'Dearest Dear' and 'My Darling.', with inkpot and pen."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Probably the title page to a series of prints., Three lines of text below title: "Out of evil cometh good." Learn to be wise from others harm, and thou shall do full well., Title continues: ... and the circumstances arising from the investigation of the conduct of His Royal Highness the Duke of York before the House of Commons, 1809., and Title from text in center of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
Attributed to Rowlandson by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "80" in upper left corner., Title etched below image., and Two lines of text etched below title: This club in respect to costume differs very little from the Whip Club ...
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York and Wardle in a rowing boat, 'The Clarke Cutter', with Mrs Clarke, barebreasted, as a figurehead, rowing to right on a rough sea, the 'Sea of Disapprobation', tossed by the 'Storm of Public Opinion', from which they are fleeing; the boat is lettered 'Honi soit qui mal y pense' and is stashed with papers, lettered 'Love letters / Mrs. Clarkes Establishment / Cobbetts Hum-bugs / Bills for Furniture'. Behind the figure of Mrs Clarke, a 'Gold Vase' and bags lettered 'Popularity / Votes of thanks'. At right are gathering fish, 'Gudgeons', and perhaps a seal, identified variously as 'Wright / Sandon / Clavering / O Meira [?]'. The duke says, 'Pull on - pull on Mess-mate here is a devil of a storm coming on - little did I think I should row in the same Boat with you.' Wardle replies, 'Would it not be the best way to throw the cargo overboard brother Tug?'"--British Museum online catalogue.
Alternative Title:
Rowing in the same boat
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Numbered "101" in upper left corner of design., Printmaker from British Museum online catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"The Duke of York (right), blowing a horn, sits in the boot of a coach driven by a lawyer, probably William Adam (left), who says: I thought we should bring him through. On the roof is a bush supporting a placard: Acquitted Glorious Majority of 82. Inside the coach are three lawyers, as in British Museum Satires No. 11269, who are not characterized. The coach is surrounded by a cheering mob. Mrs. Clarke, a termagant with streaming hair, holds up clenched fists towards the Duke. Next her is a fat parson, who says: I always said he was Innocent. A man shouts Huzza Glorias News for Old England. Next him is a bearded Jew in a long gown with a sack on his shoulder inscribed Left of Regimentals. A man shouts: That's right-go it my Darling [cf. British Museum Satires No. 11228]."--British Museum online catalogue.
Alternative Title:
Triumph of innocence
Description:
Printmaker from British Museum catalogue., Title etched below image., and Variant state lacking series number in upper left corner. Cf. No. 11274 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Subject (Name):
Adam, William,--1751-1839--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York with a beard and dressed as a magician, in a fur cap and long gown (on which is a Garter star), stands in profile to the right holding out a wand inscribed 'Petticoat Influence'. Beneath the wand stands a young man dressed as an officer, wearing cocked hat, gorget, and sash. Smoke or cloud rises from his feet and ascends in two columns above his head. The Duke says: "By the Mystery of my Art, no more be a Foot-boy-but rise a Captain". The young man, much surprised, says: "Bless me how soon a foot-boy is turned to a Gentleman"."--British Museum online catalogue.
Description:
Artist identified as Woodward in the British Museum online catalogue., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"The Duke of York, in uniform, stands directed to the left, hands on hips, right leg raised, as if about to march. He says: "If I must March, I must however I shall leave my Baggage behind me!!" His back is turned to Mrs. Clarke who stands with arm appealingly outstretched, saying, "O You gay deceiver-to leave a poor Woman without Protector". She stands as in the House, in her familiar dress, muff in her left hand."--British Museum online catalogue.
Description:
Attributed to Rowlandson in the British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"P. 55"--Upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Markwell, M. Advice to sportsmen, rural or metropolitan, noviciates or grown persons ... London : Thomas Tegg, 1809., Publisher and date of publication from those of the volume in which the plate was issued., and Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York and Mrs. Clarke in bed; his arm is round her neck, and he gazes at her, saying, "Ask any thing in reason and you shall have it my dearest dearest dearest Love". She answers: "Only remember the promotions I mentioned I have pinn'd up the list at the head of the Bed". Above their heads: 'List for Promotion-a Bishoprick for Dr O Leary, a Commissariat for Dicky Dowlas-A Generalship-Cl Clackwrng-A Majority-[?] 2d Lieutenant for my Foute Boy' [see British Museum Satires No. 11223]. At the foot of the bed are two chairs, one (left) a commode, on which is a large mitre, with a crosier behind it, on the other (right) are the Duke's breeches."--British Museum online catalogue.
Alternative Title:
Peep into paradise
Description:
A possible earlier state lacking series number. Cf. No. 11227 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Two watchmen holding up lanterns on poles stand one on each side of the door of Mrs. Clarke's house in 'Gloucester Place' [see British Museum Satires No. 11222]. Between them stands a man holding a pole, supporting a board: 'Beware of Bad Houses And Naughty Women'. This obstructs access to the house, where a couple are seen through a window embracing each other (right). On the left an officer and a parson who have been approaching, retreat in dismay. On the right a burly termagant clenches her fists. One of the new gas-lamps, see British Museum Satires No. 10798, &c, projects from the corner of the house, its globe inscribed 'Light & Heat Company'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Lanterns: Gas lamp., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Wardle in armour with plumed helmet and floating cloak attacks with sword and shield a hydra with seven heads, all in profile, each wearing an inscribed collar. The principal head is that of the Duke of York (a flattering portrait), wearing The Collar of Corruption. The others are Bowler, Clarke, O Meara, Master Carter [the smallest], Sandon, Dr Donovan [with a pen behind his ear]. A serpent lies beside the hydra. Behind is the mouth of a cave. Below the title: Bellva Multorum es Capitum!! vide Horace [Epistles, 1. i. 76]. ('Thou art the Beast of many heads.')"--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"P. 32"--Upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Markwell, M. Advice to sportsmen, rural or metropolitan, noviciates or grown persons ... London : Thomas Tegg, 1809., Publisher and date of publication from those of the volume in which the plate was issued., and Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The centre of a sunflower encloses a bust portrait of an ugly elderly man with a sly expression. The stem, inscribed Weak Stocky rises from a tub of Rank Butter which rests on two cheeses, the upper inscribed Mouldy, the lower Rotten; in the latter is a Rat Hole, with rats scampering in and out. The leaves of the plant droop, many have fallen off. Each has an inscription: Vulgarity, Arrogance, Treacherous, Pernicious, Measly Pork, Defence of Rights, Lecherous, Overreaching, Stinking, Popularity, Poisonous, Upstart, Ill favoured, Oppression, Crafty, Rusty Bacon, Hogs Lard, Baneful, Avaricious, Odious, Pitiful, Contempti[ble], Narrow Minded, Servile, Insignificance, Jesuitical, Rotten Ripe, Sweatty, Dam-d. There is a background of clouds, and from behind a cloud in the upper left corner a demon blows a blast from a trumpet at the sunflower."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Sixteen lines of verse in two columns below title: The flow'r of the city, so gaudy and fine, 'midst proud ones the proudest was erst known to shine ..., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"John Bull, a hideously carbuncled 'cit', looks down grinning at a semicircle of men on a much smaller scale who surround his half-length figure. They are (left to right) Napoleon, wearing a huge bicorne, who looks up to say 'Ships. Colonies and Commerce'. A man in military uniform, quite unlike Alexander, his back to Napoleon, says: "Russian Vengeance attend John Bull. A fat Dutch burgher puffs smoke towards John, saying, III eternally smoke him". A scowling man in civilian dress with tousled hair says: "Let him tremble at the name of America". Prussia, a handsome military officer in place of the damaged soldier who after Tilsit represented Frederick William III in English caricature, says: "Beware of Prussia". A similar officer (Francis I) says: "Austria will never Pardon him". A Spaniard wearing a cocked hat says: "Spanish Fury overtake him". A scowling face says: "Let him beware of Denmark". John says: "Dont make such a riot you little noisy Brats, all your bustle to me is no more than a storm in a Chamber pot"."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "131" in upper right corner., Probably a later state; first half of imprint appears to have been burnished from plate., Temporary local subject terms: Prussia -- America., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
Hopes of the family, or, Miss Marrowfat at home for the holidays, Hopes of the fammily, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Also issued separately., Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "293" in upper right corner., Probably a reissue; date appears to have been burnished from end of imprint statement., Temporary local subject terms: Fire place -- Blacks -- Musical mandolin -- Butcher., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Hopes of the family, or, Miss Marrowfat at home for the holidays, Hopes of the fammily, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Year at end of imprint statement has been completely obscured with etched lines; year of publication from Grego.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Nugent, George Nugent Grenville,--Baron,--1788-1850--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"One of a set of aquatint copies of Rowlandson's watercolours, all signed 'Rowlandson', see British Museum Satires No. 11111 &c. A pawnbroker's shop, with the (?) street door on the left, and on the right a receiving office, a rectangular opening in a wall, dividing the interior from the lobby in which the customers stand. At this stands a gay young courtesan, tattered but comely, looking at a gap-toothed Jew who holds up the ragged shift or chemise which she has brought. A fat bawd grasping a bottle stands behind her, and pushing through the door is a man with a grotesque profile suggesting decay. A barelegged child with a flat-iron and gridiron stands at the counter looking up at the Jew. In the recess behind the Jew goods are piled on shelves, a saucepan, garments, &c. In large letters next the street door is 'Money Lent', with the sign of three balls."--British Museum online catalogue.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publishers., and Rowlandson, Thomas, 1756-1827, artist.
"Cobbett as a small boy, ragged but sturdy, eggs on a bull-dog which is mauling a cat. He has thrown to the ground tankards strung on a strap, and inscribed 'Jolly Farmer'; behind him lies his hat, filled with apples. A goose followed by goslings escapes to the right. Behind is a ramshackle thatched cottage, a country ale-house of the lowest grade with the sign on a tall post: 'The Olde Jolly Farmer of Farnham--Gaffer Cobbett'. From the doorway, closed by a half-door and serving as a window, old Cobbett looks out. He holds a frothing tankard, and grins approvingly at his son; his likeness to Cobbett shows his identity. An old woman, evidently Mrs. Cobbett, looks over his shoulder, clenching her fists angrily at the fate of the cat. On the door-posts are chequers, sign that ale is sold, and above the door: 'Goode Entertainment for Man and Beaste'. Under the thatch, in the gable, is a casement window with broken panes; on the wall is nailed a dead rat; there is also a bill headed by fighting-cocks: 'Cock Fighte--Farnham--Old Cobbett Feeder', Smoke rises from a broken cask, thrust into the thatch, and serving as a chimney. A wagoner in a smock, holding his whip, sits on a bench by the door, draining a jug. In a line with the ale-house is a latrine of dilapidated planks and of the roughest kind, by which a sow is rooting. Above it on a line hang a ragged shirt and stockings. Trees form a background with the top of a church spire."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: 1st plate. Father kept the sign of the Jolly-Farmer at Farnham. I was his pot boy and thought an ornament to the profession ... Vide, my own memoirs in the Political Register of 1809., First print of eight in a series entitled: The life of William-Cobbett, written by himself., Series number etched above image, in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cobbett, William,--1763-1835--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Cobbett, dressed as a farmer, but with a favour in his hat and his short hair tied back into a scraggy tail, marches stiffly behind a recruiting Serjeant who marches with drawn sword, preceded by a little drummer-boy beating a large drum, both of whom wear plumed bearskins, smart uniform, and boots. They march with pointed toe; Cobbet follows, out of step, and with clumsily upturned toe; on his back is a rough knapsack. They march towards the sea where boats are being rowed out to a ship in full sail (right). Behind Cobbett (left) are his plough and two oxen. The field is neatly furrowed. Behind is a rocky hill on which stands a gibbet with an empty noose."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: 2d plate. As I shot up into a hobble-dehoy, I took to driving the plow for the benefit of mankind, which was always my prime object ... Vide, my own memoire's in the Political Register for 1809., Second print of eight in a series entitled: The life of William-Cobbett, written by himself., Series number etched above image, in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cobbett, William,--1763-1835--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Cobbett, a burly and youthful corporal, stands with raised cane and clenched fist, having chastised two officers, older and much smaller than himself. One clutches his posterior, and runs off to the left, the other, losing his hat, throws up his arms, and a copy of a small book: 'Cobbetts Cards or new Military Tacticks'. Five others stand behind Cobbett, waiting for instruction, all studying his cards with perplexed and anxious intentness. Three are inscribed respectively: 'Cobbett's Military Cards'; 'How to Run away'; 'Eyes left'. One of them holds a furled Union flag inscribed 'Victoria'. In the foreground is an open dispatch-box, inscribed 'Wm Cobbett' and 'Cobbetts Military Movements'. Papers overflow on to the ground, inscribed: 'Cobbetts new Cards of Discipline', 'How to turn out Toes', 'How to Fart to ye Right', 'Eyes Right', 'To the Right', 'To the Le[ft]', 'How to march Forward', 'How to Run away', 'shoulder Musquet[s]'; 'How to shoulder Musquets', 'Left Right, how to hold up Heads', In the middle distance is a parade-ground: an officer is drilling his men with raised sword, while studying one of Cobbett's cards. They have a tricolour flag inscribed Loyal 51stt Regt L E Fi[tzgerald]. In the background are tents with tricolour flags, and tiny men marching. Behind again are mountains with pine-trees, and tiny Indians round a camp-fire."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: 3d Plate. Arrived in safety (according to the proverb), being a scholard (for all the world knows that I can read and write) I was promoted to the rank of a corporal ... Vide, my own memoir's in the Political Register of 1809., Series number etched above image, in upper left., Third print of eight in a series entitled: The life of William-Cobbett, written by himself., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cobbett, William,--1763-1835--Caricatures and cartoons., Dundas, David,--Sir,--1735-1820., Fitzgerald, Edward,--Lord,--1763-1798., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Sergeant-Major Cobbett, helped by Corporal Bestland, furtively copies regimental documents in a room with a bolted door. Bestland, registering alarm, sits at the writing-table holding open a book, while Cobbett, facing him, stoops to write. The book is inscribed: 'Regimental Account of Provisions --Cloaths--Accoutrements. 51st Regt--Bread--Meat--Potatoes'. The room is lit by one candle. On the door is a placard: 'Regimental Orders. 51st Royal Regt--Ordered,--that none but trusty Persons shall have Access to the Regimental Books and Accounts--N.B. the Keys are left in the possession of Serjt Majr Cobbett'. Let into the wall above Cobbett's head is a cupboard or safe, the door open, the key in the lock. In it are books, five being inscribed 'Regimental Book', 'Army-Extraord[inaries]', '51st Regiment', 'Cash Account', 'Provision Acct'. Above this is an oval half-length portrait of 'Lord Edwd Fitzgerald', his head cut off by the upper margin (see No. 9227, &c). He holds a paper inscribed 'Rebellion', and the frame is fringed with daggers pointing outwards. Over the door is a trophy of crossed blunderbusses, with spear, firebrands, and a bonnet rouge supported on a dagger. Regimental muskets and pistols are ranged against the wall (right). Behind Cobbett is an open chest, 'Wm Cobbett's Private Box', filled with documents: 'Copies of the Regimental Accounts', 'Cuttings from the Regimental Books', 'Scraps for Court Martial', 'Stolen Documents for to make Grounds for Charges'. On the ground lies his tasselled cane. On a chair behind Bestland are books: 'Army Ac . . .', 'Pay-Office', 'Regimental Book--Cash account 51st Reg.--Wm Cobbett'. On the floor is a money-bag labelled 'for private use W. Cobbett', and inscribed '£200 Regimental Money 51st Regt'. Beside it are two large books: 'Extracts from the Regimental Accounts to be altered as Convenient--Willm Cobbett J Bestland', and, 'Robberies of the Mens Provisions-- Witness W. Cobbett J. Bestland'. On the table are ink-stand, seal, and sealing-wax."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: 4th plate. I was now made sarjeant major and clerk to the regiment, and there being only one man in it besides myself who could read or keep himself sober ... Vide, my own memoirs in the Political Register of 1809., Fourth print of eight in a series entitled: The life of William-Cobbett, written by himself., Series number etched above image, in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cobbett, William,--1763-1835--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Cobbett, in civilian dress, stands full face, with his right hand on his breast; in his left he holds out a paper: 'Accusations agst Capn Powel & others'. On the carpet at his feet lie his regimental coat, bearskin, sword, belt, and (broken) cane. On the left and in back view Judge-Advocate Gould sits at a writing-table, pen in hand, averting his head from Cobbett, and putting out a protesting hand. Cobbett declaims: "--if my Accusation is without foundation the authors of cruelty have not yet devised the tortures I ought to endure; Hell itself, as painted by the most fiery bigot, is too mild a punishment for me!--See my own Letter to Sir Charles Gould--Judge Advocate General". Gould wears a legal wig and gown with military uniform. On his table are papers inscribed 'Court-Mart[ial] to be held. . . and Charges by W. Cobbett against Cap. Powel'. Behind Cobbett stands his shadow, a dark replica of himself standing out against flames and smoke which billow up before a brick wall with a rectangular aperture through which the Devil, wearing a bonnet rouge, thrusts his talons to seize Cobbett's shadow. Above this window into Hell are three balls and the words 'Beelzebub--Pawn-broker--The utmost Value for souls taken in Pawn'. Facing Gould are high shelves draped by a curtain and containing bundles of legal documents. Some are inscribed 'Trials for Ungentlemanly Conduct', 'Military L . . .', 'Court Martial upon . . .', 'Motion for a Court Martial', 'Trial of Cap . . .', 'Court Martial'."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: 5th plate. My next step was to procure a discharge from my ever lamented associate the Lord Edw. Fitzgerald. With this I returned to England and directly set about ... Vide, my own memoirs in the Political Register, 1809., Fifth print of eight in a series entitled: The life of William-Cobbett, written by himself., Series number etched above image, in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cobbett, William,--1763-1835--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Three officers stand stiffly at the bar at one end of a high panelled hall; through the open door behind them are seen steps leading to the Thames and one pillar of the south portico of Chelsea Hospital. Only the end of the long table (right) at which officers are seated is within the design, with four officers, two on each side, one holding a paper headed 'Charges'. A long label floats into the design from the right: 'Call William-Cobbett into Court, to make good his Charges!' An usher standing close to the accused, and looking through the wide doorway calls: "William Cobbett! William Cobbett!" Soldiers stand by the door, hat in hand, others are on the steps hailing a small boat with two occupants sailing across the river. One shouts: "Ho! William Cobbett". Cobbett, in the boat, shouts back: "Call away & be Damn'd--I'm off". Spectators, men and women, crowd the court; some are many rows deep on the farther side, some in a gallery over the wide-open doors. The heads and shoulders of others in back view in the foreground form a base to the design. Six men turn their heads in profile and Burdett and Derby are unmistakable. A head next Burdett resembles Wilberforce."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: Plate 6th. The court-martial was assembled at Chelsea as I requested, and Captn. Powele and the other accused persons were placed at the bar ... Vide, my own memoir's in the Political Register, 1809., Series number etched above image, in upper left., Sixth print of eight in a series entitled: The life of William-Cobbett, written by himself., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Cobbett (right) stands facing six men grouped at a round table who applaud the toast he gives: 'Damnation to the House of Brunswick' [cf. No. 11234]. In his left hand is a bottle of 'True Napoleone Spirits'; the contents of his raised glass are exploding. On his right sits Horne Tooke, with a crutch, holding a jug of 'Botley Ale' and a glass, both frothing. He says with a sinister upturned glance: 'Huzza! Huzza'. On Cobbett's left, and in back view, stands a naval officer wearing a cocked hat and high fashionable boots. He holds high a steaming bowl of 'Botley Grog'; under his foot is a paper: 'Basque Roads- Court Martial', showing that he is Cochrane, see No. 11326, &c. Facing Cobbett sit Bosville and Clifford. Bosville, silent, decrepit, and senile, grasps a bottle of 'Botley Ale' and holds a foaming glass; in his pocket is a 'Plan for a new Convention'. Clifford, brandy-faced, and with his barrister's wig awry, holds a bottle of 'French Brandy' and a brimming glass, saying "Huzza". Behind these two stand Burdett and Folkestone. Each holds up a frothing glass; Burdett waves his bonnet rouge and shouts "Huzza!-Huzza!" Folkestone echoes "Huzza!" In the foreground with his back to the table lies Wardle, very sick, clasping a bottle of 'Botley Ale', and vomiting over papers: 'Charges against the Duke of York' and 'Reform', see No. 11328, &c. A cat (left), with a collar inscribed 'Mrs Clarke', miaows at him (see No. 11216, &c). On the right are a tankard inscribed 'Whitbread's Small Beer', and a wine-cooler containing five bottles of 'Napolean Wine' [cf. No. 11004]. The floor is boarded, but under Cobbett's chair is a fringed carpet. The room is lit by candles set in branches which decorate the oval frame of a half-length portrait of 'Napoleone Le Grand'; he is in profile to the right, looking down at Cobbett and holding out a 'Cordon d'Honor'. The portrait is flanked by busts on brackets: 'Despard' [see No. 9969] with a noose round his neck, and 'Robespiere' with two daggers. On the table by Clifford are two more bottles of 'French' [Brandy], by Cochrane a bottle labelled (?) 'Coitaris', an overturned bottle, and a plate of 'Diables'. [Diable = a name given to the Toad-fish, Frog-fish, or Sea-Devil.] Empty bottles and a broken glass lie under the table."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: Plate 7th. I did not look behind me 'till I got to St Omer's & thence fled to America; here I offer'd to become a spy for the English ... See my own Memoires in [the] Political Register, 1809., Series number etched above image, in upper left., Seventh print of eight in a series entitled: The life of William-Cobbett, written by himself., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Clifford, Henry,--1768-1813--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Dundonald, Thomas Cochrane,--Earl of,--1775-1860--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Radnor, William Pleydell-Bouverie,--Earl of,--1779-1869--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"Cobbett, surrounded by flames and beset by ghosts, starts back in his chair, overturning his writing-table and dropping his pen. Behind him and on his right is a black replica of himself (his shadow). Over this shadow's shoulder leans the Devil, naked except for a bonnet rouge, bending menacingly towards Cobbett. In the foreground (right) the head and shoulders, in back view, of Sir Charles Gould emerge from clouds, holding up a long scroll: 'the Forfieted Pledge--"my Black Soul I pledge to the Devil for the Truth of my Accusation Wm Cobbett--Witness . . . Goold Judge' [Advocate]. On the opposite side, surrounded by clouds, are the ghosts of three officers, with blank eyes, standing stiffly behind the bar over which hangs a paper: 'Court Martial Chelsea' [see No. 11377]. The centre figure declaims: 'Remember Powel', the others add: 'Hall' and 'Seton'. Just behind and to the right of Cobbett the arms of a woman holding the equally balanced scales and the flaming sword of 'Justice' emerge from flames. Her head is covered by a large scroll: 'the Groans of Hampshire with the Cries of Little Jessey and the Screams of his blasted Brandy-Faced Bitch of a Mother'. Behind the Devil, and partly concealed by a festooned curtain, is the wall of a pawnshop as in No. 11376, with the sign of three balls; over the doorway: 'Beelzebub Pawnb[roker] Nota Bene. Damag'd Souls taken in Pawn'. Four bat-like creatures fly away, upwards and to the left. Three have human heads and are Wardle, nearest to Cobbett, Burdett, and (?) Horne Tooke. From Cobbett's tilting table ink, pens, candle-sticks, and lighted candles fall to the ground, the candles setting fire to the many papers which have fallen and are falling: two copies of 'Cobbett's Political Register' are already blazing. Three other copies are still on the table, one inscribed: 'Cobbetts Register--The Hell-Fire-War in Spain--Oh damn Wellesley'. Other copies have titles referring to the tenor of actual and imaginary articles in the Register: 'Plan for to Hang up all the Public Robbers without Judge or Jury'; 'Hints on ye Rights of Napoleone the Great to the Throne of Great Britain'; 'The Jubilee--a Damned Ministerial Humbug upon the country'; Cobbett's Political Register--. . . Navy . . .'; 'Stupidity of the Whigs'; 'Bank Notes our Rum'; 'New Parliamentary Reform'; 'Necessity of a new Party'; 'Blasted Ignorance of Ministry'."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: Plate 8th. But alas, in the midst of my towering prospects while I was yet hesitating between a radical-reform & a revolution ... Vide, my own memoir's in the Political Register, 1809., Eighth print of eight in a series entitled: The life of William-Cobbett, written by himself., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"An elderly schoolmaster sits by a writing-table, in profile to the right, addressing an old countrywoman who faces him, making a slight curtsey. Behind her (right) are four little boys, two with bags of books slung from the shoulder. The schoolmaster, who wears night-cap, slippers, and buttoned overcoat or dressing-gown, says: "Good woman you are always making complaints against my Scholars, what have they done to offend you now?" She answers: "Please your Honors Worship they followd me up and down--and said one to another--At her!--beat her! damn her!--pelt her!-- and a great deal more that I do not recollect". The leader of the boys, bowing, cap in hand, says: "Indeed Sir, we were only repeating our Greek Alphabet, in order to get quite perfect--what the Old Woman heard was only Alpha--Beta-- Gamma--Delta--and so on to the conclusion". The boys' expressions indicate a successful conspiracy."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Greek alphabet
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 130., Date of publication based on earlier state with the complete imprint "London, Published by Thomas Tegg, No. 111 Cheapside, Jany. 15, 1809." Cf. No. 11460 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "132" in upper right corner., Reissue; former plate number "66" has been replaced, and date has been removed from end of imprint statement., Temporary local subject terms: Alphabet -- School children., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Mrs. Clarke (right), seated on a settee, addresses a fat parson in an arm-chair who registers excitement, with leg and arms raised, and wig flying from his head. Between them is a table; by Mrs. Clarke are papers headed: Army Preferment and Church Preferment. The parson, turning up his eyes, says: O-how I should like to preach before Royalty. She says, with extended palm, Only pay the Clarkes Fees, and the business is done. Between them hangs a placard: So great on the Church were O'Meara's designs, That he prov'd too ambitious a spark, But where is the wonder ye learned Divines, That the Parson should follow the Clarke."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Mrs. Clarke stands between Wardle and Wright, arms akimbo, an impudent and alluring virago. Wardle turns his head from her to speak to General Clavering, who stands on the extreme left. Clavering, in regimentals, his cocked hat poised absurdly on the top of his head, stands glaring angrily at Mrs. Clarke; he says: I intend to commence an Action against her for obtaining Mony under false pretences in the case of French's Levy -- I'll teach her to send Gentlemen to Newgate. Wardle, in civilian dress, answers: Leave her to me Ill touch her up in the Furniture Business. Mrs. Clarke says: I dont care a fig for any of you -- and as to you Mr Furniture Monger [Wardle]--ll be before hand with you. Wright, the upholsterer, stands behind her (right); he looks to the left scowling, and says: Thats a good girl follow him up--ll back you Ill let him know who's Wright and whose Wrong. If I dont enter an action against him I am no Upholsterer. On the extreme right and in profile to the left, stands Serjeant Best, in wig and gown, holding a large Brief, with turn over at the bottom of the first page. He looks slyly towards all four, saying, That's right my good Friends it is All for the Best."--British Museum online catalogue.
Alternative Title:
Diamond cut diamond
Description:
Plate numbered "97" in upper left corner., Possibly a variant state. For a state lacking plate number, see no. 11347 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Clavering, Henry Mordaunt--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"George III sits on the throne (right) partly concealed (as in British Museum Satires No. 10709) by a pillar which supports the heavy draperies of a canopy. The Duke of York, wearing shirt, breeches, and boots, kneels before him, with bowed back, a handkerchief held to his face. Beside him and at the King's feet, are his military coat, hat, sword, and a paper: 'Resignation'. He says: "And he arose and went unto his Father, and said Father I have sinned before thee, and I am no longer worthy to be called thy Son". The King covers his face with his hand, saying, "Very Naughty Boy!-Very naughty Boy indeed!! however I forgive you but dont do so any more"."--British Museum online catalogue.
Alternative Title:
Prodigal son's resignation
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York (left), in uniform, wearing cocked hat, gorget, and sword, runs towards John Bull (right), a stolid yokel in a smock. He says: "Good-Bye Johny-I am going to resign-but dont take it so much to heart, perhaps I may soon come back again". John, who stands hat in hand, holds a handkerchief to his eye, to conceal a smile. He looks down, saying, "O Dunna-dunna go-it will break my heart to part with you-you be such a despirate Moral Character!!""--British Museum online catalogue.
Alternative Title:
John Bull over-whelmd. with grief, John Bull overwhelmed with grief, and Resignation, or, John Bull overwhelmed with grief
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Heading to verses printed in four columns. Napoleon sits by a wicker cradle containing the sleeping bear of Russia (left), which he rocks with hand and foot. He leans against Holland (right), a fat burgher fast asleep. Behind a low hill on the left is a rising sun, inscribed Spain and Portugal, which irradiates part of the sky. Napoleon, precariously seated on thorns, supports himself on the point of his sheathed sword, and looks to the right, saying, This Rising Sun has set me upon thorns. The bear is tightly muzzled, the muzzle is labelled Boneys Promises. On the hood of the cradle stands a measure of Turkey Wheat. The King of Sweden stands behind Napoleon, fiercely raising his sabre; he leans towards the cradle, saying Awake thou Sluggard ere the fatal blow is struck and thou and thine execrable ally sink to eternal oblivion. In his left hand he holds up a staff and cap of Liberty. Holland sits on a cask of Genuine Hollands, holding a pipe; a broken sceptre dangles from his limp right hand. Behind him is a shadow inscribed Poland. Denmark sits with elbows on knees, his head and shoulders covered by a large extinguisher inscribed Denmark. Next stands the Emperor of Austria in hussar uniform, fiercely preparing to draw his sword; he says: Tyrant I defy thee and thy Cursed Crew. On the extreme right and in the foreground stands the King of Prussia wearing a straight-jacket covering his hands which are linked together; his feet are held in the first position by a wooden appliance (as in British Museum Satires No. 9581); he wears a crown of straw, emblem of the lunatic and chants with closed eyes and imbecile grin: Fiddle diddle dee Fiddle diddle dee The Mouse has Married the humble Bee-and I am Emperor of the Moon. Behind him lies a dead or dying Prussian eagle. On the extreme left, and half cut off by the margin is a funeral urn on a pedestal inscribed: Memory of the Crown of Naples."--British Museum online catalogue.
Alternative Title:
View of the Continent
Description:
Four columns of verse in letterpress below plate: Just as the rising-sun dispels the gloom of night to bless us with new day, so genuine patriotism expels vindictive tyrants from despotic sway ..., Printmaker and year of publication from British Museum catalogue., Second imprint statement in letterpress below verses: Published by R. Ackermann, 101 Strand, London., and Title from letterpress text within and below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Saulez, George, 1779-1843, artist.
"Mrs. Clarke stands in a massive archway, inscribed 'CLARKES PASSAGE', addressing a crowd hurrying towards her. She wears a military coat over a white dress, cocked hat, and sword, and stands above the street level. She says: "Gentlemen it is no use to rush on in this manner -the principal places have been disposed of these three weeks and I assure you there is not even standing room". The crowd consists of military officers, elderly and often disabled, two fat parsons, a few civilians, some foppish, some the reverse, one of whom holds up a money-bag inscribed '500'. They completely fill the wide space before Mrs. Clarke, whose 'Passage' is indicated as her house by the opposite house on the extreme left. This is in 'Croakers Row', and from an attic window a little figure (Croker) peers through a telescope, as in British Museum Satires No. 11238."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Croker, John Wilson,--1780-1857--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An oddly drawn lion (right) with the head of the Duke of York, wearing cocked hat, stock, and gorget, crouches away from the heels of two kicking asses (left) with human heads, asses' ears, and collars engraved What a Cur it is.-and Every Man has his Price. A third ass (right), without a collar, looks benevolently down at the lion, saying -P'shaw- P'Shaw- dont be afraid I shall not kick you may depend upon it-you may be of service to me hereafter. Below the title: "When the Royal Beast, was sick to death-and unable to defend himself, the minor beasts he had injured came to revile him with their / "Wrongs-but when the dull Asses came to fling their heels at him, the Royal Animal exclaimed-" Injuries from / "others I can bear with resignation but to bear insult from such vile animals as Asses is to die and [sic] hundred / "Deaths. Vide-Mr Waithmans Speech at the common Hall."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Waithman, Robert,--1764-1833.
"The Duke of York, in uniform and wearing his cocked hat, but without a sword, stands in back view on a low rectangular pedestal facing the corner of Mrs. Clarke's house in 'Gloucester Place' [cf. British Museum Satires No. 11222, &c.]. The door is partly visible on the extreme left with a door-plate inscribed '[Cla]rke'. On the wall facing the Duke is a placard: 'The Statue on the outside having been thorougly repaired and white Wash'd is to be sold by private Contract-for farther particulars enquire within'. On the right a billposter is putting up a second placard: 'Johnstons Cheap Caricature Warehouse N° 101 Cheapside A New Caricature on Mrs C------ke every Day Price One Shilling & Two each'. Beside him a newsboy blows his horn."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Bill poster -- Street light., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Two men lie in the small truckle-beds (i.e., trundle bed) of a cheap lodging-house, one (left) asleep. An old woman holding a candle kneels at the foot of the other bed, and tugs at the wooden leg of its occupant. She says: "There is nothing like looking after Servants I always like to see that my lodgers are comfortable. --Aye here's a pretty careless trick--the warming pan left in the gentleman's bed I declare". Its owner, an angry sailor, shouts: "Hollo --Avast heaving Zounds dont pull off my timber--I went to bed half seas over and forgot to stow it alongside the hammock"."--British Museum online catalogue, description of a later state.
Alternative Title:
Careful landlady
Description:
Plate numbered "300" in upper right corner., Printmaker identified as Rowlandson and artist questionably identified as Woodward in the British Museum catalogue., Reissue of a print apparently first published 10 May 1809; in this reissued state, the day and year of publication in imprint are heavily scored through but still legible. For a later state with beginning of imprint burnished from plate, see no. 11466 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Kemble, in tattered theatrical dress, stands at the gate of Northumberland House in the Strand, holding out his hat and bowing to the obese and oafish-looking Duke of Northumberland, who is placing a "Draft for 10,000 Pounds" in the hat; in his right hand he holds a paper which lists donations. Kemble is followed by his brother Charles and his sister Mrs. Siddons, both of whom are weeping. Her reticule is stuffed with papers and is inscribed "Humble solicitations..."
Alternative Title:
New dramatic resource :
Description:
Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Covent Garden Theatre., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Kemble, Charles,--1775-1854--Caricatures and cartoons., Kemble, John Philip,--1757-1823--Caricatures and cartoons., Northumberland, Hugh Percy,--Duke of,--1742-1817--Caricatures and cartoons., Siddons, Sarah,--1755-1831--Caricatures and cartoons., and Strand, The (London, England)
Subject (Topic):
Fires--England--London., Fools & jesters., and Harlequin (Fictitious character)
"The rider leans forward, leaving the vertical of 90 degrees behind his head. He rides (towards St. Paul's) over a dog, and chases two ducks. Behind is a horseman in difficulties."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 2
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Sir Francis Burdett declaims, holding up a bonnet rouge shaped like a fool's cap; he addresses those who are making a bonfire of statutes, &c., on the cobbles of Palace Yard (left). His raised left arm is flung back, pointing towards Westminster Hall, which is being stoned and demolished by a mob. He says: "It is only in the House of Commons / "that the People of England are spoken of / "with Contempt, & calumniated!!!-- / "--can things be remedied by Bills? No!-- / "it must be by an Honest House of "Commons!--what is the use of Magna-Charta, Habeas-Corpus, / "or the Bill of Rights?-- / See, my own Speech at Westminster--Vide, "Cobbett's Patriotic Register. He tramples on a sceptre beside which lies a crown, reversed and covered by a long scroll: Resolution[s] of the Whig-Club; Resolved--That it is the decided Opinion of this Club that no Substantial & permament [sic] Good can be derived by the Country, from any change of Ministry, unless accompanied by an entire change of Systemn--accomplish'd by an entire Reform of the Parliament. A great pile of documents with a Holy Bible in the centre, is ready for the flames; Horne Tooke, in bonnet rouge, dressing-gown, and slippers, kneels at Burdett's feet, holding a dark lantern (as in No. 10738), and applying a flaming brand, inscribed Sedition, to the pile. Three simian and negroid creatures holding papers like sub-human newsboys, as in Gillray's New Morality [No. 9240], apply torches to the pile. One, with a tartan cloth round its waist, holds the Edinburgh Review, another the Morning Chronicle; the third wears a wig inscribed Independ[ent] Wig. Under Tooke's firebrand are the Rights of the House of Brunswick to the Throne Brunswick Succession; Magna Charta; Bill of Rights; Habeas Corpus. Other documents are Act for Punishing Libelers of the State, and Act to Suppress Inflamatory Libels (attacked by the Independent Wig and Morning Chronicle respectively); Legal Authorities; Rights of the Establish'd Church; Rights of the House of Lords; Priviliges of the He of Commons; Act of Protestant Succession; Freedom of Election; Old-Bailey Trials. ..."--British Museum online catalogue.
Alternative Title:
Patriots lighting a revolutionary bonfire in New Palace Yard
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Grattan, Henry,--1746-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Radnor, William Pleydell-Bouverie,--Earl of,--1779-1869--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.
"View of the new orchestra stand in Vauxhall Gardens at night; lights illuminating front, elegantly dressed figures dancing or watching orchestra in foreground."--British Museum online catalogue.
Alternative Title:
Vauxhall Gardens
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 204., Plate numbered in upper right, above image: Plate 88., and Title etched below image.
Subject (Geographic):
London (England)--Pictorial works. and Vauxhall Gardens (London, England)
Subject (Name):
Ackermann, Rudolph, 1764-1834. publisher., Auchincloss, Hugh Dudley--Ownership., Bluck, John (Printmaker), printmaker., Harvey, Francis--Ownership., and Pugin, Augustus, 1762-1832, artist.
Subject (Topic):
Concerts--England--London., Dance., Gardens--England--London., and Orchestras.
"A very fat lady crouches in a shell drawn by two swans; she holds (tricolour) reins attached to the birds' necks; a carriage-whip is in her right hand. She has a blotched profile; snaky curls hang oddly over her face; she wears a swathed neck-cloth over her chin, a riding-habit with a sleeve slashed in the manner usually denoting theatrical dress, and a hat trimmed with tricolour feathers. Behind her (left) ride two little cupids, each on a swan, with postilion's caps and coats; each plies vigorously a whip made of a bow; a quiver with arrows hangs at the back of the nearer cupid, who has butterfly wings; the back of the other is hidden. Their reins, &c., are tricolour. Their swans stretch their necks angrily at the back of the 'Venus'. Foreground and background are sea and sky."--British Museum online catalogue.
Alternative Title:
Swansea Venus, Swan-sea Venus, and Venus a la coquille
Description:
A lightly etched letter "P" precedes imprint statement., Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-30b
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"View of a river descending to left down a short series of waterfalls, a shepherd and a woman on a grassy bank at right looking out to left, with dog and flock of sheep; tall rocky hill rising immediately behind the river."--British Museum online catalogue.
Description:
Date range for publication from the British Museum online catalogue, registration no.: 1875,0612.377., Early state, before alterations to the plate. For a later state with the title re-etched, Rowlandson's signature burnished away, and a border and a new statement of responsibility added, see Beinecke Library call no.: Auchincloss Rowlandson v. 14., Reworked plate published in: Rowlandson's sketches from nature. [London] : [publisher not identified], [1822]., and Title etched below image.
Subject (Geographic):
Cornwall (England : County)
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
"Ten figures arranged in two rows, each with a caption. 'A Modest Woman of Quality': a lady stands holding a fan, directed to the right and looking to the left. 'A Primitive Bishop': a plainly dressed and ugly parson stands in profile to the right. 'A Real Maid of Five and Thirty': a woman walks in profile to the left, with a veil over hair and forehead, looking down and holding a half-closed fan before her face. 'An Exciseman with a Conscience' stands with his hands plunged in his breeches pocket, book under one arm, ink-bottle with pen fastened to his coat, a second pen behind his ear. An 'Author with a second suit of Cloaths' capers delightedly, apparently admiring his tasselled Hessian boots. 'A Great Man of Common Sense' is a handsome young man wearing a military coat with clocked stockings and pumps standing in profile to the right. 'A Woman who has continued three Months a Widow!' She looks alluringly through the meshes of a veil which partly covers her face; her dress is décolletée, and her pose inviting. 'A Theatrical Hero of Modesty and oeconomy': a good-looking young man bows, hat in hand. 'A Complete Honest Attorney' stands with head turned in profile to the right. 'A Man of Talents, Wit and Learning--possess'd of a Thousand a Year': a stout middle-aged man with a handsome profile stands holding out a bunch of papers inscribed '300', '200', '300', 10[0]."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 162., Date of publication based on earlier state with the complete imprint "London, Pubd. Augst. 1st, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "278" in upper right corner., Reissue; former plate number "102" has been replaced with a new number, and year has been burnished from imprint statement leaving a gap between "London, Pubd. Augst. 1st." and "by Thos. Tegg, No. 111 Cheapside.", and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
