Page 16. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
A circular image with three concentric designs surrounding the center image of a view of the bridge and Castel Sant'Angelo with the cupola of St. Peter's. The outer most circle is split into twelve equal sections with classical scenes which in turn are topped with an image of an open book with a page numbered "Tab. I-[XII]" moving counter-clockwise
Alternative Title:
Qua mare qua terras lustrat sol lumine semper, sospite me pater imperium Romanus habebit
Description:
Title devised by curator., Statement of responsibility written by Horace Walpole on separate slip of paper (2.9 x 6.6 cm), mounted on opposite page., and Mounted on page 16 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Geographic):
Rome
Subject (Name):
Dionysus (Greek deity), Basilica di San Pietro in Vaticano,, and Museo nazionale di Castel Sant'Angelo,
Subject (Topic):
Social life and customs, Agriculture, Rites & ceremonies, and Views
Fairholt, F. W. (Frederick William), 1814-1866, artist
Published / Created:
[ca. 1856?]
Call Number:
Drawings F171 no. 1 Box D120
Image Count:
1
Abstract:
Ink drawing of the 14th century bridge in Florence -- Ponte alle Grazie -- with a view of the hills in the distance and the buildings of Florence on either side of the bridge
Description:
Frederick William Fairholt (1814-1866), English artist and antiquary, signed his prints "F.W.F"., Title from item., Signed by the artist in lower right corner: "F.W.F"., and Date of drawing based on artist's visit to Italy with Lord Londesborough in 1856.
A folio album of 144 caricatures mounted on 87 sheets, mostly etchings, with some aquatints and other satirical prints, some hand-colored, and one pen-and-ink drawing laid in.
Description:
Title devised by cataloger., Laid in, a wood engraving: Principal characters, in the new play of the road to royalty! [London] : Printed and published by T. Rockliffe, 65 Ratcliff Highway, [1829]., Laid in, an etching: Rats in the barn, or, Iohn Bull's famous old dog Billy astonishing the varment / [figure of Paul Pry] Esqr. [London] : Pub. by T. McLean, 26 Haymarket, [1829]., Laid in, an etching: Funeral of the constitution. [London] : Pubd. March 1809 by T. McLean, 26 Haymarket, [1809]., Laid in, a lithograph: View of the Houses of Lords and Commons : destroyed by fire on the 16th Octr. 1834. [London] : Pub. by W. Soffe, 380 Strand, [ca. 1834]., Laid in, a pen and ink drawing on watermark paper G. Pike, 1817: The savior of this grateful country : to Kingston 1 mile to London x miles. [England], [ca. 1817]., Note on front pastedown: This book contains the caricatures published by Sayers during his life. This was his own copy and was presented to me after his death. [Signed] Eldon., With Lord Eldon's bookplate., and For further information, consult library staff.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1790]
Call Number:
Drawings W87 no. 4 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A loquacious gentlemen holding a raised walking stick vertically in front of his body prepares to strike the foot of a passerby by feigning a blunder. From the caption: Provide a good stout stick (the heavier the better), well loaded with iron, and sally forth at the business time of the day ... enter on a long story and at the end of every marked sentence, make a sudden plunge with your stick downwards, which must be managed with great velocity, and at proper periods; by these methods your friend cannot fail feeling the force of your observations; and every person's toes must suffer that come within the reach of the argument
Alternative Title:
Six different methods of carrying a stick with their effects. Compartment no. 3
Description:
Title from letterpress caption below image., Pen and ink drawing on a broadside with typeface and ornamental border., Letterpress capation in fourteen lines below title: The person who has a desire to put this grace in practice, must be consciousness of possessing an unconquerable habit of talking incessantly, if that is not a leading trait in his character, he had better decline the study; but if hef finds himself master of so neccessary a qualification ..., One of a series of six drawings by Woodward with the same typescript heading., and For further information, consult library staff.
Subject (Topic):
Staffs (Sticks, canes, etc.), Staffs (Sticks), and Conversation
Title devised by curator., Unknown artist., and Though purchased with a collection of drawings by Richard Bentley, this drawing probably dates from the early 19th century.
Subject (Name):
Strawberry Hill Press (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not before 1791]
Call Number:
Drawings H263 no. 4 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
A portrait of the French Protestant Minister, Andre Lortie, shown half-length. He is wearing the clothing of a clergyman and holds open a book. The background includes a curtain and the outline of a landscape view. Unfinished portrait with only the face finished; t he body is only outlined
Description:
Inscription in ink on verso: A facsimile from the most rare original messotinto in the collection of the Honble Horatio Walpole at Strawberry Hill Nov. 3rd 1791 by Mr Harding and J:B?, Inscription in graphite pencil on verso: The head by G.P. Harding., Inscription in graphite pencil on verso: French Protestant Minister in England D. 1700., and George Perfect Harding, English miniature painter, 1779/80-1853.
Album of ca. 40 pen and ink, wash, and one color drawing of scenes in Yorkshire, most dated (30 April 1799-9 June 1801) and "drawn on the spot", with the artist's identification of the locales, buildings, and ruins. The first is dated April 30th 1799 and is a view of Fountain's Abbey and followed by several sketches of ships and trees, a cottage, and two views of a bridge with a village in the distance. These sketches are followed by a series 24 non-sequentially numbered sketches, half of which are half-page oval designs. Six more drawings -- wash, pencil, or ink -- follow executed in 1801. The penultimate leaf contains a pencil drawing of The ruins of Wallop Church, dated Ap: 15th 1805 on the verso and a rough sketch of a scene on the verso. The final leaf is a wash drawing of a vista and is signed E. Johnson, JPearson, JPearson and is undated; another rough pencil drawing of trees and tower on the verso
Description:
Artist John Pearson of Ripon., Title devised by cataloger., Binding: Marble boards, leather spine., First recto leaf: a list of "Unbound sketches" not included in this album., On front flyleaf: Jn. Pearson, Ripon. With other faint pencil notes about subjects of drawings., "N.9" on back pastedown., and For further information, consult library staff.
A caricature of the new Lord Mayor of London: Harvey Combe stands centerd in the a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (buthcher?) holds a knife in one hand and a scroll in the other enscribed with a large order for meat: "12 haundres vension, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef bacon(?) &"". In the foreground lies another sheet which readss "Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr." The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag with the word "Saving" written on it. The two cats on the left and the dog following the butcher are also thin from malnorishment. Two large spiders have spun large webs below the archway on the left below a two cupids holding a heart molded above the archway
Alternative Title:
New tenants at a mansion house
Description:
Title written below image., Signed with initials and dated by the artist in lower left corner., "Sold by all the printsellers in London, Nov. 9, 1799"--Written in above title., and Original design for a print published 9 November 1799.
Subject (Geographic):
England.
Subject (Name):
Combe, Harvey Christian, 1752-1818 and Glyn, Richard Carr, Sir, 1755-1838
Subject (Topic):
Politicians, Pleading (Begging), Kicking, Poor persons, Interiors, Cats, and Dogs
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 39 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
A gathering of countrymen, lawyers, and sailors stare with shock and consternation at the carcass of a shark laying on a table before them. A countryman begins the dialogue with an exclamation, "Dang it if I ever saw such a thing in my life, why it would swallow a man alive!" while an attorney continues with a question, "Neighbor Stump says very true, I never saw anything like it in the whole course of my practice as a country attorney. Pray my friend what do you call it?" A sailor smugly jests, "Why it is a shark d'ye see according to the lubbers lingo on shore, but we gemmen in his Majesty's service call him a sea lawyer!!!
Description:
Title inscribed in black ink in the artist's hand below image., Artist's signature in black ink below image., and Date supplied by cataloger.
A servant bows slightly as he greets three tourists: a larger woman leads the group only carrying a small purse and parasol. She is followed by a younger woman holding a small dog and a few pieces of luggage. At the end a man struggles with the burden of a heavy trunk
Description:
Title and date supplied by cataloger., Attributed to Thomas Rowlandson., and For further information, consult library staff.
An ink drawing contrasting the bust of a balding man with a long curly beard and a stag head with three-point antlers
Description:
Title from caption inscribed below image in the same ink and hand as the artist., Attributed to Rowlandson by curator., Date based upon watermark., Trimmed watermark: 18[..]., and For further information, consult library staff.
Count Przobosky wildly rears a horse in a grand room knocking over furniture to the shock and astonishment of distrressed onlookers
Description:
Title from caption inscribed in ink below image., Date supplied by cataloger., Attributed to Rowlandson., and For further information, consult library staff.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 50 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
Six sketches arranged across two rows depicting rotund red-faced countrymen riding horses poorly or in various states of humorous accidents. Captions include: How to be obstinate; The most approved method of sliding; How to stick in a ditch; How to prevent being run away with; A Cheshire kick; How to slip from your saddle with ease to yourself and horse
Description:
Title and date devised by cataloger. and Sheet trimmed cropping artist's signature and title.
Subject (Topic):
Horses, Horseback riding, Accidents, and Country life
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 46 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A dour woman wearing a feathered headdress stands before a preacher and his clerk as they exclaim respectively, "O Lord, save this lady, thy servant" followed by "Who putteth her ladyship's trust in thee."
Alternative Title:
Churching a lady
Description:
Title inscribed in the artist's hand below image., Signed by the artist., and Date supplied by cataloger.
Subject (Topic):
Clergy, Great Britain, Preaching, Religious services, and Churches
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 23 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A burly and ragged Englishman with a wooden leg sits on the knee of a fat and grotesque Irishwoman; they kiss, his right arm round her neck, both her arms round his shoulders. A poverty-stricken room is indicated by a low casement window with broken panes, bricks showing through broken plaster, and a rough plank door (right). On a table is an enormous tankard and a small measure of gin
Alternative Title:
Union between England and Ireland
Description:
Title from inscription below image in black ink in the artist's hand., Future [?] imprint statement inscribed in black ink: London, Pubd. Jany. 1800., Image associated with Thomas Rowlandson's etching. Union between England & Ireland. Published 1799. Cf. George., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9462., and For further information, consult library staff.
Artist's trial proof of a steel engraving with corrections of the head and further alterations drawn in pencil and pen and ink directly over the steel engraving. The engraving shows a man wearing a karakul and smoking a hookah
Description:
Title devised by cataloger., Date from unverified data in local card catalog record., Corrective notes inscribed in graphite pencil next to drawing: The eyes brighter darker the brow[?] a different shape., and For further information, consult library staff.
Volume 2, opposite page 130. Anecdotes of painting in England.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Italian artist Artemisia Gentileschi, half-length, facing the viewer but turning slightly right, in an oval with square frame; her hair is in curls and she wears pearls around her neck and wrist and she holds a paintbrush in her right hand
Description:
Title written in ink below image., Unsigned; artist unidentified., Date of production supplied by curator., and Bound in opposite page 130 in volume 2 of Thomas Kirgate's extra-illustrated copy of: Walpole, H. Anecdotes of painting in England. Printed by Thomas Kirgate at Strawberry-Hill, 1765-1771 [i.e. 1780].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1800]
Call Number:
Quarto 33 30 Copy
Collection Title:
Page 4a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of one of the chairs, designed in a Gothic style by Richard Bentley and Horace Walpole, that were in the Great Parlour (Refectory) at Strawberry Hill
Description:
Title written in ink below image, on mounting page., Signed and dated by the artist in lower left corner using his monogram: The letters "G" and "P" below with an "H" centered above., and Inlaid on page 4a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1800]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 4b. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the table of Sicilian jasper on a black frame, designed by Richard Bentley, in the Great Parlour (Refectory) at Strawberry Hill
Description:
Title written in ink below image, on mounting page., Signed and dated by the artist in lower left corner using his monogram: The letters "G" and "P" below with an "H" centered above., and Inlaid on page 4b in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes ... On the table below the window (left) is a bowl labeled "Pease porridge" and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man's coat is hung on the back of the chair to the right of the hearth
Description:
Title from note in artist's hand above image., Artist name from dealer's description., Study (or copy) for a print of the same title that was published July 1801 by W. Holland. Not reversed., and John Nixon (ca. 1750 - 1818), city merchant and amateur watercolourist (topography) and designer and maker of satirical prints; honorary exhibitor in RA between 1781 and 1815.
Subject (Topic):
Bed, Boxes, Candlesticks, Canopy beds, Cats, Corsets, Couples, Fireplaces, Flatulence, Single women, and Sleepwear
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1802 and 1853?]
Call Number:
Drawings H263 no. 2 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Portrait, drawn in an oval, of Johannes Meeke. He is wearing 17th century dress with a cap. He is holding a book in his right hand
Description:
Title from artist's inscription below image., George Perfect Harding, English miniature painter, 1779/80-1853., Inscription in pencil on verso: By [?G.P. Harding]., and Inscription in pencil on verso: Benefactor of Magdalen College.
Head and shoulders of Isaac D'Israeli, in profile to the right, with features exaggerated. Notes by the artist scribbled above and below image
Description:
Title devised by curator., Annotation (signature?) in lower right in pencil: Gillray delin., Date based on publication date of the print entitled "Scientific researches! New discoveries in pneumaticks! ...", which includes a similar but reversed depiction of D'Israeli in profile. Cf. No. 9923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., James Gillray, English caricaturist, 1756-1815., and Mounted on leaf 38 of volume 12 of 12.
Page 25. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the monument in St. Mary's Church, with the bust of the Countess of Ailesbury sitting on a pedestal at center, head shrouded. Columns supporting an ornate roof flank the bust on either side, the area between their bases decorated with a pattern of quatrefoils. A winged cherub head hangs from the bottom of each column. A scale bar runs along the bottom of the sheet
Alternative Title:
Monument of the Countess of Ailesbury in the church at Sundridge, Kent
Description:
Title written in ink at bottom of image., Unsigned; artist unidentified., Date of production based on watermark: A. Blackwell & G. Jones 1802., and Mounted on page 25 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the servant Bianca shown descending a staircase while looking over her right shoulder, a worried expression on her face. Her gaze is directed at the top of the stairs, where a large hand in armor is seen resting on the banister near the landing of the floor above. The arched opening to the landing is flanked on either side with a display of armor and weapons mounted on the wall. Several arched windows and doorways are seen in the shadowy background
Description:
Title devised by cataloger., Signed and dated by the artist in lower left corner., and Bound in opposite page 217 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic seen in the background on the left, peering around a half-open door into an oratory. In the foreground on the right is a figure, completely hidden within a hooded cloak, kneeling at an altar. An open book and a crucifix sit on the altar; light streams in from the window behind it on the right. On the back wall of the room a statue resides within a raised alcove; a chair sits below the statue, and a framed picture hangs on the wall beside it.
Description:
Title devised by cataloger., Unsigned; artist attribution and date from signature "F. Miller 1802" on similar drawing bound in the same volume., and Bound in after page 222 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1802]
Call Number:
24 17 791P Copy 9
Collection Title:
Opposite page 223. Castle of Otranto.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic shown flinching back in surprise and horror at the sight in front of him, his arms outstretched and his legs poised for motion. A short distance to the left stands a skeleton wrapped in a hermit's cowl, its fleshless face seen in profile within a hood as it turns toward Frederic. The skeleton stands at an altar on which a cross and an open book sit; beyond the altar is a large, ornate window decorated with quatrefoils, Gothic tracery, and coats of arms. The walls behind Frederic on the right are decorated in a similar motif
Description:
Title devised by cataloger., Signed and dated by the artist in lower right portion of image., Additional statement of responsibility written in pencil at bottom of sheet, in Thomas Kirgate's hand: By George Perfect Harding., and Inlaid opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
As part of the seduction of the wife of his Portuguese neighbor, Zelcuo meets their child while his nurse takes him to a secluded shady seat and pretends to be moved by his beauty
Description:
Title devised by cataloger. and Paper watermark: Edm [trimmed].
