Drawing depicting the shrine designed by Pietro Cavallini, brought to the chapel at Strawberry Hill from Rome in 1768. Four twisted Corinthian columns are at the base
Description:
Title devised by curator., Probably drawn by William Bawtree, perhaps in preparation for a similar engraving he published in 1798. For a description of the engraving, see British Museum online catalogue, registration no.: G,2.199. For a reproduction of the engraving, see: Walpole, H. Strawberry Hill accounts ... Oxford : The Clarendon Press, 1927, opposite page 128., Date based on date of William Bawtree's death., and Mounted on page 200 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Page 8. Reminiscences, written in MDCCLXXXVIII, for the amusement of Miss Mary and Miss Agnes Berry ...
Image Count:
1
Resource Type:
still image
Abstract:
A view of the garden gate at Strawberry Hill, Horace's Walpole's estate in Twickenham. Two posts of Gothic design support the metal gates between them, with walls and trees extending on either side of the gate. The path in the foreground continues through to the other side, where more greenery is visible
Description:
Title written in ink below image., Signed and dated by the artist in lower right corner., and Bound in as page 8 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in MDCCLXXXVIII, for the amusement of Miss Mary and Miss Agnes Berry ... London : Printed by Richard Taylor and Co., 1805.
Page 6. Reminiscences, written in MDCCLXXXVIII, for the amusement of Miss Mary and Miss Agnes Berry ...
Image Count:
1
Resource Type:
still image
Abstract:
View of Horace Walpole's villa at Strawberry Hill, as seen from the southeast part of the property. The white structure is prominent in the center of the image, with ivy and shrubs obscuring the first floor of the house in places. A clump of trees separates the main house from another building on the left, only the edge of which is visible. On the lawn in front of the trees is an urn sitting on a pedestal. A cloud-filled sky is seen above
Alternative Title:
Southeast view of Strawberry Hill
Description:
Title written in ink below image., Attribution to John Buckler and date of production from signatures and dates on two similar drawings bound in the same volume., and Bound in as page 6 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in MDCCLXXXVIII, for the amusement of Miss Mary and Miss Agnes Berry ... London : Printed by Richard Taylor and Co., 1805.
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Buildings, structures, etc, and Estates
Page 7. Reminiscences, written in MDCCLXXXVIII, for the amusement of Miss Mary and Miss Agnes Berry ...
Image Count:
1
Resource Type:
still image
Abstract:
View of the cottage on the grounds of Horace Walpole's estate Strawberry Hill, seen in the middle distance surrounded by trees. The entrance and its portico face the viewer; a large bow window faces right. Smoke rises from one of the two chimneys atop the pitched roof
Description:
Title written in ink below image., Signed and dated by the artist in lower right corner., and Bound in as page 7 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in MDCCLXXXVIII, for the amusement of Miss Mary and Miss Agnes Berry ... London : Printed by Richard Taylor and Co., 1805.
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Buildings, structures, etc, Estates, and Outbuildings
A young girl begs for change as she holds out a hat to a couple heading toward the crowd around the tents at Epsom Derby. Her father (?) half kneels while playing a violin, and a woman (her mother?) clutches a baby to her breast
Description:
Title devised by cataloger., Date based on unverified data in local card catalog record., and For further information, consult library staff.
Subject (Topic):
Epsom Derby, England (Horse race), Beggars, Crowds, and Families
A drawing consisting of two panels. The left panel, "A Visit to my Uncle" depicts two women, one of a lower class than the other, visiting an elderly man, a money-lender, who is standing behind a counter. Instruments, possibly of gold, rest on the counter and behind the man. The right panel, "A Visit to my Aunt," depicts the same two women being served drinks by a corpulent woman behind a counter
Alternative Title:
Visit to my uncle and a visit to my aunt
Description:
Title from item., Inscription in ink underneath title: Original drawing., George Cruikshank, English graphic artist and son of Isaac Cruikshank (1764-1811, caricaturist), 1792-1878., and For further information, consult library staff.
A crow stands on top of a table flanked by two gallows inscribed with the words "To Botany Bay" (left) and "To Hell" (right). Cards and dice are also on the table, the front of which displays two crossed swords. Bottles of wine and a pot of gold pieces are underneath the table. The table itself sits on a dias
Description:
Title from item., Inscriptions in pencil above and below image with instructions on which colors to use. In the artist's hand?, Inscription in ink (part of image): Dedicated to the Members of White's, Boodle's, Brookes'. Let those laugh who win!. Arms of the Greeks!! 41 Pall Mall Augt. 1817., Signed in ink lower left: G. Cruikshank fecit., George Cruikshank, English graphic artist, 1792-1878., and For further information, consult library staff.
A soldier with an elongated nose appears to plead with or coax a woman wearing a stole, feathers in her hair, and a crucifix on a chain
Description:
Title from item., Signed in ink lower left: G.C., George Cruikshank, English graphic artist, 1792-1878., and For further information consult library staff.
A man and a woman are shown in profile, half-length; their facial features fit together likes pieces of a puzzle
Description:
Signed in ink lower left: GCk., Original drawing, basis for a publish print: Sure such a pair were never seen so justly form'd to meet by Nature!!! See British Museum. Catalogue of political and personal satires, v. 9, 13131., George Cruikshank, English graphic artist, 1792-1878., and For further information, consult library staff.
A shield with four quarterings: first quarter contains a pair of boxing gloves; the second quarter is drawn showing a man uncorking a bottle. The third and fourth quarters show different moments in a fight. Above the shield is a clenched hand surrounded by laurels, with two "Bottle-holders" supporting either side
Description:
Image was used as the basis for a print published by George Humphrey in 1819: The Boxer's arms., See Catalogue of political and personal satires, v. 9, 13395., George Cruikshank, English graphic artist, 1792-1878., and For further information, consult library staff.
A satirical coat of arms for the "Dandy." The shield is a dandy's tail-coat, supported by two monkey's dressed in clothes. The crest is a stay and a top hat. Underneath the shield, are written the words "Dandi, Dando, Dandum" below which a puppy is suspended
Description:
Title inscribed below image., Inscription in ink in image: Coat of Arms. Azure. The Sexes impaled improper between two Butterflies - Two flances; on the dexter flanch three pair of Stays, argent, the sinister flanch charged with Rouge Pomat & smellg bottle, On the Canton, Dexter a frill rampant in the sinister Canton a false collar rampant - small cloaths passive in pile supported by pins - Supporters- Two Monkies - proper - Crest, a pr of Stays full padded - supporting a Cravat & Collar Rampant proper, holding a blockhead argent & gules, wingerd with asses ears proper the whole under cover of a Sable Bever., Basis for print published as: The dandies coat of arms, See British Museum Catalogue of Political and Personal Satires, vol. 9, 13394., George Cruikshank, English graphic artist, 1792-1878., For further information, consult library staff., and Leverhulme-Auchincloss, vol. 15, p. 143.
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
Three-quarter length portrait of a man in profile, looking down and arms folded across his chest and wearing a top hat
Description:
Title from text inscribed in graphite pencil above image., Original title struck through: Know patient., Date from unverified data from local card catalog record., Probably a copy of an Isaac Cruikshank etching published in: Eccentric excursions, or, Literary & pictorial sketches ... / by G.M. Woodward., One of a series of 13 drawings by the same artist., and For further information, consult library staff.
A French officer, wearing blue, towers above a British officer, wearing scarlet. The French officer extends his arm above the head of the British officer
Description:
Title from item., In ink below image: "Jany 13. 1822. Pub. by G. Thanphrey St. James Street"., Richard Dighton, English painter and caricaturist, 1795-1880., and For further information, consult library staff.
Fairholt, F. W. (Frederick William), 1814-1866, artist
Published / Created:
[ca. 1856?]
Call Number:
Drawings F171 no. 1 Box D120
Image Count:
1
Abstract:
Ink drawing of the 14th century bridge in Florence -- Ponte alle Grazie -- with a view of the hills in the distance and the buildings of Florence on either side of the bridge
Description:
Frederick William Fairholt (1814-1866), English artist and antiquary, signed his prints "F.W.F"., Title from item., Signed by the artist in lower right corner: "F.W.F"., and Date of drawing based on artist's visit to Italy with Lord Londesborough in 1856.
A preparatory sketch for an unpublished caricature illustrating a scene in a large Georgian kitchen. In front of the open hearth a bull is roasting on a spit as a large-bottomed man (Grenville) sits beside it basting the meat. The dish beneath it is inscribed 'Broad bottom dripping pan'. Other dishes around the room are labeled as are the pools of fat in the dripping pan; some legible notes include plum pudding and mock turtle
Description:
Title from dealer's description., Signed "J. Gillray" in lower right corner., Date from watermark: Ruse & Turner 1805., Two sheets of paper joined:, One of at least three drawings of similar composition executed by Gillray; other versions of the design are held by the New York Public Library and the Courtauld Institute of Art, London., Formerly mounted on a blue paper backing, now removed with residual spots of mounting paper., and This sketch is mentioned in Broadley and Rose's Napoleon in Caricature 1795-1821, published in 1911. In a footnote to page 280, volume I, it notes that 'amongst Gillray's unfinished sketches for caricatures in possession of the writer [presumably Broadley, a known collector] are two very similar drawings entitled the "Broad Bottom Dripping Pan".'
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834
Subject (Topic):
John Bull (Symbolic character), Bulls, Kitchens, Cookery, and Cooking utensils
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 3 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out to dinner. Oh dear me, well your mistress will do just the same. & She's out Sir. How provoking. Well, I'll set down by the fire till they come home. I'm sorry to tell you that that's gone out to." Upper right: A soldier is shot by a man (Turk?) hiding in the tall grass and pointing a rifle. Lower half, left: In a pulpit a bald minister with spectacles rants and he holds up a Bible in his left hand ready to throw it at the sleeping congregation below, " Ye sleepy crew if ye wont hear the owrd of God ye shall feel it." Lower right: A simpleton in artist attire holds up a piece of paper with a stick figure drawing and says, "Don't you think I improve."
Description:
Title from captions written each image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 9 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A group of twelve man and women of various ages and walks of live -- tradesmen, a clergy, a spinster, a military officer, a gentleman in shackles, a servant, a frail, sickly man, etc. -- stand full length facing the viewer. Above their heads are brief expressions of their 'wants': "I want a job"; "I want more customers"; "I want a husband"; "I want for death", etc. Only an obese gentleman on the right is content: "I want for nothing"; next to him, the military officer with a monocle says, "I don't know what I want."
Alternative Title:
Human nature delineated
Description:
Title from caption in artist's hand written below image., Quotation following title: Lord, what an amorous thing is want. Hudibras., Date of creation based on Grant's known years of activity., Attributed to C.J. Grant based on style and association with other signed drawings., and For further information, consult library staff.
Subject (Topic):
Clergy, Distress, Men, Military officers, Occupations, and Women
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 6 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A gentleman in a riding habit (left) rides his horse through the door of a cottage startling the family who sit at their dinner table. The man's hunting dog jumps at the young son who sits closest to the door; he screams in terror, his fork and knife frozen part way to his mouth and his leg thrown up, spilling a pitcher from the table. The mother raises up her arms in terror, letting the cutlery fly; in her mouth is a gnawed bone. Behind her is a wall with shelves lined with dishes and mugs. Her husband (right), back to the viewer, turns to the intruder pointing a long spear. His knife and fork are on the floor below his chair. The gentleman addresses the cottagers, "Och, dont disturb y'rselves my Nonies I only want to know whether you cou'd be after informing me where I cou'd meet with a decent night's lodging for man and beast."
Description:
Title from caption written below image in artist's hand, with the words trimmed along the lower edges with loss of the descenders., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 2 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A full-length caricature of an obese clergy man who wears a bishop's hat (?) and smokes a long pipe as he walks left. He carries a pig and a chicken under his left arm. He holds a Bible in his left hand, and he carries a bottle in his pocket. He has a very large nose and a round checks. His very large belly is exaggerated further in graphite
Alternative Title:
Sinecure
Description:
Title from caption written below image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Topic):
Avarice, Chickens, Clergy, Obesity, Pipes (Smoking), and Swine
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 2 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A full-length caricature of an obese clergy man who wears a bishop's hat (?) and smokes a long pipe as he walks left. He carries a pig and a chicken under his left arm. He holds a Bible in his left hand, and he carries a bottle in his pocket. He has a very large nose and a round checks. His very large belly is exaggerated further in graphite
Alternative Title:
Sinecure
Description:
Title from caption written below image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Topic):
Avarice, Chickens, Clergy, Obesity, Pipes (Smoking), and Swine
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 4 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
The more finished of the two wash drawing on recto shows a drunken tradesman (perhaps sailor or dustman) holding onto a post. Above him is written by the artist, "Niccup who are ye staring at. Take a little sober advice and go home for you seem to be beastly intosticated [sic]." On the verso, a graphite drawing of a baker(?). On the verso a pencil sketch of the same tradesman, unfinished
Description:
Title from caption written below image on recto, in artist's hand., Attributed to C.J. Grant based on style and association with other signed drawings., Date of creation based on Grant's known years of activity., Watermark on paper: J. Whatman 1830., and For further information, consult library staff.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 4 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
The more finished of the two wash drawing on recto shows a drunken tradesman (perhaps sailor or dustman) holding onto a post. Above him is written by the artist, "Niccup who are ye staring at. Take a little sober advice and go home for you seem to be beastly intosticated [sic]." On the verso, a graphite drawing of a baker(?). On the verso a pencil sketch of the same tradesman, unfinished
Description:
Title from caption written below image on recto, in artist's hand., Attributed to C.J. Grant based on style and association with other signed drawings., Date of creation based on Grant's known years of activity., Watermark on paper: J. Whatman 1830., and For further information, consult library staff.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 5 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a cottage with an old woman asleep in a chair, her feet resting on a low footstool in front of open door (left); in her lap she holds an open book and a pair of spectacles. On the right, a boy in a smock stands on a stool in front of an open cupboard eating from a full bowl. Along the back wall is a pair of casement windows with a drop leaf table below and pictures on the wall to the left. A cat walks across the center of the scene looking up at the boy
Description:
Title from caption in artist's hand written below image., Date of creation based on Grant's known years of activity., Watermark on paper: J. Rump 1825., and For further information, consult library staff.
Subject (Topic):
Boys, Cats, Cupboards, Dwellings, Eating & drinking, Interiors, Sleeping, and Women
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 8 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A man with a queue wig and wearing spectacles (right) sits expectantly at a small round tea table set for two; his hands on the table glench his knife and fork, his napkin tied around his neck like a bib. He leans forward as he eyes the food approach carried by a woman in a mop cap and wearing spectacles who stands full lengh (left) holding a long handled frying pan heaped high with dark ashes. He says, "Come, come, Dame is'nt my eggs and bacon done yet. I'm literally famish'd in waiting." She replies, "I am very sorry to inform your worship that just as I had done 'em so nice all this here soot fell into the pan."
Description:
Title from caption written below image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Topic):
Accidents, Cookery, Eating & drinking, Dining tables, Starvation, and Tableware
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 7 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
John Bull stands defiantly in the center of a crowd of angry men -- military officers, gentlemen of various ages, tradesmen, and an amputee -- most of whom hold out bills ranging between £50 and £5000; the speech bubbles above their heads read: "King's taxes"; "Police rate"; "Parish rates"; "Excise duties"; "Tithes church rates pew rents & Easter doos [sic]"; "Sundres &c." John Bull's response reads, "Damme ye had better devour me., ye voratious crew. Am I never to have my hands out of my pocket again, but 't wont last long lads. I shall soon be in the Gazette & then ye lazy drones ye must work hard for you own livings." The man with a large belly on the lower right carries a little dog under his arm
Description:
Title from caption written below image., Date of creation based on Grant's known years of activity., Paper watermarked: J.R. 1828., and For further information, consult library staff.
Subject (Geographic):
Great Britain
Subject (Topic):
John Bull (Symbolic character), Taxation, Anger, Crowds, Demonstrations, Dogs, Men, Military officers, and Obesity
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 1 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
An artist (left) with a caricatured face looks on with horror as a bust falls on the head of the Lord, the sitter, who jumps and shreaks with pain, his foot breaking the window (right). In the background the Lord's round, well-dressed wife looks on in horror and Sketch on verso in pencil shows a boxer with gloves in a fighting stance. The figures in ink on recto, the artist and his lordship, bleed-through the image on verso
Description:
Title from caption written above image on recto; image on verso untitled., Verses below image begin: " A poor sculptor with his work elated, on a fickle lord one evening waited ; with his Lordship's bust ... Now her Ladyship with great acknowledg'd the sculptor's work to be a striking likeness.", Place and date of creation based on Grant's known place of residence and years of activity., and For further information, consult library staff.
Subject (Topic):
Artists, Boxers (Sports), Boxing, Couples, Distress, Pain, Sculptors, and Sculptures
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 1 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
An artist (left) with a caricatured face looks on with horror as a bust falls on the head of the Lord, the sitter, who jumps and shreaks with pain, his foot breaking the window (right). In the background the Lord's round, well-dressed wife looks on in horror and Sketch on verso in pencil shows a boxer with gloves in a fighting stance. The figures in ink on recto, the artist and his lordship, bleed-through the image on verso
Description:
Title from caption written above image on recto; image on verso untitled., Verses below image begin: " A poor sculptor with his work elated, on a fickle lord one evening waited ; with his Lordship's bust ... Now her Ladyship with great acknowledg'd the sculptor's work to be a striking likeness.", Place and date of creation based on Grant's known place of residence and years of activity., and For further information, consult library staff.
Subject (Topic):
Artists, Boxers (Sports), Boxing, Couples, Distress, Pain, Sculptors, and Sculptures
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1800]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 4a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of one of the chairs, designed in a Gothic style by Richard Bentley and Horace Walpole, that were in the Great Parlour (Refectory) at Strawberry Hill
Description:
Title written in ink below image, on mounting page., Signed and dated by the artist in lower left corner using his monogram: The letters "G" and "P" below with an "H" centered above., and Inlaid on page 4a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1800]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 4b. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the table of Sicilian jasper on a black frame, designed by Richard Bentley, in the Great Parlour (Refectory) at Strawberry Hill
Description:
Title written in ink below image, on mounting page., Signed and dated by the artist in lower left corner using his monogram: The letters "G" and "P" below with an "H" centered above., and Inlaid on page 4b in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not before 1791]
Call Number:
Drawings H263 no. 4 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
A portrait of the French Protestant Minister, Andre Lortie, shown half-length. He is wearing the clothing of a clergyman and holds open a book. The background includes a curtain and the outline of a landscape view. Unfinished portrait with only the face finished; t he body is only outlined
Description:
Inscription in ink on verso: A facsimile from the most rare original messotinto in the collection of the Honble Horatio Walpole at Strawberry Hill Nov. 3rd 1791 by Mr Harding and J:B?, Inscription in graphite pencil on verso: The head by G.P. Harding., Inscription in graphite pencil on verso: French Protestant Minister in England D. 1700., and George Perfect Harding, English miniature painter, 1779/80-1853.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[approximately 1805]
Call Number:
Folio 24 27 798
Collection Title:
Page 299. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Pierre de Bourdeille, seigneur de Brantôme; bust-length, directed to the right; bearded; wearing a doublet; with a ruff and a medallion around his neck
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., and Mounted on page 299 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Subject (Name):
Brantôme, Pierre de Bourdeille, seigneur de, -1614,
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1806]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 316. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Catherine Sedley, Countess of Dorchester; bust-length, turned slightly to the right; short hair in curls; wearing a loose dress fastened at the left shoulder with a brooch
Alternative Title:
Catherine Countess of Dorchester
Description:
Title written in ink below image, on mounting page., Statement of responsibility and date written in ink along right edge of drawing; attribution to G.P. Harding from local catalog card., and Mounted opposite page 316 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1810]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 317. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Katherine Sheffield, Duchess of Buckingham and Normanby, the illegitimate daughter of King James II and Catherine Sedley, Countess of Dorchester; half-length, facing the viewer with her head turned slightly left; curls of her long hair falling over her right shoulder; wearing pendant earrings and a small jacket over a dress with a low neckline
Alternative Title:
Katherine Duchess of Buckingham
Description:
Title written in ink below image, on mounting page., Signed with initials and dated in lower right portion of image; attribution to G.P. Harding from local catalog card., and Mounted opposite page 317 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Subject (Name):
Buckingham and Normanby, Katherine Sheffield, Duchess of, 1681 or 1682-1743,
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[approximately 1805]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 293. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Lieutenant General Charles Churchill, three-quarter length, turned slightly right, standing with his right hand on his hip; wearing a military uniform, a wig, and a sword at his side. Tents, presumably from a military encampment, are visible in the background on the right
Alternative Title:
Charles Churchill, Esq. : Lieutenant General of his Majesty's Forces ...
Description:
Title written in ink below image., Title continues: ... and Captain Governor and Keeper of the Royal Citadel there, and of St. Nicholas Island and of all the castles and forts therein; Colonel of a Regt. of Dragoons; Groom of the Bed Chamber to his Majesty, and Member of Parliament for Castlerising in the County of Norfolk from the year 1714 to 1742., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., and Mounted opposite page 293 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1806?]
Call Number:
Folio 33 30 Copy 11
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing of the chimneypiece in the Little Parlour at Horace Walpole's Strawberry Hill villa in Twickenham. Its design was taken from the tomb of Thomas Ruthall, Bishop of Durham, in Westminster Abbey. A saracen's head, the crest from the Walpole family arms, sits atop a blank shield at the center of the mantel
Description:
Title written in brown ink below image, in a contemporary hand., Signed by the artist in ink in lower right corner using his monogram: The letters "G" and "P" below with an "H" centered above., Date of production based on death date of Richard Bull, who assembled the extra-illustrated volume in which this drawing appears., Mounted on page 52 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 8a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a tall cup, with indistinct designs near the rim that likely represent the arms of the Earls of Exeter. This object was kept by Horace Walpole in the China Room at Strawberry Hill
Alternative Title:
Earl of Exeter's ivory drinking horn, in China Room
Description:
Title written in ink below image, on mounting page; alternative title from pencil annotation in Thomas Kirgate's hand at bottom of sheet., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, whose annotation is present below image., Page reference written in pencil above image: P. 9., and Inlaid on page 8a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 8b. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a mug, its base wider than its mouth, with a small handle mounted up close to the lip. The side of the vessel is decorated with the figure of a man (three-quarter length) above a coat of arms; in the China Room at Strawberry Hill
Description:
Title from note in pencil below image, in Thomas Kirgate's hand., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, whose annotation is present below image., and Inlaid on page 8b in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[ca. 1805]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 299. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Francesco Guicciardini, bust-length, turned to the left; wearing a hat and a fur-lined cloak
Alternative Title:
Guicciardini
Description:
Title written below image., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., and Mounted opposite page 299 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[ca. 1805]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 278. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Henry Hyde, Earl of Clarendon and Rochester; half-length, turned to the right; in a long, curled wig; wearing a coat and cravat
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., and Mounted opposite page 278 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Subject (Name):
Clarendon and Rochester, Henry Hyde, Earl of, 1672-1753,
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1807]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 308. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Jean-Louis de Nogaret de La Valette, duc d'Epernon; bust-length, turned slightly right; wearing armor with a sash and a broad white collar edged with lace
Alternative Title:
Jean Louis de la Valette, Duke of Epernon
Description:
Title written in ink below image., Signed with initials and dated in lower right portion of image; attribution to G.P. Harding from local catalog card., and Mounted opposite page 308 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Subject (Name):
Epernon, Jean-Louis de Nogaret de La Valette, duc d', 1554-1642,
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1802 and 1853?]
Call Number:
Drawings H263 no. 2 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Portrait, drawn in an oval, of Johannes Meeke. He is wearing 17th century dress with a cap. He is holding a book in his right hand
Description:
Title from artist's inscription below image., George Perfect Harding, English miniature painter, 1779/80-1853., Inscription in pencil on verso: By [?G.P. Harding]., and Inscription in pencil on verso: Benefactor of Magdalen College.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
1805.
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 279. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Maria Aurora von Königsmarck dressed as the goddess Diana; half-length, shoulders facing left and head turned towards the viewer; wearing a flowing garment, an armband, and a crescent moon hair ornament; with a quiver of arrows strapped to her back
Alternative Title:
Diana Saxonica
Description:
Title written in ink below image., Signed in ink in lower left corner; place and date of production written in ink in lower right corner., Probably drawn after a mezzotint by Pieter Schenk that was published in Amsterdam in 1705., and Mounted opposite page 279 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[ca. 1805]
Call Number:
Folio 24 27 798
Collection Title:
Page 316b. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Susan, Baroness Belasyse, who was courted by James, Duke of York before he became King James II; bust-length, shoulders facing left with head turned towards the viewer; her hair in curls; wearing a pearl necklace and a gown with a low neckline
Alternative Title:
Lady Belasyse
Description:
Title written in ink below image., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., and Mounted on page 316b in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[ca. 1805]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 311. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Anne Vane, maid of honour to Caroline of Ansbach and mistress to her son Frederick, Prince of Wales; bust-length, head turned slightly to the left; a stern expression on her face; wearing a low-cut gown and pearls in her hair
Description:
Title written in ink below image., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., and Mounted opposite page 311 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[ca. 1810]
Call Number:
Drawings H263 no. 6 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Portrat of Sir Horace Mann, half-length turned to the left but looking forward at the viewer
Description:
Title inscribed below image., George Perfect Harding, English miniature painter, 1779/80-1853., After a portrait of Horace Mann by J. Astley which belonged to Horace Walpole at Strawberry Hill., Engraving of this portrait published by Richard Bentley, 1810., and Inscription in pencil: ? by G.P. Harding.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[approximately 1805]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 296. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Henrietta Hobart Howard, Countess of Suffolk; half-length, turned slightly right; with her hair down and her left hand touching it beside her cheek; wearing a low-cut gown
Description:
Title written in ink below image., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., Probably drawn after the portrait by Jervas that was owned by Horace Walpole and kept at Strawberry Hill., and Mounted opposite page 296 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Subject (Name):
Suffolk, Henrietta Hobart Howard, Countess of, 1688?-1767, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a vase in the Tribune at Strawberry Hill. At center is a view of the vase which is decorated with a scene of the sacrifice to Priapus, expanded in the drawing horizontally so that the entire scene is visible. In the lower left is a top view of the vase labeled "bocca del' vaso" and in the lower right a bottom view labeled "fondo dell' vaso."
Alternative Title:
Sacrificio di Priapo in vn' vaso di metallo giallo scavato nel' anno 1702 in Roma : fra' il Circo Massimo & le Terme di Antonino Caracalla
Description:
Title devised by curator., Written in ink at top of sheet: Sacrificio di Priapo in vn' vaso di metallo giallo scavato nel' anno 1702 in Roma ..., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 170 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Priapus (Greek deity),
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of arms and a crest, likely from one of the seals that were kept by Horace Walpole in the Tribune at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 158 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Coats of arms, and Seals (Insignia)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a jug-like bottle with a handle that was owned by Horace Walpole at Strawberry Hill. This type of bottle was sold by apothecaries, and this particular example was from the collection of Mrs. Kennon, the virtuosa midwife
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 31 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1802]
Call Number:
24 17 791P Copy 9
Collection Title:
Opposite page 223. Castle of Otranto.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic shown flinching back in surprise and horror at the sight in front of him, his arms outstretched and his legs poised for motion. A short distance to the left stands a skeleton wrapped in a hermit's cowl, its fleshless face seen in profile within a hood as it turns toward Frederic. The skeleton stands at an altar on which a cross and an open book sit; beyond the altar is a large, ornate window decorated with quatrefoils, Gothic tracery, and coats of arms. The walls behind Frederic on the right are decorated in a similar motif
Description:
Title devised by cataloger., Signed and dated by the artist in lower right portion of image., Additional statement of responsibility written in pencil at bottom of sheet, in Thomas Kirgate's hand: By George Perfect Harding., and Inlaid opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 10a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a tall, thin vessel of indeterminate function, pale green in color and sitting upright on its ornate gold base. The opening at the top is edged with gold, below which is an image in gold of a figure riding a horse. To the right of where the base meets the rest of the vessel is a pencil annotation in Thomas Kirgate's hand indicating that this area is made of "blue glass". Presumably a depiction of an object kept by Horace Walpole in the China Room at Strawberry Hill
Description:
Title from local catalog card., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, whose annotation is present beside image., and Inlaid on page 10a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1853]
Call Number:
33 3 Copy 14
Collection Title:
Volume 2, opposite page 137. Catalogue of the royal and noble authors of England.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of John Hervey, Baron Hervey of Ickworth; half-length, turned slightly left and looking towards the viewer; wearing a shoulder-length curly wig, an open jacket, a waistcoat, and a neckerchief with frill; holding the purse of the Great Seal in his right hand
Description:
Title devised by curator., Unsigned; attribution to G.P. Harding from local catalog card., Drawn after a portrait by Jean-Baptiste Vanloo; cf. paintings in the National Portrait Gallery, London (NPG 167) and at Ickworth House (NT 851778)., Date of production based on artist's death date., With placement instruction "137" written in pencil in upper left corner of sheet., and Inlaid opposite page 137 in volume 2 of an extra-illustrated copy of: Walpole, H. A catalogue of the royal and noble authors of England. [Twickenham, England] : Printed at Strawberry-Hill, 1758.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a medal in the Library at Strawberry Hill, with the bust-length image of King Edward VI with crown on the obverse and on the reverse his coat of arms
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 99 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Edward VI, King of England, 1537-1553, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a large gold medal of King Henry VIII housed in the Library at Strawberry Hill. On the obverse is the King's head in profile surrounded by two circular rows of lettering; on the reverse is his titles in Hebrew, Greek, and Latin
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 99 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Henry VIII, King of England, 1491-1547, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing depicting both sides of a silver medal from Italy that Horace Walpole kept in the Library at Strawberry Hill. On one side is the head of Queen Mary of England and on the other is the head of Philip II of Spain; both heads are shown in profile
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 99 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Mary I, Queen of England, 1516-1558,, Philip II, King of Spain, 1527-1598,, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of an ancient silver seal of Hugh O'Neill, King of Ulster, that was kept by Horace Walpole in the Tribune at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 158 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 2d. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Unfinished drawing of the Gothic lantern, designed by Richard Bentley, that hung in the Entrance of Strawberry Hill
Alternative Title:
Lanthron in the Red Hall
Description:
Title from local catalog card; the title written in ink on mounting page has "lanthorn" misspelled as "lanthron"., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 2d in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
A caricature showing a couple full-length as they dance. The older man with a very large and balding forehead holds the arm of a young girl; both are standing on their toes. She is holding a fan and looking away from the man
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
A caricature of a couple, full-length and fashionably dressed in a simple way, are shown in profile kissing. The length of their arms is exaggerated and are in contrast to their short legs. The woman's eyes are open but the man's are closed
Alternative Title:
Conclusion
Description:
Title written in ink, below image., Mounted on the verso of an estate map of Creeves, in Limerick County, Ireland., and William Heath, English caricaturist and illustrator, 1795-1840.
An awkward couple, caricatured and drawn full-length, are shown dancing. An older woman whose decorative plumage extends beyond the man's head, has a crooked nose and lanky features. The man, somewhat younger, has a protruding chin
Description:
Title from caption in brown ink, below image., Questionable attribution to William Heath., Mounted on the verso of an estate map., and William Heath, English caricaturist and illustrator, 1795-1840.
In a farmyard, a man pushes a wheelbarrow. The farmhouse stands behind the man. Tree branches and tools for cutting wood are scattered throughout the farmyard
Description:
Title from inscription in graphite pencil on verso: Hunt, William Henry, 1790-1864. A farmhouse, man with barrow in pen and watercolor., Inscription in graphite pencil on verso: Brought from attic to print room by WSL, 1-16-75., and William Henry Hunt, English watercolor painter, 1790-1864.
Two men fight with swords as a woman in her bed looks on in horror. Possibly the scene where Zeluco arrives in Nerina's bedroom unannounced and catches her with another lover
Description:
Title devised by cataloger., Signed in ink lower left: F. James del. 1803., A partial wash oval on verso., and As laid in the folder: a second sheet with graphite pencil notes for the engraver? "ABCDE G R W 17056 proportion 3 x 5 scale 1/8" - 1".
A calm pastoral scene with a young man rests against the trunk of a tree as he plays a clarinet. To his right, a young woman, slightly turned away, looks back at him with a reflective expression on her face
Description:
Title devised by cataloger., Date based on companion drawings signed, dated, and executed by F. James., and Tentatively identified as an illustration for Oliver Goldsmith's The vicar of Wakefield.
As part of the seduction of the wife of his Portuguese neighbor, Zelcuo meets their child while his nurse takes him to a secluded shady seat and pretends to be moved by his beauty
Description:
Title devised by cataloger. and Paper watermark: Edm [trimmed].
Page 56b. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Diagram showing the arrangement of items hung inside Horace Walpole's Cabinet of Miniatures and Enamels, which was kept in the Tribune at Strawberry Hill. Most of the nearly ninety objects are small paintings, which are shown in outline only. In these cases the name of the portrait's sitter or a description of the image is written in the blank space at center, while the shape and ornamentation of the surrounding frame is depicted in some detail. Other objects include locks of hair, hearts made of hair, rings of agate, and decorative heart pendants; each of these items has a label written below. Two small areas on the right and left sides of drawing, both delineated by a vertical line and labeled "side" above, show objects that were hung on the interior sides of the cabinet
Description:
Title written in watercolor at top of sheet, centered., Unsigned; attribution to Thomas Kirgate from local catalog card., Date based on artist's death date., and Inlaid on page 56b in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Miniatures (Paintings), and Cabinets (Case furniture)
Sketch of an armorial shield with three caterpillars, two at the top and one at the bottom. Running horizontally across the middle of the shield is a band with a human-faced sun at its center. To the right of the upper caterpillars is written "Catterpillars"; to the right of the band is written "Rainbow".
Description:
Title devised by curator., Unsigned; attribution to Thomas Kirgate from local catalog card., Date of production based on artist's death date., and Drawn in lower left corner of page 42 in Thomas Kirgate's extra-illustrated copy of: Walpole, H. Fugitive pieces in verse and prose. [Twickenham] : Printed at Strawberry-Hill, 1758.
Opposite page 88. Fugitive pieces in verse and prose.
Image Count:
1
Resource Type:
still image
Abstract:
Sketch of one side of a coin, with the Latin motto "Pro bono publico" around the outer edge and value in written in Italian "Soldi cinque" in the center
Description:
Title devised by curator., Unsigned; attribution to Thomas Kirgate from local catalog card., Date of production based on artist's death date., Three lines of text written below image, in ink over pencil: This is taken from a coin of Theodore's, engraved in a French 4to. book entitled Recueil general des pieces obsidionales 7 de nécessité, plate 27, no. 8., With placement instruction "88" written in pencil in upper right corner., and Mounted opposite page 88 in Thomas Kirgate's extra-illustrated copy of: Walpole, H. Fugitive pieces in verse and prose. [Twickenham] : Printed at Strawberry-Hill, 1758.
Page 56c. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Diagram showing the arrangement of miniatures hung inside the left hand door of Horace Walpole's Cabinet of Miniatures and Enamels, which was kept in the Tribune at Strawberry Hill. The six small paintings, arranged in a cross pattern, are shown in outline only. In each case the name of the portrait's sitter or a description of the image is written in the blank space at center, while the shape and ornamentation of the surrounding frame is depicted in some detail. Orientation for the diagram is provided by the word "door" written in watercolor at the top of the sheet and the words "left hand" written in pencil at the bottom
Description:
Title devised by cataloger., Unsigned; attribution to Thomas Kirgate from local catalog card., Date based on artist's death date., and Inlaid on page 56c in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Miniatures (Paintings), and Cabinets (Case furniture)
Page 56a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Diagram showing the arrangement of miniatures hung inside the right hand door of Horace Walpole's Cabinet of Miniatures and Enamels, which was kept in the Tribune at Strawberry Hill. The eight small paintings, arranged in three columns, are shown in outline only. In each case the name of the portrait's sitter or a description of the image is written in the blank space at center, while the shape and ornamentation of the surrounding frame is depicted in some detail. Orientation for the diagram is provided by the word "door" written in watercolor at the top of the sheet and the words "right hand" written in pencil at the bottom
Description:
Title devised by cataloger., Unsigned; attribution to Thomas Kirgate from local catalog card., Date based on artist's death date., and Inlaid on page 56a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Miniatures (Paintings), and Cabinets (Case furniture)
A caricature on the prevalence of bribery during elections, most probably that of 1826. The successful liberal candidate stands on a platform before a cheering crowd and people waving from the windows of adjoining building. In the 'Committee Room' behind him, an official pays a man holding a sign inscribed 'No bribery or corruption' with the word 'and' between bribery and corruption scored through. On the right is an armchair and behind it stand two large flags; two flowers on the chair match the flower on the lapel of the candidate
Description:
Title written in ink in bottom left corner of image, in an unidentified hand (possibly Theodore Lane's)., Statement of responsibility written in ink on verso, in an unidentified hand (possibly Theodore Lane's)., Date supplied by cataloger., A small hole in the lower right and two small looses along left edge., Probably the original drawing for a lithograph published in 1829; Cf. Lewis Walpole Library call no.: 829.06.01.02+., and A companion drawing: Rejected candidate.
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Cheering, Corruption, Crowds, Political elections, Politicians, and Signs (Notices)
A caricature on the prevalence of bribery during elections, most probably that of 1826. The distraught rejected candidate, shown full-length and facing left is red in the face and pulling at his hair. His election placard lies on the floor and two notes are visible on the mantelpiece above a grill with fireplace tools: 'Tavern expenses 500' and 'Bringing voters from London 800'. Through the window on the right, with flags flying, a cheering crowd carries the successful candidate in a chair above their heads
Description:
Title written in ink in bottom right corner of image, in an unidentified hand (possibly Theodore Lane's)., Statement of responsibility written in ink on verso, in an unidentified hand (possibly Theodore Lane's)., Date supplied by cataloger., A small hole in the lower right., Probably the original drawing for a lithograph published in 1829; Cf. Lewis Walpole Library call no.: 829.06.01.01+., and A companion drawing: The chosen candidate.
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Anger, Corruption, Crowds, Political elections, and Signs (Notices)
Page 16. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
A circular image with three concentric designs surrounding the center image of a view of the bridge and Castel Sant'Angelo with the cupola of St. Peter's. The outer most circle is split into twelve equal sections with classical scenes which in turn are topped with an image of an open book with a page numbered "Tab. I-[XII]" moving counter-clockwise
Alternative Title:
Qua mare qua terras lustrat sol lumine semper, sospite me pater imperium Romanus habebit
Description:
Title devised by curator., Statement of responsibility written by Horace Walpole on separate slip of paper (2.9 x 6.6 cm), mounted on opposite page., and Mounted on page 16 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Geographic):
Rome
Subject (Name):
Dionysus (Greek deity), Basilica di San Pietro in Vaticano,, and Museo nazionale di Castel Sant'Angelo,
Subject (Topic):
Social life and customs, Agriculture, Rites & ceremonies, and Views
A whimsically portrayed Horace Walpole makes a shushing gesture with one finger on his lips while holding an empty picking basket in his other hand. A small lapdog with a decorative bow tied around its neck, presumably Tonton, accompanies Walpole on the task. Doctor John Dolittle, the central character in Hugh Lofting's series of children's books also appears in the scene as a young curious boy pointing up towards the hill
Description:
Title from text above image., Date based on watermark: 1914 England., Text penned below title: The dilletante member for King's Lynn sneaks away from Parliament in the midst of an important debate to pick strawberries on Strawberry Hill with his young friend John Dolittle, the naturalist, aged seven., and Text penned below image: Note: the dog shown is the first specimen of the Strawberry-hound introduced into England.
A copy of the caricature of the British Statesman and High Lord Chancellor Henry Peter Brougham, 1st Baron Brougham and Vaux (1778-1868), that appeared in the center of an print that was published on 1 October 1834 in Every body's album & caricature magazine, no. 19. He is depicted as a very thin traveller wearing a Scottish tam over his wig and using a broom as a walking stick; his shoe is worn through. He carries a wooden post labelled "Scratching post", a box stamped "Containing the freedoms of all the Scotch towns" and a bag with the words "Broken victuals the leavings of the Edinburgh blow out". Around his waist is another bag, "Oat meal". Above the image framed in lines in gold ink: “I flatter myself I've made a tolerable good job by my “Starring it” with Old Grey in the North! Sold all my numbers of the Penny Magazine, and well puff'd it through every town I went. Made little less than one hundred speeches about, I forget now, Received some score of Burgesses, Freedoms, and Invitations to as many dinners, where I blew my own trumpet & obtained plenty of orders from our Usefull Knowledge Society! Now, woe to the unstamn'd when I get home! I must have a good scrub at my skin presently; I reckon I have got a taste of the fiddle through my itch for travelling!
Description:
Title written in ink below image., Drawn after a print by C.J. Grant, published ca. 1833 by G. Drake as No. 56 in The political drama series; see British Museum online catalogue, registration no.: 1868,0808.11156. A nearly identical image also appears among several designs in Every body's album & caricature magazine, No. 19 (1 October 1834); see Lewis Walpole Library call no.: 834.10.01.01+., and Additional text written within speech box above image: I flatter myself I've made a tolerable good job ...
Subject (Geographic):
Great Britain.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Subject (Topic):
Ethnic stereotypes, Government officials, and Judges
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the servant Bianca shown descending a staircase while looking over her right shoulder, a worried expression on her face. Her gaze is directed at the top of the stairs, where a large hand in armor is seen resting on the banister near the landing of the floor above. The arched opening to the landing is flanked on either side with a display of armor and weapons mounted on the wall. Several arched windows and doorways are seen in the shadowy background
Description:
Title devised by cataloger., Signed and dated by the artist in lower left corner., and Bound in opposite page 217 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic seen in the background on the left, peering around a half-open door into an oratory. In the foreground on the right is a figure, completely hidden within a hooded cloak, kneeling at an altar. An open book and a crucifix sit on the altar; light streams in from the window behind it on the right. On the back wall of the room a statue resides within a raised alcove; a chair sits below the statue, and a framed picture hangs on the wall beside it.
Description:
Title devised by cataloger., Unsigned; artist attribution and date from signature "F. Miller 1802" on similar drawing bound in the same volume., and Bound in after page 222 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes ... On the table below the window (left) is a bowl labeled "Pease porridge" and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man's coat is hung on the back of the chair to the right of the hearth
Description:
Title from note in artist's hand above image., Artist name from dealer's description., Study (or copy) for a print of the same title that was published July 1801 by W. Holland. Not reversed., and John Nixon (ca. 1750 - 1818), city merchant and amateur watercolourist (topography) and designer and maker of satirical prints; honorary exhibitor in RA between 1781 and 1815.
Subject (Topic):
Bed, Boxes, Candlesticks, Canopy beds, Cats, Corsets, Couples, Fireplaces, Flatulence, Single women, and Sleepwear
A large, masculine-looking woman with spectacles and a hat, stands before stool on which sits an open book of music. She holds in her right hand a baton which rests on the open page
Description:
Title in artist's hand, lower right corner of image. and Signed with his monogram 'J.N." and dated by the artist.
A caricature of the new Lord Mayor of London: Harvey Combe stands centerd in the a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (buthcher?) holds a knife in one hand and a scroll in the other enscribed with a large order for meat: "12 haundres vension, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef bacon(?) &"". In the foreground lies another sheet which readss "Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr." The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag with the word "Saving" written on it. The two cats on the left and the dog following the butcher are also thin from malnorishment. Two large spiders have spun large webs below the archway on the left below a two cupids holding a heart molded above the archway
Alternative Title:
New tenants at a mansion house
Description:
Title written below image., Signed with initials and dated by the artist in lower left corner., "Sold by all the printsellers in London, Nov. 9, 1799"--Written in above title., and Original design for a print published 9 November 1799.
Subject (Geographic):
England.
Subject (Name):
Combe, Harvey Christian, 1752-1818 and Glyn, Richard Carr, Sir, 1755-1838
Subject (Topic):
Politicians, Pleading (Begging), Kicking, Poor persons, Interiors, Cats, and Dogs
A dustman bends over a large woman who has fallen and lifts her by placing his hands under her arms. She looks up angerly and shakes her fist at the dustman's young assistant in an apron who looks on (left) with a smile and hand raised. Two dogs jump around the group
Description:
Title and artist attribution from dealer's description. and Date based on watermark: 1804.
Subject (Topic):
Accidents, Chimney sweeps, Dogs, Obesity, and Women
Album of ca. 40 pen and ink, wash, and one color drawing of scenes in Yorkshire, most dated (30 April 1799-9 June 1801) and "drawn on the spot", with the artist's identification of the locales, buildings, and ruins. The first is dated April 30th 1799 and is a view of Fountain's Abbey and followed by several sketches of ships and trees, a cottage, and two views of a bridge with a village in the distance. These sketches are followed by a series 24 non-sequentially numbered sketches, half of which are half-page oval designs. Six more drawings -- wash, pencil, or ink -- follow executed in 1801. The penultimate leaf contains a pencil drawing of The ruins of Wallop Church, dated Ap: 15th 1805 on the verso and a rough sketch of a scene on the verso. The final leaf is a wash drawing of a vista and is signed E. Johnson, JPearson, JPearson and is undated; another rough pencil drawing of trees and tower on the verso
Description:
Artist John Pearson of Ripon., Title devised by cataloger., Binding: Marble boards, leather spine., First recto leaf: a list of "Unbound sketches" not included in this album., On front flyleaf: Jn. Pearson, Ripon. With other faint pencil notes about subjects of drawings., "N.9" on back pastedown., and For further information, consult library staff.
Count Przobosky wildly rears a horse in a grand room knocking over furniture to the shock and astonishment of distrressed onlookers
Description:
Title from caption inscribed in ink below image., Date supplied by cataloger., Attributed to Rowlandson., and For further information, consult library staff.
An ink drawing contrasting the bust of a balding man with a long curly beard and a stag head with three-point antlers
Description:
Title from caption inscribed below image in the same ink and hand as the artist., Attributed to Rowlandson by curator., Date based upon watermark., Trimmed watermark: 18[..]., and For further information, consult library staff.
A servant bows slightly as he greets three tourists: a larger woman leads the group only carrying a small purse and parasol. She is followed by a younger woman holding a small dog and a few pieces of luggage. At the end a man struggles with the burden of a heavy trunk
Description:
Title and date supplied by cataloger., Attributed to Thomas Rowlandson., and For further information, consult library staff.
The interior of a loft stacked with sacks, an angry countryman ferociously prods one with a pitchfork, while a handsome young woman stands in alarm behind him in the doorway. From the sack projects the terrified head and hands of the woman's lover; his queue indicates a military officer. A white owl flies under the rafters
Description:
Title and date supplied by cataloger., Attributed to Rowlandson., Compare to a print (in reverse) published 16 May 1807 by R. Ackermann: I smell a rat, or, A rogue in grain. See no. 10814 in v. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and For further information, consult library staff.
Subject (Topic):
Hiding places, Adultery, Couples, Hiding, Bags, Pitchforks, and Surprise
A folio album of 144 caricatures mounted on 87 sheets, mostly etchings, with some aquatints and other satirical prints, some hand-colored, and one pen-and-ink drawing laid in.
Description:
Title devised by cataloger., Laid in, a wood engraving: Principal characters, in the new play of the road to royalty! [London] : Printed and published by T. Rockliffe, 65 Ratcliff Highway, [1829]., Laid in, an etching: Rats in the barn, or, Iohn Bull's famous old dog Billy astonishing the varment / [figure of Paul Pry] Esqr. [London] : Pub. by T. McLean, 26 Haymarket, [1829]., Laid in, an etching: Funeral of the constitution. [London] : Pubd. March 1809 by T. McLean, 26 Haymarket, [1809]., Laid in, a lithograph: View of the Houses of Lords and Commons : destroyed by fire on the 16th Octr. 1834. [London] : Pub. by W. Soffe, 380 Strand, [ca. 1834]., Laid in, a pen and ink drawing on watermark paper G. Pike, 1817: The savior of this grateful country : to Kingston 1 mile to London x miles. [England], [ca. 1817]., Note on front pastedown: This book contains the caricatures published by Sayers during his life. This was his own copy and was presented to me after his death. [Signed] Eldon., With Lord Eldon's bookplate., and For further information, consult library staff.
Pen and ink drawing divided into two parts, with an alderman on the left and a chamberlain on the right, framed in a elaborate border (suggesting a tent or fortress) of checkerboard and geometric designs. The stout alderman, spoon and fork in hand, wears a napkin pinned around his neck; he has a full spoon at his mouth and a plate of food and a mostly empty glass decanter rest upon the table in front of him. On the right the chamberlain, dressed in fur-lined robes and wearing his glasses raised up to his bald forehead, is shown with one arm raised and subtley pointing upwards while the left arm rests upon a large document entitled: This indenture wit. A coat of arms is displayed at the top of the design
Alternative Title:
Chamberlain
Description:
Title in artist's hand at top of design; artist signature and date inscribed in pen and black ink below image. Subtitle in banner below design.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1805]
Call Number:
Drawings W87 no. 44 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A man riding horseback has a significant accident that topples the horse and throws the rider forward against the horse's neck and head losing his hat and wig in the process. A caption above the image informs: This I pressume is by way of proving to a certainty that two and two makes four!!
Description:
Title inscribed in black ink below image in the artist's hand., Signed by the artist in black ink below image., and Date supplied by cataloger.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 39 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
A gathering of countrymen, lawyers, and sailors stare with shock and consternation at the carcass of a shark laying on a table before them. A countryman begins the dialogue with an exclamation, "Dang it if I ever saw such a thing in my life, why it would swallow a man alive!" while an attorney continues with a question, "Neighbor Stump says very true, I never saw anything like it in the whole course of my practice as a country attorney. Pray my friend what do you call it?" A sailor smugly jests, "Why it is a shark d'ye see according to the lubbers lingo on shore, but we gemmen in his Majesty's service call him a sea lawyer!!!
Description:
Title inscribed in black ink in the artist's hand below image., Artist's signature in black ink below image., and Date supplied by cataloger.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1790]
Call Number:
Drawings W87 no. 4 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A loquacious gentlemen holding a raised walking stick vertically in front of his body prepares to strike the foot of a passerby by feigning a blunder. From the caption: Provide a good stout stick (the heavier the better), well loaded with iron, and sally forth at the business time of the day ... enter on a long story and at the end of every marked sentence, make a sudden plunge with your stick downwards, which must be managed with great velocity, and at proper periods; by these methods your friend cannot fail feeling the force of your observations; and every person's toes must suffer that come within the reach of the argument
Alternative Title:
Six different methods of carrying a stick with their effects. Compartment no. 3
Description:
Title from letterpress caption below image., Pen and ink drawing on a broadside with typeface and ornamental border., Letterpress capation in fourteen lines below title: The person who has a desire to put this grace in practice, must be consciousness of possessing an unconquerable habit of talking incessantly, if that is not a leading trait in his character, he had better decline the study; but if hef finds himself master of so neccessary a qualification ..., One of a series of six drawings by Woodward with the same typescript heading., and For further information, consult library staff.
Subject (Topic):
Staffs (Sticks, canes, etc.), Staffs (Sticks), and Conversation
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 23 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A burly and ragged Englishman with a wooden leg sits on the knee of a fat and grotesque Irishwoman; they kiss, his right arm round her neck, both her arms round his shoulders. A poverty-stricken room is indicated by a low casement window with broken panes, bricks showing through broken plaster, and a rough plank door (right). On a table is an enormous tankard and a small measure of gin
Alternative Title:
Union between England and Ireland
Description:
Title from inscription below image in black ink in the artist's hand., Future [?] imprint statement inscribed in black ink: London, Pubd. Jany. 1800., Image associated with Thomas Rowlandson's etching. Union between England & Ireland. Published 1799. Cf. George., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9462., and For further information, consult library staff.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 46 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A dour woman wearing a feathered headdress stands before a preacher and his clerk as they exclaim respectively, "O Lord, save this lady, thy servant" followed by "Who putteth her ladyship's trust in thee."
Alternative Title:
Churching a lady
Description:
Title inscribed in the artist's hand below image., Signed by the artist., and Date supplied by cataloger.
Subject (Topic):
Clergy, Great Britain, Preaching, Religious services, and Churches
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 50 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
Six sketches arranged across two rows depicting rotund red-faced countrymen riding horses poorly or in various states of humorous accidents. Captions include: How to be obstinate; The most approved method of sliding; How to stick in a ditch; How to prevent being run away with; A Cheshire kick; How to slip from your saddle with ease to yourself and horse
Description:
Title and date devised by cataloger. and Sheet trimmed cropping artist's signature and title.
Subject (Topic):
Horses, Horseback riding, Accidents, and Country life
Sketch of a house, surrounded by trees and a low fence
Description:
Title and statement of responsibility written in ink on separate strip of paper (2.4 x 18.8 cm) mounted above drawing. and Mounted on page 26 in an extra-illustrated copy of: Gray, T. Odes. Printed at Strawberry-Hill, for R. & J. Dodsley in Pall-Mall, 1757.
A father and son of African descent, drawn full-length and holding hands are dressed identically: long blue coats, black hats with the brim pulled down just above the eyes, yellow gloves, and holding brown umbrellas
Description:
Title from caption inscribed in black ink below drawing., Drawing after (?) a character in series of prints issued by S.W. Fores: Hyde Park; The little unknown (Plate 2) and The honey-moon (Plate 3)., and For further information, consult library staff.