"Whitefield preaching to a group of country-people by the roadside. A sign, a lion rampant on a post with the chequers which denote an alehouse, shows that the scene is outside an inn. Whitefield, his squint very pronounced, stands in gown and bands, both arms raised, in the attitude familiar from the mezzotints in print-shop windows, see British Museum satire 5220. Some of his hearers, men and women, clasp their hands in prayer, some kneeling; others grin slyly or scowl. Immediately in front of him an elderly man seated on a mounting-block, is asleep, his head resting on the head of his stick. A woman with three infants is seated in the foreground (left). A pot-man (left), his sleeves rolled up, holds out a foaming tankard, either to the preacher or to one of the audience. Behind, in front of the signboard (left) is a countryman on horseback. Behind Whitefield is the trunk of a large tree, under which the group is collected."--British Museum online catalogue
Description:
Title, printmaker, and publication information from British Museum catalogue., Sheet trimmed within plate mark resulting in loss of title, imprint, and statement of responsibility., and Window mounted to 33 x 26 cm.
Publisher:
Publish'd April 15, 1774, by W. Humphry, St. Martin's Lane
Subject (Name):
Whitefield, George, 1714-1770
Subject (Topic):
Breast feeding, Clergy, Crowds, Drinking vessels, Outdoor religious services, Prayer, Signs (Notices), Sleeping, Taverns (Inns), and Waiters
"Satire comparing people with animals: a range of spectators, including a clergyman, a coachman, a farmworker, a macaroni, a well-dressed old woman, a fat Londoner and his wife, in a menagerie where are displayed "Horns of a Mexican Deer", a crocodile or alligator, a whalebone, snake and narwhal tusk, a stuffed "Dromedary" and an "American Buffalo", and, in cages, "Silken Monkies", "The Indian Hog", "Tyger", "The Sloth", "The Syrian Goat" and "The Iceland Ram"; the macaroni looks through his eye-glass at one of the monkeys which is dressed, like him, in a red coat and wig with a large queue."--British Museum online catalogue
Description:
Title from item. and Sheet trimmed within plate mark at bottom.
Publisher:
Printed for Carington Bowles, at his Map and Print Warehouse, No. 69 in St. Pauls Church Yard, London. Published as the act directs
"Satire on fashion: an elderly couple and a child visiting a menagerie are amused to see a monkey seizing the long queue of a macaroni while it seizes its own tail. The monkey is chained as are a bear and a wolf; a peacock and an eagle (?) are in cages."--British Museum online catalogue
Alternative Title:
Macaroni in distress
Description:
Title from item. and Numbered '366' in lower right of plate.
Publisher:
Printed for R. Sayer and J. Bennett, No. 53 Fleet Street, as the act directs
Subject (Topic):
Dandies, British, Wigs, Zoo animals, Monkeys, Bears, and Peacocks
A very fat man (Councellor Wollop), wearing a silk robe and cap sits at a well-laid table, his large napkin tucked in at his neck. He leans back in his chair while a thin man pours wine down his throat. Two other men smile as they offer him more food, as the one carves a joint. The table has contains platters with bread and plum pudding as well as a decanter of spirits. They are a well-appointed room arches and a portrait of a man in a wig hanging on the wall behind the councellor
Alternative Title:
Another slice of plum pudding for Councellor Wollop
Description:
Title engraved below image., Sheet trimmed to plate mark with thread margin on top and bottom., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd April 20, 1774, by I. Sledge, Henrietta Street, Covent Garden
Subject (Topic):
Dining rooms, Food, Interiors, Gluttony, Obesity, and Servants
Title from caption below image., Text below title, in lower left: Size of the picture, 1 f. 3 1/2 i. by 1 f. 6 3/4 i. in height., Etched coat of arms below image bearing the motto: Fari quae sentiat., Plate XXXI from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 1., and On same sheet: Dobson's father.
Publisher:
Published Octr. 1st, 1774, by John Boydell, engraver in Cheapside
Title from item., Sheet trimmed to plate mark., Two columns of verse on either side of title: The matron thus surprised exclaims, and the deluded fair one blames ..., and Temporary local subject terms: Macaronies -- Female fashion, 1774 -- Military uniforms -- Vehicles: sedan chair.
Publisher:
Printed for S. Sledge, Printseller in Henrietta Street, Covent Garden, as the act directs
"Actress half-length looking upwards in an oval, wearing helmet, medusa collar and carrying a shield."--British Museum online catalogue
Description:
Title from caption below image., Mounted on leaf numbered 7 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Publishd as the act directs Febry. 24, 1774 by H. Bryer at No. 12 Stephen Street Tottenham Court Road
"Portrait, three-quarter length standing facing front, hands folded on her cloak which covers a ledge in front of her to right, head turned to right shoulder, smiling towards the viewer, wearing a loose gown with a jewelled belt, hair up with pearls and a diadem, a curl flying loose behind right shoulder, a balustrade behind to left, pillars to right."--British Museum online catalogue, description of later state with added numbering
Description:
Title engraved below image., Artist and printmaker unidentified; the painter and engraver names on the print are evidently fictitious. See: Smith, J.C. British mezzotinto portraits., State from: Russell, C.E. English Mezzotint portraits and their states., Date of publication from a later state described in the British Museum online catalogue, registration no.: 1902,1011.7303., Window mounted to 51 x 36 cm., and Mounted opposite page 93 (leaf numbered '139' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Maynard, Annabella Parsons, Viscountess, -1814 or 1815,
Title engraved below image., Reduced and reversed copy of this print was published by Sayer on September 10, 1787. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6 , no. 8265., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Young women -- Footman -- Fording -- Pick-a-back -- Queue wig., and Imperfect; sheet trimmed at lower edge.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the act directs
Opposite page 104. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark on left side., Not in the Catalogue of prints and drawings in the British Museum., Folded to 31.5 x 25.5 cm., and Bound in opposite page 104 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. March 18th, 1774, by H. Bryer, London
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairstyles, and Snuff
"Portrait of Elizabeth Hartley seen bust-length slightly to left within oval frame, head in profile to left, looking upwards, her hair drawn back and piled up."--British Museum online catalogue
Description:
Title from text below image., State from: Smith, J.C. British mezzotinto portraits., Mounted on leaf numbered 36 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Printed for R. Sayer & J. Bennett map & printsellers, No. 53 Fleet Street
Title from item., Dated tentatively from plate number. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, Appendix, p. 786-7: Key to the dates of the series of mezzotints issued by Carington Bowles., State with Carington Bowles imprint intact., Numbered '304' in lower left of plate., Earlier state of no. 3777 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, pt. 2., and Temporary local subject terms: Monks -- Women -- Sheaf of wheat -- Food: basket of provisions -- Buildings: monastery.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
"Double portrait after Highmore, both just more than half-length standing, Samuel to left leaning back against a ledge with right elbow, holding a scroll, in a dark velvet coat with shoulder-length wig, Nathaniel to right, facing front, looking to left, wearing a pale coat and shoulder-length wig, holding a board at waist level with a pencil in right hand."--British Museum online catalogue
Description:
Title from caption below image. and Text below image between sitters' names: Long, Ancient Structures and enobled Domes, the Work of Ages past, neglected lay, Till you, O Bucks! by Emulation fired, Snatched from th'inexorable Jaws of Time The Mouldering Ruins of each lofty Pile. - To future Ages shall your Fame be known: And your great Works immortalize your Names, While, others, by misfortune, scarce survive; You, Phoenix like, by your own Ruins live.
published as the act directs [...] [not before 25 June 1774]
Call Number:
774.06.25.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest."--British Museum online catalogue
Description:
Title etched below image., Attributed to John Raphael Smith by Frankau., Later state, with plate number added. For an earlier state lacking plate number, see no. 3758 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Date of publication inferred from earlier state with the date "25 June 1774" at end of imprint; see British Museum online catalogue, registration no.: 2010,7081.379., Sheet trimmed to plate mark on bottom edge., Description based on imperfect impression; date at end of imprint statement has been erased from sheet., and Plate numbered "300" in lower left corner.
Publisher:
Printed for Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England and London.
Subject (Name):
Bowles, Carington, 1724-1793.
Subject (Topic):
Dogs, City & town life, Clothing & dress, Stores & shops, Window displays, Dandies, British, Prints, Fans (Accessories), and Staffs (Sticks)
"Bust in a feigned oval, three-quarter to left, wearing mayorial robes with fur-lined cloak and chain of office, and a white cravat, looking out of the corner of his eye towards the viewer; after Pine."--British Museum online catalogue
Probably after a paiting by John Collet. Attribution from an unverified card catalog record., Sheet trimmed within plate mark at bottom., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Matrimony -- Fighting -- Buildings: cottage -- Male dress., and Watermark: grapes.
Publisher:
Publish'd June 15, 1774, by W. Humphry, St. Martin's Lane
Delivery of Saint Peter out of prison and From the original drawing in the collection of the Duke of Devonshire
Description:
One of two hundred plates that were later issued in bound volumes entitled: Liber veritatis. Or, A collection of two hundred prints ... / after the original designs of Claude le Lorrain ... executed by Richard Earlom ... London: Published by the proprietor, John Boydell, [1777-1819]., Title from descriptive catalog at beginning of bound volume., Text below image: From the original drawing in the collection of the Duke of Devonshire., and Plate numbered in lower left corner: No. 51.
Publisher:
Published Augt. 1st, 1774, by John Boydell, engraver in Cheapside
"A prostitute persuading a young man to join her, smiling and pulling him by the arm towards a counter set with two glasses and a bottle on the right, as he turns towards her while gesturing away to left."--British Museum online catalogue
Description:
Title engraved below image., Four lines of verse below title: Come here my love? I cant at present stay. I have business which will not admit delay ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Street scenes -- Macaronies.
Publisher:
Printed for Robt. Sayer & J. Bennet, No. 53 Fleet Street, as the act directs
Title engraved below image., Reduced copy, without verses, of a mezzotint published by Sayer & Bennett on 22 July 1774. Cf. British Museum online catalogue, registration no.: 2010,7081.1169., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, London, as the act directs
Page 239. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on untrustworthy young men: a prostitute, with a powdered wig wearing a dressing gown open to reveal her chemise and petticoat, sits at a table using scales to weigh the coin offered by a well-dressed young man which is lighter than its proper weight; behind is a curtained bed."--British Museum online catalogue
Alternative Title:
Blade in the dumps
Description:
Title from item., Date of publication from unverified data in local card catalog record., Dated to circa 1773-1774 in the British Museum online catalogue, registration no.: 1935,0522.1.86., Four lines of verse below title: Dull are the times, since trade I first began, our gold was sterling then, and true each man ..., Numbered '291' in lower left of plate., 1 print : mezzotint on laid paper ; sheet 36.9 x 25.7 cm., Sheet trimmed within plate mark on left edge., and Tipped in at page 239 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Draperies, Dandies, British, Prostitutes, Scales, and Tables
Page 239. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on untrustworthy young men: a prostitute, with a powdered wig wearing a dressing gown open to reveal her chemise and petticoat, sits at a table using scales to weigh the coin offered by a well-dressed young man which is lighter than its proper weight; behind is a curtained bed."--British Museum online catalogue
Alternative Title:
Blade in the dumps
Description:
Title from item., Date of publication from unverified data in local card catalog record., Dated to circa 1773-1774 in the British Museum online catalogue, registration no.: 1935,0522.1.86., Four lines of verse below title: Dull are the times, since trade I first began, our gold was sterling then, and true each man ..., and Numbered '291' in lower left of plate.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Draperies, Dandies, British, Prostitutes, Scales, and Tables
Title from item., Four lines of verse below title: Dull are the times, since trade I first began, our gold was sterling then, and true each man ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Furniture: table -- Sofa -- Wallpaper -- Scales -- Furnishings: mirror.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 in fleet Street, as the act directs
A dandy shown full-length seated to right, holding a phial to his nose and gazing at his reflection while a hairdresser prepares to attach a looped queue to his wig
Alternative Title:
Lily-white maccaroni and Lily-white macaroni
Description:
Title etched below image., Carington Bowles was located at this address between 1766 and 1793; date of 1774 based on other prints in a series on the same topic., Numbered '210' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Carington Bowles, No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
Great Britain
Subject (Topic):
Braids (Hairdressing), Clothing & dress, Dandies, Hairdressing, Mirrors, and Wigs
Title from item., Numbered '402'., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Prostitutes -- Female dress, late 1760s? -- Male dress -- Hats: tricorne -- Interiors: room in a brothel -- Furniture: slipcovered armchair -- China: punch bowl -- Glass: wine bottles -- Glass: wine glasses -- Fruits: oranges -- Silverware: ladle -- Watches: wrist watches -- Jewelry: earings., and Upper right corner torn off.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, as the act directs
An old English farmer (left) dressed in top boots, breeches, a flat felt hat, and carrying a riding-whip arrives in town and is startled at seeing his son (right) dressed as a macaroni with very high toupée wig, a cane with a tassle, a sword, and a little cocked hat
Description:
Title etched below image., After a drawing by Grimm. This is a copy in reverse of Carington Bowles in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4536., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for R. Sayer & I. Bennet, No. 53 Fleet Street, London, as the act directs
Subject (Topic):
Dandies, British, Farmers, Hairstyles, Staffs (Sticks), and Wigs
Title from item., Sheet trimmed to plate mark., Possibly after a drawing by Grimm. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.4, no. 4536 for a similar print with the same title., Two columns of verse on sides of title: Our wise forefathers would express, ev'n sensibility in dress ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Wigs: toupée wig -- Walking staves -- Horse whips -- Farmers -- Flowers: nosegay.
Publisher:
Published by R. Sayer & I. Bennet, No. 53 Fleet Street, as the act directs
Title from lettered state in the British Museum., Artist, printmaker, and publication information from description of a later state in the British Museum online catalogue, registration number: 1981,U.380., Plate XXI from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: [Portraits of hounds].
From the original drawing in the collection of the Duke of Devonshire
Description:
One of two hundred plates that were later issued in bound volumes entitled: Liber veritatis. Or, A collection of two hundred prints ... / after the original designs of Claude le Lorrain ... executed by Richard Earlom ... London: Published by the proprietor, John Boydell, [1777-1819]., Title from descriptive catalog at beginning of bound volume., Text below image: From the original drawing in the collection of the Duke of Devonshire., and Plate numbered in lower left corner: No. 37.
Publisher:
Published April 25th, 1774, by John Boydell, engraver in Cheapside
"Portrait after Reynolds (Mannings 477); standing three-quarter length slightly to left with her hands held together, eyes to front, wearing loose robe over dress with sash around waist, locket on ribbon and her hair up, but with two long plaits hanging over her shoulders."--British Museum online catalogue
Alternative Title:
Honourable Mrs. Damer
Description:
Title from text on later state., State from: Smith, J.C. British mezzotinto portraits., Scratched-letter state; for a later state with the title "The Honble. Mrs. Damer" and the imprint "Publish'd March 1st, 1774, by J.R. Smith, No. 4 Exeter Court, Strand," see British Museum online catalogue, registration no.: 1902,1011.4966., Sheet trimmed to plate mark., Mounted on page 86 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., With contemporary pencil annotation in lower margin: Mrs. Damer., and For further information, consult library staff.
"Landscape with the Finding of Moses; shepherd reclining on rocks in foreground, a group of women on the shore of a river beyond, a tower and bridge in mid-distance."--British Museum online catalogue
Alternative Title:
From the original drawing in the collection of the Duke of Devonshire
Description:
Title from descriptive catalog at beginning of bound volume., Text below image: From the original drawing in the collection of the Duke of Devonshire., One of two hundred plates that were later issued in bound volumes entitled: Liber veritatis. Or, A collection of two hundred prints ... / after the original designs of Claude le Lorrain ... executed by Richard Earlom ... London : Published by the proprietor, John Boydell, [1777-1819]., Plate numbered in lower left corner: No. 48., and Watermark.
Publisher:
Published Septr. 1st, 1774, by John Boydell, engraver in Cheapside
Portrait of Thomas Wood, standing whole-length directed slightly to right, his right hand tucked into his coat, left hand at his side, a bunch of flowers at left lapel, in an ordered garden with windmills in the background; after Ogborne; unlettered proof before margin cleared
Description:
Title, artist and publication information from Chaloner Smith. and Engraved from a painting by David Ogborne. Cf. Chaloner Smith.
Publisher:
Publish'd March the 1st 1774, by John Thane, printseller and medalist in Gerrard Street, Soho
