"Five passengers sit together on a bench against the side of a ship, all but a small boy, seemingly a mulatto, manifesting misery or resignation. The others (left to right) are a woman shrouded in black except for her chin, a planter in a long coat and broad-brimmed hat, his wife's arm through his. A fat and hideous negress, awkwardly asleep. The deck is level."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Cf. Catalogue of prints and drawings in the British Museum, v. 10, no. 14718., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1140., and Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1248.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Orignal etching was presumably an early state of a plate more widely published with the title "To Calais." For the state following the title change, which has the same G. Humphrey imprint and lists the same publication date, see no. 14719 in the Catalogue of prints and drawings in the British Museum, v. 10. The plate retained this latter title when it was reissued in: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., A companion print entitled "From the West Indies" has the same signatures and imprint statement as the original etching; see no. 14718 in the Catalogue of prints and drawings in the British Museum, v. 10., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 2036., and Cf. Reid, G.W. Descriptive catalogue of the works of George Cruikshank, 1249.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking
Hogarth 940.00.00.01 Framed, shelved in LFS Bin 18
Image Count:
1
Resource Type:
still image
Abstract:
An Etchmaster etching on a copper-plate surface so as to resemble an antique copper etching plate with a reproduction (cropped) of the scene from William Hogarth's 1738 print "Morning," the first in his "Four Times of the Day" series. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman. To the left, in the middle distance, a small crowd mulls around the gate
Description:
Title supplied by cataloger from original title., Questionable productions information from seller., Possibly part of the Hogarth series: Copperplate Copper etching by Pleasure Reproductions"., Cf. Catalogue of prints and drawings in the British Museum, v. 3, no. 2357., and Cf. Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 146.
