"A haggard-looking man is seated in profile to the left in an armchair beside a small table on which are two candles (which light the room), a medicine phial, &c, and his breeches. He wears shirt, night-cap, ungartered stockings, and slippers. He regards his hands with an expression of intense melancholy. The room and its contents show that he is a fashionable rake struck down by disease. A fire burns in the grate; on the chimney-piece (left) is a clock surmounted by a figure of Time as a winged skeleton with a scythe. Above is a picture, the right part alone visible; it is a free rendering of pl. iii of Hogarth's 'Rake's Progress' (BMSat 2188) showing the ballad-singer bawling the 'Black Joke'. The frame of another picture is inscribed 'Macies et nova febrium': Pandora kneels holding open a box inscribed 'Pandora' into which Mercury (cf. BMSat 7592) drops a black spot. Above this is a tailless bird in a cage. A sash-window with a festooned curtain is partly shuttered. On the wall (right) is a large hat, a sword-belt, scabbard, and broken sword, and a pair of pistols. Below is a close-stool; torn papers lie on the floor, with a torn book: 'Fashionable Cypriad'. In the foreground is a dog. The floor is carpeted. Beneath the table is engraved: '"Non vanae redeat Sanguis imagini, "Quant virgd semel horridd "Nigro compulerit Mercurius gregi."'."--British Museum online catalogue.
Description:
CtY-BR, Sheet trimmed within plate mark on lower edge with partial loss of text., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Bust portrait of a good-looking lady, directed to the left. In the gauze projection which covers her bust are four small dogs. Her hair is not extravagantly dressed, and is decorated with three ostrich feathers, which suggest that she may be intended for Mrs. Fitzherbert."--British Museum online catalogue.
Alternative Title:
Fashionable bosom
Description:
The 'f' in 'fo' and the 'N' in 'No.' in imprint statement are etched backwards. and Title etched below image.
Publisher:
G. Humphrey, No. 48 Long Acre
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837., and Harvey, Francis--Ownership.
"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
Willm. Holland, No. 66 Drury Lane
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., Necker, Jacues,--1732-1804--Caricatures and cartoons., Orléans, Louis Philippe Joseph,--duc d',--1747-1793--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., and Sydney, Thomas Townshend,--Viscount,--1733-1800--Caricatures and cartoons.
"The reduction of the Prince of Wales's establishment at Carlton House is represented as the auction scene in 'The School for Scandal' (iv. 1). 'Lot 1', a portrait of the King and Queen, as a farmer and his wife, a copy of BMSat 6934 reversed, is being held up for sale by (?) Sheridan. The Prince, as Charles Surface, stands in the middle of the room, legs apart, his cane raised above his head, right hand in his breeches-pocket, saying, "Careless, Knock down the Farmer". George Hanger as Careless stands in a high-backed arm-chair (right), his hammer raised above his head, saying, "Going for no more than One Crown". Weltje, a stout man, stands beside the rostrum, his arms folded, looking down at a pile of plate at his feet inscribed 'Lot 6'. On the left stand three men: the bidder, pencil and note-book in his hand, saying, "Five shillings for that Lot", and two military officers, one stout, the other slim and foppish, looking through an eye-glass at the picture. 'Lot 2' and 'Lot 3' are pictures still on the wall, Three quarter length portraits of Mrs. Fitzherbert, her hands in a muff, and a lady wearing a large feathered hat, perhaps the Duchess of Devonshire, cf. BMSat 6961, &c. 'Lot 5' is a saddle on the floor beside a pair of top-boots. Through an open door (left) appears the corner of a building inscribed 'Tatersal's' (where the Prince's stud was sold) and a high phaeton which is 'Lot 1800' (see BMSats 6970, 6980)."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Devonshire, Elizabeth Cavendish,--Duchess of,--1758-1824--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fores, S. W., publisher., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., and Weltje, Louis,--1745-1810--Caricatures and cartoons.
"The Duke of Richmond (left) sleeps in an arm-chair beside a table on which are playing-cards and bits of broken tobacco-pipes arranged to represent fortifications. On the right are two cannons, one on a gun-carriage ; a cat sits on its muzzle miaowing at Richmond, one paw on the table. By his side (left) are plans on rollers and a box of long tobacco-pipes. On the wall hang two pictures on rollers as if they were plans. In one (left) soldiers with wheelbarrows, &c. work on the sea-shore, off which dismantled ships lie at anchor. In the other, cannons and cannon-balls with one sentry lie along the sea-shore, off which are ships at anchor with brooms at their mast-heads to show that they are for sale. Richmond's hat, overcoat, and sword hang on the wall between the two pictures. At his feet is an open book inscribed 'Trial of Colol Debbeig'."--British Museum online catalogue.
Alternative Title:
Planing of fortifications and Planning of fortifications
Description:
Printmaker from Grego and British Museum Catalogue., Temporary local subject terms: Cards -- House of Cards -- Card players -- Bill to fortify Portsmouth -- Fortifications -- Furniture -- Pictures that amplify subject -- Pipes -- Matches -- Pets -- Cats., and Title etched below image.
Publisher:
S. W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Richmond, Charles Lennox,--3d Duke of,--1735-1806--Caricatures and cartoons.
"Bowes, apparently very ill, is helped into court by two men who hold him by the arms. On the right., above the level of the court, the two judges, Ashurst (left) and Buller (right), look down at him. Beneath them stands the Clerk of Arraigns, in legal wig and gown, reading from a large document inscribed 'Articles of Charges'. The men holding Bowes wear riding-boots and long coats and hold cudgels; they appear to be two of the Bow Street Officers, McManus and others, who pursued Bowes with a writ and brought him back to London. Behind and on the right of Bowes is a crowd of spectators. The most prominent is a lady with her hands in a muff, her breasts immodestly exposed, with a maid or attendant who holds her arm, evidently Lady Strathmore and her maid Morgan."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Law & lawyers -- Kings Bench -- Divorce court -- Judges., and Title etched below image.
Publisher:
E. Jackson, Mary Bone Street, Golden Square
Subject (Name):
Ashurst, William Henry,--Sir,--1725-1807--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bowes, Andrew Robinson Stoney,--1747-1810--Caricatures and cartoons., Buller, Francis,--1746-1800--Caricatures and cartoons., Harvey, Francis--Ownership., Jackson, Elizabeth, fl. 1785-1797, publisher., and Strathmore, Mary Eleanor Bowes,--Countess of,--1749-1800--Caricatures and cartoons.
"A masonic feast: in the centre of the room on a platform is an empty armchair decorated with a masonic symbol. Below it and on the right is a table with punch-bowl, glasses, candles, &c, behind which are the English members of the Lodge, some seated, others standing. On the left sit the French members, the most prominent being Cagliostro; all wear masonic aprons. ... "--British Museum online catalogue.
Alternative Title:
Masonic anecdote
Description:
Captions in French and English etched under each title, respectively., CtY-LW, Printmaker from British Museum catalogue., Sheet trimmed within plate mark, and imprint statement mostly erased from sheet; imprint from British Museum catalogue., Temporary local subject terms: Trades: hairdresser -- Hairdressers: Mr. Barker, King Street, Bloomsbury -- Opticians: Mr. Mash -- Interior of the Freemasons' Lodge of Antiquity -- Freemasons' symbols -- Furniture: dining table -- Upholstered chair -- Lighting: candlesticks -- Glass decanter -- Glass bottle -- Wine glasses -- Punch bowls., Thirty lines of verse in English below image on right, under the heading, "Abstract of the Arabian Count's memoirs": Born God knows where, supported God knows how ..., Thirty lines of verse in French below image on left, under the heading, "Abregè de l'histoire du Comte Arabe": Nè Dieu sait où, maintenu Dieu sait comme ..., and Titles in English and French etched above image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cagliostro, Alessandro,--conte di,--1743-1795--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-30a
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"A sketch of fish-wives with their baskets ranged on the pavement (left); behind are the masts and sails of vessels in Billingsgate dock. Facing them is an irate customer with a gouty leg, a fish-wife (right) fastens a flat fish to his wig, while a small urchin tugs at his coat-tails. He clenches his fist and waves his stick, shouting with indignation. Of the women opposite, one holds out a fish towards him, shouting, another laughs with hands on hips, a third lies on the ground drunkenly vomiting, the contents of her basket spilling. Behind stands a woman drinking from a bottle. All are gross and fat, their breasts bare."--British Museum online catalogue.
Alternative Title:
Billingsgate
Description:
Date of publication based on earlier state with the imprint "Pubd. Feby. 4, 1786, by E. Jackson, N. 14 Mary le bone Strt., Golden Square." Cf. British Museum online catalogue, registration no.: G,10.29., Reissue, with imprint burnished from plate; traces of imprint still visible below title., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-31a
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"A sketch of fish-wives with their baskets ranged on the pavement (left); behind are the masts and sails of vessels in Billingsgate dock. Facing them is an irate customer with a gouty leg, a fish-wife (right) fastens a flat fish to his wig, while a small urchin tugs at his coat-tails. He clenches his fist and waves his stick, shouting with indignation. Of the women opposite, one holds out a fish towards him, shouting, another laughs with hands on hips, a third lies on the ground drunkenly vomiting, the contents of her basket spilling. Behind stands a woman drinking from a bottle. All are gross and fat, their breasts bare."--British Museum online catalogue.
Alternative Title:
Billingsgate
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 150., For a reissue with imprint burnished from plate, see no. 6725 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
E. Jackson, no. 14 Mary-le-Bone Street, Golden Square
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Jackson, Elizabeth, fl. 1785-1797, publisher., and Riviere & Son Binding.
"A crowded scene in a bare room giving access to the theatre, which is seen through two open doors (right), each showing two boxes, and a section of gallery above, filled with spectators. Courtesans and ladies are being inspected and addressed by the loungers. The centre figure is George Hanger in profile to the left, his club under his arm, arms folded, staring at a bold and handsome girl who stands with another pretty young woman. A man in deep shadow seizes Hanger's bunch of seals. Two elderly men address a fat bawd who holds a basket of fruit and playbills; a coin is placed in her hand. A misshapen elderly beau (not, as Grego suggests, Sir L. Skeffington, b. 1771), looking through a quizzing-glass, steps on an irate lady's dress (right). On the wall is a large play-bill: 'Theatre Royal Covent Garden \ Way of the World \ Who's the Dupe'. The room is lit from bracket lamps high on the right wall, diagonal shadows are thrown across the room, some of the figures are brilliantly lit, others in shadow."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Smith, John Raphael, 1752-1812, publisher., and Wigstead, Henry, artist.