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1. The farmer's return [graphic]
- Creator:
- Basire, James, 1730-1802, printmaker
- Published / Created:
- [March 1762]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The interior of a farmer's cottage, with the farmer seated in an armchair next to a table looking at his wife (right) whose jug in her left hand spills out. To the left of the farmer, on either side of the table, are their two children, a son and daughter (gesturing in surprise as she looks at her mother). The hearth on the left is equipped with a pot hanging above a large fire; a rifle above the mantel piece, a cat on the floor gazing at the fire
- Description:
- Title etched below image., State, publisher, and date from Paulson., Plate to: Nichols's Genuine works of Hogarth. Ms. list in copy 3 makes notes of an “admirable copy by the same artist”., Used as a frontispiece to: Garrick, D. The farmer's return from London. London : Printed by Dryden Leach, for J. and R. Tonson, in the Strand, MDCCLXII [1762]., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d edit, p. 374., and On page 189 in volume 2.
- Publisher:
- publisher not identified
- Found in:
- Lewis Walpole Library > The farmer's return [graphic]
2. [The farmer's return] [graphic].
- Creator:
- Basire, James, 1730-1802, printmaker
- Published / Created:
- [not before 1762]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The interior of a farmer's cottage, with the farmer seated in an armchair next to a table looking at his wife (right) whose jug in her left hand spills out. To the left of the farmer, on either side of the table, are their two children, a son and daughter (gesturing in surprise as she looks at her mother). The hearth on the left is equipped with a pot hanging above a large fire; a rifle above the mantel piece, a cat on the floor gazing at the fire
- Description:
- Title from another copy, signed by the printmaker Basire., Plate to: Nichols's Genuine works of Hogarth. Ms. list in copy 3 makes notes of an “admirable copy by the same artist”., Original used as a frontispiece to: Garrick, D. The farmer's return from London. London : Printed by Dryden Leach, for J. and R. Tonson, in the Strand, MDCCLXII [1762]., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 240., Ms. note in pencil in Steevens's hand in above print: See Mr. Nichols's book, 3d edit, p. 374. Ms. note in pencil in Steevens's hand below image: Copy., and On page 189 in volume 2.
- Publisher:
- publisher not identified
- Found in:
- Lewis Walpole Library > [The farmer's return] [graphic].
3. The combat [graphic].
- Creator:
- Burgess, Thomas, approximately 1730-1791, printmaker
- Published / Created:
- [1754?]
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
- Description:
- Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and On page 295 in volume 3. Formerly dated "1762" in local card catalog.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
- Subject (Topic):
- Artists, Journalists, Supernatural beings, and Peacocks
- Found in:
- Lewis Walpole Library > The combat [graphic].
4. The combat [graphic].
- Creator:
- Burgess, Thomas, approximately 1730-1791, printmaker
- Published / Created:
- [1754?]
- Call Number:
- 754.00.00.03
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
- Description:
- Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and Contemporary inscription in lower margin identifies Hogarth as the subject: Hogarth is here introduced with many [illegible].
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
- Subject (Topic):
- Artists, Journalists, Supernatural beings, and Peacocks
- Found in:
- Lewis Walpole Library > The combat [graphic].
5. The asses of Great Britain : an answer to Harry H----d's ass
- Creator:
- Fart-inando, author
- Published / Created:
- [1762]
- Call Number:
- 762.08.12.01
- Image Count:
- 1
- Resource Type:
- still image and text
- Abstract:
- "Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
- Alternative Title:
- Answer to Harry Howard's ass
- Description:
- Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
- Publisher:
- Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
- Subject (Name):
- Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
- Subject (Topic):
- Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
- Found in:
- Lewis Walpole Library > The asses of Great Britain : an answer to Harry H----d's ass
6. The present state of Europe : a political farce of four acts, as it is now in rehearsal by all the potentates anno dom. MDCCLXII. Act III [graphic]
- Creator:
- Hilton, J.
- Published / Created:
- [1762]
- Call Number:
- 762.00.00.21+
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from item., Printmaker and publisher from other prints in the series., Publication date from British Museum catalogue., Statement of responsibility and publication continued: Price sixpence plain, coulour'd [sic] one shiling likewise Act I & Act II. Also two houmourous [sic] prints on the present time price 6d. each. To be had of the following printsellers: Wm. Hannell at the Royal Exchange Cornhill, H. Jackson Fleet Street, R. Richards, Holbourn, Danl. Paillet Princes Street Leicester Fields, Henderson, Westminster Hall & all other printsellers & booksellers in London & Westminster. In a few days will be publish'd Act IIII. Price 6d., Third of four prints in the series., Six columns of verse below image: Ha! Madness horror & dispair / What wretched creatures are those here ..., and Mounted to 30 x 48 cm.
- Publisher:
- H. Jackson
- Subject (Name):
- Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Frederick II, King of Prussia, 1712-1786, Augustus III, King of Poland, 1696-1763, Maubert de Gouvest, Jean Henri, 1721-1767, and Brühl, Heinrich, Graf von, 1700-1763
- Subject (Topic):
- Seven Years' War, 1756-1763, Hangings (Executions), Hospitals, and Maps
- Found in:
- Lewis Walpole Library > The present state of Europe : a political farce of four acts, as it is now in rehearsal by all the potentates anno dom. MDCCLXII. Act III [graphic]
7. The present state of Europe a political farce of four acts, as it is now in rehearsal, by all the potentates anno dom[in]i MDCCLXII. Act IIII / [graphic]
- Creator:
- Hilton, J., printmaker
- Published / Created:
- [1762]
- Call Number:
- 762.00.00.22+
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title etched above image., Publication date from British Museum catalogue., Statement of responsibility continues: Price sixpence plain, coulour'd [sic] one shiling. Likewise Act I, II & III. Price 6d each. Allso [sic] two houmourous [sic] prints on the present time price 6d. each., Fourth of four prints in the series. See Catalogue of prints and drawings in the British Museum, v. 4, nos. 3820, 3821 and 3929., Six columns of verse below image: To know collectively what's past, view this fourth act & scene the last ..., and Mounted to 30 x 48 cm.
- Publisher:
- To be had of the following printsellers, Wm. Hannell at the Royal Exchange, Cornhill ; H. Jackson Fleet Street ; R. Richards, Holbourn ; Danl. Paillet, Princes Street, Leicester Fields ; Henderson, Westminster Hall & all other printsellers & booksellers in London & Westminster
- Subject (Name):
- Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Frederick II, King of Prussia, 1712-1786, Augustus III, King of Poland, 1696-1763, George III, King of Great Britain, 1738-1820, Mustafa, III, Sultan of the Turks, 1717-1774, Frederick V, King of Denmark, 1723-1766, Peter III, Emperor of Russia, 1728-1762, Adolphus Frederick, King of Sweden, 1710-1771, Charles III, King of Spain, 1716-1788, and Lomellini, Agostino, Doge of Genoa, 1760-1762
- Subject (Topic):
- Seven Years' War, 1756-1763, Devil, and Peace negotiations
- Found in:
- Lewis Walpole Library > The present state of Europe a political farce of four acts, as it is now in rehearsal, by all the potentates anno dom[in]i MDCCLXII. Act IIII / [graphic]
8. The sleeping congregation [realia]
- Creator:
- Hogarth, William, 1697-1764
- Published / Created:
- [21 April 1762]
- Call Number:
- 736.10.00.01 Object Room B:D
- Image Count:
- 1
- Abstract:
- The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
- Description:
- Title from caption below image., One of only a handful of Hogarth's original plates that have survived, this plate shows the work of the artist over a period of years, from its creation in 1736 with the evidence of later changes made in 1762 as a more mature artist., "Price one shilling.", Copper plate for print described in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 2285., and For a description of the prints from this copper plate see R. Paulson's: Hogarth's graphic works, no. 140.
- Publisher:
- Wm. Hogarth
- Found in:
- Lewis Walpole Library > The sleeping congregation [realia]
9. Credulity, superstition and fanaticism a medley / [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd according to act directs March [the] 15th 1762.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 83. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
- Alternative Title:
- Enthusiasm delineated
- Description:
- Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., 1 print : etching and engraving on laid paper ; plate mark 43.2 x 32.8 cm, on sheet 56 x 42 cm., Plate 83 in the album: Queen Charlotte's collection of Hogarth works., and Formerly identified as Paulson state 2.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
- Subject (Topic):
- Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
- Found in:
- Lewis Walpole Library > Credulity, superstition and fanaticism a medley / [graphic]
