Title supplied by cataloger., Date of publication from unverified data from local card catalog record., Each design captioned in ms.: Foreground; Background; Light & shade., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Artist attrubtion in ms. on sheet: S Martin del.
"Four panels; first panel: woman talking to a policeman while pointing to her hanging husband; second panel: two policemen arresting a man at his door; third panel: beadle arresting an ill-looking man in front of the Station House; fourth panel: at Charing Cross policeman arresting a man pulling a cart full of children and with a child in his arms."--British Museum online catalogue
Alternative Title:
Illustrations of Sir Andrew Agnews new act
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., 1 print : wood engraving on wove paper ; sheet 34.3 x 25.4 cm., Imperfect; trimmed with loss of series title and numbering from top edge and imprint from bottom edge., and Mounted to 39 x 28 cm.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
840.00.00.31+
Image Count:
1
Resource Type:
still image
Abstract:
Satire on attempts to enforce Observance of the Sabbath. John Bull sits miserably in a corner of a room. In the five lines etched at the top of image, we learn that he has no food or tobacco and is unable to go out for fear of the 'Arm'd Blue Devil' (i.e., a bearded 'bobby' or a Metropolitan Policeman, a member of the force founded by Sir Robert Peel in 1829) who can be seen through a window with a cracked pane. John Bull complainant about "Observing the Sabbath with a vengeance" is a response to Sir Andrew Agnew, the Member of Parliament for Wigtownshire, attempt to enforce better Observance of the Sabbath through the introduction of four bills to the House of Commons between 1830 and 1847. On his third attempt Charles Dickens wrote 'Sunday Under Three Heads' (1836), a personal attack on Agnew, whom he described as a fanatic, motivated by resentment of the idea that those poorer than himself might have any pleasure in life. Agnew left Parliament in 1837, ending the campaign
Alternative Title:
Englishman's fireside!
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Five lines of text above image: Here's a pretty pass things are come to! This is observing the Sabbath with a vengeance! ..., 1 print : wood engraving on wove paper ; sheet 33.7 x 23.8 cm., Imperfect; trimmed with loss of series title and numbering from top edge and imprint from bottom edge., and Formerly misidentified as having an 1840 publication date.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Agnew, Andrew, Sabbath legislation, John Bull (Symbolic character), Distress, Interiors, Police, and Starvation
Title from text below image. and Date of publication based on publisher's street address. G.S. Tregear was located at 123 Cheapside from 1828 to 1833, moving to 96 Cheapside in 1834; see British Museum online catalogue.
Publisher:
Published by G. Tregear, 123 Cheapside and Printed by Lefevre & Kohler, 52 Newman St.
That's a beautiful cannon Tom and That's a beautifull cannon Tom
Description:
Title from text below image. and Date of publication based on publisher's street address. G.S. Tregear was located at 123 Cheapside from 1828 to 1833, moving to 96 Cheapside in 1834; see British Museum online catalogue.
Title from caption below image., Date of publication from unverified data from local card catalog record., Four lines of verse below title: The Souter tould his queerest stories the landlords laugh was ready chorus ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption to central prominent design., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption to most prominent design., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from central prominent design., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.