Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Two coaches conveying respectively Conservatives and Liberals; relative drivers and passengers arguing with the ones belonging to the rival party."--British Museum online catalogue
Alternative Title:
Rival omnibuses
Description:
Title from item., Initials of printmaker Charles Jameson Grant in center left portion design, engraved on the driver's seat of the leftmost coach., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "114" in brown ink in lower left corner of design., and No. 114.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
O'Connell, Daniel, 1775-1847, Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837, and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
Politicians, Carriages & coaches, Coach drivers, and Passengers
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
A dancing contest between the Queen, who carries the King on her shoulders, and Lord Brougham; John Bull and an aristocrat present the show
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 51.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 1
Image Count:
1
Resource Type:
still image
Abstract:
Sun and planets point rays towards three gentlemen in the center; on the right, a gentleman knocks at a door and man answers from the window
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Lower right corner chewed., and No. 8 in a collection bound in blue wrappers.
Publisher:
Printed and published by G. Drake, 12, Houghton-Street, Clare-Market
Title from items., Attributed to Charles Jameson Grant in the British Museum online catalogue., Printed on one side only with imprint at foot of each sheet; most with horizontal orientation., and A collection of 52 prints bound in plain blue wrappers. Some loss due to chewed corners; more loss due to trimmed edges. Housed in a blue buckram box with spine title: The political drama. No. 47 bound in before no. 46. Nos. 52-64 lacking, stubs remaining. For further information, consult library staff.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Topic):
English wit and humor, Pictorial, Caricatures and cartoons, and Political satire, English
"Various humorous images comprising (clock-wise from top left); a lady in a ballgown; a portrait head of a gentleman in a very high collar and top hat holding a whip; a very thin and tall man, seated, dandling his child on his knee (lettered above "Daddy Longlegs"); a self-portrait of George Cruikshank; a study of the head of a bearded man; a seated girl, combing her hair; a man with wrinkled breeches, standing with his back to the viewer; a tall man with a pronounced hook nose (possibly the Duke of Wellington); an armoured man on horseback, turning in the saddle to his left, his sword in his hand; a country squire with his glass in his hand; a head of a man smoking a pipe; a portrait head of a bald man with an angry expression; a rural landscape; a fat sailor in naval uniform dancing a hornpipe (lettered below "Fat Jack"); a girl in an apron and bonnet; a young gentleman seated on a coach, the 'Dovor Express', and holding the reins and a whip (lettered below "Mr. Tommy Twiddlewhip playing at being a Coachman"); and a child seated on a chair and pretending to drive a team of horses; the large central image, a ragged family leaning against two Corinthian columns, the mother and father drunk, the little girl crying and the little boy with a sad expression; a large anthropomorphic copper still with an unpleasant expression on its face and a devil observing beyond (lettered below image "The Pillars of a Gin Shop."); illustration to the second volume of Cruikshank's "My Sketchbook" (1834)"--British Museum online catalogue
Description:
Title from text beneath central prominent design., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Children and childcare., and 1 print : etching, hand-colored ; sheet 17.8 x 25.3 cm.
"Various humorous images comprising (clock-wise from top left); a lady in a ballgown; a portrait head of a gentleman in a very high collar and top hat holding a whip; a very thin and tall man, seated, dandling his child on his knee (lettered above "Daddy Longlegs"); a self-portrait of George Cruikshank; a study of the head of a bearded man; a seated girl, combing her hair; a man with wrinkled breeches, standing with his back to the viewer; a tall man with a pronounced hook nose (possibly the Duke of Wellington); an armoured man on horseback, turning in the saddle to his left, his sword in his hand; a country squire with his glass in his hand; a head of a man smoking a pipe; a portrait head of a bald man with an angry expression; a rural landscape; a fat sailor in naval uniform dancing a hornpipe (lettered below "Fat Jack"); a girl in an apron and bonnet; a young gentleman seated on a coach, the 'Dovor Express', and holding the reins and a whip (lettered below "Mr. Tommy Twiddlewhip playing at being a Coachman"); and a child seated on a chair and pretending to drive a team of horses; the large central image, a ragged family leaning against two Corinthian columns, the mother and father drunk, the little girl crying and the little boy with a sad expression; a large anthropomorphic copper still with an unpleasant expression on its face and a devil observing beyond (lettered below image "The Pillars of a Gin Shop."); illustration to the second volume of Cruikshank's "My Sketchbook" (1834)"--British Museum online catalogue
Description:
Title from text beneath central prominent design., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Children and childcare.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
A group of threatening operative builders' masters with the features of beasts walk towards the operative builders and brandish a declaration to be signed
Description:
Title from item., Initials of printmaker Charles Jameson Grant, with the "J" in "C.J.G." written backwards, in lower center of design., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 52.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
A steam coach belonging to the Whig Radicals racing and winning with the Tories' coach and four, driven by the Duke of Wellington
Alternative Title:
Steam speed against a mile an hour!
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Laid on sheet: 56 x 38 cm. With the lithograph The triumph of mechanics in 1832., and No. 129.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Steam automobiles, Carriages & coaches, and Racing
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
Politicians in a cart are stuck in a muddy road
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 73.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
One of a series of British social caricatures lampooning the pretensions of early 19th-century middle-class Philadelphians, mainly the city's growing community of free African Americans. Influenced by an increasing fascination with American culture and a growing racism stemming from the abolition of slavery in England, the African American characters are depicted with grotesque features and manners, wearing outlandish clothes, and speaking in patois and malapropisms to be portrayed as ineptly attempting to mimic white high society. In this print the artist mocks African American vanity and the desire to look white: a well-dressed African American woman purchasing shoes at "Sambo Paley Boots & Shoe Manufacturer." The belle, portrayed with mannish features, wears a yellow bonnet with a white veil that frames her face like long straight hair. Seated, she slightly lifts her red dress to inspect the black shoe that the African American sales clerk has just placed on her large foot. She believes the shoe "is sich a bery dirty color" and does he not have any white or pink ones. The kneeling sales clerk attempts to persuade her that it may not be "handsome" to look at, but surely a "good color to wear." Another clerk with a row of boots behind him is seen in the background performing as a store sign states, the "Best Jet Blacking Sold Here." On the left, an African American couple is seen walking passed the store
Alternative Title:
New shoes
Description:
Title from caption below image. Series title appears at top of image., Prints based on an American publication from 1828-30: Clay, E.W. Life in Philadelphia., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by G.S. Tregear, Cheapside
Subject (Geographic):
Pennsylvania and Philadelphia.
Subject (Topic):
African Americans, African American women, Afro-Americans, Clothing & dress, and Shoe stores