"A family of sweeps sitting before the smoking hearth (at right) in a low hovel, eating, drinking and smoking; all have sooty skin apart from the grotesque mother who leans back, barebreasted and negligently holding a long pipe, against a heap of sacks; a man sitting alongside and smoking a long pipe leers at her, another beside him; four children lie or sit on the floor eating with spoons from bowls, at one of which a cat also sits; on the rafters, above the billowing smoke, a caged black bird and an uncaged white bird."--British Museum online catalogue.
Alternative Title:
Sweeps regaling
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Possibly a companion print to: Love and dust., Probably a reissue of a plate first published in 1802; the year etched above Rowlandson's signature might have originally been "1802," and was seemingly modified to "1808" and then possibly "1812" before being mostly obscured with crosshatching. See Grego., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Sheridan leads the forces of the professionals against the amateurs of the Pic Nic Society, who are performing on a small, elegant stage, rising (without orchestra) from the boards in the foreground where these enemies advance. He is dressed as Harlequin; the tight chequered dress (slightly torn) accentuates his obesity; an empty purse hangs from his belt; in his left hand is a hat with a tricolour cockade (emblem of Jacobinism). In his right hand he flourishes a large pen whose feather makes wide swirling curves, terminating in firework-stars, and inscribed with the names of newspapers: 'Courier', 'Morning Post', 'Morning Herald', 'Morning Chronicle'. He is masked, to indicate that he has been writing anonymous squibs against the Pic Nics. The swirls of his pen partly obscure a figure of Comedy, meretricious, and half-naked, holding up a mask which decorates the left pilaster of the proscenium. The actors follow in characteristic attitudes. Kemble (as Hamlet) wearing a ribbon, ranting in tragedy, directly behind Sheridan, staggers back with legs astride, both arms raised. On the left is Mrs. Billington, singing as in BMSat 9765, left hand on her breast. Mrs. Siddons (? as Lady Macbeth) clutches a dagger. Behind is the head of Lewis (see BMSat 9915), with a comedian's smile, wearing a cocked hat. Crowds of actors pressing on from behind (left) and in deep shadow, are indicated by arms holding up banners; the chief one with the head of 'Shakespeare', badly torn. Others are 'Otway Rowe'; 'Kotzbue', and 'Schiller', both tricolour (indicating the supposedly revolutionary tendencies of modern German drama, cf. 'The Rovers' in the 'Anti-Jacobin', and BMSat 7054); 'Jonson', 'Congreve', 'Addison'. In the foreground, through splintering boards, the ghost of Garrick rises, a mask in his hand. ..."--British Museum online catalogue.
Alternative Title:
Harlequin Quixotte attacking the puppets
Description:
Text following title: Vide Tottenham Street pantomime. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Billington, Elizabeth,--1765-1818--Caricatures and cartoons., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Cecil, Mary Amelia,--Marchioness of Salisbury,--1750-1835--Caricatures and cartoons., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827--Caricatures and cartoons., Garrick, David,--1717-1779--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Kemble, John Philip,--1757-1823--Caricatures and cartoons., Lewis, William Thomas,--1746?-1812--Caricatures and cartoons., Mount Edgcumbe, Richard Edgcumbe,--Earl of,--1764-1839--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Siddons, Sarah,--1755-1831--Caricatures and cartoons.
"Robson speaks in the House of Commons, with outstretched arms: "We're all ruinated, Sir! - all diddled, Sir!! - abus'd by Placemen, Sir!!! - Bankrupts all, Sir! - not worth Sixteen Pounds, Ten Shillings, Sir! - ". From his coat pocket project bundles of papers: 'Ignorance of ye Old Administration'; 'Stupidity of ye New Administration'; 'Charges against the Ministry'. In his hat, on the seat behind him, are other bundles: 'Ministerial Tricks', 'Plunders', 'Blunders', 'Collusion'; 'Impeach[ment]'; 'Punishm[ent]'. Behind him, and next his vacant seat, sits Tyrwhitt Jones, listening with a fierce scowl, a pen in his mouth, his hat beside him; he holds a bulky sheaf of 'Notes'. Behind these two are Horne Tooke and Burdett (right), listening intently, Burdett turning towards his mentor. The other Opposition benches within the design, which shows a corner of the table on the extreme left, are empty."--British Museum online catalogue.
Description:
Companion print to: "Hope." and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jones, Thomas Tyrwhitt,--Sir,--1765-1811--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.
"Lady Salisbury stands on a mound holding up a fox's brush. She has outstripped the hounds who rush towards her, the foremost just about to reach her. She turns her head in profile to the left; her long dark hair streams down her back; she wears a hunting-cap resembling the helmet of a light horseman, the skirt of her habit and an under-petticoat are in tatters, the lower part torn away, showing laced half-boots and torn stockings. A masculine collar is thickly swathed with a coloured scarf, as in BMSat 10169. She wears an eyeglass on a ribbon. The background is a landscape with distant mountains; horses and hounds in the middle distance. Below the title: '"Out-stript the Winds in Speed upon the Plain, "Flies o'er the Fields, nor hurts the bearded Grain; "Men, Boys & Women, stupid with surprize, " Where e'er she passes, fix their wondering eyes. Drydens Virgil - '."--British Museum online catalogue.
Alternative Title:
Diana returned from the chace
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cecil, Mary Amelia,--Marchioness of Salisbury,--1750-1835--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A man with a prodigious stomach and projecting nose and mouth stands at left in profile, opposite an elderly woman whose profile is shaped to accommodate his, having a crescent face with projecting forehead and chin, her body bent back and curved in at the waist and stomach, with bent knees."--British Museum online catalogue.
Description:
"Man is the only creature endowed with the power of laughter, is he not also the only one that deserves to be laughed at?"--Text below title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
"The Duke of Bedford stands in a stockyard in profile to the left, the fingers of his right hand dug into the flank of an immensely fat ox. He is not caricatured and is plainly dressed, wearing a round hat and heavy top-boots, holding a stock-whip. He says: "Ah, here's your sort! - here's your Nine-Inch Fat my boys! "O how he will cut up! (as my old friend Burke said!) - "how he will Tallow in the cawl and on the Kidneys!" Behind are three corn-stacks, trees, two other oxen, some very fat sheep (right). In the foreground are geese (left), and a pig (right) eating from a heap of carrots and turnips."--British Museum online catalogue.
Description:
One line of text spanning both sides of title: To the Society for Improving the Breed this sketch of Tavistock Farmyard is dedicated. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A street scene lit by a lamp projecting from a high brick wall: 'Maiden Lane'. A tall man, very thin and pale, walks (right to left), wearing spectacles, a cane in his right hand. His shoulders are thickly sprinkled with powder, cf. BMSat 8190, &c. He terrifies an Irish fishwife, who holds up both arms to avert the spectre, turning away with a terrified stare, saying, "Governor Wall's Ghost! - [the only title] by J .... s!" Her basket of fish falls to the ground. The man is corpse-like, and his clothes seem to hang on a skeleton. The woman is stout and very ragged. Beside her a tunnel penetrates the wall, slanting down from the street-level, under an arch inscribed 'Cyder Cell[ars]', a famous night-resort in Maiden Lane."--British Museum online catalogue.
Description:
Title from text in speech bubble within image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Wall, Joseph,--1737-1802.
A satire set in an assembly room: Two well-dressed older men with caricatured faces, one with gloves and a large belly, bow to a old woman equally caricatured. The other members of the party are also caricatured in the background, some dancing. Musicians play in the balcony above on the right.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a reissue; date following Rowlandson's signature has most likely been altered from "1802." See Grego., Text below title: Graces, the Graces, remember the Graces., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Balls (Parties), Couples. , Dance., Manners & customs., and Musicians.
"The fat and clumsy William Dickinson stands on gouty legs in profile to the right, outside the open door of the House of Commons, where Addington is speaking. He stoops, holding a cane in his gloved hand, and from his closed and protruding lips issues a cloud inscribed : - "let me see - 25 Millions! how are we Ruin'd? - 10 pr Cent for my Money! - income tax taken off! - well! - well! - well! - ". [further words have been erased], behind him is the hooded chair of the door-keeper. Addington, in profile to the right, makes his budget speech; in his hand is a paper: '25 Mill. Loan'. Behind him is a crowd of undistinguished-looking members, as in BMSat 9843. Hawkesbury sits next Addington's empty seat, holding the 'Treaty [of] Peace'; his fingers are to his face as in BMSat 9843, but to his nose in place of his lip. The corner of the table is on the extreme right."--British Museum online catalogue.
Description:
Companion print to: "Despair." and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dickinson, William,--1745-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
