Artist and printmaker from statements of responsibility on lettered state: J.B.W. Esqr. delin. ; T. Rowlandson etchd., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Proof state of a plate from: McCringer, J. A Compendious Treatise of Modern Education. London : Smeeton, 1802., Publication information based on lettered state with the imprint "Pubd. May 10th, 1802, by T. Rowlandson, No. 1 James Street, Adelphi." Cf. Impression of the lettered state in the Fine Arts Museums of San Francisco, Legion of Honor, Achenbach Foundation., and Title from lettered state.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Rowlandson, Thomas, 1756-1827, publisher., and Williams, J. B., active 1802, artist.
"The Prince stands in back view, his head turned to the left. His heels are together. His powdered hair or wig has a cockatoo-like crest, worn with a very small queue, round which his coat is thickly frosted with powder, cf. BMSat 8190. His neck, as indicated by his coat-collar, is grotesquely thick, his coat has the bulky sleeves associated with Jean de Bry, see BMSat 9425, with pointed coat-tails. Under his left arm is a cocked hat. The word 'Honi . . .' appears on his garter."--British Museum online catalogue.
Alternative Title:
Prince of Wales from behind
Description:
Title and printmaker from British Museum catalogue.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A tall strapping Irishman wearing a flamboyant cocked hat and quasi-military uniform looks down, with a sly smile, at his squat and bedizened bride. Under his right arm is a long cudgel or shillelagh. She takes his arm and looks up rapturously. They walk (right to left) across the 'Crescent', Bath, whose houses form a background. A gouty old man on crutches behind them (right) looks sourly at them, and a chair-man (left) between the shafts of his sedan-chair, gapes in astonishment."--British Museum online catalogue.
Alternative Title:
Captain Shelalee leading Miss Marrowfat to the Temple of Hymen
Description:
Reissue, with the year following Rowlandson's signature altered from "1802" to "1812." For the original issue of the plate, see Lewis Walpole Library call no.: 802.00.00.19+. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'. Addington sings: "o, By - my Baby, my Baby, - o, By - in Peace! my dearee! - For such a sweet Nap as This, You never had, far nor nearee! - so. By - my Baby, my dearee!' On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815 publisher., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
"Pitt stands beside John Bull in a basket, inscribed 'Sinking Fund', which is attached to an elaborate pagoda-like parachute. On the apex of the parachute is a solid ball or weight inscribed. 'Million pr Annum at Interest & Compd I[nterest]'. From this floats upwards into the clouds a tattered ribbon inscribed 'National Debt', by which the parachute was attached to the base of the balloon. The umbrella of the parachute is covered with the words 'Compd Interest \ Interest', many times repeated. The ropes which attach it to the basket are encircled by a 'Hoop of National Security'. John Bull looks down grinning and cheering, waving his hat. Pitt's right hand is on his shoulder, his left points out the earth beneath: the tiny British isles in a curving ocean near the edge of the globe. Over Great Britain, inscribed 'Land of Emancipation', flies a large Union flag. Unless the parachute drifts to the right, it will fall into the sea."--British Museum online catalogue.
Alternative Title:
John Bull conducted to plenty & emancipation
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A scene in a vaccine institution; poor patients crowd in through a doorway on the left; in the room are those whose treatment has had dire consequences. A comely and frightened young woman sits in an armchair in the centre, the doctor (Jenner, a good portrait, see BMSat 9925) holds her right arm and gashes it with his knife, while a deformed and ragged boy holds up a bucket of 'Vaccine Pock hot from ye Cow'. A charity-schoolboy's oval badge on his sleeve is inscribed 'St Pancras'; from his coat pocket projects a pamphlet: 'Benefits of the Vaccine Process'. From the patients miniature cows sprout or leap. A pregnant woman (right) stands in profile to the right, a cow issues from her mouth, another from below her ragged petticoat. A man dressed as a butcher registers despair at the horns which sprout from his forehead. A labourer with a pitchfork sees a cow bursting from a swelling on his arm while another breaks through his breeches; cows struggle through huge swellings on nose, ear, and cheek. Another patient has only reached the stage of large carbuncles on forehead and chin. The doctor's medicine-chest and a close-stool stand on the left. On the chest are bottles, a syringe, &c, and a tub of 'Opening Mixture'. This a haughty assistant ladles contemptuously into the mouths of the patients as they crowd into the room. On the wall is a picture: a crowd of kneeling worshippers pay homage to the statue of the golden calf. The scene combines fantasy and realism."--British Museum online catalogue.
Alternative Title:
Wonderful effects of the new inoculation
Description:
Text following title: Vide, the publications of [the] Anti-Vaccine Society. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Jenner, Edward,--1749-1823--Caricatures and cartoons.
"1812" has been added to the publisher's statement in a contemporary hand., "Del." in the statement of responsibilty has been burnished from plate in this state as has a portion of the date "802" in the publisher's statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
"Musicians are grouped round the almost spherical Lady Buckinghamshire, who sits at the piano in profile to the right, playing and singing. In back view and on the extreme right sits Colonel Greville, playing a fiddle; from his coat pocket hangs a paper: 'Pic Nic Concert - Imitations - Nightingale by Lord C. - Tom Tit Lord ME. - Jack daw Genl G. Screech Owl Lady B. - Poll Parrot...' On the left is Lord Mount Edgcumbe, very small, playing a 'cello, in profile. Behind him, full face, towers Lord Cholmondeley putting a flute below tightly closed lips. Seated on the pianist's left is Lady Salisbury, blowing a French horn. On the extreme right opposite Greville is a lady's arm holding out a trumpet. See BMSat 9916, &c, and, for the 'musical mania' of the period, BMSat 9938, &c."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Cecil, Mary Amelia,--Marchioness of Salisbury,--1750-1835--Caricatures and cartoons., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Mount Edgcumbe, Richard Edgcumbe,--Earl of,--1764-1839--Caricatures and cartoons.
"Three women seated at a round table listen intently to a fourth who reads 'The Monk' by M. G. Lewis, one volume of which lies beside her on the table. One, full face, is old and ugly, the others young and comely; they register excited horror. The reader sits in profile to the left, elbows on the table; from an ornamental clasp at her waist hangs a watch, showing that the time is 12.45; a younger sister, hardly grown up faces her. The room is lit by a single candle on the table; beside it lie smoking snuffers in a tray. Curtains are draped across the window, a fire burns in the grate (right). Heavy shadows are thrown. The ornaments on the chimney-piece (the right of which is cut off by the right margin) are a Gorgon looking down at the women, a skeleton from which snakes emerge, and a dragon. On the fireplace is a carving in relief: Pluto carrying off Persephone in his chariot. There is a picture of a man in armour carrying off a protesting young woman, with rape and slaughter indicated in the background. The room is luxuriously furnished, the women are elaborately dressed."--British Museum online catalogue.
Description:
Dedication etched above image: This attempt to describe the effects of the sublime & wonderful is dedicated to M.G. Lewis Esqr. M.P., Later state, with text added above image. See British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Heading to a broadside, printed in three columns: the lengthy speeches (evidently by Woodward) of the two pleaders, 'Snip' and 'Galen Glauber'. A fat citizen, the judge of the court, sits in an armchair on a low dais, a gouty leg resting on a cushion; he holds his nose in pained disgust. On the left a tailor in shirt-sleeves snips his shears angrily at the doctor, who stands (right) hat in hand holding up a pair of breeches on the end of his cane. On the wall (left) are bulky volumes: 'Game Laws', 'Folio XI', 'Vagrant Act', 'Penal Laws', 'Blackton [sic] Vol 2'. The tailor complains that the doctor refuses to pay for the breeches, the doctor answers 'this precipitate Maniac', asserting that the tightness of the waist-band induced a complaint which rendered them 'too foetid for further Use'."--British Museum online catalogue.
Description:
Title from broadside printed on same sheet.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Williamson, T, publisher.
