"A provincial Assembly Room, with dancers in violent action in the background, in country dance or cotillion. In the foreground is an ugly foppish and conceited fellow standing with raised coat-tails and his back to the fire. He holds cocked hat and cane, and grimaces and bows towards a pretty young woman, one foot on a fragment of her dress. She walks away from him to the left., taking her chair with her. Another pretty girl sits against the wall (r.) holding a closed fan. The dancers are bucolic and ugly. The walls are decorated with candle-sconces; a clock on the chimney-piece points to 1.25."--British Museum online catalogue.
Description:
Print signed using Brownlow North's device: A compass pointing north., Printmaker from Wright., Temporary local subject terms: Fireplace -- Clock -- Sconces -- Dancers -- Assembly Room., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and North, Brownlow, 1778-1829, artist.
"Lord Moira, a candle in each hand, stands in the doorway of his house. He wears a dressing-gown in place of a coat He has opened the door to a young officer, who steps forward unsteadily raising his cocked hat. An ugly watchman (l.) in Highland dress trudges to the left. holding his staff and lantern; he is the only figure who is caricatured. The architrave is surmounted by an earl's coronet. The dignified doorway is set in a wall of heavy stones and flanked by two windows high above the cobbled street."--British Museum online catalogue.
Description:
Fifteen lines of verse in two columns below title: When loud the watchman cry'd the hour and call'd 'till he was hoarse ... Parody upon [the] Red Cross Knight., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., and Humphrey, Hannah, active 1774-1817, publisher.
"The Prince of Wales and McMahon ride side by side (r. to left.) past Carlton House, followed by a groom. The Prince, stout and dignified, sits very upright on a high-stepping horse. McMahon s much smaller mount canters; he rides (on the Prince's l.) with leg thrust forward like Bunbury's examples of mounted vulgarians, see BMSats 7233, 7235, 7242. Behind them runs a ragged little boy in top-hat and tattered tail-coat, apparently assuming the part of a running footman. A detailed representation of part of the screen and façade of Carlton House forms the background; half the gate appears on the extreme left.; beside it is a sentry-bos with a sentry at attention. ..."--British Museum online catalogue.
Description:
Nine lines of quoted verse in two columns below image: "Yet aft a ragged Cowte's been know "to make a noble Aiver ... and Title etched at top of image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A procession from the open door of an inn (r.) towards the room destined for the traveller, a fat, ugly, elderly woman with a twisted, appraising profile, holding up a fan in her right. hand, from the little finger of which dangles a parasol; tucked under her left. arm is a lap-dog. She wears a riding habit; over her straw hat is a hood or scarf. After her shambles a lean elderly man, much caricatured, carrying an embroidery frame, bag, and box. Behind him is a man holding up a caged bird, to which he whistles grotesquely, while a cat ensconced in an alcove grabs at the cage. An immensely fat woman, holding a 'Bill of Fare', stands against the wall, watching the visitor. The fat host (l.), napkin in hand, ushers her towards the room, with pointing thumb; it is called 'the Ram', the adjacent door is placarded 'the Union'. Bell-wire meanders over the wall connected with bells belonging to the two rooms; both are jangling. Through the door is seen the sign of the inn: a cock on a pair of breeches."--British Museum online catalogue.
Description:
Print signed using Brownlow North's device: A compass pointing north., Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Banks, Sarah Sophia,--1744-1818--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and North, Brownlow, 1778-1829, artist.
"The patient sits on a stool, averting his head from the surgeon who supports his left. arm, from which the blood spurts into a bowl. The operator wears spurred top-boots, and has a bucolic appearance suggesting a veterinary surgeon. The patient wears a nightcap and buttoned waistcoat over his shirt."--British Museum online catalogue.
Description:
One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The patient, buttoned up in a coat, sits full face in a water-closet."--British Museum online catalogue.
Description:
One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The convalescent sits full face behind a small dinner-table. He holds up a glass of wine with a smile of satisfaction, and is about to carve a bird. He wears his nightcap. Behind his chair stands a stout footman in livery, smiling broadly."--British Museum online catalogue.
Description:
One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A violent disturbance in a luxuriously furnished breakfast parlour. The only lady present has risen from her chair to pull a bell-pull. The frantic efforts of five elderly men to stop her have produced a sequence of disasters. An urn overturns and pours boiling water on a fat man who puts a large lump of food speared on his fork into his eye. A man behind him, rushing to seize the bell-rope, spears the former's wig with his knife. Crockery cascades to the floor, the contents of a tea-pot falling on a dog, who bites the knee of a man in regimentals; he leans forward, planting his toe on the gouty foot of a man behind. The latter, about to fall, grasps the officer's pigtail, flourishing a knife, his mouth choked with food. A fifth man stands behind the table with raised hands and shrugged shoulders. The fare is boiled eggs, bread, and muffins. Over the chimney-piece is a picture of a fat Cupid firing his bow; his quiver is reversed, and one leg is transfixed with an arrow. The walls of the room are ornamented by gilt pilasters in the shape of palm-trees (as in BMSat 10472). Between them are empty candle-sconces decorated with palm-branches. The men appear to be the suitors of a rich widow. Cf. BMSat 9822."--British Museum online catalogue.
Description:
Print signed using Brownlow North's device: A compass pointing north., Printmaker from Wright., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and North, Brownlow, 1778-1829, artist.
"The 'Gods', Hawkesbury, Addington, St. Vincent, lean down from the clouds to defend the 'Treasury' against the assault of the 'Giants', different groups of the Opposition forming a pyramid in the lower, and larger, part of the design. [These identifications are those of Miss Banks (on a B.M. print) confirmed by Lord Holland, who omits Lord Spencer but adds Tierney, called by Miss Banks 'no particular person'. The identifications of Wright and Evans are in several cases incorrect. Grego substitutes Lord Mulgrave for Dr. Lawrence (or Spencer) and omits Spencer and others. Lord Holland notes that only the portraits of Pitt, Addington, Fox, Norfolk, Buckingham, Grenville, and Derby are like their subjects.] These are grouped on rocks, and are naked or nearly so (with one exception). At the apex of the pyramid are Pitt and Dundas, smaller and less dangerous than Fox in the foreground (left). Pitt, much emaciated, stands with legs astride, looking up, and about to hurl a large bundle of papers: 'Knock-down Arguments'; two similar bundles lie at his feet: 'Death and Eternal Sleep' [cf. BMSat 8350], and 'Coup de Grace'. He wears a military cocked hat, jack-boots, and a sword-belt from which hangs a sabre, indicating his volunteer activities (see BMSat 10113, &c); round his loins is a girdle of grapes and vine-leaves (cf. BMSat 8798). Melville (Dundas), behind and below Pitt, raises a sword inscribed 'True Andrew-Ferrara' and a shield; he wears a Scots bonnet; a tartan plaid and kilt adorn his burly nudity. At Pitt's feet stands Wilberforce, a dwarf, holding a large volume, Duty of Man, and directing upwards a fountain which can never approach the clouds. On the lower part of this rock stands Canning, in an attitude like that of Pitt, prepared to hurl a bulky sheaf of papers: 'Killing Detections'; he registers sly amusement, and wears a girdle of feathers suggestive of a Red Indian. From behind the rock appear two shadowy figures, each with the pen in his mouth that indicates a Treasury secretary; one prepares to hurl a bundle of 'Charges', the other, below him, has a bundle of 'Long Charges'. They are Rose and Long, ex-Treasury secretaries, see BMSat 9722. In the foreground (left) is a lower rocky platform on which the obese Buckingham and his burly brother Lord Grenville hold up Fox by the legs. Fox, bulky and hairy, fires a blast of flame, smoke, and bullets from a blunderbuss', doing more execution than all the others together. He is completely nude; drapery hangs from the shoulders of his two supporters, and the pompous Buckingham wears spectacles and Garter ribbon. All register satisfaction, rather than ardour like the Pittites. Beside their rock, and on the extreme left are supporters of Fox: Norfolk with a kettle-drum slung from his neck on which he is performing with two wine-bottles (cf. BMSat 9261). Behind him is Carlisle, banging a marrow-bone on a cleaver inscribed 'Coalition Roast Beef' [reminiscent of the Foxite butchers at Westminster elections]. The profile of Burdett is on the extreme left; he wears a hat on which is a ribbon: 'no Bastile' [see BMSat 9878, &c], and holds a fringed banner on which are equally balanced scales and the motto 'In hoc Signo Vinces' [cf. BMSat 10416]; on its spear-point is poised a cap of liberty terminating in the bell that indicates Folly. Behind him an arm holds up a trumpet to which is attached a banner inscribed 'Honor Property Ability' [symbolic of the Whig oligarchy and stressing the gulf between Foxites and the supposedly levelling Burdett]. ..."--British Museum online catalogue.
Alternative Title:
Giants storming heaven
Description:
Title etched below image. and Two lines of text below title: "They never complain'd of fatigue, but like giants refreshed, were ready to enter immediately upon the attack! Vide Lord Ch--c-ll-r's Speech, 24th April 1804. "Not to destroy! but root them out of heaven." Milton.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jones, Thomas Tyrwhitt,--Sir,--1765-1811--Caricatures and cartoons., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Long, Charles,--1761-1838--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Rose, George,--1744-1818--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons., Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"A fat elderly man in hunting-cap has dismounted under an oak-tree to have his fortune told by a ragged old gipsy woman, who reads his hand. He listens, surprised and delighted, while another gipsy, kneeling beside him, with a child on her shoulders, picks his Pocket. Behind (l.) stands a groom in livery, gaping at the fortune told him by a pretty girl. Behind him a boy leans from a tree to rifle the portmanteau on his horse. The scene is the edge of a wood; in the distance two huntsmen are galloping."--British Museum online catalogue.
Description:
Print signed using Brownlow North's device: A compass pointing north., Printmaker from Wright., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An invalid sits, with contorted features, at a table (l.) on which are basin, tea-pot, medicine-bottle, glass. His head is held by a compassionate friend, standing behind him. He wears night-cap, shirt, breeches, and unbuttoned waistcoat."--British Museum online catalogue.
Description:
One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A reception given by Mr. and Mrs. Fox to various groups of the Opposition, [With one or two exceptions the identifications are those of Miss Banks; the characterization is excellent, and most are unmistakeable.] in which the arrangement has political and social significance. Three Grenvilles bow to the host and hostess; the Marquis of Buckingham, wearing his ribbon, holding hat and gold-headed cane and showing a gouty leg and foot, bends low. Next is Lord Grenville, clasping his hat to his breast, more ingratiating but less obsequious than his brother. Next is the stout Lord Temple, awkwardly imitating his uncle's gesture. Fox, wearing a sword, returns Buckingham's bow, his hand on his heart; on his right. stands the fat Mrs. Fox, curtseying, and ogling Grenville. She holds a fan on which is a profile portrait of 'Napoleone Ist'; from her pocket projects a flask of 'French Brandy', indicative of her antecedents (cf. BMSats 7370, 10589) as well as her sympathies, cf. BMSat 9892). On the extreme right. is the Prince of Wales, in back view, the greater part of his figure cut off by the margin, but unmistakable. From his pocket projects a paper: 'Henry IV. Sc. I [sic] Pr of W -l know you all, & shall . . . while.' A short fat man gazes up at him admiringly, obsequiously amused; he is identified by Miss Banks as 'Mr [i.e. General] Fitzpatrick', but resembles M. A. Taylor. Beside him is a dog, his collar inscribed 'Tommy Tattle' [? Thomas Tyrwhitt]. Mrs. Fitzherbert sits, in semi-state, in the corner of a sofa, holding a fan on which are the Prince's feathers and 'Ich Dien'; she is about to take a ticket, 'Coalition Masquerade', proffered with ingratiating vivacity by Lord Carlisle. Next Carlisle behind the sofa stands the Duke of Clarence, facing the Prince, and cruelly caricatured. Mrs. Jordan takes his right. arm, but is reading Jobson & Nell [characters in 'The Devil to pay] with the Farce of Equality' [see BMSat 7908, &c.]. Behind the pair are Col. McMahon, sly and furtive, and a large man, resembling the Duke of York. [Identified by Miss Banks as 'Mr. Tyrwitt', but Tommy Tyrwhitt was noted for his small size. ] Behind Mrs. Fitzherbert, Erskine, in wig and gown, delightedly holds up a large paper (the words partly obscured): 'Arraignments for the new Broad-Bottom'd Administration [cf. BMSat 10530], Citn Volpone [see BMSat 9892] . . . Lord Pogy [Grenville] . . . Madame Volpone .. . Cit . . . Ego [Erskine, see BMSat 9246], Lord High [Chancellor], Greyhound [Grey], H . . . Tooke . . ., Tierney' [imaginatively legible]. ..."--British Museum online catalogue.
Alternative Title:
Grand cooperative meeting at St. Ann's Hill
Description:
Text following title: Respectfully dedicated to the admirers of a "Broad-Bottom'd administration." and Title etched below image.
Subject (Name):
Adair, Robert,--Sir,--1763-1855--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Bessborough, Henrietta Frances Spencer Ponsonby,--Countess of,--1761-1821--Caricatures and cartoons., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Cecil, Mary Amelia,--Marchioness of Salisbury,--1750-1835., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Devonshire, Elizabeth Cavendish,--Duchess of,--1758-1824--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Fox, Elizabeth,--1750-1842--Caricatures and cartoons., Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Gordon, Jane Maxwell Gordon,--Duchess of,--d. 1812--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Jones, Thomas Tyrwhitt,--Sir,--1765-1811--Caricatures and cartoons., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Nicholls, John,--1745?-1832--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Salisbury, James Cecil,--Marquess of,--1748-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Walpole, George,--1761-1830--Caricatures and cartoons., William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
Illustration at the top of the letterpress broadside. "Mrs. Siddons leans back in her chair, majestically resentful. She addresses Harris, [Grego suggests Topham, whom he does not resemble, and who was living in Yorkshire.] patentee and manager of Covent Garden, who stands before her (l.), hat in hand. Between them stands the much taller J. P. Kemble, his left hand on his sister's shoulder. Mrs. Siddons leans one elbow on a table (r.) on which are three books: 'Salary Benifi[ts]', 'The Right of Woman', 'Duty of Man', and a bust of (?) herself, looking reproachfully towards the group. On the wall (r.) is part of a print: 'Propagation of a Lye', six figures from Bunbury's well-known plate, BMSat 7230 (1787). The text is a debate (printed in full by Grego): Mrs. Siddons complains to Harris of neglect on account of 'your Blind Bargain and Infant Roscius'. Harris, 'First Monarch', answers: 'if John Bull chooses to feed on slink calf, instead of substantial roast beef, yet consents to pay for the roast it is not for me to complain. . . . you have had your day. . . .' He reminds her of her good salary. Kemble, 'Second Monarch', supports him, and ends: 'Public taste ... is now in second childishness; and when mere oblivion takes place, then you shall make a sally, and should the Town require a filip [Philip] I will be at your elbow.'"--British Museum online catalogue.
Alternative Title:
Child's play defended by theatrical monarchs
Description:
Caption title in letterpress below etching. and Printmaker and date of publication from British Museum catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Kemble, John Philip,--1757-1823--Caricatures and cartoons., Rowlandson, Thomas, 1756-1827, printmaker., Shury, Daniel Nathan, printer., and Siddons, Sarah,--1755-1831--Caricatures and cartoons.
"Sir Francis Burdett, scarcely caricatured, is being drawn (r. to left.) by his supporters in his carriage towards the hustings, past a densely packed and cheering mob. He bows gracefully, his tricorne (with a tricolour cockade) under his arm. On the three panels of the barouche are depicted (1) a bird with an olive-branch, and the scroll 'Egalité'; (2) a hand emerging from flames holding up a fire-brand, with a scroll, 'The Torch of Liberty') a frothing tankard on which is a bust portrait of 'Buonaparte', the scroll 'Three Pence a Pot'. The first and third panels have the motto the 'Peace &\ Plenty'. The driver is Horne Tooke; he flourishes his whip over the heads of his team, and smokes a long pipe. In his hat are a tricolour cockade and a blue and orange (buff) favour. From his pocket issues a stream of election literature, part of which has reached the ground: 'Speeches for Sir Fra[ncis] on ye Hustings'; 'Hints'; 'Speech from the Hustings'; 'Speeches for the Crown & Anchor Dinner'; 'Sir Fra[ncis's] Address to the Mob'; 'Bills for all the Pissing Posts [cf. BMSat 9886]; 'Hints for the Democra[tic] Newspapers'; 'Sir Francis's Patriotic Speech on the Defence of the Country' [see BMSat 10054]; Bills for Hackney Coaches'; 'Important Fact - Pitt the Supporter of Justices'; 'No Begging Candidate'; 'No Squinting Representative'; 'A Squeese for the Contractors.' The last lies besides a dog over whose body the hind-wheel passes makine a wound from which guineas are pouring. Its collar is inscribed 'A Cur-tis' (Sir W. Curtis, a contractor, cf. BMSat 7676, was one of Mainwaring's chief supporters). Behind the carriage, in place of footmen, stand Sheridan Erskine, and Tierney. Sheridan, a favour inscribed 'no Govr Aris' in his hat, holds up a fringed pictorial banner, inscribed 'Governor Aris [the name almost obliterated] in all his Glory': Pitt violently scourges Britannia, whose hands are confined in a pillory. Erskine (in wig and gown) holds up a banner 'The Good-Old Cause' (a republican slogan of the seventeenth century), surmounted by a cap of Liberty with a tricolour cockade. Tierney holds up a huge key tied to a pole and labelled 'No Bastille'. Ten or more men drag the carriage by ropes; the wheelers are Fox as a ragged chimney-sweeper with a brush under his arm, and Norfolk, wearing a striped shirt and an apron and mopping his forehead. In front of these are Derby, as a jockey, and Lansdowne. The next pair are the Duke of Bedford as a farmer in a smock and (?) the Duke of Northumberland, wearing an apron. In front of these are Lord Carlisle as a tailor, with a pair of shears and a measuring tape, and Grey with shirt-sleeves rolled up. Near him is Lord Spencer. ..."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Adair, Robert,--Sir,--1763-1855--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Curtis, Roger,--Sir,--1746-1816--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Jones, Thomas Tyrwhitt,--Sir,--1765-1811--Caricatures and cartoons., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Mainwaring, William,--1735-1821--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Walpole, George,--1761-1830--Caricatures and cartoons.
"France, a savage virago, dandles a tiny Napoleon seated on her right. hand and wearing a royal robe over his military dress. Above her head she holds a rattle with bells surmounted by a crown. She grins at the mannikin, singing: "There's a little King Pippin "He shall have a Rattle & Crown, Bless thy five Wits my Baby "Mind it dont throw itself down! Hey my Kitten, my kitten &c &c. Below the design is a note: '"False of Heart, light of Ear, bloody of Hand, "Fox in Stealth, Wolf in Greediness, Dog in Madness, "Lion in Prey: - bless thy Five Wits" - vide Shakespeares King Lear' Beside her (l.) is the plain wicker cradle from which she has snatched Napoleon, who points eagerly at the crown on the rattle, holding up a sceptre. She wears a bonnet rouge with tricolour cockade, a loose dress defining her figure, and sits in a small armchair, decorated with little decollated heads and a guillotine. Hand, dress, and the heads on the chair are blood-stained. Beside her are her spear, dripping blood, and shield; this is tricolour; on it is the bleeding head of Louis XVI above a reversed crown, with the inscriptions: 'Vive la Republique' and 'The Last of Kings'. Pose, shield, and spear suggest a comparison (and contrast) with Britannia."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (r.) are a tree and a balustrade, against which grow a rose-bush and a thistle. After the title: '"And he arose and came to his Father, and his Father saw him, & had compassion, & ran, & fell on his Neck, & kissed him. - Read the Parable. Verse 16th to 24th.'"--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
"The Duke of Clarence stands full face, realistically depicted but cruelly caricatured, with porcine features. He wears a cylindrical hat with curved brim, a double-breasted coat with star, cut away to show the lower part of a double-breasted waistcoat, and top-boots. In the (gloved) r. hand is a cane, the left hand is behind his back. He stares straight before him out of pig's eyes."--British Museum online catalogue.
Description:
Imprint statement nearly illegible obscured, Text at top of image: Post tot naufragia tutus., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons.
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue.
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Imprint from British Museum catalogue. and Title etched in upper left corner of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"J.P. Kemble stoops, with hands on knees, while a small and sprightly child, young Roscius, supports himself on his shoulders and is about to leap over his head. He says: "Alas! is it come to this Ah! woe is me Seeing what I have seen Seeing what I see!! Oh Roscious - ". Kemble wears theatrical dress, with a cloak and half-boots. The boy also wears half-boots but is dressed in a childish way, with an open collar and a sash, with no cloak, but with tight pantaloons and boots like those of Kemble. [According to Grego both are dressed 'in the habit then customary for Hamlet'. Kemble is so dressed, except that his cloak is short, not long as in Lawrence's whole length portrait.]."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Betty, William Hen. West--(William Henry West),--1791-1874--Caricatures and cartoons., Harvey, Francis--Ownership., and Kemble, John Philip,--1757-1823--Caricatures and cartoons.
"A kitchen scene. A handsome young cook in her mistress's hat and gown, worn over her own cap and petticoat, with her breast bared, postures in the kitchen before a hanging mirror, holding out a fan. Three amused girls (a woman with two young girls) watch her from behind a door (right). On the floor is a broken dish with a fish on which a cat has pounced, and to the rigth a rolling pin, fork and spoon. A floured pudding is ready for cooking. On the shelves behind her are plates, platters and mugs; above the door, a small keg, wine bottle, and crocks. On the floor near the door are brooms and buckets.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Brooms & brushes., Cats., Interiors., Kitchens., Mirrors., Role reversal., Tableware., and Women domestics.
