"The Duke of York, in regimentals, his hat and sword beside him, kneels with clasped hands before the vast head of a whale, which projects into the design from the right, and rests on a low wooden platform. He says: "O Mighty Monster of the Deep, continue to attract the attention of John Bull, bend his mind solely towards thee, for in that is my only hope-fascinated by thy powerful attractions he may perhaps forget the honour of a P------e."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A doctor (left), grotesquely obese, stands in profile regarding with a satisfied smile his dead or dying patient, who leans back in an arm-chair with closed eyes. The patient, old and emaciated, wears night-cap and dressing-gown over breeches and stockings. Behind him are the curtains of his bed (right). At his side is a round table with a bowl, medicine-bottle, and a paper: 'Prescriptions, Bolus, Blisters'. On the ledge of a casement window is a close array of medicine-bottles. The doctor says: "My Dear Sir you look this Morning the Picture of health I have no doubt at my next visit I shall find you intirely cured of all your earthly infirmitys." He wears old-fashioned dress, with tricorne hat and gold-headed cane. A fat woman stands in the doorway (left), her hands clasped."--British Museum online catalogue, description of a later state.
Alternative Title:
A going! A going!!!
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 267., Early state, with intact imprint statement and variant plate numbering. For a later state with beginning of imprint removed from plate and with number "291" etched in upper right, see no. 12152 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "95" in upper left corner., and Title etched below image.
"A very fat man, broadly caricatured, with a gouty leg, sits full face in an arm-chair, staring with open mouth and goggling eyes. Above his head: 'Who the Devil do you stare at? Get along about your Business'. He wears a night-cap, a handkerchief round his neck, a loose coat over shirt. At his left hand is the corner of a table with a decanter of 'Madeira' and a glass."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Companion print to: A lump of innocence., Plate numbered "143" in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A fat, middle-aged, and meretricious-looking woman sits full face with a full glass in her hand, eyelids lowered, the fingers of her left hand spread deprecatingly. Beside her is a bottle of 'Coniac Brandy'. Above her head: 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!' Large red stones or beads form a double necklace and bracelets, and ornament a fillet in her hair and her short sleeves."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Companion print to: A lump of impertinence!, Publisher and date of publication from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London,
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue.
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "173" in upper right corner., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Sheridan, Richard Brinsley,--1751-1816., Tegg, Thomas, 1776-1846, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Mrs. Clarke kneels on one knee in profile to the left, extending her arms towards a sacrificial pile of burning books, and looking up at an irradiated sun containing a profile bust portrait of the Duke of York. The books are on a rectangular altar, 'The Alter of Repentance', with classical mouldings, the corners being satyrs' heads. The books are inscribed 'Life of Mrs Clarke' and 'Memoirs'; with them are burning papers inscribed 'Love'; 'Darling'; 'Love Letter'. A mass of flame ascends to merge with the rays from the sun, from which the Duke looks down benevolently at Mrs. Clarke; she says, "Thus perish all that gives my Darling pain". She wears feathers and drapery in her hair."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York, in a pilgrim's gown, wearing a mitre and with a crosier for his staff, approaches the corner of a house where two women, Mrs. Clarke and Miss Taylor, look eagerly from an open window. Behind him his path, 'Road to destruction', leads down from a country house in trees, Oatlands. Beside the path is a stone: 'Stumbling Block'. Near the house the Duchess of York kneels imploringly, raising her arms towards the distant Duke. Behind her is one of her many pet dogs (see British Museum Satires No. 11023). The Duke tramples on two open books: 'Thoughts on Connubial Happiness' and 'Thou shalt not commit Adultery'. He says: "Now for a meeting with my Dearest Dear". On the house many bills are posted: 'Man Traps are placed every Night in these grounds'; 'Diamonds by Mrs Clarke Lapidary to his Highness'; 'This evening will be performed Duke and No Duke [by Tate, 1685] By his Majesties Servts . . .'; 'Agency Office business transacted on moderate Terms'; 'Leakes Pills by appoint. . Taylor'; 'Suppression of vice'; 'To all-Journeymen Taylors wanted'."--British Museum online catalogue.
Alternative Title:
Bishop in an extacy and Pilgrimage from Surrey to Gloucester Place, or, The bishop in an extacy
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Oatlands Country house -- Mrs. Clarke., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Price one shilling couloured [sic].", Design consists of eight figures arranged in two horizontal rows, each figure having a caption etched above., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "105" in upper left corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Markwell, M. Advice to sportsmen, rural or metropolitan, noviciates or grown persons ... London : Thomas Tegg, 1809., Publisher and date of publication from those of the volume in which the plate was issued., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A parson, just arrived at an inn, a grosser Dr. Syntax (see British Museum Satires No. 11507), makes advances to a comely and willing chambermaid, who holds warming-pan, lighted candle, and saddle-bags, and is conducting him to his room. They are at the foot of the staircase. A young military officer on the stairs tipsily directs a stream towards the parson's hat. On the wall behind the latter: 'Fountain Inn-Entertainment for Man and Horse Gentlemen supplied with Fishing Tackle &c &c'. Behind his back (right) an elderly man in a night-shirt looks angrily from a room, holding a lighted candle. In the foreground (right) is a clutter of chamber-pots, bucket, mop, boot-jack, &c."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue. Grego suggests a date of 1807., Four lines of quoted verse below title: "Who'er has travell'd life's dull round, through all its various paths hath been, must oft have wondered to have found, his warmest welcome at an inn., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "148" in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Johnstone, Henry Arthur--Ownership.
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "208" in upper right corner., Probably a reissue; first half of imprint statement has been burnished from plate., Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Two designs on one plate. Above, the Duke of York sits, pen in hand, writing a love-letter, but turns from his table to declaim towards the window (right): To morrow I inspect my regiment--and then for my Dearest--Dearest--Dearest--Love. A negro servant (left) wearing a jewelled turban regards him with dismay: Bless my Massa what be de matter with him--him in love I fear--Sambo once be in love with bad Woman but him repent. On table and floor are papers inscribed: O Love is the cause of my Folly, My Amiable Girl; My Dearest Dear I hope to be in your Arms; Love Letters. Below, an elderly military officer without sword or gorget, scowls through an eye-glass at a pert boy (right) in uniform with sword and gorget. He says: Can I believe my eyes, why this is the little foot boy--who waited on us at the house of a Lady of a certain description. The boy (Carter) answers, hands on hips, I beg Sir you will not come for to go, to affront a gemmen--."--British Museum online catalogue.
Alternative Title:
An unexpected meeting. and Scene at Weymouth
Description:
Artist identified as Woodward in the British Museum online catalogue., Plate numbered "69" in upper right corner., Printmaker from British Museum catalogue., Temporary local subject terms: Eye glass -- Blacks., and Title for upper design etched above image; title for lower design etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Alternative Title:
Caleb Quizem, Esqr., How to vault from the saddle., and The true method of sitting on a horse mathematically delineated.
Description:
Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., Printmaker from British Museum catalogue., and Title from text heading vignette in left panel.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1846, publisher.
Above title are the phrases "Ever changing," "Ever new," and "Vive la bagatelle.", Plate numbered "100" in upper right corner., Reissue of the title page to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Reissue, with altered publication date, of a plate first published in 1809. See British Museum catalogue., Sheet trimmed within plate mark on top edge., and Title from text in center of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue.
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Adam, William,--1751-1839--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Croker, John Wilson,--1780-1857--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
A rider sits stiffly on a misshapen horse that wears blinkers. The rider's stirrups almost touch the ground, and his body and legs form a quasi-vertical line from head to heels. Above his hat is a dotted half circle labeled '90 degrees'. On the right in the middle distance another horse gallops out of control of its rider while further on top a hill in the distance is St. Paul's Cathedral and surrounding buildings.
Alternative Title:
Mathematical horsemanship ; plate 3
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue.
Alternative Title:
Disappointed epicures and Dissapointed epicures
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "27" in upper right corner., Publisher from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An obese old doctor sits between Mrs Clarke and a thin elderly officer (right), chapeau-bras, sitting grotesquely expectant on the edge of his Easy Chair. The doctor puts a money-bag inscribed 800 into the dress which Mrs. Clarke holds up to receive it, pointing to the officer, one Captain Tuck. From his pocket hangs a paper Doctor Doneover [Donovan] Agent to Old Nick-Deanery 2000, Commissary 1000, Majority 800 Mrs. Clarke (left) sits in a Ricketty Chair; its seat is Morocco Bottom [an allusion to Taylor, see No. 11218]; under her feet are three papers: My admirable angel My Dear dear pretty little darling; My Love my Life I cannot exist without you; Gazzette. She is one of Rowlandson's pretty meretricious women, and does not resemble Mrs. Clarke. Behind her is a curtained bed, its head inscribed Boudoir; above this hangs a bust profile portrait of Fredirick 2 beneath which a paper is pinned up: List of Candidates for Promotion Sums offered Clav . . . [Clavering, see No. 11247] 2000, Dow. [Dowler, see No 11253]-800, OM [O'Meara, see No. 11258] 300 .. . 200. Beside the bed is an ornate table with decanters and glass, and a paper: Rogues all sing tanta-ra-ra-Blood an Thunder when Whore and Rogue are rent asunder. On the floor is a book, Mrs Clarks Ledger, on which are papers spiked on a file: Promotions paid for. Two quotations from Gay's 'Beggars Opera' complete the design. Above the doctor's head, on a large scroll, are eight lines beginning:"Tis Woman that seduces all mankind, Under Tuck's chair is a paper: If you mention vice or bribe, Tis so pat to all the tribe-each cries that was levelled at me."--British Museum online catalogue.
Alternative Title:
Industrious Mrs. Clarke winding up her accounts
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An elderly parson (right) capers wildly, arms outstretched, wig flying off, his hat on the floor. On the left a comely wife and two boys watch him with astonishment. They sit by a table on which are wine and fruit. She says: "Why my Dear-you are quite frantic, what is the matter with you". He answers: "Frantic-I believe I am,-I have been preaching before Royalty, our Fortunes are made,-such a Sermon-neat text-quarter of an hours discourse-appropriate prayer at the conclusion,-O, to see them cry, it would have melted an heart of Stone,-Oh bless that Mrs Clarke I shall never forget her"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Lord Chatham (left) flies across the Channel towards the English coast on a wooden horse, mule, or ass with feathered wings. Two little puppets labelled 'Dutch Dolls' are placed before him on his saddle. From two ends of a rope passing across the animal's back fly out (left) five dismantled ships inscribed 'Castles in the Air Wooden Ones', and (right) three large labels inscribed respectively: 'Walcheren Beveland'; 'Plan and Fortifications of Flushing'; 'Loss in Killed & Wounded Sick List'. The animal emits a blast from its rump inscribed 'Rockets Devil take the hindmost'. Chatham, with drawn sword, blandly addresses John Bull and his wife who stand on the shore (right) looking up at him: "Here I am my Dear Johnny escaped from Fire, Water, Plague, Pestilence & Famine My Fireworks have given general Satisfaction abroad-I must now Couch on a bed of Roses [see British Museum Satires No. 10558, &c]- and hope when I awake to be rewarded with a Pension and Dukedom for brilliant Services". John, a fat 'cit', holding out a cudgel and clenching his fist, says: "General Cheathem flying back as I foretold garnish'd with dross and Dutch Metal Where is the Ten Million of British Bullion you Scarecrow-the Sinking Fund suits your talents better than Sinking of Ships". His fat wife, holding up a little parasol, exclaims: "Lord Mr Bull what a Man of Mettle it is". Sailing towards land is a small vessel, a sail inscribed 'Commodore Cur-Tis'; the only occupant is Curtis, waving his hat and shouting: "A New Contract for Mouldy Buisciuts-Expeditions for ever Huzza". On the horizon (left) land is indicated, with buildings and a flag; above are the words 'Mortality at Flushing'."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Plate numbered "108" in upper left corner., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Chatham, John Pitt,--Earl of,--1756-1835--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue, description of later state.
Alternative Title:
One too many
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 267., Early state, with intact imprint statement and variant plate numbering. For a later state with beginning of imprint removed from plate and with number "292" etched in upper right, see no. 12153 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "95" in upper left corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Newton, Richard, 1777-1798, artist., and Tegg, Thomas, 1776-1845, publisher.
One print in a series of views in Oxford and Cambridge. See Grego. and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Cambridge--Pictorial works.
Subject (Topic):
Universities and colleges--England--Cambridge--Pictorial works.
"Simple-minded people gaze up at placards inviting subscriptions to unsound companies. A high wall runs from a house partly visible on the extreme left, to the street corner, enclosing a large building placarded Hospital for Incurables Supported by Voluntary Subscribers [i.e. for victims of speculation mania]. On the right are old-fashioned houses, one of which is alined with a church, the scene suggesting one of the older parts of the City of London with seventeenth-century houses. The high wall on the left is covered with large bills at which the gullible are gazing: [1] Doctors Company--Capital One Million divided into Shares at -- Pr Share--the Advantages incalculable No Charge for Emetics opening draughts Injections &c-- [signed] Sam Sexton Clerk, [2] Patent Coffins provided on the shortest notice --No Surgeons Admitted--. [3] Genuine Milk Company free from Chalk Poison Water &--. [4] Company of Menders--Open to both Sxes in shares at--pr Share. None to be Admitted but who can give undeniable proofs of mending either their wives or Husbands Neighbours or Friends and lastly but most particularly Themselves. [5] Company of Scavengers Nightman [sic] and all imposters to be sent to the House of Correction. [6] Company of White Washers NB No Lawyers admitted [cf. British Museum Satires Nos. 11269, 11272]. [7] More Advantages-- A New Cabbage and Potatoe Compy Warrented Genuine No cooking required saves time and trouble 5s each Share. [8] Match and Tinder Compy Capital 2 Millions five farthings each Share. [9] Blacking Company. On the opposite side of the wide irregular street is a low-grade barber's shop, with the barber shaving a customer in the doorway. Outside the door his dwarfish assistant sharpens a razor on a grindstone. Above the door is a large tilted board: Tim, Slashem Barber and Perriwig Maker--begs leave to inform the patronizers of Merit--that he means to form a New Company of Mowers of Beards having discovered a New Machine to Shave 60 men in a minute, to comb oil and powder their wigs in the Bargain. NB. Bleeding and Teeth drawn gratis. The striped pole slants forward above the board. At a casement window under the roof a woman is washing; a cat prowls on the tiles. This is a corner-house, its (invisible) side facing Bubble Alley, where the corner-house has a large placard: Peter Puff--Manufacturer of Deal Boards--without Knots from genuine Saw dust &c. At right angles to this is a narrow street receding towards the church. On this are more bills and a projecting lantern: Subscri[bers or ptions] taken in here. Spectators gaze at the bills in the foreground, middle distance, and background. On the left a fat 'cit' and his taller and more fashionable wife walk purposefully; she dangles a reticule, his hand is deep in a pocket, they are clearly deluded subscribers. A yokel and his wife gaze up at the 'Milk Company' advertisement. On the right a countryman on horseback followed by his dog stares up at the barber's notice, as does a bearded Jew carrying a sack (of old clothes)."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Also issued separately., Date of publication from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "174" in upper right corner., Temporary local subject terms: Churches - Jewish people -- Male costumes -- Female costumes -- Incurables Hospital., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Barbershops, Churches, Jews.--depicted, and Posting signs & notices.
"Scene at the door of a Portsmouth brothel, a corner-house. A handsome young prostitute, elaborately dressed, with curls, feathered hat, and fluttering sash, walks from it, gazing straight before her. Behind her is a fat and hideous bawd, hands on hips, who watches her with calculating malevolence. The bawd wears a watch and seals dangling from her waist; behind her is a doorway inscribed 'Hotel', with an oil-lamp (as in British Museum Satires No. 11454) projecting from the door-post; a bell-pull is inscribed 'Ring the Bell'. Just within the door is a dark lobby lit by a lamp hanging from the ceiling and leading to a second (closed) door in which there is a small grille or judas. On the wall of the house is the inscription 'Portsmouth Dock', and three bills: 'From the Country an Assortment of Fresh Ware'; 'A Tragedy in Rehearsal'; 'Leakes Genuine Pills'. In the background is a humbler establishment, with irregular gabled roof and a porch inscribed 'Lodgings'. A sailor stands looking up at a woman who leans from the window with outstretched arms. Flames and smoke belch from the chimney. Behind it are masts and sails."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 130-1., Date of publication based on earlier state with the complete imprint "Pubd. Febry. 1, 1809, by Thomas Tegg, No. 111 Cheapside." Cf. No. 11461 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "207" in upper right corner., Reissue, with first half of imprint statement burnished from plate., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Newton, Richard, 1777-1798, artist., and Tegg, Thomas, 1776-1845, publisher.
Attribution to Rowlandson from description by Grego of other prints in the series., Probably part a series of views in Oxford and Cambridge. See: Grego, J. Rowlandson the caricaturist, v. 2, page 184., and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Oxford--Pictorial works.
Subject (Topic):
Universities and colleges--England--Oxford--Pictorial works.
"A fat 'cit' on an ill-bred horse leans back in the saddle with legs thrust forward; the angle of his seat is shown by a dotted half-circle above his head on which 90 degrees are marked, above his point of contact with the horse. An absurd dog barks at the horse's heels. In the background two riders are being flung from their horses. Behind them is St. Paul's and adjacent houses. On the right is a windmill. Illustration to an account of a grotesque City subscription hunt, whose rule is never to go out of sight of St. Paul's."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 1
Description:
Date of publication from British Museum catalogue. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Illegible letter or monogram, possibly part of a former publisher's statement, precedes R. Ackermann's name in imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second digit, probably a "3," in day of publication in imprint is lightly printed and barely legible., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Above, Mrs. Clarke stands on a round dais, under a canopy, receiving her clients. These are headed by six military officers; the foremost makes a sweeping bow, cocked hat in hand. Next is a fat parson holding a money-bag inscribed 800; behind is an obese doctor, with three other elderly men. She says to them: Ye Captains and ye Colonels-ye parsons wanting place, Advice I'll give ye gratis and think upon your case, If there is possibility, for you I'll raise the dust, But then you must excuse me-if I serve myself the first. Below, Mrs. Clarke, much décolletée, looks from an open ground-floor window of a London house, to see a fashionably dressed man, Taylor, walking towards her holding a sealed packet. He looks over his shoulder at a yokel with a cudgel, who asks: I say Measter Shoe-maker where be you going in such a woundy hurry? Taylor answers: Dont speak to me fellow you should never pry into State affairs. Mrs. Clarke says: Open the door John here comes the Ambassador Now for the dear delightful Answer. Behind the yokel, evidently John Bull, is his dog. On the right is a house with a door-plate inscribed Mrs Weston."--British Museum online catalogue.
Alternative Title:
Mrs. Clarkes levee, The ambassador of Morocco on a special embassy., and The ambassador of Morrocco on a special embassy.
Description:
Printmaker from British Museum catalogue. and Title of top design from text above image; title of bottom design from text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An irregular pyramidal erection is based on a solid block of stone, inscribed: The Foundation York Folly! On this rests a damaged block of similar shape more dilapidated and rather smaller: Crackd Portland Stone [see British Museum Satires No. 10716]. Above, slightly smaller but smoother and more rectangular, is Folk-stone of the First Quality. On this stand (left to right) a barrel of Whitbreads Intire [see British Museum Satires No. 10421], a large decanter of Burdetts Stingo, and a slightly smaller one of Wardlles British Spirit. They support a slab of Romilly Free Stone. On this rest two balls or bubbles; in each sits a man gloomily contemplating a writing-table, one a civilian, Sandon, the other an officer, Clavering. On these rests a slab inscribed Sandon & Claverings Dumps which supports the apex of the monument, a pyramid: Mrs Clarks Pyramid. From behind the base project (left) a mitre and crosier (see British Museum Satires No. 10227), with a paper: The New Morality [the title deriving from Canning's poem, see British Museum Satires No. 9240]; and (right) the Duke's cocked hat and sword, with papers inscribed My Darling and Love Letters [see British Museum Satires No. 10228, &c.]. There is a background of cloud."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1846, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Text below title, with the heading "Copy of the letter," begins: My Dearest Dear, I received your sweet dear little letter, and with them the leather breeches and blessed be the fair hand that sewed on the buttons ..., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"The words are framed by a curtain, held back at the sides by 'Mrs Clarke' (left) and 'Colonel Wardle' (right), who stand on low round pedestals, as if flanking a proscenium. Both point to the inscription. The curtain is centred above by a group composed of the Duke's cocked hat and sword, with mitre and crosier (see British Museum Satires No. 11227) on a scale larger than the two figures. On the ground, between the curtains, the space is filled by a large open book: 'Thou shalt not commit Adultery' and by papers inscribed 'Dearest Dear' and 'My Darling.', with inkpot and pen."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Probably the title page to a series of prints., Three lines of text below title: "Out of evil cometh good." Learn to be wise from others harm, and thou shall do full well., Title continues: ... and the circumstances arising from the investigation of the conduct of His Royal Highness the Duke of York before the House of Commons, 1809., and Title from text in center of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
Attributed to Rowlandson by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "80" in upper left corner., Title etched below image., and Two lines of text etched below title: This club in respect to costume differs very little from the Whip Club ...
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York and Wardle in a rowing boat, 'The Clarke Cutter', with Mrs Clarke, barebreasted, as a figurehead, rowing to right on a rough sea, the 'Sea of Disapprobation', tossed by the 'Storm of Public Opinion', from which they are fleeing; the boat is lettered 'Honi soit qui mal y pense' and is stashed with papers, lettered 'Love letters / Mrs. Clarkes Establishment / Cobbetts Hum-bugs / Bills for Furniture'. Behind the figure of Mrs Clarke, a 'Gold Vase' and bags lettered 'Popularity / Votes of thanks'. At right are gathering fish, 'Gudgeons', and perhaps a seal, identified variously as 'Wright / Sandon / Clavering / O Meira [?]'. The duke says, 'Pull on - pull on Mess-mate here is a devil of a storm coming on - little did I think I should row in the same Boat with you.' Wardle replies, 'Would it not be the best way to throw the cargo overboard brother Tug?'"--British Museum online catalogue.
Alternative Title:
Rowing in the same boat
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Numbered "101" in upper left corner of design., Printmaker from British Museum online catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"The Duke of York (right), blowing a horn, sits in the boot of a coach driven by a lawyer, probably William Adam (left), who says: I thought we should bring him through. On the roof is a bush supporting a placard: Acquitted Glorious Majority of 82. Inside the coach are three lawyers, as in British Museum Satires No. 11269, who are not characterized. The coach is surrounded by a cheering mob. Mrs. Clarke, a termagant with streaming hair, holds up clenched fists towards the Duke. Next her is a fat parson, who says: I always said he was Innocent. A man shouts Huzza Glorias News for Old England. Next him is a bearded Jew in a long gown with a sack on his shoulder inscribed Left of Regimentals. A man shouts: That's right-go it my Darling [cf. British Museum Satires No. 11228]."--British Museum online catalogue.
Alternative Title:
Triumph of innocence
Description:
Printmaker from British Museum catalogue., Title etched below image., and Variant state lacking series number in upper left corner. Cf. No. 11274 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Subject (Name):
Adam, William,--1751-1839--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York with a beard and dressed as a magician, in a fur cap and long gown (on which is a Garter star), stands in profile to the right holding out a wand inscribed 'Petticoat Influence'. Beneath the wand stands a young man dressed as an officer, wearing cocked hat, gorget, and sash. Smoke or cloud rises from his feet and ascends in two columns above his head. The Duke says: "By the Mystery of my Art, no more be a Foot-boy-but rise a Captain". The young man, much surprised, says: "Bless me how soon a foot-boy is turned to a Gentleman"."--British Museum online catalogue.
Description:
Artist identified as Woodward in the British Museum online catalogue., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"The Duke of York, in uniform, stands directed to the left, hands on hips, right leg raised, as if about to march. He says: "If I must March, I must however I shall leave my Baggage behind me!!" His back is turned to Mrs. Clarke who stands with arm appealingly outstretched, saying, "O You gay deceiver-to leave a poor Woman without Protector". She stands as in the House, in her familiar dress, muff in her left hand."--British Museum online catalogue.
Description:
Attributed to Rowlandson in the British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"P. 55"--Upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Markwell, M. Advice to sportsmen, rural or metropolitan, noviciates or grown persons ... London : Thomas Tegg, 1809., Publisher and date of publication from those of the volume in which the plate was issued., and Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York and Mrs. Clarke in bed; his arm is round her neck, and he gazes at her, saying, "Ask any thing in reason and you shall have it my dearest dearest dearest Love". She answers: "Only remember the promotions I mentioned I have pinn'd up the list at the head of the Bed". Above their heads: 'List for Promotion-a Bishoprick for Dr O Leary, a Commissariat for Dicky Dowlas-A Generalship-Cl Clackwrng-A Majority-[?] 2d Lieutenant for my Foute Boy' [see British Museum Satires No. 11223]. At the foot of the bed are two chairs, one (left) a commode, on which is a large mitre, with a crosier behind it, on the other (right) are the Duke's breeches."--British Museum online catalogue.
Alternative Title:
Peep into paradise
Description:
A possible earlier state lacking series number. Cf. No. 11227 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Two watchmen holding up lanterns on poles stand one on each side of the door of Mrs. Clarke's house in 'Gloucester Place' [see British Museum Satires No. 11222]. Between them stands a man holding a pole, supporting a board: 'Beware of Bad Houses And Naughty Women'. This obstructs access to the house, where a couple are seen through a window embracing each other (right). On the left an officer and a parson who have been approaching, retreat in dismay. On the right a burly termagant clenches her fists. One of the new gas-lamps, see British Museum Satires No. 10798, &c, projects from the corner of the house, its globe inscribed 'Light & Heat Company'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Lanterns: Gas lamp., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Wardle in armour with plumed helmet and floating cloak attacks with sword and shield a hydra with seven heads, all in profile, each wearing an inscribed collar. The principal head is that of the Duke of York (a flattering portrait), wearing The Collar of Corruption. The others are Bowler, Clarke, O Meara, Master Carter [the smallest], Sandon, Dr Donovan [with a pen behind his ear]. A serpent lies beside the hydra. Behind is the mouth of a cave. Below the title: Bellva Multorum es Capitum!! vide Horace [Epistles, 1. i. 76]. ('Thou art the Beast of many heads.')"--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"The cobbler leans savagely over his wife who is tied to a chair, and with her wrists bound. With his awl between his teeth he pulls at the thread with which he is stitching up her mouth. She is an elderly virago with pendent breasts, who glares up at him, crisping her fingers; their faces are close together. A buxom young woman leans delightedly over the pair, holding up a candle."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Cobblers cure for a scolding wife
Description:
Date of publication from Grego; a questionable date of 1813 is also assigned in the British Museum catalogue for the earlier reissue., For an earlier reissue with the title corrected, the plate number added, and the year of publication in imprint crossed out, see no. 12148 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later reissue; plate number has been added and beginning of imprint statement has been burnished from plate., Originally issued without plate number, with the word "wife" in title misspelled "wiff," and with the imprint "London, Pub. Aug. 4, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. Lewis Walpole Library call no.: 809.08.04.01+., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "294" in upper right corner., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"P. 32"--Upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Markwell, M. Advice to sportsmen, rural or metropolitan, noviciates or grown persons ... London : Thomas Tegg, 1809., Publisher and date of publication from those of the volume in which the plate was issued., and Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The centre of a sunflower encloses a bust portrait of an ugly elderly man with a sly expression. The stem, inscribed Weak Stocky rises from a tub of Rank Butter which rests on two cheeses, the upper inscribed Mouldy, the lower Rotten; in the latter is a Rat Hole, with rats scampering in and out. The leaves of the plant droop, many have fallen off. Each has an inscription: Vulgarity, Arrogance, Treacherous, Pernicious, Measly Pork, Defence of Rights, Lecherous, Overreaching, Stinking, Popularity, Poisonous, Upstart, Ill favoured, Oppression, Crafty, Rusty Bacon, Hogs Lard, Baneful, Avaricious, Odious, Pitiful, Contempti[ble], Narrow Minded, Servile, Insignificance, Jesuitical, Rotten Ripe, Sweatty, Dam-d. There is a background of clouds, and from behind a cloud in the upper left corner a demon blows a blast from a trumpet at the sunflower."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Sixteen lines of verse in two columns below title: The flow'r of the city, so gaudy and fine, 'midst proud ones the proudest was erst known to shine ..., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The gambler, in shirt and breeches, sits beside his bed registering rage and despair. Beside him (right) is a round table on which are a cocked pistol, a purse, dice and dice-box, an open pocket-book inscribed 'Money Lost 10.000'. A lighted candle is broken. His comely wife looks at him in startled horror from the curtained bed."--British Museum online catalogue.
Description:
Companion print to: The huntsman rising., For the original issue from 1809, see: Grego, J. Rowlandson the caricaturist, v. 2, page 135., Reissue; the year "1809" in imprint statement has been altered to "1811." See British Museum catalogue., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"John Bull, a hideously carbuncled 'cit', looks down grinning at a semicircle of men on a much smaller scale who surround his half-length figure. They are (left to right) Napoleon, wearing a huge bicorne, who looks up to say 'Ships. Colonies and Commerce'. A man in military uniform, quite unlike Alexander, his back to Napoleon, says: "Russian Vengeance attend John Bull. A fat Dutch burgher puffs smoke towards John, saying, III eternally smoke him". A scowling man in civilian dress with tousled hair says: "Let him tremble at the name of America". Prussia, a handsome military officer in place of the damaged soldier who after Tilsit represented Frederick William III in English caricature, says: "Beware of Prussia". A similar officer (Francis I) says: "Austria will never Pardon him". A Spaniard wearing a cocked hat says: "Spanish Fury overtake him". A scowling face says: "Let him beware of Denmark". John says: "Dont make such a riot you little noisy Brats, all your bustle to me is no more than a storm in a Chamber pot"."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "131" in upper right corner., Probably a later state; first half of imprint appears to have been burnished from plate., Temporary local subject terms: Prussia -- America., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
Hopes of the family, or, Miss Marrowfat at home for the holidays, Hopes of the fammily, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Year at end of imprint statement has been completely obscured with etched lines; year of publication from Grego.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Companion print to: The gamester going to bed., For the original issue from 1809, see: Grego, J. Rowlandson the caricaturist, v. 2, page 135., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a reissue from 1811 of a print originally published 31 July 1809. See Grego., Publisher from Grego., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"Two Londoners in riding-dress, in the parlour of a country inn, gape at a dwarfish, old, and hideous barmaid who enters (on pattens) with a jug of ale. One has been tricked by the other's ballad on 'Nature's child! sweet maid of Mim' to expect a rustic belle."--British Museum catalogue.
Description:
Date of publication from Grego., Temporary local subject terms: Male costume -- Riding-habit -- Barmaids -- Female costume -- Pattens -- Ale., and Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"An elderly schoolmaster sits by a writing-table, in profile to the right, addressing an old countrywoman who faces him, making a slight curtsey. Behind her (right) are four little boys, two with bags of books slung from the shoulder. The schoolmaster, who wears night-cap, slippers, and buttoned overcoat or dressing-gown, says: "Good woman you are always making complaints against my Scholars, what have they done to offend you now?" She answers: "Please your Honors Worship they followd me up and down--and said one to another--At her!--beat her! damn her!--pelt her!-- and a great deal more that I do not recollect". The leader of the boys, bowing, cap in hand, says: "Indeed Sir, we were only repeating our Greek Alphabet, in order to get quite perfect--what the Old Woman heard was only Alpha--Beta-- Gamma--Delta--and so on to the conclusion". The boys' expressions indicate a successful conspiracy."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Greek alphabet
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 130., Date of publication based on earlier state with the complete imprint "London, Published by Thomas Tegg, No. 111 Cheapside, Jany. 15, 1809." Cf. No. 11460 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "132" in upper right corner., Reissue; former plate number "66" has been replaced, and date has been removed from end of imprint statement., Temporary local subject terms: Alphabet -- School children., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Mrs. Clarke (right), seated on a settee, addresses a fat parson in an arm-chair who registers excitement, with leg and arms raised, and wig flying from his head. Between them is a table; by Mrs. Clarke are papers headed: Army Preferment and Church Preferment. The parson, turning up his eyes, says: O-how I should like to preach before Royalty. She says, with extended palm, Only pay the Clarkes Fees, and the business is done. Between them hangs a placard: So great on the Church were O'Meara's designs, That he prov'd too ambitious a spark, But where is the wonder ye learned Divines, That the Parson should follow the Clarke."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Mrs. Clarke stands between Wardle and Wright, arms akimbo, an impudent and alluring virago. Wardle turns his head from her to speak to General Clavering, who stands on the extreme left. Clavering, in regimentals, his cocked hat poised absurdly on the top of his head, stands glaring angrily at Mrs. Clarke; he says: I intend to commence an Action against her for obtaining Mony under false pretences in the case of French's Levy -- I'll teach her to send Gentlemen to Newgate. Wardle, in civilian dress, answers: Leave her to me Ill touch her up in the Furniture Business. Mrs. Clarke says: I dont care a fig for any of you -- and as to you Mr Furniture Monger [Wardle]--ll be before hand with you. Wright, the upholsterer, stands behind her (right); he looks to the left scowling, and says: Thats a good girl follow him up--ll back you Ill let him know who's Wright and whose Wrong. If I dont enter an action against him I am no Upholsterer. On the extreme right and in profile to the left, stands Serjeant Best, in wig and gown, holding a large Brief, with turn over at the bottom of the first page. He looks slyly towards all four, saying, That's right my good Friends it is All for the Best."--British Museum online catalogue.
Alternative Title:
Diamond cut diamond
Description:
Plate numbered "97" in upper left corner., Possibly a variant state. For a state lacking plate number, see no. 11347 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Clavering, Henry Mordaunt--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"George III sits on the throne (right) partly concealed (as in British Museum Satires No. 10709) by a pillar which supports the heavy draperies of a canopy. The Duke of York, wearing shirt, breeches, and boots, kneels before him, with bowed back, a handkerchief held to his face. Beside him and at the King's feet, are his military coat, hat, sword, and a paper: 'Resignation'. He says: "And he arose and went unto his Father, and said Father I have sinned before thee, and I am no longer worthy to be called thy Son". The King covers his face with his hand, saying, "Very Naughty Boy!-Very naughty Boy indeed!! however I forgive you but dont do so any more"."--British Museum online catalogue.
Alternative Title:
Prodigal son's resignation
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The Duke of York (left), in uniform, wearing cocked hat, gorget, and sword, runs towards John Bull (right), a stolid yokel in a smock. He says: "Good-Bye Johny-I am going to resign-but dont take it so much to heart, perhaps I may soon come back again". John, who stands hat in hand, holds a handkerchief to his eye, to conceal a smile. He looks down, saying, "O Dunna-dunna go-it will break my heart to part with you-you be such a despirate Moral Character!!""--British Museum online catalogue.
Alternative Title:
John Bull over-whelmd. with grief, John Bull overwhelmed with grief, and Resignation, or, John Bull overwhelmed with grief
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Heading to verses printed in four columns. Napoleon sits by a wicker cradle containing the sleeping bear of Russia (left), which he rocks with hand and foot. He leans against Holland (right), a fat burgher fast asleep. Behind a low hill on the left is a rising sun, inscribed Spain and Portugal, which irradiates part of the sky. Napoleon, precariously seated on thorns, supports himself on the point of his sheathed sword, and looks to the right, saying, This Rising Sun has set me upon thorns. The bear is tightly muzzled, the muzzle is labelled Boneys Promises. On the hood of the cradle stands a measure of Turkey Wheat. The King of Sweden stands behind Napoleon, fiercely raising his sabre; he leans towards the cradle, saying Awake thou Sluggard ere the fatal blow is struck and thou and thine execrable ally sink to eternal oblivion. In his left hand he holds up a staff and cap of Liberty. Holland sits on a cask of Genuine Hollands, holding a pipe; a broken sceptre dangles from his limp right hand. Behind him is a shadow inscribed Poland. Denmark sits with elbows on knees, his head and shoulders covered by a large extinguisher inscribed Denmark. Next stands the Emperor of Austria in hussar uniform, fiercely preparing to draw his sword; he says: Tyrant I defy thee and thy Cursed Crew. On the extreme right and in the foreground stands the King of Prussia wearing a straight-jacket covering his hands which are linked together; his feet are held in the first position by a wooden appliance (as in British Museum Satires No. 9581); he wears a crown of straw, emblem of the lunatic and chants with closed eyes and imbecile grin: Fiddle diddle dee Fiddle diddle dee The Mouse has Married the humble Bee-and I am Emperor of the Moon. Behind him lies a dead or dying Prussian eagle. On the extreme left, and half cut off by the margin is a funeral urn on a pedestal inscribed: Memory of the Crown of Naples."--British Museum online catalogue.
Alternative Title:
View of the Continent
Description:
Four columns of verse in letterpress below plate: Just as the rising-sun dispels the gloom of night to bless us with new day, so genuine patriotism expels vindictive tyrants from despotic sway ..., Printmaker and year of publication from British Museum catalogue., Second imprint statement in letterpress below verses: Published by R. Ackermann, 101 Strand, London., and Title from letterpress text within and below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Saulez, George, 1779-1843, artist.
"Mrs. Clarke stands in a massive archway, inscribed 'CLARKES PASSAGE', addressing a crowd hurrying towards her. She wears a military coat over a white dress, cocked hat, and sword, and stands above the street level. She says: "Gentlemen it is no use to rush on in this manner -the principal places have been disposed of these three weeks and I assure you there is not even standing room". The crowd consists of military officers, elderly and often disabled, two fat parsons, a few civilians, some foppish, some the reverse, one of whom holds up a money-bag inscribed '500'. They completely fill the wide space before Mrs. Clarke, whose 'Passage' is indicated as her house by the opposite house on the extreme left. This is in 'Croakers Row', and from an attic window a little figure (Croker) peers through a telescope, as in British Museum Satires No. 11238."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Croker, John Wilson,--1780-1857--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An oddly drawn lion (right) with the head of the Duke of York, wearing cocked hat, stock, and gorget, crouches away from the heels of two kicking asses (left) with human heads, asses' ears, and collars engraved What a Cur it is.-and Every Man has his Price. A third ass (right), without a collar, looks benevolently down at the lion, saying -P'shaw- P'Shaw- dont be afraid I shall not kick you may depend upon it-you may be of service to me hereafter. Below the title: "When the Royal Beast, was sick to death-and unable to defend himself, the minor beasts he had injured came to revile him with their / "Wrongs-but when the dull Asses came to fling their heels at him, the Royal Animal exclaimed-" Injuries from / "others I can bear with resignation but to bear insult from such vile animals as Asses is to die and [sic] hundred / "Deaths. Vide-Mr Waithmans Speech at the common Hall."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Waithman, Robert,--1764-1833.
"The Duke of York, in uniform and wearing his cocked hat, but without a sword, stands in back view on a low rectangular pedestal facing the corner of Mrs. Clarke's house in 'Gloucester Place' [cf. British Museum Satires No. 11222, &c.]. The door is partly visible on the extreme left with a door-plate inscribed '[Cla]rke'. On the wall facing the Duke is a placard: 'The Statue on the outside having been thorougly repaired and white Wash'd is to be sold by private Contract-for farther particulars enquire within'. On the right a billposter is putting up a second placard: 'Johnstons Cheap Caricature Warehouse N° 101 Cheapside A New Caricature on Mrs C------ke every Day Price One Shilling & Two each'. Beside him a newsboy blows his horn."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Bill poster -- Street light., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Two men lie in the small truckle-beds (i.e., trundle bed) of a cheap lodging-house, one (left) asleep. An old woman holding a candle kneels at the foot of the other bed, and tugs at the wooden leg of its occupant. She says: "There is nothing like looking after Servants I always like to see that my lodgers are comfortable. --Aye here's a pretty careless trick--the warming pan left in the gentleman's bed I declare". Its owner, an angry sailor, shouts: "Hollo --Avast heaving Zounds dont pull off my timber--I went to bed half seas over and forgot to stow it alongside the hammock"."--British Museum online catalogue, description of a later state.
Alternative Title:
Careful landlady
Description:
Plate numbered "300" in upper right corner., Printmaker identified as Rowlandson and artist questionably identified as Woodward in the British Museum catalogue., Reissue of a print apparently first published 10 May 1809; in this reissued state, the day and year of publication in imprint are heavily scored through but still legible. For a later state with beginning of imprint burnished from plate, see no. 11466 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.