Manuscript music for lute in German tablature notation, in an unidentified hand, including songs, dance music, and chorales. Includes arrangements of songs by Paul Hofhaimer (1459-1537), Hans Newsidler (1508-1563), Ludwig Senf (approximately 1486-1542 or 1543), and Thomas Stoltzer (-1526), and arrangements of chorales by Martin Luther (1483-1546). Dance music includes "Bentzenauer Tanz," possibly indicating creation in Switzerland.
Description:
Binding: 18th century vellum., Date of creation supplied by cataloger., Paper: Italian, with anchor watermark (Briquet 523)., Purchased from Richard A. Linenthal (Sotheby's sale, London, 2018 May 22, lot 87) on the James Marshall and Marie-Louise Osborn Collection Fund, 2018., Staff notation;, Tablature., Title devised by cataloger., and Titles of contents in German.
Subject (Name):
Hofhaimer, Paul, 1459-1537, composer, Luther, Martin, 1483-1546, composer, Newsidler, Hans, 1508-1563, composer, Senfl, Ludwig, approximately 1486-1542 or 1543, composer, and Stoltzer, Thomas, -1526, composer
Subject (Topic):
Chorales, Dance music--16th century, Dance music--Switzerland, Intabulations (Lute), Lute music--16th century, and Songs, German--16th century
Ein Kinder Joseph and Wiegenlied für gotselige Kindermeidlein und andere Christliche Personen
Description:
Final p. blank., Place of publication and printer from colophon; year of imprint from VD 16., Signatures: [A]⁴., Stamp: Fürstlich Stolberg Bibliothek Wernigerode. Vendor's description pasted in., and Without music.
Publisher:
Durch Friderich Gutknecht
Subject (Name):
Fürstlich Stolberg-Wernigerodesche Bibliothek Stamp, Gutknecht, Friedrich, d. 1590, and Mathesius, Johann, 1504-1565. Kinder Joseph
In a sparsely furnished bedroom, a woman in a high night cap lies in a curtained bed on the right . A man stands in the center of the room, facing her, hat under his left arm. His riding crop lies on a table by the window
Description:
Title from item., Sheet trimmed within plate mark., Engraved song for two voices and violin with a version for flute. Illustrated with an etching at top of sheet., Opening words: Off [sic] all comforts I miscarried ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Pro patria., and Window mounted to 37 x 27 cm.
Date of publication supplied by cataloger., Title from first two lines of verse., Mounted on leaf 4. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Date of publication supplied by cataloger., Verse begins: "When first I came to London town,"., In two columns with the title in four lines centered above both; the columns are not separated by rules., Mounted on leaf 55. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Date of publication supplied by cataloger., Six song titles listed below title: 1. The brisk batchelor. 2. Young Roger A new song. 3. The light horsemen. 4. The maid's lamentation for the loss of Johnny. 5. The answer. 6. Molly Green., First line of first song: " I am a brisk batchelor airy and young"., Mounted on leaf 70 left side. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Date of publication supplied by cataloger., Below title: Part II containing 1. To an arbour of woodbines. 2 As Cloe sat shelter'd, &c. 3. Says Damon to Phillis, &c. ..., Mounted on leaf 70 in center. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Date of publication supplied by cataloger., Songs listed below title: I. The age of man. II. Te Bonny sailor's voyage to Greenland. III. Philander and Daphne, A new song. IV. A new sailor's song. V. A new song of friendship., Mounted on leaf 70 to right. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Verse begins: "Ye commons and peers,", Attributed to Benjamin Bragge as vendor by Foxon on strength of a Daily Courant advertisement., Fourteen stanzas in this edition., Mounted on leaf 48. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
sold by Benjamin Bragge
Subject (Geographic):
Great Britain
Subject (Topic):
Churches, Steeples, Campaigns & battles, Massacres, and History
A slip-song - "O brave England’s forces!"., "In praise of James Butler, duke of Ormonde's campaigns in Spain against Cadiz and Vigo; after his banishment" (Foxon)., Foxon dates this "[1715/-]"; that is, no earlier than 1715 (the year of Ormonde’s banishment), but with no terminus ante quem specified., Mounted on leaf 43. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Geographic):
Spain
Subject (Name):
Ormonde, James Butler, Duke of, 1610-1688
Subject (Topic):
Spanish Succession, War of, 1701-1747, Campaigns, Vigo Bay, Battle of, Spain, 1702, Naval warfare, Warships, and Sailing ships
Verse -- "When as the King of England dy'd,"., In five columns with the title, prose introduction and woodcut above the first three; the columns are not separated by rules., Title continues: in respect that many children never would have learn'd read had not they took delight in poring over Jane Shore or Robin Hood & c. which has insensibly stole into them a curiosity and desire of reading other like stories ..., Date from ESTC., Mounted on leaf 34. Copy trimmed into two pieces with last two columns mounted below main portion., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
printed by William Dicey
Subject (Geographic):
England
Subject (Name):
Edward, IV, King of England, 1442-1483
Subject (Topic):
Regicide, Kings and rulers, Succession, Prisons, Homicides, Torches, and Daggers & swords
Lawyer outwitted to the tune of I'll love thee more and more
Description:
In four columns with lines of ornamental type between each column; the title and two woodcuts are above the first two columns., Verse begins: "Of a rich counsellor I write,", Imprint below the third and fourth columns., Date from ESTC., Mounted on leaf 24. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at the Printing-Office in Bow-Church-Yard, London
Subject (Geographic):
Great Britain
Subject (Topic):
Broadsides, Elopement, Love, Man-woman relationships, Fathers and daughters, Lawyers, Wealth, and Horseback riding
Verse begins: "Attend you nymphs and virgins,"., In three columns; the title and illustration above the first column; the imprint at foot of the third column, below a series of long dashes; the columns are not separated by rules., Dating based on the imprint; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 14. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed at the Printing-Office in Bow-Church-Yard
Subject (Topic):
Songs, English, Shepherds, Shepherdesses, and Sheep
Date of publication from ESTC., Verse begins: "You young men and maidens of beauty most bright,"., In four columns with the title and two woodcuts above the first two; the columns are separated by lines of ornamental type., Mounted on leaf 51. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold at the Printing-Office in Bow-Church-Yard
Subject (Geographic):
Great Britain
Subject (Topic):
Broadsides, Ballads, English, Love, Disguise, Man-woman relationships, and Horseback riding
Verse begins: "Attend, ye lovers, and give an ear"., In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The left woodcut is found in other broadsides with Bow Church Yard and Aldermary Church Yard imprints; the date range is that covering both imprints; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Susan’s surname appears in other editions as either Massie or Mease., Mounted on leaf 60. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Couples, Cemeteries, Tombs & sepulchral monuments, Skulls, and Staffs (Sticks)
"View overlooking gardens, showing a band playing from the orchestra on the right; elegantly dressed figures strolling through gardens or seated at tables amongst trees; head-piece illustration to 'The Musical Entertainer', p. 21; with the score of a song below, all printed from the same plate."--British Museum catalogue
Alternative Title:
Vaux-Hal Garden and Vauxhall Garden
Description:
Title from item., Dedication beneath title: To the Rt. Hon. [the] Ld. Visct. Baltimore, these four plates are humbly inscrib'd., Engraved song sheet with an etching at top of plate. Music on two staves with interlinear words. Additional four stanzas in two columns below., Opening words: Flora, Goddess, sweetly blooming ..., Plate from: Bickham, G. Musical entertainer., Musical entertainer is sometimes attributed to George Bickham, Senior., Plate numbered "21" in upper right corner., "No. VI."--Lower left corner., and Eighteenth-century watermark. For further information, consult library staff.
Publisher:
G. Bickham
Subject (Geographic):
Vauxhall Gardens (London, England),
Subject (Topic):
Songs with piano, Songs with harpsichord, and Songs, English
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
publish'd according to act of Parliament, July 9, 1743.
Call Number:
743.07.09.01
Image Count:
1
Resource Type:
notated music and still image
Description:
Engraved throughout, illustrated with etching at top of sheet., For voice and harpsichord. Music on 2 staves with interlinear words. Additional two stanzas below. Part for flute at foot of page., Opening words: When Orpheus went down to the regions below which men are forbidden to see ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Fleur-de-lis, mostly cut off.
Amelia, Princess, daughter of George II, King of Great Britain, 1710-1786
Call Number:
LWL Mss Vol. 14
Image Count:
81
Resource Type:
unspecified
Abstract:
Manuscript, in a single hand, of a collection of about 125 primarily lighthearted and satirical poems and songs. Most of the entries are on the subject of love, drinking, gossip, and the disappointments of marriage; many include pastoral scenes; and most of the songs make reference to the name of the tune to which they are to be sung. The volume contains: The vicar of Bray, a poem satirizing religious and political events from Charles II to George I; another poem "to the tune of King John" satirizing George I and such political figures as Charles Spencer, Earl Sunderland and James, Lord Stanhope; as well as several satirical songs on the Italian singers Francesca Cuzzoni and Faustina Bordoni, including one sung "to the tune of 'Oh London is a fine town." Other entries include: The bush aboon Tranquair by Robert Crawford; Sung by a fop just come from France; and The Sussex toast, a song
Description:
Incomplete manuscript, pagination begins with p. 9., On penultimate leaf: 1744., On last page, in same hand: Princess Amelia's book., Index at end of manuscript., Pencilled note inside front cover: Not in Prs. Amelia's hand., Binding: full calf; blind-tooled decoration., Princess Amelia (1711-1786), daughter of Georg August (1683-1760), electoral prince of Hanover (after 1727 elector of Hanover and King George II of Great Britain), and his wife, Caroline of Brandenburg-Ansbach (1683-1737). Her full names were Amelia Sophia Eleonora., and In English.
Subject (Geographic):
Great Britain
Subject (Name):
Amelia, Princess, daughter of George II, King of Great Britain, 1710-1786., Bordoni, Faustina, 1700-1781., Cuzzoni, Francesca, 1696-1778., Stanhope, James Stanhope, Earl, 1673-1721, Sunderland, Charles Spencer, Earl of, 1674-1722, and Walpole, Robert, Earl of Orford, 1676-1745
Caption title in letterpress below image., Letterpress broadside song illustrated with etching (design 15.5 x 25 cm) at top of sheet. Title on plate: "Totus mundus agit histrionem." Signed in lower right corner: Tho. Booth sculp., Dated by Stephens 1725 from the British Museum impression that lacks the song and imprint., Sheet trimmed close to design and letterpress resulting in minor loss of title., "To the tune of Gossip Joan.", Sixteen stanzas of song in three columns below title: Ye peers, ye cits and beaux who haunt pit, box and gall'ry ..., Describes a fight between two actresses, Kitty Clive and Peg Woffington, which took place in 1746 when Henry IV was performed at Drury Lane, as related by Thomas Davies in his Dramatic miscellanies, 1784, v. 1, p. 231-3. The subjects in the print were identified by Horace Walpole (1717-1797) in his copy of Davies' Miscellanies., Temporary local subject terms: Theaters: Green Room, Drury Lane -- Actors: Owen MacSwinney and James Raftor., and Mounted to 38 x 27 cm.
Publisher:
Publish'd persuant to act of Parliament, Jan. 29, 1746, by G. Foster on Ludgate-Hill, and sold at the print and pamphlet shop in London and Westminster
Subject (Name):
Clive, Kitty, 1711-1785, Woffington, Margaret, -1760, and Barry, Spranger, 1719-1777
Date of publication supplied by cataloger., Verse begins: All hail Britannia! fav'rite isle!, Eight numbered stanzas in a single column with the title centered above., Mounted on leaf 20. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765.
The musical score with lyrics of a drinking song "The jolly Bacchanalians" with a copy of William Hogarth's "A midnight modern conversation" which shows a large party of men smoking, drinking, and singing around a table with a large bowl in the center. Several of the men are clearly intoxicated, one has fallen off his chair, lost his wig and is sprawled on the ground
Alternative Title:
Jolly Bacchanalians
Description:
Title from item., Plate from: Universal harmony, or, The gentleman & ladies' social companion. London : Printed for the proprietors & sold by J. Newbery at the Bible & Sun in St. Paul's Church Yard, 1746., Engraved throughout; illustrated with a design after Hogarth's painting 'A midnight modern conversation' at top of plate., and "P. 55"--Upper right corner.
Publisher:
Printed for the proprietors & sold by J. Newbery at the Bible & Sun in St. Paul's Church Yard
Title from item., Publication date from unverified data in local card catalog record; dated by costume., Sheet trimmed within plate mark., Engraved throughout, illustrated with an etching by Cole at top of sheet., For voice and harpsichord. Music on 2 staves with interlinear words. Additional two stanzas below. Part for flute at foot of page., and Opening words: Trust not man for he'll deceive you ...
Ttile from item., Publication date from an unverified card catalog record; dated by costume., Sheet trimmed within plate mark., Engraved throughout, illustrated with etching by Cole at top of sheet., For voice and harpsichord. Music on 2 staves with interlinear words. Additional stanza below. Part for flute at foot of page., and Opening words: Charmer, permit me to make a surrender ...
Title engraved below image and above musical lines., Publication date from an unverified card catalog record; dated by costume., Sheet trimmed within plate mark., Engraved throughout; illustrated with etching by Cole at top of sheet., For voice and harpsichord. Music on two staves with interlinear words. Additional two stanzas below. Part for German flute at foot of page., and Opening words: See Cloe how the new blown rose ...
Date of publication supplied by cataloger., Verse begins: "You mortals all who deal unjust,"., In four columns with the title above the first two and the imprint below the fourth column; the columns are separated by rules of ornamental type., Mounted on leaf 32. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold at the Printing offices, Stonecutter Street, Fleet Market
Subject (Geographic):
London (England)
Subject (Topic):
Incest, Fathers and daughters, Pregnancy, Apprentices, and Social life and customs
Date of publication from ESTC., A song - "Young virgins fair, of beauty bright ----"., In four columns with the title above the first two and the imprint below the last column; the columns are not separated by rules. In 2 parts., Mounted on leaf 61. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
