A well-dressed man with a distressed look on his face is accosted by two men in his elegant parlor decorated with paneled walls, a carpet and settee. The man standing behind him (a bailiff) holds out a arrest warrant as another man desperately grasps his coat front, his hat at his feet with an unpaid bill presumably
Alternative Title:
Man with two suits to his back
Description:
Title engraved below image., Eight stanzas of a song below title: I sing of a flashy Hibernian blade, Altho' non-commission'd, yet sports a cockade ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mss. note following author's name: "supposed father of Edmund Kean the Tragedian."
Publisher:
Published 24th June 1800 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England.
Subject (Topic):
Actions & defenses, Dandies, British, Interiors, Parlors, and Tailors
Caption title., In two columns with two woodcuts beneath the title., A satire on the Milan Commission and the British government's attempt to compile evidence of Queen Caroline's misbehaviour and infidelity. Printed together with 'A New Song' on the same subject., First line of A new song: O such a dream I had last night, ... ., Partially in verse., First line: Half past 3, cried old Charly with his lanthorn, half-past 3 ..., "Price one penny.", and For further information, consult library staff.
Publisher:
Printed by Catnach, 2, Monmouth-Court
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Image at the heading to printed verses in five stanzas: A bull rampages among broken crockery in a China Warehouse; John Mug inscribed over the door (right). Mug flies in the air, having been tossed out through the shattered window, and is about to descend in a scavenger's cart (left). From British Museum online catalogue
Description:
Title from text etched below image., Text below title, in letterpress: ... written by Mr. C. Dibdin; composed by Mr. Reeve; and sung by Mr. Grimaldi, with unbounded applause, in the new comic patomime, called "Harlequin highflyer, or Off she goes," at the Aquatic Theatre, Sadlers Wells, Printmaker signature in lower left corner of image., Three columns of verse in letterpress below title: You've heard of a frog in an opera-hat, 'Tis a very old tale of a mouse and a rat; O could sing you anothr as pleasant, may hap, Of a kitten htat wore a fine high caul'd cap ..., and Plate numbered in upper left corner: 496.
Publisher:
Publish'd Sept. 5, 1808 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England and London.
Subject (Topic):
Bulls, Carriages & coaches, City & town life, Disasters, Show windows, Stores & shops, and Tableware
"Heading to (printed) verses 'Sung, with great Applause, by Mr. Henry Johnston, in Dublin, Cork, &c. &c.' A pedlar with a wooden leg stands at a street corner, singing, a bottle of 'Irish Whisky' in his left hand, another bottle in his coat-pocket. His open box is slung from his neck, showing a watch, gloves, scissors, seals, watch-keys, ribbons, &c. On the right is a barber's shop: 'T. Trim Hair . . .' with a (torn) paper-covered lamp (as in No. 7605) inscribed: 'Shave well for Penny cut for 2 . . .' In the room above a tailor holding shears and iron looks from the window; a projecting sign is inscribed 'Sam Shred Taylor'. On the pavement outside are a fat doctor, a man leading an ass with paniers, and shouting his wares, a barrister addressing a burly man with a staff. On the opposite side of the road is a puppet-show in the form of a castle, into which children are peeping. A baker's man walks past with a board on his head on which is a pie. The last of six verses: Taylors cabbage all your cloth, Shins of beef are very tough. Flummery is just like froth Mrs. Clarke is up to snuff. Jolly tars are fond of fun, "God save the king", we'll nobly shout. And now, good folks, my song is done, Nobody knows what 'twas about. Right fol de riddle del, &c."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Below title: Magna est veritas et praevalebit. Truth is great and will prevail., Three columns of verse in letterpress below title begins: Barney Bodkin broke his nose, Want of money makes us sad. Without feet we c'ant have toes, Crazy folks are always mad. A farthing rush-light's very small, Doctors wear large bushy wigs. One that's dumb can never bawl, Pickled pork is made of pigs. ..., Sheet trimmed within plate mark., Plate numbered '521' in upper right corner., and "Cork" in the title altered in ink to "Gork".
Publisher:
Published 2nd Septr., 1811 by Laurie & Whittle, 53 Fleet Strt., London
Subject (Geographic):
England.
Subject (Topic):
Bakers, Barbershops, Peddlers, British, Peg legs, Puppets, and Tailors
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette: a gentleman and lady on a window seat., Laid paper. Horizontal chain lines., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, Folk songs, English, Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapbook., Without music., Crude woodcut title vignette of a king and a lady holding out their arms to embrace each other; a grimacing court gentleman watches from the background., Laid paper. Horizontal chain lines., and For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Cover title., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of man and woman in a landscape., First line of Jessie the flower of Dumblane: The sun has gane down o'er the lofty Benlomon', ..., First line of O stay my love: O sty, my love! My William, dear!, ..., First line of Lilies of the valley: O'er barren hills and flowery dales, ..., First line of Sally Roy: Fair Sally, once the village pride, ..., First line of Dear Maid, I love thee: Dear Maid, by every hope of bliss, ..., First line of Just like love: Just like love is yonder rose, ..., First line of Green grow the rashes, O: Chorus. Green grow the rashes, O:, ..., First line of Far, far at sea: 'Twas at night, when the bell had told twelve ..., and 1 folded sheet, uncut.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market. Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a seated lady leaning on a table, beside a garden., Laid paper. Horizontal chain lines., First line of Lovely Kitty: For foreign climes to cross the sea, ..., First line of Woo'd and married and a': The bride cam out o' the byre, ..., First line of The battle of Sherra-Muir: O cam' ye here the sight to shun, ..., First line of If he will take the hint: Young Roger is a bonny lad, ..., First line of By the gaily circling glass: By the gaily circling glass, ..., Not in ESTC., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a seated lady leaning on a table, beside a garden., Laid paper. Horizontal chain lines., First line of Lovely Kitty: For foreign climes to cross the sea, ..., First line of Woo'd and married and a': The bride cam out o' the byre, ..., First line of The battle of Sherra-Muir: O cam' ye here the sight to shun, ..., First line of If he will take the hint: Young Roger is a bonny lad, ..., First line of By the gaily circling glass: By the gaily circling glass, ..., Not in ESTC., and Uncut.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a gentleman with cane., Laid paper. Horizontal chain lines., First line of Muirland Willie: Harken and I will tell you how ..., First line of Maggy Lauder: Wha wad na be in love ..., First line of As I walk'd by myself: As I walk'd by myself, I said to myself,, First line of Sandy o'er the lee: I winna marry ony man, but Sandy o'er the lee, ..., Not in ESTC., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, Newcastle, where may also be had, a large and interesting collection of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a gentleman with cane., Laid paper. Horizontal chain lines., First line of Muirland Willie: Harken and I will tell you how ..., First line of Maggy Lauder: Wha wad na be in love ..., First line of As I walk'd by myself: As I walk'd by myself, I said to myself,, First line of Sandy o'er the lee: I winna marry ony man, but Sandy o'er the lee, ..., Not in ESTC., and Uncut. For further information consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, Newcastle, where may also be had, a large and interesting collection of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Cover title., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a seated lady leaning on a table, beside a garden., Laid paper. Horizontal chain lines., First line of O how I love somebody: Of all the swains both far and near, ..., First line of The pretty maid milking her cow: It was on a fine summer's morning, ..., First line of Of a' the airts the win' can blaw: Of a' the airts the win' can blow, ..., First line of The banks of the Dee: 'Twas summer and softly the breezes were blowing, ..., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and interesting collection of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Cover title., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a seated lady leaning on a table, beside a garden., Laid paper. Horizontal chain lines., First line of O how I love somebody: Of all the swains both far and near, ..., First line of The pretty maid milking her cow: It was on a fine summer's morning, ..., First line of Of a' the airts the win' can blaw: Of a' the airts the win' can blow, ..., First line of The banks of the Dee: 'Twas summer and softly the breezes were blowing, ..., and 1 folded sheet, uncut.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and interesting collection of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a ships on a wavy sea., Laid paper. Horizontal chain lines., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market. Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapbook., Without music., Crude woodcut title vignette of a man and a woman against a landscape., Laid paper. Horizontal chain lines., First sentence of Sweet Willy o' the green: "On Tay's sweet pleasant banks, Where so carelessly I stray'd, They call'd me bonny Bell, once the winsome laughing Maid, My time I spent in vain, I sang frae morn till c'en, When first I gain'd the charms O' sweet Willy o' the Green, Wi' his een sae bright, shines wi' delight, Nane dance or pipe like Willy, The Shepherd's art has won my heart, I sigh for bonny Willy, I sigh for bonny Willy.", First sentence of The Yorkshire concert: "Ize a Yorkshireman just come to town, And my coming to town was a gay day, For fortune has here set me down, Waiting gentleman to a fine lady.", First sentence of The Yorkshire Irishman: "My father was once a great marchant, As any in Ireland was found, But faith he could never have a shilling, Tho' tatoes he sold by the pound.", First sentence of The woodland maid: "The woodland maid, my beauty's queen!", and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Cover title., Undated. Date range from trading dates of J. Marshall, cf. The British book trade index WWW site., Without music., A chapbook., Crude woodcut title vignette of two ships at sea., First line of The Bay of Biscay, O: Loud roar'd the dreadful thunder, ..., First line of All's well: Deserted by the waning moon, ..., First line of Poor Joe the marine: Poor Joe the marine was at Portsmouth well known, ..., First line of The mid watch: When 'tis night, and the mid watch is come, ..., First line of The sea-boy: To England's towers of oak farewell, ..., First line of The sailor's adieu: The topsails shiver in the wind, ..., Not in ESTC., and 1 folded sheet, uncut.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, Newcastle. Where may also be had, a large and interesting collection of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapbook., Without music., Crude woodcut title vignette of two ships at war on the sea., Laid paper. Horizontal chain lines., Not in ESTC., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Cover title., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of eight gentlemen seated at a feast., First line of The country club: Now we're all met here together, ..., First line of TThe chandler's shop: they call me smirking Bobby, ..., First line of Paddy M'Shane's seven ages: If my own botheration don't alter my plan, ..., and 1 folded sheet, uncut.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapook., Without music., Crude woodcut title vignette of young man and woman holding hands., Laid paper. Horizontal chain lines., First sentence of The fairest of the fair: "O Nanny! wilt thou gang with me, nor sigh to leave the flaunting town?", First sentence of Here's a health: "Here's a health to all good lasses; here's a health to all good lasses; Here's a health to all good lasses; Pledge it merrily, fill your glasses: Let a bumper toast go round.", First sentence of The sea-boy: "To England's towers of oak farewell, No more for me shall be unfurl'd the canvas in the gale to swell, The ocean is no more my world; Yet there life's ealiest years I fearlesss pass'd, a sea-boy on the high and giddy mast.", First sentence of Giles Scroggins' ghost: "Giles Scroggins courted Molly Brown, Fol deriddle lol, fol deriddle lido; The fairest wench in all the town, Fol deriddle lol, &c.", First sentence of My only Jo' an' dearie o: "Thy cheek is o' the rose's hue, My only Jo and dearie O; Thy neck is like the siller dew, Upon the bank sae brierie O.", First sentence of The beautiful maid: "When absent from her my soul holds most dear, What medley of passions invade, In this bosom what anguish, what hope, and what fear, I endure for my beautiful maid, I endure for my beautiful maid.", Not in ESTC., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Crude woodcut title vignette of a man standing with a view of a ship and mountains beyond (Robinson Crusoe?)., Laid paper. Horizontal chain lines., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market. Where may also be had, a large and interesting collection of Songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., Without music., A chapbook., Laid paper. Horizontal chain lines., Crude woodcut title vignette of a black bird on a branch of a tree., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market. Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapbook., Without music., Crude woodcut title vignette of man and woman in a landscape., Laid paper. Horizontal chain lines., First lines of Tweed side: "What beauties does Flora disclose!", First lines of My Nanie, o: "Behind yon hills where Lugar flows, 'Mang moors an' mosses many O, The wintry sun the day has clos'd, and I'll away to Nanie, O.", First lines of Highland laddie: "The Lawland lads think they are fine; But O, they're vain and idly gaudy!", First lines of Up in the morning early: "Cauld blaws the win' frae north to south, And drift is driving fairly; The sheep are couring i' the heugh, O firs! it's winter fairly.", First lines of Flowers of the forest: "I've heard of a lilting at our ewes milking, Lasses a' lilting before the break of day; But now there's a moaning on ilka green loaning, That our braw Foresters are a' wede away.", Not in ESTC., and For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapbook., Without music., Crude woodcut title vignette of man and woman in a landscape., Laid paper. Horizontal chain lines., First lines of Tweed side: "What beauties does Flora disclose!", First lines of My Nanie, o: "Behind yon hills where Lugar flows, 'Mang moors an' mosses many O, The wintry sun the day has clos'd, and I'll away to Nanie, O.", First lines of Highland laddie: "The Lawland lads think they are fine; But O, they're vain and idly gaudy!", First lines of Up in the morning early: "Cauld blaws the win' frae north to south, And drift is driving fairly; The sheep are couring i' the heugh, O firs! it's winter fairly.", First lines of Flowers of the forest: "I've heard of a lilting at our ewes milking, Lasses a' lilting before the break of day; But now there's a moaning on ilka green loaning, That our braw Foresters are a' wede away.", Not in ESTC., and 1 folded sheet, uncut.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapbook., Without music., Crude woodcut title vignette of two ships at sea in battle., Laid paper. Horizontal chain lines., Not in ESTC., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. John Marshall was active between 1800 and 1831 (see British Book Trade Index)., Without music., A chapbook., Laid paper. Horizontal chain lines., Crude woodcut title vignette of a hearse and funeral procession., First line of William and Margaret: When hope lay hush'd in silent night, ..., First line of Mary's dream: The moon had climb'd the highest hill, ..., First line of Roy's wife of Aldivalloch: Roy's wife of Aldivalloch, ..., First line of My Nannie, O: Behind yon hills where Lugar flows, ..., First line of Death or liberty: Whilst happy in my native land, ..., and 1 folded sheet, uncut. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market. Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. John Marshall was active between 1800 and 1831 (see British Book Trade Index)., Without music., A chapbook., Laid paper. Horizontal chain lines., Crude woodcut title vignette of a hearse and funeral procession., First line of William and Margaret: When hope lay hush'd in silent night, ..., First line of Mary's dream: The moon had climb'd the highest hill, ..., First line of Roy's wife of Aldivalloch: Roy's wife of Aldivalloch, ..., First line of My Nannie, O: Behind yon hills where Lugar flows, ..., First line of Death or liberty: Whilst happy in my native land, ..., and 1 folded sheet, uncut.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market. Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of John Marshall, cf. The British book trade index., A chapbook., Without music., Crude woodcut title vignette of a man receiving last rites before being beheaded by the ax-wielding executioner; a crowd watches., Laid paper. Horizontal chain lines., and For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, Newcastle, where may also be had, a large and interesting collection of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. John Marshall was active between 1800 and 1831 (see British Book Trade Index)., Without music., A chapbook., Laid paper. Horizontal chain lines., Crude woodcut title vignette of a king and a lady holding out their arms to embrace each other; a grimacing court gentleman watches from the background., and Printing error: Imprint printed on folded paper. For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market, where may be had a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Name):
Wolfe, James, 1727-1759
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Title from first page., Undated. Date range from trading dates of J. Marshall, cf. The British book trade index WWW site., Without music., A chapbook., Crude woodcut title vignette of a two ships engaged in battle at sea., Laid paper. Horizontal chain lines., First sentence of The battle of the Nile: "Arise, arise, Britannia's sons, arise!", First sentence of Tom Starboard: "Tom Starboard was a lover true, As brave a tar as ever sail'd; The duties ablest seamen do Tom did, and never yet had fail'd.", First sentence of The sailor's adieu: "The topsails shiver in the wind, The ship she casts to sea; But yet my soul, my heart, my mind, Are, Mary, moor'd with thee: For though they sailor's bound afar, Still love shall be his leading star.", First sentence of Tom Bowling: "Here, a sheer hulk, lies poor Tom Bowling The darling of our crew; No more he'll hear the tempest howling, For death hath broach'd him too.", First sentence of True courage: "Why what's that to you if my eyes I'm wiping A tear is a pleasure, d'ye see, in its way, 'Tis nonsense for trifles, I own, to be piping, But they that ha'n't pity--why I pities they.", First sentence of The sea boy: "To England's towers of oak farewell, No more for me shall be unfurl'd The canvas in the gale to swell, The ocean is no more my world; Yet there life's earliest years I fearless pass'd A sea-boy on the high and giddy mast.", and For further information, consult library staff.
Publisher:
Printed by J. Marshall, in the Old Flesh-Market. Where may also be had, a large and curious assortment of songs, ballads, tales, histories, &c.
Subject (Topic):
Chapbooks, English, Songs, English, and Ballads, English
Pairs of elegantly dressed and coiffed ladies and gentlemen sit around a long table drinking champagne. On a dais sits 'Perdita' (Mary Robinson) who assures the Prince of Wales of her undying love. He looks at her adoringly and says, "Now what care I for Mom and Dad, let 'em scold and bellow." His left hand rests on books piled up on the table (the titles of which are also listed in the publisher's advertisement). Another lady on his left looking at him may be Elizabeth Armitstead (later Mrs. Fox) who succeeded Mrs. Robinson as his mistress. Other members of this group include Lord Derby and his actress wife, Elizabeth Farren, and Charles James Fox. The location appears to be the Schomberg House where James Graham established his 'Temple of Health and Hymen' famous for its 'Celestial Bed' (cf. British Museum catalogue no. 6325). Allusion to George IV's coming of age
Alternative Title:
Old gigg shop revived
Description:
Publisher's advertisement below the text of the song: "At No. 66 Drury Lane, may be had the following publications. Hal's looking-glass; or, The Royal exhibition, price 2s. 6d. Madame Birchini's dance, price 2s. 6d. Apollo and the Muses inflicting penance on Dr. J-----n round Parnassus, price 1s. The wanton jesuit, an opera, price 1s. 6d. An epistle from Sir Roger Sugar-Cane to Lady Maria B--n, price. The celestial bed, price 1s. 6d. and 1 print : etching, b&w ; sheet 34.8 x 35.2 cm.
Publisher:
Publis'd [sic] as the act directs by W. Holland, No. 66 Drury Lane
Subject (Geographic):
London (England) and England
Subject (Name):
George IV, King of Great Britain, 1762-1830., Robinson, Mary, 1758-1800., Fox, Charles James, 1749-1806., Fox, Elizabeth, 1750-1842., Derby, Edward Smith Stanley, Earl of, 1752-1834., and Derby, Elizabeth Farren Stanley, Countess of, 1759?-1829.
Subject (Topic):
Social life and customs, Eating & drinking, Hairstyles, Chairs, and Clothing & dress
Pairs of elegantly dressed and coiffed ladies and gentlemen sit around a long table drinking champagne. On a dais sits 'Perdita' (Mary Robinson) who assures the Prince of Wales of her undying love. He looks at her adoringly and says, "Now what care I for Mom and Dad, let 'em scold and bellow." His left hand rests on books piled up on the table (the titles of which are also listed in the publisher's advertisement). Another lady on his left looking at him may be Elizabeth Armitstead (later Mrs. Fox) who succeeded Mrs. Robinson as his mistress. Other members of this group include Lord Derby and his actress wife, Elizabeth Farren, and Charles James Fox. The location appears to be the Schomberg House where James Graham established his 'Temple of Health and Hymen' famous for its 'Celestial Bed' (cf. British Museum catalogue no. 6325). Allusion to George IV's coming of age
Alternative Title:
Old gigg shop revived
Description:
Publisher's advertisement below the text of the song: "At No. 66 Drury Lane, may be had the following publications. Hal's looking-glass; or, The Royal exhibition, price 2s. 6d. Madame Birchini's dance, price 2s. 6d. Apollo and the Muses inflicting penance on Dr. J-----n round Parnassus, price 1s. The wanton jesuit, an opera, price 1s. 6d. An epistle from Sir Roger Sugar-Cane to Lady Maria B--n, price. The celestial bed, price 1s. 6d. and Matted to 47 x 52 cm. With a key identifying the characters stamped around the window. Contemporary annotations identifying the names alluded to in the list of prints following the printer's address.
Publisher:
Publis'd [sic] as the act directs by W. Holland, No. 66 Drury Lane
Subject (Geographic):
London (England) and England
Subject (Name):
George IV, King of Great Britain, 1762-1830., Robinson, Mary, 1758-1800., Fox, Charles James, 1749-1806., Fox, Elizabeth, 1750-1842., Derby, Edward Smith Stanley, Earl of, 1752-1834., and Derby, Elizabeth Farren Stanley, Countess of, 1759?-1829.
Subject (Topic):
Social life and customs, Eating & drinking, Hairstyles, Chairs, and Clothing & dress
Date of publication supplied by cataloger., Songs listed below title: I. The age of man. II. Te Bonny sailor's voyage to Greenland. III. Philander and Daphne, A new song. IV. A new sailor's song. V. A new song of friendship., Mounted on leaf 70 to right. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Date of publication supplied by cataloger., Verse begins: "When first I came to London town,"., In two columns with the title in four lines centered above both; the columns are not separated by rules., Mounted on leaf 55. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Heading to a printed broadside in support of Queen Caroline, with a depiction of the Queen in the upper left, riding in a chariot pulled by a lion under a banner reading "Innocence and Triumph." The Italian witnesses against her are being led in chains to the gallows, the man at the back of the line remaking "This is past a joke O! Majocc"; a hangman smoking a pipe awaits them at the top of a ladder, noose in hand. Three figures with bags over their heads are already hanging, with a fourth hanged figure being fed by a devil with a pitchfork into the flaming mouth of a demon on the right, a "Green Bag" falling into the flames next to him. Another victim is skewered by a second devil standing inside the demon's mouth; the words "Milan Commission Receiving Office" are written amid the flames. A John Bull figure with a walking stick watches the scene from the right, remarking: "Well now if this h'ant a sight that pleases John Bull - Go & be hang'd to ye you Italian scoundels - come to swear an innocent womans life away." In the center foreground, a dog tears at a second "Green Bag" with its mouth
Alternative Title:
Exaltation of my jockey & his brave confederates and Exaltation of my jockey and his brave confederates
Description:
Title printed in letterpress below image., Remnants of etched title are visible beneath image, suggesting that the plate was originally larger and cut down at some point., Date of publication from manuscript note "Aug. 1820" in ink beneath lower right corner of image., Sheet trimmed within plate mark., Song printed in letterpress in two columns below title, beginning with the line "Oh, there never was such times!" and ending "Here's the triumph of brave Caroline our Queen O.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., and Mounted on leaf 58 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Majocchi, Theodore, active 1820.
Subject (Topic):
John Bull (Symbolic character), Witnesses, Shackles, Chariots, Lions, Gallows, Hangings (Executions), Ladders, Devil, Demons, Fire, Bags, and Dogs
Date of publication supplied by cataloger., Title from first two lines of verse., Mounted on leaf 4. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
"A broadside on Matthew Skeggs, a publican who became famous for miming music-making with a broomstick while making matching vocal sounds; with a round mezzotint after a painting by Thomas King, showing Skeggs facing towards the right, next to the portrait an etched broomstick surmounted by a dancing hog, and a suspended horn; with engraved title and verses of one poem and of one song text by Henry Howard in two columns."--British Museum online catalogue
Alternative Title:
Introduction. Each buck & jolly fellow has heard of Skegginello
Description:
Engraved broadside, in verse in two columns., Printmaker identified as Richard Houston in the British Museum catalogue., Date from British Museum., At head of title: Introduction. Each buck & jolly fellow has heard of Skegginello. The famous Skegginallo that grunts so pretty upon his broomsticado. Such music he has made, O. Twill spoil the fiddling trade, O. And that's a pity. ..., and Mezzotint portrait at head signed, with fictitious signature: "G Pigganinne Fecit". After a portrait by Thomas King.
Publisher:
Printed for John Ryall, at Hogarth's Head, in Fleet Street
Caption title., "Words cannot express her worth. Time will reveal her loss"--Beneath title., First line: Britons! Oh Britons! weep ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
"Illustration to a song engraved in three columns below the title: A scene on the shore, with a frigate in the offing. A grotesque naval officer, with wooden leg and black patch over one eye, takes the wrist of a young sailor of feminine appearance who holds a pistol. In the background (right) a dead sailor lies across the body of a woman. The song relates that Billy Taylor was taken by a press-gang; his sweetheart dressed as a sailor to follow him, but discovered his inconstancy with 'a lady gay', and shot him With his fair one in his hand. The last verse:'When the Captain com'd for to hear on't He werry much applauded her for what she'd done, And quickly he made her the first Lieutenant, Of the Gallant - Thunder Bomb.'"--British Museum online catalogue
Alternative Title:
True and lamentable ballad call'd Billy Taylor
Description:
Title below image, at head of verses., Plate numbered '367' in the lower left corner., From the Laurie & Whittle series of Drolls., One line of text above design: (Sung by Mr. Bannister, of Drury Lane Theathre, Mr. Fawcett, and Mr. Emery, of Covent Garden. &c &c &c.), and Ten numbered stanzas of verse below title: Billy Taylor was a gay young fellow, full of mirth and full of glee, and his heart he did diskiver, to a lady gay and free ...
Publisher:
Publish'd Sepr. 24, 1804 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Couples, Eye patches, Homicides, Military officers, British, Peg legs, Sailors, Sailing ships, Signs (Notices), and Taverns (Inns)
Title engraved below image and above musical lines., Publication date from an unverified card catalog record; dated by costume., Sheet trimmed within plate mark., Engraved throughout; illustrated with etching by Cole at top of sheet., For voice and harpsichord. Music on two staves with interlinear words. Additional two stanzas below. Part for German flute at foot of page., and Opening words: See Cloe how the new blown rose ...
"Heading to a song printed below the (printed) title: 'Sung with great Applause by Mr. Grimaldi, in the popular Pantomime of "Harlequin Whittington"'. Grimaldi, as an English tourist in Paris, his face made up as a clown, stands full-face, left arm extended towards Paris (right): houses and spires behind a wall with an arch intended for the Arc de Triomphe. He wears a skull-cap decorated with little rosettes, with a frogged and braided overcoat (shorter than was fashionable) with deep fur cuffs and collar; flat (scarlet) slippers and clocked stockings. He holds an absurdly tall top-hat. The second of five verses: Jockies, Jews, and Parlez-vous Courtezans and Quakers, Players, Peers and Auctioneers, Parsons, Undertakers. Modish airs from Wapping-stairs, Wit from Norton Falgate, Bagatelle from Clerkenwell, And elegance from Aldgate. [Refrain] London now is out of Town Who in England Tarries ? Who can bear to linger there, When all the world's in Paris?"--British Museum online catalogue
Description:
Caption title in letterpress below etched image with plate mark 19.2 x 21.9 cm., Print attributed to George Cruikshank in British Museum catalogue., Imprint printed in letterpress below plate mark., Three columns of verse in letterpress: Now's the time to change our clime commerce shuts his day-book ..., and Plate numbered '530' in upper right corner.
Publisher:
Published the 1st of February, 1815 by J. Whittle and R.H. Laurie, No. 53 Fleet Street
Verse -- "When as the King of England dy'd,"., In five columns with the title, prose introduction and woodcut above the first three; the columns are not separated by rules., Title continues: in respect that many children never would have learn'd read had not they took delight in poring over Jane Shore or Robin Hood & c. which has insensibly stole into them a curiosity and desire of reading other like stories ..., Date from ESTC., Mounted on leaf 34. Copy trimmed into two pieces with last two columns mounted below main portion., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
printed by William Dicey
Subject (Geographic):
England
Subject (Name):
Edward, IV, King of England, 1442-1483
Subject (Topic):
Regicide, Kings and rulers, Succession, Prisons, Homicides, Torches, and Daggers & swords
Some push along with four in hand while others drive at random
Description:
Title from text etched above image., Caption title of song printed in letterpress below image: Some push along with four in hand while others drive at random written by J. Pocock, Esq.; composed by Mr. C. Smith; and sung with unbounded applause by Mr. Mathews in the musical farce, called "Hit or Miss!" at the Lyceum Theatre, Strand., Three columns of verse in letterpress: With spirits gay I mount the box, the tits up to their traces, my elbows squar'd my wrist turn'd down, dash off to Epsom races ..., Plate numbered in upper right corner: 514., Sheet trimmed within plate mark., and Temporary local subject terms: Toll gate -- Dog cart.
Publisher:
Published 4th April, 1810 by Laurie & Whittle, No. 53 Fleet Street, London
Title engraved below image, above verses., Sheet trimmed to edge of plate mark on two sides., Plate numbered '445' in lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle series of Drolls were executed by either Isaac Cruikshank or Richard Newton., Four numbered verses of a song arranged in two columns in lower portion of print: Judy leads me such a life, Judy leads me such a life..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Octr. 24, 1806 by Laurie & Whittle, 53 Fleet Street, London
"Heading to engraved verses: 'Sung with Unbounded Applause by Mr Miller, at the royal Circus'. A handsome young sailor, wearing long trousers and a striped jersey, stands full face, cudgel under the r. holding up his hat. He is framed in trees; behind is the river, with boats and wherries, and, across the water, the river-front of Greenwich Hospital. He relates how he ran away to sea, sailed 'the world around' with Nelson, was taken prisoner, and escaped from a Spanish prison. The verses end: 'I've run many risks on ocean and on shore, But always like a Briton, got the day, And fighting in old England's cause, will run as many more But let me face ten thousand foes, will never run away.'"--British Museum online catalogue
Description:
Title from item., Plate numbered '443' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed either by Isaac Cruikshank or Richard Newton., One line of text directly below title: Sung with unbounded applause by Mr. Miller, at the Royal Circus., and Four numbered verses of a song arranged in two columns above imprint line: Bound prentice to a water-man, learnt a bit to row ...
Publisher:
Publish'd Octr. 8, 1806 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Song sheet with an etching at top showing Britannia and Prince Leopold mourning at the tomb of Princess Charlotte. Music on two staves with interlinear words. Additional three stanzas in three columns below. Text and music within mourning border. Opening words: Brittannia [sic], mourn! your glorys hope ... "Pr. 1/.", and For further information, consult library staff.
Publisher:
Published at No. 91, Aldersgate Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold |b I, |c King of the Belgians, |d 1790-1865,
Subject (Topic):
Britannia (Symbolic character), Grief, and Tombs & sepulchral monuments
Social satire; officers in a tent around a table drink red wine, or punch from a bowl, smoke pipes and sing; one on the right has his arm in a sling, another waves his hat. Through the opening of the tent on the right, in the background are mounted soldiers and the British flag, and on the floor is a cannon and shot; below the image is the text of a song
Description:
Publication information from a copy in the British Museum online catalogue. See BM Registration number 2010,7081.860., Sheet trimmed within plate mark with loss of song verse and imprint., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 20th, 1794, by Laurie & Whittle, No. 53, Fleet Street, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Alcoholic beverages, Glassware, Interiors, Military camps, British, Military life, Soldiers, Tents, and Wine
Caption title., In verse; without the music., First line: Britons! who have ever been ..., "Price one penny."--Below first imprint., Eight lines of advertisements for "New caricatures" printed at bottom of sheet, including an additional imprint "Printed and published by John Fairburn, 2, Broadway, Ludgate-Hill.", and Edges on upper half of the sheet, mounted in paper frame. For further information, consult library staff.
Publisher:
Published by John Fairburn, 2, Broadway, Ludgate-Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Caption title., In verse; without the music., Date from context., First line: Britons! who have ever been ..., "Price one penny."--Below imprint., Twenty-four lines of advertisements for "New caricatures" printed at bottom of sheet, including an additional imprint "Printed and published by John Fairburn, Broadway, Ludgate Hill.", and For further information, consult library staff.
Publisher:
Printed and published by John Fairburn, Broadway, Ludgate-Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"Heading to printed verses: 'Written by Mr. C. Dibdin; Composed by Mr. Reeve; and sung by Mr. Smith, with unbounded Applause, in the "Magic Minstrel", at the Aquatic Theatre, Sadlers' Wells'. A dun stands before the doorstep of a dignified London house, facing a servant in livery with his hands in his pockets, whose master looks out of the adjacent window."--British Museum online catalogue
Alternative Title:
Call again tomorrow
Description:
Title from text printed in letterpress below image., Three columns of verse in letterpress below title: I'll to court among the nobility, hold up my head with the best ..., and Plate numbered in upper left corner: 499.
Publisher:
Publish'd Nov. 1, 1808 by Laurie & Whittle, 53 Fleet Street, London
Date of publication supplied by cataloger., Cf. Caroline of Dartmouth : a celebrated new song / composed by Mr. Dignum., Possibly a fragment or detached from larger work., Six stanzas arranged in a single column with title centered above. No rules or ornamental type appear on sheet., Mounted on leaf 11. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Caption titles., Two slip songs printed on one sheet, in two columns, each titled separately. Woodcut illustration above title in first column., Additional printer's statement in second column: T. Bloomer, printer, Birmingham., In verse., First line of "Caroline, a new song": She comes, she comes in spite of fate ..., First line of "God save the Queen": God save Queen Caroline ..., Two songs in support of Queen Caroline on her return to England, and during the ‘trial’ in the House of Commons., and For further information, consult library staff.
Publisher:
T. Bloomer, printer, High Street, Birmingham
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., 1 print : etching, hand-colored ; plate mark 35.8 x 26.1 cm, on sheet 39.5 x 28.2 cm, and Printed on laid paper (with a watermark)
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., Mounted on page 39 of: George Humphrey shop album., 1 print : etching ; sheet 17.6 x 26 cm., On laid paper, hand-colored., and Imperfect; sheet has been cut in half, with bottom portion (17.3 x 20.7 cm) containing the verses mounted separately beside upper portion containing the engraved plate.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., 1 print : etching ; plate mark 36 x 25.3 cm, on sheet 36.4 x 25.7 cm., Printed on wove paper with watermark "J. Whatman 1820"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 60 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Aug. 1820" written beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
A slip-song - "Why, fair maid, in ev'ry feature,". - The imprint comes immediately after the title. - The "lady" is Lady Charlotte Campbell., Mounted on leaf 71. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Title from item., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Plate numbered '48' in lower right corner., Song in six stanzas, printed below title. The first stanza printed with music, the following five without music in three columns below., and Temporary local subject terms: Skulls -- Taxidermy -- Hour-glasses -- Puns.
Publisher:
Published 4th October 1798 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Musical notation, Pregnancy, Shoemakers, Shoemaking, Stores & shops, and Wigs
Title engraved above image., Printmaker identified from the original drawing in the Huntington Library., Plate numbered '224' in lower left corner., Two columns of the first stanza of the song printed below title: Drink to me only with thine eyes, And I will pledge with mine ..., From Laurie and Whittle series of drolls., and Temporary local subject terms: Glass: decanters -- Female dress: fans -- Pictures amplifying subject: Cupid -- Furniture: slip-covered chairs -- Furnishings: carpet -- Literature: To Celia, by Ben Johnson (1572-1637).
Publisher:
Published 4th Jany. 1799 by Laurie & Whittle, 53 Fleet Street, London