"Young woman holding music score and singing with her young brother on left, two other women playing lute and singing on right, dog asleep in the foreground, landscape seen through arch in the background, within roundel; after Henry Bunbury."--British Museum online catalogue
Alternative Title:
Young musicians
Description:
Title from later state., Artist and printmaker from statements of responsibility on later state: H. Bunbury Esqr. delint. ; engraved by F. Bartolozzi., "Proof with publication details only"--British Museum online catalogue., For a later state with title, statements of responsibility, verses, and dedication added below image, see British Museum online catalogue, registration no.: 1917,1208.949., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1874,0711.776., and Mounted on page 41 of: Bunbury album.
Publisher:
Publish'd July 1st, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Title from Calabi and de Vesme catalogue., Artist, printmaker and publication information from variant state described in the Calabi and de Vesme catalogue with imprint: London, Jany. 1, 1782, Pubd. for the proprietors by Colnaghi & Co. ..., and Sheet trimmed within plate mark.
Volume 1, page 32. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three young women dancing holding their hands, within oval; young boy seated on carved stone playing flute on left, landscape in the background, after Henry Bunbury."--British Museum online catalogue
Description:
Title, artist and printmaker from the British Museum online catalogue, registration no.: 1917,1208.951., Sheet trimmed to plate mark., Mounted on page 32 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Statements of responsibility added in ink below image: H. Bunbury Esqr. delint. ; engraved by F. Bartolozzi.
Publisher:
Publish'd April 10th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Title from lettered state in the British Museum., Artist, printmaker, and publication information from description of a later state in the British Museum online catalogue, registration no.: 2006,U.964., and Plate XXXIV from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2.
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door ..., another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Artist from statement of responsibility on later state: H. Bunbury Esqr. delint., Printmaker identified as Dickinson in the British Museum online catalogue., Proof before letters. For a later state with title, statements of responsibility, verses, and imprint "London, Publish'd Octr. 20th, 1782, by W. Dickinson ..." below image, see British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed within plate mark., and Mounted on page 123 of: Bunbury album.
Publisher:
W. Dickinson
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
Volume 1, page 26. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman sitting to left, singing from the book of music she holds in her hand, turned slightly away from the viewer and dressed in volumptuous skirts and a turban; oval design after Bunbury."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Probably engraved by John Raphael Smith; see British Museum online catalogue, registration no.: 1877,0512.533., Sheet trimmed to plate mark., Illustration to Sir William Jones's poem 'The palace of fortune, an Indian tale'., Two lines of verse below title: Through the calm air, the melting numbers float, and wanton echo lengthens every note., Temporary local subject terms: Music., and Mounted on page 26 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd July 20, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Volume 1, page 34. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Young woman holding music score and singing with her young brother on left, two other women playing lute and singing on right, dog asleep in the foreground, landscape seen through arch in the background, within roundel; after Henry Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Four lines of verse etched below title: No Clarions here the strains of battle sing, with notes of love our charming vallies ring; Peace to the brave! o'er us shall beauty reign, and ever-charming pleasures form our train. Vide Seven Fountains., Dedication etched below verses: To Her Grace the Dutchess of Devonshire, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated, by Her Graces most obedient humble servant, W. Dickinson., and Mounted on page 34 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd July 10th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"A woman sitting in a chair at left reading from a book to a girl with a dog and boy standing and another girl sitting at right, all with sullen expressions; after Bunbury, second state before publication line altered."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.3002., Four lines of verse below title: By angels caught, all-hallow'd as they flow, are tears we shed for sorrows not our own; and bosoms heaving for anothers woe, waft their own incense to the heavenly throne. EW [monogram]., Temporary local subject terms: Literature: ?Waller, Edmund, 1606-1687., Mounted on page 101 of: Bunbury album., 1 print : stipple engraving in sepia ink on laid paper ; sheet 28.6 x 19.8 cm., and Sheet trimmed to plate mark.
Publisher:
Pubd. July 29, 1782, by I.R. Smith, No. 83 Oxford Street
"A woman sitting in a chair at left reading from a book to a girl with a dog and boy standing and another girl sitting at right, all with sullen expressions; after Bunbury, second state before publication line altered."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.3002., Four lines of verse below title: By angels caught, all-hallow'd as they flow, are tears we shed for sorrows not our own; and bosoms heaving for anothers woe, waft their own incense to the heavenly throne. EW [monogram]., Temporary local subject terms: Literature: ?Waller, Edmund, 1606-1687., and Mounted on page 101 of: Bunbury album.
Publisher:
Pubd. July 29, 1782, by I.R. Smith, No. 83 Oxford Street
Volume 2, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 31. Bunbury
Image Count:
1
Resource Type:
still image
Alternative Title:
First interview of Werter and Charlotte
Description:
Title etched below image., Sheet trimmed to plate mark., Four lines of verse in two columns below title: Charms, that the bliss of Eden might restore, that Heaven might envy, & mankind adore; I saw - and oh what heart could long rebel, I saw - I lov'd - and bade the world farewell., Illustration to Goethe's The sorrows of young Werther., Mounted on page 31 of: Bunbury album., 1 print : stipple engraving with etching on laid paper ; circular sheet 31.3 cm., and Sheet cut into a circular shape, with all text and with the corners of the image trimmed away.
Publisher:
Publish'd Octr. 16, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Volume 2, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 31. Bunbury
Image Count:
1
Resource Type:
still image
Alternative Title:
First interview of Werter and Charlotte
Description:
Title etched below image., Sheet trimmed to plate mark., Four lines of verse in two columns below title: Charms, that the bliss of Eden might restore, that Heaven might envy, & mankind adore; I saw - and oh what heart could long rebel, I saw - I lov'd - and bade the world farewell., Illustration to Goethe's The sorrows of young Werther., and Mounted on page 9 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octr. 16, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Volume 1, page 4. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A maid standing in a landscape with an empty basket in hand, looking out longingly, another behind her bends down to pick up a pail, in the distance across fields a steeple at left and cottage at right; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.2971., Sheet trimmed to plate mark., Two lines of verse etched below title: No care, but love, can discompose her breast. Love, of all cares, the sweetest, and the best., and Mounted on page 4 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 20, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
A young woman smiling, with her head and shoulders slightly turned to right and her loose shirt open showing left breast, carries a basket of shrimps on her head
Description:
Title etched below image., Identified as the "third state" in British Museum online catalogue. See Registration number: Cc,1.186., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: Mr. Nichols's Bookd 3d edit. p. 411., and On page 218 in volume 3.
Publisher:
Publish'd March 25th 1782 by Jane Hogarth & Rd. Livesay, Leicester Fields
Portrait of Robert De Vere, 9th Earl of Oxford; head in profile to right, wearing jewelled crown
Description:
Title etched below image., Engraved after a drawing kept by Horace Walpole in the Tribune at Strawberry Hill., Mounted on page 204 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and stipple engraving on laid paper ; sheet 13.3 x 10.2 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and For further information, consult library staff.
Publisher:
Published July 10th, 1782, by I. Thane, Rupert Street, Hay Market
Subject (Name):
Ireland, Robert de Vere, Duke of, 1362-1392, and Strawberry Hill (Twickenham, London, England)
Portrait of Robert De Vere, 9th Earl of Oxford; head in profile to right, wearing jewelled crown
Description:
Title etched below image., Engraved after a drawing kept by Horace Walpole in the Tribune at Strawberry Hill., Mounted on page 158 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and stipple engraving in red ink on wove paper ; sheet 14.4 x 10.7 cm., and Sheet trimmed to plate mark leaving thread margins.
Publisher:
Published July 10th, 1782, by I. Thane, Rupert Street, Hay Market
Subject (Name):
Ireland, Robert de Vere, Duke of, 1362-1392, and Strawberry Hill (Twickenham, London, England)
Volume 1, page 39. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Holiday-seekers driving and walking along a high-road with a margin of grass, evidently the Sunday crowd of 'cits' so often described in contemporary satire. The chief group is a high phaeton of fashionable shape, but attached to two miserable hacks, who refuse to move, though they are being dragged at the head by a man with a long whip. The driver, who wears a looped hat and top-boots, kneels in the phaeton leaning forward over the horses and raising his (broken) whip with an expression of fury. His companions are two ladies of pleasure who sit one on each side of him. The one on his right holds up the top of the broken whip, its lash streaming behind her. The other, smiling, holds his left arm as if to prevent his falling from the carriage in his excitement. On the panel of the phaeton are the initials "ON". This carriage-full has just been passed on the right by a fashionably dressed man driving (right to left) a high-stepping horse in one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6146. He looks round at them laughing. Behind (right) is a hackney coach (number 251) driving from left to right, the horse being cut off by the margin of the print. A woman seated on the box holds the rein. Through the window over the door (it has no side windows) is seen a man seated with his back to the horse. A man sits on the roof looking through a telescope. Riding in the same direction (left to right) on the off-side of the hackney coach are an elderly man on a long-tailed cob or pony and a pretty young lady on a white horse. A spaniel runs behind them. In the foreground are pedestrians. A man stands in back view, legs apart, gazing at the stationary phaeton. On the extreme left a dejected-looking man and his wife walk wearily along. He wears a handkerchief tied round his head, under his hat, she holds his wig in her left hand, her right hand rests on the small of his back. He is carrying his stick in one hand, in the other a large bouquet of flowers in a paper sheath. Two dogs approach each other. Behind the two pedestrians, a man on horseback is in difficulties, his reins are slack and he holds the mane of the horse, which appears to be about to advance across the road in front of the advancing gig. In the background is a park-paling with trees showing above it."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Phaetons -- Cits -- Vehicles: Two-wheeled gigs -- Hackney coaches., and Mounted on page 39 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 1st, 1782, by Wm. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Richmond Hill (Richmond upon Thames, London, England)
Subject (Topic):
Carriages & coaches, Horses, Dogs, Whips, Staffs (Sticks), and Telescopes
Two head-and-shoulder portraits in separate ornamental oval frames of a merchant's wife and her alleged lover, James Marquis of Graham later 4th Duke of Montrose
Alternative Title:
Favourite of the fair and Mrs. Pope
Description:
Title engraved below image., Numbered above each image: No. XXII and No. XXIII, respectively., and From the "Histories of the téte-à-téte annexed" from the Town and Country Magazine, 1782 p. 401.