Scrapbook kept by Anne Scafe, containing clippings from London newspapers and magazines, with some clippings from regional and Scottish publications as well as manuscripts and letters from the Spencer and Devonshire family members, including a letter from Georgiana, Duchess of Devonshire; from Lady Sarah Lyttelton announcing her marriage; a manuscript poem written by "Caroline Lamb's page" with a watercolor portrait, dated 1807 at Holywell House; a letter recounting the visit of the Grand Duke Nicholas to Chatsworth in December 1816; an account of the death of Lady Charlotte Finch. Many of the clippings center around the announcements of births, marriages, deaths, and the settlement of the estates of these two families and their circle as well as announcements of their social engagements, political activities, scandals, etc. The clippings include references to Horace Walpole; the theatrical world; new inventions; style; foreign travel; domestic and foreign politics, especially the revolution in France and reports on the French royal family and later the Bonaparte family. Also included are autographs of prominent British nobility, including the King, and foreign dignitaries and royalty, In addition to the clippings, the scrapbook includes a variety of ephermal items given to Scafe by members of the extended family such as as well as ephemeral items from their travels, political, and social activities; calling cards and letters of introduction given to Sir William Ponsonby by members of the Russian aristocracy in 1805 and similar items from his trip to Spain in 1809; autographs of foreign royalty; invitations to the funeral of William Pitt a memorial to Lord Nelson, and the trial of Lord Viscount Melville (1805)., Scafe also includes clippings and ephemera of a more general nature: humorous anecdotes, reports on curious events, jokes, odd behaviors; epitaphs, poems, epigrams; advertisements for employment as well advertisements by tradespeople; announcements and broadsides of events such as lottery drawings; several promissary notes; and etchings, Scafe includes two lengthy test: one from The Morning Post's account of the writing of "Modern characters by Shakespear" (published later the same year); and, a transcription of "The butterfy's ball and The grasshopper's feast"., and An engraving entitled "Sunday's amusement" is mounted on a leaf tipped in opposite the front paste-down, a note in pencil indicating that it was formerly pasted over the material on the lining of the front cover (but moved by bookbinder G. Bissell in 1966). Depicted in this satirical print is a family (man, woman, and boy) riding to the left in a carriage in the countryside, a mile marker seen in the lower right; verses are etched on either side of title, beginning "The wealthy cit grown rich by trade ...". Pasted on the following leaf, which is tipped in before the front free endpaper, are trimmed portions of various plates, including plate III (page 805) from Gentleman's magazine, v. 59 (September 1789), which depicts coins and other antiquarian items. Several additional prints are pasted on the verso of the front free endpaper, including four plates (plates 1, 3, 6, and 16) from "The talking bird: or, Dame Trudge and her parrot" which show an old woman's pet parrot being mischievous in various situations; the first plate has the title "The talking bird" at top and the imprint "Publish'd August 20, 1806, by J. Harris, corner of St. Pauls Church Yard, London" at bottom
Description:
Anne Scafe, maidservant of Georgiana Spencer Cavendish, Duchess of Devonshire (1757-1806)., Signed by "A. Scafe" on last leaf with a note stating that the volume had been given to her by "the Marquis of Hartingdon", i.e., William George Spencer Cavendish (1790-1858), 6th duke of Devonshire, who also signed and dated the first leaf: "Hartington 1803.", and For further information, consult library staff.
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821., Lamb, Caroline, Lady, 1785-1828., Finch, Charlotte, Lady, 1725-1813., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., Devonshire, Margaret Georgiana Poyntz, Duchess of, 1736-1814., Devonshire, William Spencer Cavendish, Duke of, 1790-1858., Lyttelton, William Henry Lyttelton, Baron, 1782-1837., Lyttelton, Sarah Spencer, Lady, 1787-1870., Melville, Robert Saunders Dundas, Viscount, 1771-1851., Nelson, Horatio Nelson, Viscount, 1758-1805., Ponsonby, Frederick Cavendish, 1783-1838., Ponsonby, William, Sir, 1772-1815., Scafe, Anne., Bonaparte family., and Roscoe, William, 1753-1831.
Subject (Topic):
Nobility, Social life and customs, and Politics and government
Watercolor of Strawberry Hill with a partial view of the lawns as well as the temporary wooden structure erected by the Strawberry Hill auctioneer, George Henry Robins (1778-1847) for the 1842 sale of contents of the villa
Description:
Unknown artist, amateur.
Subject (Geographic):
England and Middlesex.
Subject (Name):
Robins, George Henry, 1778-1847. and Strawberry Hill (Twickenham, London, England)
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 21 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
A lavishly costumed female dwarf performs a dance while holding up a section of her dress
Description:
Title from text inscribed in black ink above image in the artist's hand., Date supplied by cataloger., Attributed to Woodward., and For further information, consult library staff.
Subject (Topic):
Operas & operetta, Dancers, Dwarfs, and Human curiosities
Watercolor depicting a man placing his elongated nose against an active grinding wheel that he turns with his right hand. A visual pun on the phrase " Put one's nose to the grindstone".
Description:
Title from pen and black ink inscribed caption below image. and Date from unverified data from local card catalog record.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 37 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
A monkey wears a white bonnet and sits on a chamber pot with arms crossed across her lap in imitation of an elderly woman facing opposite with her dress raised sitting upon a 'closet stool'. The pair stare and grin at each other
Description:
Title from inscription below image in the artist's hand., Date devised by cataloger., and Attributed to Woodward.
Subject (Topic):
Chamber pots, Monkeys, Imitation, Bonnets, Women, Urination, and Defecation
A servant bows slightly as he greets three tourists: a larger woman leads the group only carrying a small purse and parasol. She is followed by a younger woman holding a small dog and a few pieces of luggage. At the end a man struggles with the burden of a heavy trunk
Description:
Title and date supplied by cataloger., Attributed to Thomas Rowlandson., and For further information, consult library staff.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 50 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
Six sketches arranged across two rows depicting rotund red-faced countrymen riding horses poorly or in various states of humorous accidents. Captions include: How to be obstinate; The most approved method of sliding; How to stick in a ditch; How to prevent being run away with; A Cheshire kick; How to slip from your saddle with ease to yourself and horse
Description:
Title and date devised by cataloger. and Sheet trimmed cropping artist's signature and title.
Subject (Topic):
Horses, Horseback riding, Accidents, and Country life
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 46 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A dour woman wearing a feathered headdress stands before a preacher and his clerk as they exclaim respectively, "O Lord, save this lady, thy servant" followed by "Who putteth her ladyship's trust in thee."
Alternative Title:
Churching a lady
Description:
Title inscribed in the artist's hand below image., Signed by the artist., and Date supplied by cataloger.
Subject (Topic):
Clergy, Great Britain, Preaching, Religious services, and Churches
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 23 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A burly and ragged Englishman with a wooden leg sits on the knee of a fat and grotesque Irishwoman; they kiss, his right arm round her neck, both her arms round his shoulders. A poverty-stricken room is indicated by a low casement window with broken panes, bricks showing through broken plaster, and a rough plank door (right). On a table is an enormous tankard and a small measure of gin
Alternative Title:
Union between England and Ireland
Description:
Title from inscription below image in black ink in the artist's hand., Future [?] imprint statement inscribed in black ink: London, Pubd. Jany. 1800., Image associated with Thomas Rowlandson's etching. Union between England & Ireland. Published 1799. Cf. George., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9462., and For further information, consult library staff.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1800]
Call Number:
Drawings W87 no. 24 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A woman sits on her husband lap as she holds his head and kisses his lips. Her passion causes the husband to lose his balance as the chair tips on its back legs
Description:
Title from inscription below image in black ink in the artist's hand., Date suppled by cataloger., and For further information, consult library staff.
A man wearing sandals, a full-length poncho, and sombrero stands holding a lasso in both hands
Description:
Title from caption inscribed above image in brown ink., Date and place of publication from unverified data from local card catalog record., and For further information, consult library staff.
A man stands full-length in profile facing left and wears a cowboy hat and a poncho
Description:
Title from caption inscribed above image in brown ink., Date and place of publication from unverified data from local card catalog record., and For further information, consult library staff.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 54 Box D305
Image Count:
1
Resource Type:
still image
Abstract:
Ten figures arranged in two rows depicting dwarfs or 'Lilliputians' dressed and acting in a variety of roles indicated by a respective caption: A Lilliputian actress; a Lilliputian candidate; a Lilliputian voter; a Lilliputian woman of fashion; a Lilliputian man of fashion; a Lilliputian dowager; a Lilliputian alderman; a Lilliputian vicar; a Lilliputian man of consequence; a Lilliputian informer!!
Description:
Title from ink inscription in the artist's hand below image., Signed by the artist., Date supplied by cataloger., and Three sheets of paper pasted on a mount in two rows forming one coherent design.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1800]
Call Number:
Drawings W87 no. 55 Box D305
Image Count:
1
Resource Type:
still image
Abstract:
Two rows of 'Lilliputian' caricatures depicted in a diminutive style engaged in conversation, gossip, commerce, appraisals, and humor generally along the theme of sea travel, sailing, and sea sickness. Captions near the depicted figures include, "Oh that da--d hoy! I am as sick as a horse and there is my son Jack just as bad behind the hedge!"; "Come on and don't be so vulgar, you see your daughter and I don't mind it a fig!"; "This way your honors the best lodging in all Margate!"; My Missess has sent home this parcel of books and want another basket full all novels if you please."; "If you Mistress goes on in this way, she'll read out my whole stock in a week." ...
Description:
Title from ink inscription in the artist's hand next to image., Signed by the artist., and Date supplied by cataloger.
Subject (Geographic):
Margate (England)
Subject (Topic):
Ocean travel, Motion sickness, Sailing, and Sailboats
Watercolor in an oval design depicting the British admiral Adam Duncan, 1st Viscount Duncan of Camperdown, 1731-1804. Duncan is portrayed in the standard naval dress uniform of an embroidered blue coat with white facings, gold tassles at the shoulder, and a medal pinned at his breast. Duncan wears a stern expression on his mature wrinkled face framed by curly white hair
Alternative Title:
Admiral Adam Duncan
Description:
Title from grapite pencil inscription below image., General note., and For further information, consult library staff.
Subject (Name):
Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804,
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1800]
Call Number:
Drawings W87 no. 22 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
An innkeeper uses a bellows to clear heavy dense tobacco smoke from the tavern interior in response to a servant trying to identify his master in the crowd. The innkeeper proclaims "You say you want a little gentlemen in a brown wig. I have really so much smoking business in my parlour that 'till I make use of the bellows I can never distinguish a customer, I believe that is the gentleman you mean." The servant excitedly responds in a Cockney dialect "Yes, Yes, sure enough that be Master, but before he vanishes again, tell him that Missis has sent the street door key."
Description:
Title inscribed in black ink below image in the artist's hand., Signed by the author's in black ink below image., Future imprint statement for print based on this image inscribed in brown ink: London : Pubd. March 1800 by Willm. Holland, No. 11 Cockspur Street., and For further information, consult library staff.
Subject (Topic):
Smoking, Tobacco pipes, Bellows, Taverns (Inns), and Servants
William Frederick Hanover (1776-1834) was the son of Maria, Duchess of Gloucester (1736-1807), and her second husband William Hanover, Duke of Gloucester and Edinburgh (1743-1805). He was a great-grandson of King George II and nephew of King George III., The miniature is in a double-sided burnished bezel locket constructed with front and rear compartments separated by an interior divider; one side holds the portrait and the other holds a thick plait of woven hair. The locket is stored in a protective case that is contemporary with, but not original to, the miniature; when closed the outer case does not accomodate the top ring on the locket., Identification of the sitter is based on correspondence between Doris Haydock and W. S. Lewis when the miniature was being acquired. Date of the miniature was, and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
A man sits in an armchair next to fireplace frantically ringing for service while boling water pours from the spout of a kettle onto one of his two gouty feet. The other foot is raised from the stool to avoid the hot water but has overturned a table with tray full of dishes which has fallen in front of a maid lingering in the doorway. Embracing the maid from behind is a black footman. A screaming cat stands, back arched, in front of the man's footstool. On the left a pair of crutches are placed against the fireplace; the mantel is lined with medicinal bottles. A map hangs on the wall behind along side a barometer
Description:
Title from dealer's label on verso of the frame., Attributed to Thomas Rowlandson., and Another drawing on this theme with the title: The old batchelor in distress. In the Ashmolean Museum, Oxford: Ashmolean catalogue, vol IV-1982 #1623.
Subject (Geographic):
England
Subject (Topic):
Gout, Interiors, Chimneypieces, Blacks, and Servants
A full-length portrait of a Turkish gentleman wearing a turban and long robes and carrying a long-stemmed pipe. The turban and robes are drawn using a tiny pinprick design that pierces entirely through the paper. A secondary sheet with attached gold foil appliqué is positioned beneath the pinprick design to allow the gold to shine through the pinpricks imparting an appearance of gold flecked clothing
Description:
Title devised by cataloger., Place and date of publication from unverified data in local card catalog record., and For further information, consult library staff.
A full-length portrait of a Turkish lady wearing robes and a headdress. Her clothing is depicted using a tiny pinprick design that pierces entirely through the paper. A secondary sheet with attached gold foil appliqué is positioned beneath the pinprick design to allow the gold to shine through the pinpricks imparting an appearance of gold flecked clothing
Description:
Title devised by cataloger., Place and date of publication from unverified data in local card catalog record., and For further information, consult library staff.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Conrad seen lying under an enormous helmet at the left end of a large, open courtyard. The helmet, topped by large black feathers, obscures all of Conrad's body except for his legs. A crowd has gathered and several men attempt to lift the helmet off its victim. In the background the arched colonnades of the castle terminate in an arched gate on the right; a round tower rises at center above the colonnades. In the left foreground is a wall with an arched window above an arched door, an armorial shield mounted between them
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 5 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Castles & palaces, Courtyards, Colonnades, Helmets, and Dead persons
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Manfred and Theodore standing at center and three servants holding torches standing at left. The location is a dimly-lit vault, its arched ceiling supported at intervals by short columns; Theodore points upward to a hole in the ceiling that was broken through from above. Manfred, standing beside the pointing Theodore, looks up in astonishment, leaning backwards slightly with his left arm out in front of him
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 36 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Matilda and Theodore speaking to one another from windows on separate levels of the castle. One facade of the castle is shown, with two trees growing in the foreground and additional trees, fields, hills, and a pond visible in the distance on the right. Matilda can be seen in the open half of an arched window on the upper floor; she looks outward, her arm propped against the opposite side of the window. Theodore, in a similar pose, looks out from the open window on the level below
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 69 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Theodore about to be executed in the courtyard of the castle. On the left, Theodore kneels down before the friar Jerome to pray, his shirt slipping down below his left shoulder to reveal the mark of a bloody arrow. Behind the friar stands Manfred, who ordered the execution, and several attendants; two guards holding pikes and a man carrying a sword stand behind the kneeling prisoner. At the far end of the courtyard on the right, the giant helmet sits in front of colonnades. In the background at center, the bordering colonnades are interrupted by a gray-colored section of the castle with arched windows and alcoves in which statues reside
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 100 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Castles & palaces, Courtyards, Colonnades, Executions, Prayer, and Helmets
A scene from Horace Walpole's Gothic novel The castle of Otranto: Isabella standing at left in front of the mouth of a cave, her left hand held out in front of her and her right hand at her breast. On the ground in front of her lies a knight in armor wearing a red sash; Theodore, also wearing armor, stoops down and holds the hand of the injured knight. Several servants mull around behind Isabella; beyond them on the right is a forest, at the edge of which a horse waits
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 152 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic standing on the right in an oratory, leaning slightly backwards with a shocked expression on his face. Across the room from him on the left stands a skeleton wrapped in a hermit's cowl, its fleshless face visible within the hood and its bony legs and feet sticking out from under the cloak. Behind the skeleton is an altar on which two tall candlesticks and an open book sit; beyond the altar is a crucifix within an arched alcove. Behind Frederic on the right are columns with armorial shields mounted above; an arched window, a bench, and a painting on the wall complete the background
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Chapels, Interiors, Altars, Crucifixes, and Skeletons
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Matilda and Theodore shown at center talking in a church, one on either side of the statue marking the tomb of Alphonso; Theodore wears full armor and Matilda wears an orange gown. Behind Matilda on the right is Manfred, who interrupts the conversation by reaching over Maltida's shoulder and stabbing her with the dagger held in his left hand. The interior of the church forms the background, with statues in alcoves along the wall on the right and a row of arched windows along the wall on the left
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 228 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Churches, Interiors, Tombs & sepulchral monuments, and Homicides
View of the monument erected in 1773 in Ampthill Park, Bedfordshire, by John Fitzpatrick, Earl of Upper Ossory. The large cross on its terraced base, seen in the middle distance surrounded by trees and other greenery, sits at the site of the house where Queen Catherine of Aragon resided while her divorce from King Henry VIII was under discussion
Description:
Title devised by curator., Unsigned; artist unidentified., Questionable attribution to Horace Walpole suggested by pencil annotation on verso: Must be drawn by H.W. ipse., Date of production supplied by cataloger., Drawing mounted opposite a description, in Thomas Kirgate's hand, of the location of the monument and a transcription of the lines written by Horace Walpole that were inscribed on its base., and Mounted on page 20a in an extra-illustrated copy of: Walpole, H. Fugitive pieces in verse and prose. [Twickenham] : Printed at Strawberry-Hill, 1758.
Subject (Name):
Catherine, of Aragon, Queen, consort of Henry VIII, King of England, 1485-1536
Opposite page 23. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait, full-length seated, with her arms folded and resting on a table, rosary beads in front of her; turned slightly left but looking back towards the right. After Hogarth's painting of Sarah Malcolm is in the National Gallery of Scotland
Description:
Title from note in pencil below image, on mounting page., Unsigned; artist unidentified., Date supplied by cataloger., and Bound in opposite page 23 in an extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1802 and 1853?]
Call Number:
Drawings H263 no. 5 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait in an oval of a woman wearing a cap and mid-18th century dress. She is facing slightly to the left but looking towards the viewer
Description:
Title devised by cataloger., George Perfect Harding, English miniature painter, 1779/80-1853., Inscription in pencil: by [G.P.] Harding?, and Inscription in pencil on verso: Miss Hannah Norsa d. 1785.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1802 and 1853?]
Call Number:
Drawings H263 no. 3 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Portrait, drawn in an oval, of Catherine Walpole, as a young girl wearing early 18th century dress. She is looking towards the viewer
Description:
Inscription in graphite pencil in later hand underneath the title: Drawn from the original at Strawberry Hill., Signed in ink lower right: G. Harding delt., and George Perfect Harding, English miniature painter, 1779/80-1853.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1802 and 1853?]
Call Number:
SH Contents H263 no. 11 Box 105
Image Count:
1
Resource Type:
still image
Abstract:
Copy of a portrait of Horace Walpole, probably after Eckardt, with gray wash-line mount
Description:
Title devised by cataloger., Signed in ink lower right in unknown hand: G. Harding., In ink lower left in unknown hand: Original miniature., and George Perfect Harding, English miniature painter, 1779/80-1853.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1802]
Call Number:
Folio 75 B935 805 folder 22 Box 2
Collection Title:
[Scrapbook of drawings].
Image Count:
1
Resource Type:
still image
Abstract:
Portrait drawing of John Shute Barrington; half length, with head completed in detail and the rest in outline; wearing a long curled wig
Description:
Title inscribed in ink on verso., Signed by the artist in watercolor in lower left corner using his monogram: The letters "G" and "P" below with an "H" centered above., Dated by the artist below signature., "Lord Barrington, fm. an original picture"--Below image, written on mount in pencil in a contemporary hand., Formerly page 65 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Name):
Barrington, John Shute Barrington, Viscount, 1678-1734
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1803]
Call Number:
Drawings W87 no. 40 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A footman leads a parson and six prospective suitors that have arrived in response to an advertisement for a husband posted by an 'old maid'. The bachelors include a Welshman, a Scotsman, and a doctor that offer flatteries while waiting, "Splutter hur, how pretty she looks, she pe [sic] a nice wench", "Leave a Scotch laddie alone for carrying off the sillar", and "From my conscience, she looks like a Venus of medicine!" respectively. The footman leans forward to shout into the elderly woman's ear trumpet, "Please your ladyship all these gentlemen be[?] come about an advartisement [sic] for a husband and to lose no time they have brought the Parson with them; please your Virginship what am I to say to em?" The elderly woman responds, "Say to them, why the men are mad, if I was so inclined do they think I would marry six husbands at once!!" A hissing cat followed by a litter of kittens stand beside the woman's chair
Description:
Title inscribed in black ink in the artist's hand below image., Signed by the artist., and Publication line inscribed in ink below image for possible later print: London, Pubd. Jany. 1, 1803 by William Holland, No. 11 Cockspur Street, removed from Oxford Street.
Subject (Topic):
Bachelors, Cats, Hearing aids, Marriage proposals, Older people, and Single women
Two Bermuda walk along an empty path passing a sign that reads 'To Plymouth'.
Alternative Title:
Retiring with a difference
Description:
Title from caption inscribed below image in black ink., Date from unverified data from local card catalog record., and For further information, consult library staff.
A female Bermudan street vendor is sitting behind her produce wares under a makeshift sun shade. She wears a white scarf over her hair and a dress dyed primarily white and midnight blue; her hands are slightly raised and outstretched towards the diverse assortment of produce
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., Possibly one of a series of small drawings of black Bermudans., and For further information, consult library staff.
Subject (Geographic):
Bermuda Islands
Subject (Topic):
Black people, Street vendors, Produce stands, Corn, Bananas, and Squashes
A man dressed in tattered clothes and smoking a pipe carries a bundle on his bald head
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., Possibly one of a series of small drawings of black Bermudans., and For further information, consult library staff.
A man dressed only in tattered shorts with a sack tied around his waist carries a long canoe balanced on his head and a secondary supporting pole
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., Possibly one of a series of small drawings of Black Bermudans., and For further information, consult library staff.
Subject (Geographic):
Bermuda Islands and Bermuda Islands.
Subject (Topic):
Black people, Porters, Lifting & carrying, and Canoes
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1805]
Call Number:
Drawings W87 no. 42 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A countryman, with companion horse and dog, stands outside of a city gate pleading with two guardsmen to permit him entry. His plea begins, "Hollo! you Master Whiskers don't keep me here in the cold all night. If you want to know who I am I tell you I am an Elector for Middlesex!" One guard responds, "Elector of Middlesex!! I never heard of that elector before, he must be a great man, open the gates immediately."
Description:
Title and date devised by cataloger. and Artist's signature inscribed in black ink in the artist's hand below image.
Unsigned drawing of two men, one of whom may be the architect, looking over an active construction site with work men engaged in various activities on the ground and on the scaffolding around a townhouse(?).
Description:
Title derived from dealer's description., Thomas Rowlandson, English artist and illustrator., and For further information, consult library staff.
Subject (Geographic):
England and London.
Subject (Topic):
Architects, Construction workers, and Construction
Watercolor drawing depicting a moth viewed from above, with wings spread
Description:
Title from local catalog card., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in with three other drawings at page 51 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with three other drawings to 49 x 37 cm., and Original case shelved separately.
Portrait drawing of Thomas Hamilton, 6th Earl of Haddington; half length, turned slightly left; wearing long curled wig
Alternative Title:
Thomas 6th Earl of Haddington and Thomas Sixth Earl of Haddington
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly page 69 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Portrait drawing of Sir John Hoskins; bust length, in profile to the right; wearing a white shirt
Alternative Title:
Sir John Hoskins
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly page 71 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Portrait drawing of John Poulett, 2nd Earl Poulett, as a boy; three-quarters length, shoulders turned right and head turned left; with long hair; wearing a red shirt with white collar
Alternative Title:
John 2nd Earl of Powlett and John Second Earl of Powlett
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly page 75 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1806]
Call Number:
Folio 75 B935 805 folder 27 Box 3
Collection Title:
[Scrapbook of drawings].
Image Count:
1
Resource Type:
still image
Abstract:
Portrait drawing of a woman; three-quarters length, turned slightly left, her left hand resting on a book; wearing a formal white dress with a small blue bow; hair worn up with pearls; additional books on shelves in the background
Description:
Title from pencil annotation on verso, the end of which is trimmed away; "Lady Irvin" also inscribed in ink on page in album where drawing was probably once mounted., Questionable attribution to G.P. Harding from local card catalog record., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 77 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1806]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 15. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
A view of the chancel in St. Mary's Church, Sundridge, Kent, with the altar at center beneath a large stained-glass, Gothic window and monuments to the left and right of the altar beyond the altar rail. Visible in an alcove on the right is the bust of Lady Ailesbury, made by her daughter Anne Seymour Damer
Description:
Title devised by curator., Signed and dated by the artist in lower right corner., and Mounted on page 15 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Geographic):
Kent (England)
Subject (Name):
Ailesbury, Caroline Campbell, Countess of, 1721-1803. and Damer, Anne Seymour, 1748 or 1749-1828.
Subject (Topic):
Buildings, structures, etc, Interiors, Chancels, Altars, Tombs & sepulchral monuments, and Windows
Album of ca. 22 watercolors by Maria Sybilla Merian, of insects, reptiles, and fish probably done on the European continent (Germany or Netherlands), along with a collection of other watercolors by several artists, signed and unsigned, including a portrait of Dr. Mead and Dr. Misaubin surgeon, drawn by William Hogarth and a drawing by George Perfect Harding. Also included: Palace of the Rajah of Tassisudon / copied by M. Griffiths Junr. 1798; Back of Gibraltar Hills / W. Booth delin, ALS from Horace Walpole to Richard Bull dated 1784 July 14, thanking him for the loan of some books including this collection of drawings by Maria Merian which he describes as "very fine"., and Also laid in are various verses in Richard Bull's hand including a poem in memory of Catherine Bull and a narrative on Queen Caroline; a poem in French, "Address by the Queen of Holland to Buonaparte" [later published as Les Adieux by S̀̀ègur].
Alternative Title:
Bull's album of drawings
Description:
Title devised by curator., Album contains 402 pages, alternating white and blue sheets. Nothing laid in after p. 211., Ms. notes in Richard Bull's hand., Binding: Red morocco leather with single gilt ruled line; spine stamped in gold "Drawings.", Disassembled, some items matted and stored in 5 solander boxes. Original binding shelved separately., and When the album was digitized, blank pages were not scanned; original page location, however, is recorded which explains the gaps in the paginatioin in the virtual browse view. For further information, consult library staff.
The interior of a loft stacked with sacks, an angry countryman ferociously prods one with a pitchfork, while a handsome young woman stands in alarm behind him in the doorway. From the sack projects the terrified head and hands of the woman's lover; his queue indicates a military officer. A white owl flies under the rafters
Description:
Title and date supplied by cataloger., Attributed to Rowlandson., Compare to a print (in reverse) published 16 May 1807 by R. Ackermann: I smell a rat, or, A rogue in grain. See no. 10814 in v. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and For further information, consult library staff.
Subject (Topic):
Hiding places, Adultery, Couples, Hiding, Bags, Pitchforks, and Surprise
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1807 and 1812?]
Call Number:
SH Contents H263 no. 8 Box 105
Image Count:
1
Resource Type:
still image
Description:
Title written in ink below image, in George Perfect Hardning's hand. and One of a group of watercolors after works in the Strawberry Hill collection executed by Harding.
Subject (Name):
Rochester, Henry Wilmot, Earl of, 1612?-1658, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1807 and 1812?]
Call Number:
SH Contents H263 no. 6 Box 105
Image Count:
1
Resource Type:
still image
Description:
Title written in ink below image, in artist's hand. and Peter Oliver portrait is after a portrait by Van Dyck. See Yale edition of Horace Walpole's correspondence, v. 2, p. 43.
Subject (Name):
Digby, Kenelm, 1603-1665, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1807 and 1812?]
Call Number:
SH Contents H263 no. 13 Box 105
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Lady Diana Spencer Beauclerk, seated before a green curtain, shown three-quarters length, with pink shawl draped over her shoulder; in her right hand a portfolio presumably of her drawings and in her right hand a artist's brush. To her left is a large urn set before an open window with a view of the outdoors
Description:
Title devised by cataloger., Penciled note at bottom edge in unidentified hand: Lady Diana Beauclerk from Sir J. Reynolds, P.R.A., and After the copy by John Powell commissioned by Horace Walpole and formerly hung in the Beauclerk closet.
Subject (Name):
Beauclerk, Diana, Lady, 1734-1808, and Strawberry Hill (Twickenham, London, England)
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1808]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 103. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Henry VII as a younger man; bust-length, turned slightly right; clean-shaven; a soft hat decorated with a brooch covering his wavy hair; dressed in a scarlet fur-trimmed jacket over a gold shirt; holding a red rose in his right hand
Alternative Title:
King Henry VII
Description:
Title written in ink below image., Signed and dated by the artist in lower left corner., and Mounted on page 103 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1808]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 103. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Henry VII as an older man; bust-length, turned slightly right; clean-shaven; a soft hat decorated with a brooch covering his gray hair; dressed in a gold fur-trimmed jacket, embroidered, over a scarlet shirt
Alternative Title:
King Henry VII
Description:
Title written in ink below image., Signed and dated by the artist in lower left corner., and Mounted on page 103 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Name):
Henry VIII, King of England, 1491-1547, and Damer, Anne Seymour, 1748 or 1749-1828
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1808]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 105. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Charles Manners-Sutton, three-quarter length, standing in front of a curtain, directed and facing towards left; wearing a wig, and robe of the Garter over ecclesiastical robes and bands; holding a rolled-up piece of paper in his right hand; church interior in background to left
Description:
Title written in ink below image., Signed and dated by the artist in lower left corner., Drawn after the painting by John Hoppner in the Royal Collection (RCIN 400557)., and Mounted on page 105 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
A large, masculine-looking woman with spectacles and a hat, stands before stool on which sits an open book of music. She holds in her right hand a baton which rests on the open page
Description:
Title in artist's hand, lower right corner of image. and Signed with his monogram 'J.N." and dated by the artist.
A caricature of a couple, shown full-length, dancing awkwardly. A lanky man attempts to dance with a corpulent woman but steps on her dress hem in the process
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
A caricature of a couple, shown full-length, dancing awkwardly. The woman (left) wears a pink dress and holds a heart-shaped pruse. She rests her arm on the shoulders of the man as he wraps his arm around her waist
Description:
Title written in ink below image., Mounted on paper the verso of which shows a map of the estate, Ballygorn, of John Henry Keogh, Esq., and William Heath, English caricaturist and illustrator, 1795-1840.
An awkward couple, caricatured and drawn full-length, are shown dancing. An older woman whose decorative plumage extends beyond the man's head, has a crooked nose and lanky features. The man, somewhat younger, has a protruding chin
Description:
Title from caption in brown ink, below image., Questionable attribution to William Heath., Mounted on the verso of an estate map., and William Heath, English caricaturist and illustrator, 1795-1840.
A caricature showing a couple full-length as they dance. The older man with a very large and balding forehead holds the arm of a young girl; both are standing on their toes. She is holding a fan and looking away from the man
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
An image of two couples who appear to be dancing. The couple on the left includes a short, stocky man and a large buxom woman. The man is standing on his toes looking up to the woman while she gazes beyond his head. The couple on the right includes a lanky gentleman who is holding onto the index figure of a woman wearing a large plume in her hair
Alternative Title:
Precision & ease and Ardour and dignity ; Precision and ease
Description:
Titles written in ink below each image., William Heath, English caricaturist and illustrator, 1795-1840., and Sheet has a long crease down the center.
A couple, caricatured and shown full-length, stand with the feet intertwined as the man clasps the woman under her arms. He has long legs and arms and a jutting chin; she, somewhat older than the man, is sharp-featured and appears to be falling
Description:
William Heath, English caricaturist and illustrator, 1795-1840.
A caricature of a couple, full-length and fashionably dressed in a simple way, are shown in profile kissing. The length of their arms is exaggerated and are in contrast to their short legs. The woman's eyes are open but the man's are closed
Alternative Title:
Conclusion
Description:
Title written in ink, below image., Mounted on the verso of an estate map of Creeves, in Limerick County, Ireland., and William Heath, English caricaturist and illustrator, 1795-1840.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[ca. 1810]
Call Number:
Drawings H263 no. 6 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Portrat of Sir Horace Mann, half-length turned to the left but looking forward at the viewer
Description:
Title inscribed below image., George Perfect Harding, English miniature painter, 1779/80-1853., After a portrait of Horace Mann by J. Astley which belonged to Horace Walpole at Strawberry Hill., Engraving of this portrait published by Richard Bentley, 1810., and Inscription in pencil: ? by G.P. Harding.
Two images, the bottom of which is a saracen's head in profile above a banner with the Walpole motto "Fari quae sentiat". Above, an armorial shield surmounted by the head of a black man with a kerchief around his head and decorated with flags and a cannon protrude from its sides; branches extend outward from the pile of dirt at the base of the shield, on which cannon balls and a drum sit
Description:
Title devised by curator., Unsigned; attribution to Thomas Kirgate from note in pencil on mounting page: "Evidently drawn by his printer Jos.[?] Kirgate.", Date of production based on artist's death date., and Mounted on page 'g' in an extra-illustrated copy of: Walpole, H. Fugitive pieces in verse and prose. [Twickenham] : Printed at Strawberry-Hill, 1758.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1810]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 35. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Agnes Berry; bust length, looking to the right; wearing her hair loose and curly; in an oval inside a rectangle
Alternative Title:
Miss Mary Berry
Description:
Title assigned by cataloger; alternative title from note in ink that incorrectly identifies sitter., Signed by the artist in lower left corner., Date of production inferred from related drawing, mounted on the same page, that is dated "1810" by the artist., Drawn after a miniature by Anne Mee that was commissioned by Horace Walpole in 1790., and Mounted on page 35 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Name):
Berry, Agnes, 1764-1852, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1810]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 35. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Mary Berry; bust length, facing left with head turned towards the viewer; short hair in curls; an oval inside a rectangle
Alternative Title:
Miss Agnes Berry
Description:
Title assigned by cataloger; alternative title from note in ink that incorrectly identifies sitter., Signed and dated by the artist in lower left corner., Drawn after a miniature by Anne Mee that was commissioned by Horace Walpole in 1790., and Mounted on page 35 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Name):
Berry, Mary, 1763-1852, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1810]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 106. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Charles Manners-Sutton, three-quarter length, turned slightly to the left; holding his academic cap and the Coronation Service; dressed in a chimere over his rochet with a gold-laced cope about his shoulders, bands at his neck and a powdered bob-wig on his head
Description:
Title written in ink below image., Signed and dated by the artist in lower left corner., Drawn after the painting, attributed to John Hoppner, at Lambeth Palace (Accession no.: 16)., and Mounted on page 106 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Name):
Manners-Sutton, Charles, 1755-1828, and Lambeth Palace (London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 2d. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Unfinished drawing of the Gothic lantern, designed by Richard Bentley, that hung in the Entrance of Strawberry Hill
Alternative Title:
Lanthron in the Red Hall
Description:
Title from local catalog card; the title written in ink on mounting page has "lanthorn" misspelled as "lanthron"., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 2d in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 8a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a tall cup, with indistinct designs near the rim that likely represent the arms of the Earls of Exeter. This object was kept by Horace Walpole in the China Room at Strawberry Hill
Alternative Title:
Earl of Exeter's ivory drinking horn, in China Room
Description:
Title written in ink below image, on mounting page; alternative title from pencil annotation in Thomas Kirgate's hand at bottom of sheet., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, whose annotation is present below image., Page reference written in pencil above image: P. 9., and Inlaid on page 8a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 10a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a tall, thin vessel of indeterminate function, pale green in color and sitting upright on its ornate gold base. The opening at the top is edged with gold, below which is an image in gold of a figure riding a horse. To the right of where the base meets the rest of the vessel is a pencil annotation in Thomas Kirgate's hand indicating that this area is made of "blue glass". Presumably a depiction of an object kept by Horace Walpole in the China Room at Strawberry Hill
Description:
Title from local catalog card., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, whose annotation is present beside image., and Inlaid on page 10a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 18a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Lady Digby at age 19; bust-length, shown in three-quarter profile to the right; her hair in curls; wearing a pearl necklace
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from local catalog card., Probably drawn after a miniature by Peter Oliver (now in the Nationalmuseum, Stockholm [NMB 971 or 972]), that was kept by Horace Walpole in the Breakfast Room at Strawberry Hill., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 18a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Name):
Digby, Venetia Stanley, Lady, 1600-1633, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 42a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of one of two small Welsh armchairs kept by Horace Walpole in the Star Chamber at Strawberry Hill. The support posts of the chair are painted with alternating blue and white bands; the triangular seat has a cushion of blue-gray point lace. Centered within the backrest are the yellow and black arms of Mr. Richard Bateman
Alternative Title:
Welsh armed chair
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 42a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 44a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of an unidentified woman, bust-length, turned to the left; shoulder-length hair in curls; wearing a pearl necklace and a gown with a low neckline
Description:
Title from local catalog card., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., Most likely drawn after a portrait kept by Horace Walpole at Strawberry Hill., and Inlaid on page 44a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 46a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a chair, possibly the "chair covered with purple cloth" that was kept by Horace Walpole in the Holbein at Strawberry Hill. The purple cushion, with two tassels hanging from the front, sits in a simple wood frame; the arms and back of the chair are upholstered in the same purple fabric secured at the edges with furniture nails
Description:
Title from local catalog card., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 46a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Page 56a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Diagram showing the arrangement of miniatures hung inside the right hand door of Horace Walpole's Cabinet of Miniatures and Enamels, which was kept in the Tribune at Strawberry Hill. The eight small paintings, arranged in three columns, are shown in outline only. In each case the name of the portrait's sitter or a description of the image is written in the blank space at center, while the shape and ornamentation of the surrounding frame is depicted in some detail. Orientation for the diagram is provided by the word "door" written in watercolor at the top of the sheet and the words "right hand" written in pencil at the bottom
Description:
Title devised by cataloger., Unsigned; attribution to Thomas Kirgate from local catalog card., Date based on artist's death date., and Inlaid on page 56a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Geographic):
Strawberry Hill (Twickenham, London, England)
Subject (Name):
Walpole, Horace, 1717-1797
Subject (Topic):
Art collections, Miniatures (Paintings), and Cabinets (Case furniture)
Page 56b. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Diagram showing the arrangement of items hung inside Horace Walpole's Cabinet of Miniatures and Enamels, which was kept in the Tribune at Strawberry Hill. Most of the nearly ninety objects are small paintings, which are shown in outline only. In these cases the name of the portrait's sitter or a description of the image is written in the blank space at center, while the shape and ornamentation of the surrounding frame is depicted in some detail. Other objects include locks of hair, hearts made of hair, rings of agate, and decorative heart pendants; each of these items has a label written below. Two small areas on the right and left sides of drawing, both delineated by a vertical line and labeled "side" above, show objects that were hung on the interior sides of the cabinet
Description:
Title written in watercolor at top of sheet, centered., Unsigned; attribution to Thomas Kirgate from local catalog card., Date based on artist's death date., and Inlaid on page 56b in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Geographic):
Strawberry Hill (Twickenham, London, England)
Subject (Name):
Walpole, Horace, 1717-1797
Subject (Topic):
Art collections, Miniatures (Paintings), and Cabinets (Case furniture)
Page 56c. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Diagram showing the arrangement of miniatures hung inside the left hand door of Horace Walpole's Cabinet of Miniatures and Enamels, which was kept in the Tribune at Strawberry Hill. The six small paintings, arranged in a cross pattern, are shown in outline only. In each case the name of the portrait's sitter or a description of the image is written in the blank space at center, while the shape and ornamentation of the surrounding frame is depicted in some detail. Orientation for the diagram is provided by the word "door" written in watercolor at the top of the sheet and the words "left hand" written in pencil at the bottom
Description:
Title devised by cataloger., Unsigned; attribution to Thomas Kirgate from local catalog card., Date based on artist's death date., and Inlaid on page 56c in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Geographic):
Strawberry Hill (Twickenham, London, England)
Subject (Name):
Walpole, Horace, 1717-1797
Subject (Topic):
Art collections, Miniatures (Paintings), and Cabinets (Case furniture)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 62d. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of Henry VIII's Turkish dagger of steel damasked with gold that was owned by Horace Walpole and housed in the Tribune at Strawberry Hill. The handle is only outlined, but the guard is drawn in detail, with the outlines of inset gemstones. With a descriptive note (trimmed) in pencil beside it indicating "eighteen rubies [...] the handle". The ornamentation of the dagger is further described in a pencil annotation "127 rubies, 6 diamonds" in the lower right corner of the sheet
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 62d in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Name):
Henry VIII, King of England, 1491-1547. and Strawberry Hill (Twickenham, London, England)
Page 82a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the shrine, designed by Pietro Cavallini, that was brought to the Chapel at Strawberry Hill from Rome in 1768. Four twisted Corinthian columns form the base of the shrine; four smaller columns, various panels of intricate decoration, and an ornate roof comprise the upper portion of the object. Sitting beneath the shrine is the cross, inlaid with mother-of-pearl, that was bought by Horace Walpole at the sale of Richard Bateman in 1774
Description:
Title written in ink below image, on mounting page., Signed by the artist in lower left., Date based on artist's death date., and Inlaid on page 82a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 92a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Hannah More, bust-length, turned to the left
Alternative Title:
Miss Anna More and Miss Hannah More, the poetess
Description:
Title from local catalog card; alternative title from note in ink that misspells sitter's name., Unsigned; attribution to G.P. Harding from local catalog card., Probably after the watercolor by Roberts, after John Opie, in the Breakfast Room at Strawberry Hill., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 92a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Subject (Name):
More, Hannah, 1745-1833, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 110. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Ann Bransom, Horace Walpole's housekeeper at Strawberry Hill who gave tours of the house; head only, turned three-quarters left; wearing a bonnet
Alternative Title:
Ann Bransom, the woman that shows Strawberry Hill
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 110 in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Title written in unknown hand below image. and Later note in pencil "Not SH"; other notes suggesting alternative identifications -- Mr. Hudson's House, Ham [...] House.
Subject (Geographic):
Twickenham (London, England), England, and Twickenham.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1808]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 104. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Queen Elizabeth I, three-quarter length, looking left; wearing a large ruff and long strands of pearls around her neck; dressed in a black gown with gold embroidery; holding a closed fan in her right hand
Description:
Title written in gold paint within lower border., Signed and dated by the artist in upper right corner., "From an original by Hilliard, in the collection of Lord Viscount Grimston at Gorhambury, Herts."--Note in ink at bottom of sheet., and Mounted on page 104 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
A soldier with an elongated nose appears to plead with or coax a woman wearing a stole, feathers in her hair, and a crucifix on a chain
Description:
Title from item., Signed in ink lower left: G.C., George Cruikshank, English graphic artist, 1792-1878., and For further information consult library staff.
A crow stands on top of a table flanked by two gallows inscribed with the words "To Botany Bay" (left) and "To Hell" (right). Cards and dice are also on the table, the front of which displays two crossed swords. Bottles of wine and a pot of gold pieces are underneath the table. The table itself sits on a dias
Description:
Title from item., Inscriptions in pencil above and below image with instructions on which colors to use. In the artist's hand?, Inscription in ink (part of image): Dedicated to the Members of White's, Boodle's, Brookes'. Let those laugh who win!. Arms of the Greeks!! 41 Pall Mall Augt. 1817., Signed in ink lower left: G. Cruikshank fecit., George Cruikshank, English graphic artist, 1792-1878., and For further information, consult library staff.
A man and a woman are shown in profile, half-length; their facial features fit together likes pieces of a puzzle
Description:
Signed in ink lower left: GCk., Original drawing, basis for a publish print: Sure such a pair were never seen so justly form'd to meet by Nature!!! See British Museum. Catalogue of political and personal satires, v. 9, 13131., George Cruikshank, English graphic artist, 1792-1878., and For further information, consult library staff.
A drawing consisting of two panels. The left panel, "A Visit to my Uncle" depicts two women, one of a lower class than the other, visiting an elderly man, a money-lender, who is standing behind a counter. Instruments, possibly of gold, rest on the counter and behind the man. The right panel, "A Visit to my Aunt," depicts the same two women being served drinks by a corpulent woman behind a counter
Alternative Title:
Visit to my uncle and a visit to my aunt
Description:
Title from item., Inscription in ink underneath title: Original drawing., George Cruikshank, English graphic artist and son of Isaac Cruikshank (1764-1811, caricaturist), 1792-1878., and For further information, consult library staff.
Scene in a restaurant: a female servant is delivering a dish to a flirtatious diner who is stroking her chin while a male servant excitedly delivers a menu to a second male diner. A massive painting of a grain harvesting scene adorns the wall in the background
Description:
Title from caption inscribed in black ink below image., Date from note inscribed in graphite pencil below caption., and For further information, consult library staff.
A satirical coat of arms for the "Dandy." The shield is a dandy's tail-coat, supported by two monkey's dressed in clothes. The crest is a stay and a top hat. Underneath the shield, are written the words "Dandi, Dando, Dandum" below which a puppy is suspended
Description:
Title inscribed below image., Inscription in ink in image: Coat of Arms. Azure. The Sexes impaled improper between two Butterflies - Two flances; on the dexter flanch three pair of Stays, argent, the sinister flanch charged with Rouge Pomat & smellg bottle, On the Canton, Dexter a frill rampant in the sinister Canton a false collar rampant - small cloaths passive in pile supported by pins - Supporters- Two Monkies - proper - Crest, a pr of Stays full padded - supporting a Cravat & Collar Rampant proper, holding a blockhead argent & gules, wingerd with asses ears proper the whole under cover of a Sable Bever., Basis for print published as: The dandies coat of arms, See British Museum Catalogue of Political and Personal Satires, vol. 9, 13394., George Cruikshank, English graphic artist, 1792-1878., For further information, consult library staff., and Leverhulme-Auchincloss, vol. 15, p. 143.
Watercolor drawing of a caricatured tailor standing in profile to the left revealing an enormous paunch. He stands before a railing on a boardwalk with the ocean waves below. He desperately clutches a small girl in his left arm, a cane between his legs, and fumbles with an umbrella as a forcible gale blows away the remainder of his possessions including a pattern book, wig, hat, the child's bonnet, and tape measure. A dog crouches on his side in the lower left
Alternative Title:
Embarras des richesses
Description:
Title from ms. caption inscribed below drawing., Artist from British Museum catalogue., and Original drawing for a print by the same name etched by G. Cruikshank and published by G. Humphrey. Cf. no. 13435 in the Catalogue of prints and drawings in the British Museum Division I, political and personal satires, v. 9.
Subject (Geographic):
Brighton (England),
Subject (Topic):
Dogs, Girls, Sewing equipment & supplies, Tailors, Wigs, and Winds
A shield with four quarterings: first quarter contains a pair of boxing gloves; the second quarter is drawn showing a man uncorking a bottle. The third and fourth quarters show different moments in a fight. Above the shield is a clenched hand surrounded by laurels, with two "Bottle-holders" supporting either side
Description:
Image was used as the basis for a print published by George Humphrey in 1819: The Boxer's arms., See Catalogue of political and personal satires, v. 9, 13395., George Cruikshank, English graphic artist, 1792-1878., and For further information, consult library staff.
A French officer, wearing blue, towers above a British officer, wearing scarlet. The French officer extends his arm above the head of the British officer
Description:
Title from item., In ink below image: "Jany 13. 1822. Pub. by G. Thanphrey St. James Street"., Richard Dighton, English painter and caricaturist, 1795-1880., and For further information, consult library staff.
