"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Men -- Walking staves -- Literature: quotation from Epitaph on John Gay by Alexander Pope (1688-1744)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 4th, 1798, by H. Humphrey, St. James's Street
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Pretty well I tank you Mr. Cesar only I aspire too much!", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: 1830., Watermark: J Whatman., and Plate numbered in ms. near top of sheet: 237.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Fans (Accessories), Staffs (Sticks), and Umbrellas
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Yes sir but she bery petickly engaged in washing de dishes ...", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Male costume: 1830., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Eyeglasses, Monocles, Servants, and Staffs (Sticks)
"Two ladies (left) walk arm-in-arm to the left; a good-looking man, extravagantly dressed, stands (right) legs apart, head turned to inspect them as if they were strange specimens. One, short and fat, wears a round straw cap over a shock of hair which covers her eyes, she holds up a small jointed parasol to shield her face. The other, taller, wears a shovel-shaped scoop of straw tied to her head and projecting far beyond her face. Both have bare arms with long gloves, and transparent draperies which define the figure. The man wears an exaggerated Jean de Bry coat with high inflated sleeves, cut above the waist in front, with tails which show between his legs. A high swathed neck-cloth covers his chin and sets off bushy whiskers. His boots have high tasselled fronts above the knee and elongated toes. There is a background of trees with three other figures similarly dressed, one wears striped trousers of nautical cut instead of boots and pantaloons."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Explanation of title in lower left corner: *for the origin of the word consult the Johnnesonian dictionary, edition of 1799., Sheet trimmed within plate mark., and Temporary local subject terms: Female dress: high-waisted transparent dresses, 1799 -- Female dress: bonnets -- Parasols -- Male dress: tasselled boots -- Male dress: neck-cloth -- Male dress: Jean de Bry coat -- Kensington Gardens -- Reference to Thomas Johnes (1748-1816) -- Books: Allusion to Samuel Johnson's Dictionary -- Eyeglasses: quizzing glass.
Publisher:
Pubd. June 25th, 1799, by H. Humphrey, No. 27 St. James's Street
Title from item., Attribution to Stevenart. Tentatively attributed by British Museum catalogue to Henry William Bunbury., Temporary local subject terms: Trades: hairdresser -- Male dress: hand-muff., Watermark: J Whatman., and Note on verso: 'Ld B' Album.
Publisher:
Publish'd according to act, March 1, 1771, by W. Darling, engraver in Great Newport Street
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An auction of paintings held by tiny men with huge heads."--British Museum online catalogue
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "N. 7" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 34.7 cm, on sheet 25.6 x 41.8., Watermark: 1817., and Leaf 6 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An auction of paintings held by tiny men with huge heads."--British Museum online catalogue
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "N. 7" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
"The crowded cabin tilts to the right, to the dismay of a family party dining at a table in the foreground. There is a second table in the background with a meal in progress. The cabin is bordered on left and right by two tiers of berths, apparently for two persons, set in panelling, and with curtains festooned along the upper edge. These are filled by suffering travellers. A bench runs along the front of the berths; other passengers sit on camp-stools. Phases of misery, discomfort, resignation, and (by exception) complacency are realistically illustrated. A sailor pushes a mop-stick through an open hatch in the roof."--British Museum online catalogue
Description:
Title etched below image., Possibly after a design by Captain Frederick Marryat. See British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman. Watermark '1828' on mounting sheet., and Laid on album paper.
Publisher:
Published by G. Humphrey, 27 St. James's Str., London
Subject (Geographic):
England, Margate (England), England., and Margate.
Subject (Topic):
Packets, Motion sickness, Ocean travel, Description and travel, Travel, and Vomiting
An image with six panels. Each panel features a figure and heading that plays on the 'cake' theme present in the title. Panel headings [begining in upper left corner and moving clockwise]: A Crummy Cake, A Crusty Cake, A Flow'ry Cake, A Plumb Cake, A Heart Cake, and A Seedy Cake
Description:
Title from item., Sheet trimmed within plate mark., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
Publisher:
Pubd. June 16th, 1807 by Thos. Tegg, Appolo Library, No. 111 Cheapside
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., Watermark: J Whatman., and Plate number burnished from plate.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., 1 print on laid paper : etching, stipple, & roulette ; sheet 29 x 37.5 cm, Watermark: J Whatman., and Sheet trimmed within plate mark.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bird shooting -- Hunters -- Guns: muskets -- Male dress: hunter's dress -- Dogs: spaniels., and Watermark: J Whatman.
Publisher:
Pub. July 4th 1795, by S.W. Fores, corner Sackville Street, Piccadilly
Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', and Watermark: Strasburg bend.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', Watermark: J Whatman., and 1 print on wove or laid paper : etching, hand-colored ; plate mark 27 x 42.7 cm., on sheet 30 x 48 cm., matted to 47 x 63 cm.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
An African woman known as 'Sartje' or the Hottentot Venus stands, left, in profile, a smoking pipe in her mouth and tall staff in her right hand. She has an enormous posterior and stands nude except for a pair of garters around her calves, a thin girdle round her waist, a beaded headdress and beaded necklace. Grenville stands behind her but looks back over his shoulder at her. Dressed in formal court dress, he too is depicted with an enormous posterior. Grenville says: Well I never expected Broad Bottoms from Africa! but one should never dispair! Mind Sherry dont let your Fireey nose touch the Venus for if theres any conbustibls about her we shall be blown up!!" In his pocket is a paper inscribed Chaselor [sic]. Between them, half-kneeling, Sheridan measures her bottom using a compass and answers: I shall be carefull your Lordship! but such a spanker it beats your Lordship's hollow."
Description:
Title from item/, Artist and imprint information based on a close copy with same title and same dialogue with misspellings. Cf. British Museum catalogue, no. 11578., Sheet trimmed within plate mark., Watermark: J Whatman Turkey Mill., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Walker Cornhill?
Subject (Name):
Baartman, Sarah, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Court of Chancery
Subject (Topic):
Officials and employees, Khoikhoi (African people), Africans, and England
Title from item., Printmaker identified by British Museum catalogue., Publisher's advertisement following imprint: NB Folios of caracatures [sic] lent for the evening., Temporary local subject terms: Reference to the London Corresponding Society's meetings near Copenhagen House in Islington, October-November 1795 -- Reference to the Convention Bill -- Crowns: royal crown -- Bonnet rouge., and Watermark: J Whatman.
Publisher:
Pub. No. 20, 1795, by S.W. Fores, N. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
A parody on Book 8, lines 487-9 of John Milton's Paradise lost. A lean, spectacled man stands by a bed as he welcomes a drunken trollope who staggers into the room holding a glass and a bottle labelled Geneva (gin). He exclaims, parodying Milton, "On she came-such ad I saw her in my dream, Geneva was in all her steps --Geneva in her hand and every gesture-reeling ripe for fun!" Outside on the landing, a pretty young woman looks on with amusement
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered '33' in upper left corner., "Price one shilling col[oure]d.", Quotation from Milton's Paradise Lost, below title: On she came-such ad I saw her in my dream, grace was in all her steps-Heaven in her eye in every gesture-dignity and love., Cf. No. 11142, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of variant state., Temporary local subject terms: Spectacles., and Watermark: J Whatman.
Title and printmaker from British Museum catalogue., Printseller's announcement following title: Folios of caracatures [sic] lent out for the evening., Watermark: J Whatman 17[??]., and Printseller's identification stamp in extreme lower right corner of sheet: S·W·[F].
Publisher:
Pub'd. July 4th, 1801 by S.W. Fores, 50 Piccadilly
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms:, and Watermark: J Whatman.
Publisher:
Published 10, Janry, 1807 by Thomas Tegg, Cheapside
Title from item., Publication date from an unverified card catalog record. Not dated in Krumbhaar., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Young women -- Gout -- Beverages: port -- Glass decanter -- Food: candies -- Fish -- Domestic service: footmen -- Furniture: armchair -- Sofa -- Furnishings: patterned carpet.
P- and his reduced household retiring for the summer season and Prince and his reduced household retiring for the summer season
Description:
Title from item., Sheet trimmed to plate mark on top edge., Attribution by British Museum catalogue., Temporary local subject terms: Cradle -- Warming pan -- Gridiron -- Wine raisan -- Hangercoach -- Food -- Coach and horses -- Bellows., and C Patch watermark in center of sheet.
Publisher:
Pub'd as the act directs, for the proprietor, by J. Carter, Oxford Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Weltje, Louis, 1745-1810, Hanger, George, 1751?-1824, and Fox, Charles James, 1749-1806
Title from item., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Reissued at later date. Cf. no. 11148, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description lacking date in imprint statement., and Watermark: J Whatman.
Publisher:
Pubd. Octobr. 1st, 1807 by Thomas Tegg, 111 Cheapside
On a country road, two countrymen encounter an ugly witch who sits crouching on a fence rail holding her broom, her hair sticking out straight from her head. The one countryman kneels on the ground with a horrified look on his face, clutching his hat in front of him. His companion, a thinner man, stand behind him adjusting his glasses. Their dog stands at the fence looking up at the witch. In the distance (right) a cottage can be seen behind a group of bushed. In the top center a bright moon shines in the night sky
Description:
Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1794 J Whatman [name partially trimmed].
Title from item., Attributed to Ansell in the British Museum catalogue., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Containers: saltbox -- Tools: pitch-forks -- Allusion to taxation., and Watermark: J Whatman.
Publisher:
Pubd. Augt. 13th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Egypt.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Campaigns, Gout, John Bull (Symbolic character), Crowds, Exhibit booths, Fairs, Musical instruments, and Trumpets
A simple drayman stands scratching his head as he stops to talk to a man who sits on a wooden crate as he drinks from a tankard outside a country inn. A pretty woman stands in the doorway (the sign for the inn just visible over her head) holding another large tankard of foaming beer in her hands; beside her a short country man smokes his pipe, his beer on the bench beside the trough. On the right in the background, unnoticed by the party at the inn, one man helps a woman climb a ladder into the back of the wagon as another in the wagon helps her climb
Description:
Title engraved below image., Plate numbered '242' in lower left corner., From the Laurie & Whittle series of Drolls., Six lines of verse in two columns below title: Says Thomas the porter to waggoner Ned, who gaping around stood scratching his head ..., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 4th April 1800, by Laurie & Whittle, 53 Fleet Street, London
A young women wearing a mob cap and apron sits in a ladder-back chair, her hands raised in alarm and a look of surprise on her face
Description:
Title etched below image., Printed on one sheet with: Scorn., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1794.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
"A lean and elderly virago (three-quarter length) with straggling hair, wearing a handkerchief which scarcely covers her breast, stands in profile to the left, glaring fiercely. Her arms are bare to the elbow; she holds her thumb and second finger together, her left hand is on her hip. Etched below her are her words: "What do you know, you B-? -every one knows I am a - & a -, and setting that aside who can say black to my eye?" Her profile is that of Lady Cecilia Johnston as caricatured by Gillray. She had a bitter tongue ..."--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of a set of eight satirical portraits, each issued separately., Three lines of text below image: What do you know, you B-? Every one knows I am a - & a -, and setting that aside who can say black to my eye?, Watermark: J Whatman?, and Mounted to 17 x 13 cm.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
"Another and probably later version of BMSat 5606; the two men have labels coming from their mouths containing words, and are more correctly drawn. The house on the right. is a more important building and its door has a plate inscribed "Lieut: Genl Bombardi. . N° 40". Grey Cooper stands at a different angle, showing more than his profile, his forefinger is laid against his cheek. He is saying "Then - My Led and I - his Ledship introduced the Affair you and I know of". Sir R. Hamilton (Bombardinian) answers "Hum-Aye-Mum". The same quotation from Churchill is engraved under the title. An inscription etched in the lower right. corner has been obliterated, the last words seem to resemble "J. Sayers."."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and publication date from British Museum catalogue., One line of verse below title: "Important blanks in Natures mighty roll." Churchill., Traces of text burnished from plate in lower right corner of the image., Sheet trimmed to plate mark., Temporary local subject terms: Robert Hamilton, 4th Bt., d. 1786 (Bombardinian) -- Mythology: Temple of Fame on Parnassus -- Military uniforms: Lt. General, 40th Regiment of Foot -- Scandals: Sir Robert Hamilton, 1779 -- Dogs -- Cradles -- Orders: Order of the Thistle -- Literature: quotation from Charles Churchill, 1731-1764 -- Fame, with wreath and trumpet -- Bundles: childbed linens -- Documents -- Altars., and 1 print on laid paper: etching ; plate mark 34 x 25.8 cm., on sheet 39 x 27 cm.
"Another and probably later version of BMSat 5606; the two men have labels coming from their mouths containing words, and are more correctly drawn. The house on the right. is a more important building and its door has a plate inscribed "Lieut: Genl Bombardi. . N° 40". Grey Cooper stands at a different angle, showing more than his profile, his forefinger is laid against his cheek. He is saying "Then - My Led and I - his Ledship introduced the Affair you and I know of". Sir R. Hamilton (Bombardinian) answers "Hum-Aye-Mum". The same quotation from Churchill is engraved under the title. An inscription etched in the lower right. corner has been obliterated, the last words seem to resemble "J. Sayers."."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and publication date from British Museum catalogue., One line of verse below title: "Important blanks in Natures mighty roll." Churchill., Traces of text burnished from plate in lower right corner of the image., Sheet trimmed to plate mark., Temporary local subject terms: Robert Hamilton, 4th Bt., d. 1786 (Bombardinian) -- Mythology: Temple of Fame on Parnassus -- Military uniforms: Lt. General, 40th Regiment of Foot -- Scandals: Sir Robert Hamilton, 1779 -- Dogs -- Cradles -- Orders: Order of the Thistle -- Literature: quotation from Charles Churchill, 1731-1764 -- Fame, with wreath and trumpet -- Bundles: childbed linens -- Documents -- Altars., Matted to 48 x 39 cm., and Watermark: J Whatman.
"A tall handsome lady walks diagonally forwards from left to right, her left hand on the arm of a much shorter companion with a larger head, perhaps a young girl. The latter, though her dress is simple, has a grotesquely high bunch of erect feathers in her turban, and holds a large fan. The tall lady is wearing a fashionable turbine with tall feathers at the front, a high-waisted dress, with voluminous petticoats and a flowing train. Drapery is twisted round her waist and festooned about her skirts. In the background ladies with erect feathers in their hair are freely sketched. An officer in back view leads a lady by the hand, an enormous cocked hat in his left hand."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text below title: "Delightful task! to teach the young idea how to shoot!", Temporary local subject terms: Female dress: headdress -- Lady Katherine or Lady Elizabeth Manners., and Watermark: J Whatman.
Publisher:
Pubd. June 20th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Geographic):
England
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831
A collection of theatrical costume drawings from a variety of sources in a variety of mediums on paper and pasteboard, mostly unidentified but some signed: two by Lucien Besche, one by Herbert Norris, one by C.A. Stothard, two by Charles Wilhelm and two idenitified only by the initials T.O., with dates ranging from the last quarter of the 18th century through 1925. Also includes one print of Charles Kean. The 18th century drawings show women's costumes for a variety of unidentified productions in a variety of period dress, including a group of five drawings of classical Roman figures and deities, a drawing for a costume for Lady Macbeth, and Stothard's drawing for Henry V. Later costume drawings include three pen drawings of mid-19th characters, one of whom is in a train carriage, a "Wood Gatherer" costume from London Lyceum Theatre's 1893-1894 production of 'Cinderella' , Bosche's 1892 drawing of a female warrior for "The 40 thieves". Some drawings include notes about the fabric and colors to be used, address of vendors, etc
Description:
For further information, consult library staff.
Subject (Geographic):
Great Britain.
Subject (Name):
Garrick, David, 1717-1779. and Kean, Edmund, 1787-1833
Subject (Topic):
Costume design, Actors, English, and Costume design drawings
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., and Watermark: J Whatman.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., 1 print : etching with stipple on wove paper ; sheet 23.6 x 32.7 cm, mounted to 28 x 37 cm., and Sheet trimmed within plate mark with loss of imprint.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
Title from item., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Temporary local subject terms: Seamstresses -- Cribs -- Washer tubs -- Crowns -- Bonnet rouge., Watermark: J Whatman., and Mounted to 31 x 42 cm.
Publisher:
Pubd. by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, Thelwall, John, 1764-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Bedford, Francis Russell, Duke of, 1765-1802, and Lauderdale, James Maitland, Earl of, 1759-1839
"A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), see BMSat 9244, &c. ... From O'Connor's pocket hangs a paper: 'The Press by O'Connor' [inflammatory organ of the United Irishmen, see BMSat 9186]. Round his neck is a noose of rope held by the hand emerging from clouds of the (invisible) Justice; in her right hand are equally balanced scales. The witnesses to O'Connor's character are speaking simultaneously. Four stand in the foreground in profile to the right, behind a barrier, looking towards the judge across a table. Fox (right), nearest O'Connor and the spectator, holds the book to his lips, his raised left arm thrust forward in a rhetorical gesture. ... From his pocket projects a book: 'Letters to Lord Ed F. M O'Connor &c &c.' (cf. BMSat 9244). Next stands Sheridan, with a sly expression, holding the book, 'Four Evangelists', his hat in his left hand; he testifies ... Next is Erskine, kissing the book, with left arm raised oratorically ... Next (left) is the Duke of Norfolk, kissing the book, his expression and attitude suggesting embarrassment. ... On the extreme left and behind Norfolk is Grattan. ... Among a crowd of other heads, chiefly hidden by labels, is one resembling Tierney. Above this phalanx of Opposition witnesses is a crowded gallery. Three counsel (the Attorney-General (Scott), Solicitor-General (Mitford), and (?) Garrow), who sit beneath the judges, are divided from the witnesses by a table covered with papers, &c, one being conspicuous: 'Charges of High Treason against Arthur O'Connor, Oliver Bond Dr McNevin.'"--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 285., and Temporary local subject terms: Irish Rebellion, 1798 -- Trials: O'Connor's treason trial at Maidstone, May 1798 -- Judges -- Witnesses -- Emblems: scales of Justice -- Noozes -- Pamphlets: Reference to Character or the Innocent Imposture.
Publisher:
Pubd. Octr. 1st, 1798, by J. Wright, 169 Piccadilly
Subject (Geographic):
England and London
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
"A British sailor, firmly planted astride the globe, is severely punishing Bonaparte, who, with one knee precariously on 'Turk[ey]' (Egypt), is about to fall backwards into space. Bonaparte wears a huge cocked hat, is naked from the waist, but wears sleeve-ruffles, according to the old gibe on the beggarly French fop. He is much emaciated, and gashed with wounds; 'Nelson' is inscribed on his solar plexus. Blood gushes from his nose. Jack Tar's right leg stretches across central Europe, the toe supported on 'Malta'. Clouds form a background."--British Museum online catalogue
Alternative Title:
Jack Tar settling Buonaparte
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Boxing -- Maps: globes -- Uniforms: sailor's uniform -- Jack Tar (Symbolic character)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 20th, 1798, by H. Humphrey, St. Jamess [sic] Street
"A whole length portrait of the corpulent Prince Frederick William Charles of Wurtemberg, standing 'chapeau-bras' in profile to the right, wearing a ribbon; his right hand on his waistcoat, his left on the hilt of his sword. He has a very heavy double chin, thick lips, staring eye, high narrow head, and an expression of good-natured surprise."--British Museum online catalogue, description of an earlier state of similar composition and "A later state with the same inscriptions. The contour of the Prince is altered: he is very obese, his head bulges slightly at the back, and his legs are thicker. The position of his right hand is altered."--British Museum online catalogue
Alternative Title:
Sketch'd at Wirtemberg
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Later state, with changes to the plate. Cf. No. 8827 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Watermark: J Whatman., and Mounted.
Publisher:
Pubd. Octr. 24th, 1796, by H. Humphrey, New Bond Str
"The Prince of Wales (right), rising from his chair, kicks over a tea-table, the crockery sliding to the ground, and lying broken on the floor. The Princess sits on a settee on the opposite side of the table, her infant in her arms. She is comely, and melancholy, with downcast eyes, and plainly dressed except for the three feathers in her hair. Behind the Prince (right), Lord Jersey, with horns on his head, opens a door, pointing behind him to Lady Jersey, who lies on a sofa in an indecorous attitude. He says: "My Wife is waiting for you in the next room". The Prince grasps a document in each hand; the inscription on one has been erased, on the other (left) it is 'Thoughts on Despotism'. From his coat-pocket issues 'A Map of Jersey' (cf. BMSat 8807), under his feet are papers: 'Joe the Dustman', 'The History of Kings', 'Marriage a La Mode', 'The Tender Husband a Farce'. He says: "Marriage has no restraints on me! no Legal tie can bind the will - tis free & shall be so ------ " The Princess says: "Obey, Alass the Task's Seviere how can the Female Mind with pleasure yield when every look's a Frown!!! Alass poor Babe!!!" On the wall is a picture of the King and Queen on horseback, with a signpost pointing to Windsor, apparently copied from 'The Constant Couple', BMSat 6918, except that the Queen is in back view, her head turned to the King. On the frame: 'The little Wants, dislikes, preferences, antipathies, fancies, whims, & even impertinence of Women must be officiously attended to, flattered & if possible guesed at, and anticipated by a well bred Man.'"--British Museum online catalogue
Alternative Title:
Symptoms of love in high life
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Cuckold's horns -- Separation between the Prince and Princess of Wales -- Interiors: sitting rooms -- Dishes: tea service -- Furniture: sofa -- Pictures amplifying subject -- Footstools., Watermark: J Whatman., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. May 31, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[29 May 1798]
Call Number:
Print00054
Image Count:
1
Resource Type:
still image
Abstract:
Four images on one plate. Each represents a different trade or profession that is advertised in highly accented English by its representative, beginnig on top left with a schoolmaster, entitled, Iddicatshun: I Luke Lojick larns younge gintlemen to rade, rite and spale ackhording to the moste haproved greymares ... To the right is an image of a grave-digger, entitled, Hackhommydashun: Plese to tak notise I Paule Dismall, saxton and grieve-dagger, hundertaks to birry people ... Below on the left is an image of an aged quack, entitled, Fleabottomi: I the reale Doctor Bolus from Kork, aving studid fleabottomi, undertaks to opan vanes with hease and safty ... In the fourth image, entitled, Consort and bawl, an actor and singer advertises a benefit performance: For the binnifitt of Mister Milody, at the Toune All, will be given a consort and bawl, among hother hairs, duhets, trihos and koruses ...
Alternative Title:
Candidates for public favour
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Grammar -- Orthography -- Schoolmaster -- Sextons -- Quacks -- Singers -- Quills -- Graves -- Tombstones -- Spades -- Scalpels., and Imperfect copy. Sheet trimmed to 22.2 x 30.6 cm, with loss of top half of print.
Publisher:
Pub. May 29, 1798, by S.W. Fores, No. 50 Piccadilly
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[29 May 1798]
Call Number:
798.05.29.01+
Image Count:
1
Resource Type:
still image
Abstract:
Four images on one plate. Each represents a different trade or profession that is advertised in highly accented English by its representative, beginnig on top left with a schoolmaster, entitled, Iddicatshun: I Luke Lojick larns younge gintlemen to rade, rite and spale ackhording to the moste haproved greymares ... To the right is an image of a grave-digger, entitled, Hackhommydashun: Plese to tak notise I Paule Dismall, saxton and grieve-dagger, hundertaks to birry people ... Below on the left is an image of an aged quack, entitled, Fleabottomi: I the reale Doctor Bolus from Kork, aving studid fleabottomi, undertaks to opan vanes with hease and safty ... In the fourth image, entitled, Consort and bawl, an actor and singer advertises a benefit performance: For the binnifitt of Mister Milody, at the Toune All, will be given a consort and bawl, among hother hairs, duhets, trihos and koruses ...
Alternative Title:
Candidates for public favour
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Grammar -- Orthography -- Schoolmaster -- Sextons -- Quacks -- Singers -- Quills -- Graves -- Tombstones -- Spades -- Scalpels., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. May 29, 1798, by S.W. Fores, No. 50 Piccadilly
George IV and three of his ministers (Castlereagh, Liverpool, and Wellington) struggle to pull on a rope tied a mortar, which is shaped like a fantastical winged creature. Their targets are apparently the "Satirists" in the sky in the upper right, who wield pens and banners; an additional satirist, with the beaked face of a bird, is seen in the sky in the upper left, sitting on a wheeled hobby horse and ready to shoot an arrow inscribed 'Cradle Hymn" from a bow. Additional depicted figures included Gifford, wearing a wig and gown and holding a scourge; Sidmouth, using a clyster pipe to shoot at the satirists in the sky; and Canning, holding a cudgel above his head, ready to strike a fleeing Burdett. Following behind the mortar are several men, one wearing a liberty cap, two of them holding a banner inscribed "Life and amours of Madam Hunn[?]" between them. A monkey in military uniform rides a donkey towards the left edge of the design, exclaiming "Clear the way for his most gracious Majesty!" From the foreground on the left George III watches the scene; he wears a black shroud, and only his head and shoulders are visible
Alternative Title:
His Most Gracious Majesty Hum IVth and his ministers going to play the Devil with the satirists and His Most Gracious Majesty Hum the Fourth and his ministers going to play the Devil with the satirists
Description:
Title etched below image., Date of publication from the online catalogue of the National Portrait Gallery, London (NPG D48670)., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. III," "Castlereagh," "Liverpool," "Wellington," "Geo. IV," "Gifford," "Sidmouth," "Canning," and "Burdett" identified in ink below image; date "Sep. 1820?" written in pencil in lower right.
Publisher:
Pubsed [sic] by T. Dolby, 299 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, George III, King of Great Britain, 1738-1820, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Gifford, Robert Gifford, Baron, 1779-1826, Canning, George, 1770-1827, and Burdett, Francis, 1770-1844
Subject (Topic):
Freedom of speech, Pens, Mortars (Ordnance), Pulling, Politicians, Hobby horses, Bows (Weapons)., Arrows, Donkeys, Monkeys, Whips, Medical equipment & supplies, Liberty cap, and Banners
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and Watermark: JWhatman.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and 1 print : etching on wove paper, hand-colored ; sheet 29 x 40 cm.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
"Five elderly women of fashion attend an altar of Love in a temple whose walls are wreathed with roses. The fat Mrs. Hobart, in profile to the right, pours incense on the flames of the altar; in her right hand is an open book, 'Ninon'. Behind her (left) Lady Archer, with the nose of a bird of prey, leads a lamb garlanded with roses; she guides the animal with a riding-whip. Miss Jefferies walks beside Lady Archer holding a basket of flowers. On the extreme left Lady Mount-Edgcumb, aged and bent, holds a dove in each hand. On the right of the altar Lady Cecilia Johnstone plays a lyre. The altar is decorated with rams' heads, a heart, arrows, and roses. A sculptured group of the three Graces stands in an alcove in the wall above the altar. In the background (left) is a mountain peak, Parnassus, on which sits a tiny figure of Apollo, playing a fiddle, the sun irradiating his head."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "Here, Love his golden shafts employs; here lights "his constant lamp; and waves his purple wings; "reigns here and revels." Milton., Sheet trimmed within plate mark., Temporary local subject terms: Music -- Literary quotation: Milton -- Mythology: Parnassus -- Three graces -- Elizabeth Jeffries., Watermark: J. Whatman., and The ladies are identified in ink on the back of the print: Ldy. Cecilia Johnson, Mrs. Hobart, Ldy. Archer, Ldy. Edgcumbe.
Publisher:
Pubd. May 12th, 1787, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Archer, Sarah West, Lady, 1741-1801, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807, and Johnston, Henrietta Cecilia, Lady, 1727-1817
Subject (Topic):
Graces, The, Apollo, Altars, Interiors, Temples, Books, Roses, and Lyres
Title from item., Temporary local subject terms: Financial crisis before French Revolution -- Empty treasure chests., and Watermark: J Whatman.
Publisher:
Pub. by S.W. Fores No. 3 Piccadilly Nov. 12, 1788
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacues, 1732-1804, Calonne, Charles Alexandre de, 1734-1802, and Loménie de Brienne, Etienne Charles de, 1727-1794
Title etched below image., Title above image: Parisian dresses for 1797., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress, 1797 -- Fashion, 1797 -- Jewelry -- Quizzing glasses -- Walking staves -- Bludgeons., and Watermark: J Whatman.
Publisher:
Pub. Mar. 7, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Earrings, Hand lenses, and Staffs (Sticks)
Title etched below image., Publication date from watermark., Originally published by Thomas Kitchin whose business was located at 59 Holborn Hill., Plate numbered '56' in upper right corner., Restrike of no. 2793 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Interiors: Scottish cottage -- Spinning wheels -- Jacobite Rebellion, 1745-1746 -- Military uniforms: Grenadiers' uniforms -- Military uniforms: officer of Grenadiers' uniform., and Watermark: J Whatman. 1820. Turkey Mill.
Publisher:
Sold at No. 59 Holborn Hill, according to act of Parliamt
A handsome young man embrasses a pretty young woman wearing a fashionable hat as the stand in a grove of trees; he leans toward her, their checks touching. To the right, another pretty young woman peaks out from behind a tree and watches the pair with a distressed look on her face
Alternative Title:
Love and learning and Oxford scholar
Description:
Title etched below image., Sheet trimmed within plate mark., Below title and above imprint statement, six lines of verse in two columns: Beauty invites and love & learning plead; The Oxford scholar surely must succeed, Yet Oh, ye blooming soft inclining fair, Of his too fatal eloquence beware; For see a slighted fair one is behind with jealous eye & most distracted mind.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 12th May 1786, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Topic):
Courtship, Couples, Envy, Kissing, Students, and Young adults
"A man who is falling through the ice clutches desperately at the leg of a passing skater so as to drag him towards the hole he has made. From the edge of the ice (r.) projects a post with a notice-board: 'Humane Society - Whereas this Pond is very deep & dangerous, it is requested that no persons will rashly venture to Skait upon it.'"--British Museum online catalogue
Alternative Title:
Elements of skateing : making the most of a passing-friend in a case of emergency! and Elements of skating : making the most of a passing-friend in a case of emergency!
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., Sheet trimmed within plate mark., and Watermark: J Whatman.
Publisher:
Publishd. November 24th, 1805, by H. Humphrey, 27 St. James's Street
The collision of several coaches results in a scene of mayhem on a city street as the coachmen brandish their whips, much to the horror of their well-dressed passengers. As a result of the collisions, two vendors and their wares are thrown on a third vendor, all tumbling onto the sidewalk in front of the corner shop "Peter Thump Gold Beater". A workman carrying bricks up a ladder is also in peril. Gold beaters in the corner shop look on while continuing their work. On the right two dancing dogs continue their performance
Description:
Sheet trimmed within plate mark., Four lines of text below title: In going out to dinner (already too late) your carriage delayed by a jam of coaches ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman., and Mounted to 31 x 40 cm.
Publisher:
Pubd. Feby. 1st, 1807 by R. Ackeman [sic], No. 101 Strand
Subject (Topic):
Coach drivers, Carriages & coaches, City & town life, Dogs, Passengers, Street vendors, Trained animals, Traffic accidents, and Metalworkers
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An Irishman lays about him with a shillelagh. Elderly men flinch back; a doctor, parson, &c, sprawl on the floor (left); others flee from the room (right). A drunken Irishman is the subject of a coroner's inquest; when he proves that he is alive by attacking them, they maintain that since he is dead, their assailant must be his ghost ..."--British Museum online catalogue
Description:
Title etched below image., Thirty-seven lines of verse below title: It was Murphy Delaney, so funny and frisky, popp'd in a sheebeen shop to get his skin full; and reel'd out again pretty well lin'd with whiskey, so fresh as a shamrock, and blind as a bull ..., Plate numbered "U. 2" in upper left corner and "4" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Temporary local subject terms: Irishmen -- Sticks: Shillelage -- Physicians -- Clergy -- Parsons., and Watermark: J Whatman.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An Irishman lays about him with a shillelagh. Elderly men flinch back; a doctor, parson, &c, sprawl on the floor (left); others flee from the room (right). A drunken Irishman is the subject of a coroner's inquest; when he proves that he is alive by attacking them, they maintain that since he is dead, their assailant must be his ghost ..."--British Museum online catalogue
Description:
Title etched below image., Thirty-seven lines of verse below title: It was Murphy Delaney, so funny and frisky, popp'd in a sheebeen shop to get his skin full; and reel'd out again pretty well lin'd with whiskey, so fresh as a shamrock, and blind as a bull ..., Plate numbered "U. 2" in upper left corner and "4" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Temporary local subject terms: Irishmen -- Sticks: Shillelage -- Physicians -- Clergy -- Parsons., 1 print : etching on wove paper, hand-colored ; plate mark 28 x 21.5 cm, on sheet 41.8 x 25.6 cm., and Leaf 64 in volume 1.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
March 20, 1800.
Call Number:
800.03.20.01+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Well-known men ride (left to right) horses with the heads of old women which they scourge mercilessly. There is a background of craggy mountains silhouetted against flames in which demons fly. The central and most prominent figure is Fox, before him rides Pitt, and on the extreme right is the Duke of Bedford wearing a star. In the foreground (left) is George Hanger with his club, whose mount has fallen and looks round at him despairingly. Behind him is the Duke of Queensberry wearing a star; on the extreme left is the stiff Lord Moira."--British Museum online catalogue
Description:
Title from item., Attributed to Woodward in the British Museum catalogue., Companion print: Old bachelors in the next world chang'd into post horses ..., Sheet trimmed to plate mark on top and sides., and Watermark: J Whatman.
Publisher:
Pub by William Holland, No. 50 Oxford Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Bedford, Francis Russell, Duke of, 1765-1802, Queensbury, William Douglas, Duke of, 1724-1811, Hanger, George, 1751?-1824, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
March 20, 1800.
Call Number:
800.03.20.01+ Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
"Well-known men ride (left to right) horses with the heads of old women which they scourge mercilessly. There is a background of craggy mountains silhouetted against flames in which demons fly. The central and most prominent figure is Fox, before him rides Pitt, and on the extreme right is the Duke of Bedford wearing a star. In the foreground (left) is George Hanger with his club, whose mount has fallen and looks round at him despairingly. Behind him is the Duke of Queensberry wearing a star; on the extreme left is the stiff Lord Moira."--British Museum online catalogue
Description:
Title from item., Attributed to Woodward in the British Museum catalogue., Companion print: Old bachelors in the next world chang'd into post horses ..., Sheet trimmed to plate mark on top and sides., and 1 print : aquatint, soft ground etching & etching on wove paper, hand-colored ; plate mark 33 x 46.2 cm, on sheet 35 x 48 cm.
Publisher:
Pub by William Holland, No. 50 Oxford Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Bedford, Francis Russell, Duke of, 1765-1802, Queensbury, William Douglas, Duke of, 1724-1811, Hanger, George, 1751?-1824, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Burke (centre) and Fox (right) raise above their heads cleavers and marrow-bones with which they appear about to smite a woman and child who have fallen to the ground. A man stoops, stretching out his hands in an attempt to protect them. George Hanger (left) stands holding up his cleaver in both hands, leaving no doubt that his intention is to strike. The attitude of Burke and Fox, though threatening, may indicate a vigorous performance of the traditional election music of the butchers
Alternative Title:
Freedom of election
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Great Britain. Parliament
Subject (Topic):
Elections, 1788, Axes, Butchers, Political elections, and Riots
The Marquis of Salisbury, holding a long wand of office and wearing military uniform (colonel of Hertfordshire Militia), with a plumed cap and spurred boots, walks stiffly in profile to the left, his coat-tails flying out behind him. His gold key of office (Lord Charmberlain of the Household) is hung to a blue ribbon which crosses his shoulder. Above his left boot is a garter inscribed 'Hone' [sic]. He is caricatured, and has a long projecting nose. Below the title: 'The Tallest, Fittest, Properest Man to walk before the King!!!" See the British Museum online catalogue
Description:
Title etched below image., Sheet trimmed mostly within plate mark., Watermark: J Whatman, and Printseller's stamp in lower right corner of plate: S.W.F.
Publisher:
Pub. Novr. 7, 1795, by S.W. Fores, No. 50 Piccadilly
"Four ladies and two men play cards at a round table lit by two candles. A woman in back view says to a handsome woman next her: "Whom in your opinion Madam, are the happiest couple in England?" The other shows King and Queen, answering, "The King and Queen, Ma'am that's a stop." An elderly woman turns to a man in regimentals with a scarred face: "And do you really think, Major, that Bonaparte means to attempt an Invasion? - pray what is your opinion of him." He displays a knave: "A knave Ma'am, and that's a stop." A young woman says to a fat parson who sits in a wheeled armchair, his gouty leg on a cushion: "What unfortunate Old Lady was that you mentioned just now, Mr Spintext!" He holds the nine of diamonds, intent on the bag of counters, and answers: "The Pope, Ma'am and I clear the Table.""--British Museum online catalogue
Alternative Title:
Pope Joan
Description:
Title from caption below image., Printmaker from British Museum catalogue., Temporary local subject terms: Allusion to: George III< king of Great Britain, 1738-1820 -- Allusion to: Charlotte, queen consort of George III, 1744-1818 -- Allusion to: Pius VII, Luigi Barnaba Chiarmonti, pope, 1740-1823 -- Allusion to: Napolean I, emperor of France, 1769-1821 -- Allusion to: Joan, pope of Rome, fl. 853-855 -- Parsons -- Medical Disease: gout -- Medical Equipment: Wheelchair -- Military Unifroms: Officer -- Playing cards -- Candlesticks -- Furniture: Card table -- Games: Pope Joan., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 1805 by Willm. Holland, Cockspur Street, London
Title from item., Statement following date of imprint: ... of whom may be had the Battle of Hastings &c., Printmaker suggested in the British Museum catalogue., and Temporary local subject terms: Taxes -- Proposal to farm the tax on post horses, 1787 -- Personification: Liberty -- Personification: Property.
Publisher:
Pub'd as the act directs for the proprietor, by W. Moore, No. 48 New Bond Street, E. Macklew, No. 9, Haymarket, & W. Dickie, Strand
Subject (Name):
Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Melville, Henry Dundas, Viscount, 1742-1811
Luxury in the nineteenth century and Luxury in the 19th century
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., Temporary local subject terms: Food: beef -- Male Costume: 1802 -- Female Costume: 1802 -- Holly -- Crowns: coronet., and Watermark: J Whatman.
Publisher:
Pubd. Jany. 7th, 1802 by S.W. Fores, 50 Piccadilly
Title from item., Printmaker and publication year from British Museum catalogue., Temporary local subject terms: Crowns - Scepters -- French Constitution -- Reference to John Bull -- Reference to George IV, 1762-1830., Watermark: J Whatman., and Matted to 47 x 63 cm.; subjects identified in a later hand below image.
Publisher:
Pubd. Augt. 3d by S. Fores, N. 3 Piccadilly
Subject (Name):
Louis XVI, King of France, 1754-1793, Orléans, Louis Philippe Joseph, duc d', 1747-1793, and Mirabeau, vicomte de, 1754-1795
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A kitchen scene. An enormously fat cook sits by a kitchen fire, toasting-fork in hand, caressing a young man, whom she has provided with the slice of bread placed under roasting meat known as a sop in the pan. He eats the delicacy, but looks warily at the cook. A large joint of beef turns on a spit before a fierce fire (right) on which a pot is boiling. The arrangement of the dresser (left) is characteristic of the period, and long survived (or survives): dishes above, plates below; a grater and sauce-boats hang from nails, pots are piled on the pot-board under the dresser-drawers. On the wall near the fire are a bunch of onions and a salt-box. ..."--British Museum online catalogue
Alternative Title:
Sop in the pan
Description:
Title etched below image., Printmaker from British Museum catalogue., Sixteen lines of quoted verse arranged in two columns below title: "Loves pow'r's too great to be withstood, "by feeble human flesh and blood ..., Plate numbered "T. 2" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., and Watermark: J Whatman.
Publisher:
Published May 31, 1807, by T. Tegg, Apollo Library, 111 Cheapside
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A kitchen scene. An enormously fat cook sits by a kitchen fire, toasting-fork in hand, caressing a young man, whom she has provided with the slice of bread placed under roasting meat known as a sop in the pan. He eats the delicacy, but looks warily at the cook. A large joint of beef turns on a spit before a fierce fire (right) on which a pot is boiling. The arrangement of the dresser (left) is characteristic of the period, and long survived (or survives): dishes above, plates below; a grater and sauce-boats hang from nails, pots are piled on the pot-board under the dresser-drawers. On the wall near the fire are a bunch of onions and a salt-box. ..."--British Museum online catalogue
Alternative Title:
Sop in the pan
Description:
Title etched below image., Printmaker from British Museum catalogue., Sixteen lines of quoted verse arranged in two columns below title: "Loves pow'r's too great to be withstood, "by feeble human flesh and blood ..., Plate numbered "T. 2" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 27.8 x 21.2 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 75 in volume 1.
Publisher:
Published May 31, 1807, by T. Tegg, Apollo Library, 111 Cheapside
Two riders have trouble with their mounts on a country road with a sign on the left "to Rumpford 2." The rider on the left has lost his stirrups and is hanging onto the horse's head. The rider to the right is taking a header; his horse has stumbled and gone down
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Horses -- Satire on horsemanship -- Signs: milestones -- Reference to Rumford -- Male dress: riding habit -- Dogs., and Watermark: Strasburg lily.
Publisher:
Pubd Decemr. 14, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker's Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure. He stands in profile to the right, right hand extended; in his left is the 'Treaty of Peace with ye Democratick ['Democratic' was then used as an equivalent of Jacobin, cf. BMSat 8310.] Powers'; from his pocket issues a paper: 'List of the new Administration'. On the front bench (left) next Addington's seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson, see BMSat 9854. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington's back. Behind Nicholls is Wilberforce, much caricatured. A fat, youngish man, standing full face (right), resembles Lord Temple. Of the other heads gazing fixedly at Addington only Tyrwhitt Jones (see BMSat 9401 and Index) can be identified: according to 'London und Paris', Jekyll and Whitbread are there. The Speaker, Abbot, is dwarfishly too small for the Chair; in front of him sits the Clerk, with a melancholy expression, holding a pen, his hands folded."--British Museum online catalogue
Description:
Title etched below image. and Watermark: J Whatman.
Publisher:
Publish'd March 1st, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dickinson, William, 1756-1822, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Wilberforce, William, 1759-1833, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
Title from item., Sheet trimmed within plate mark., Trace remains of plate numbering are visible in upper right corner: [No. 6?]., Variant state. Cf. no. 10908, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Watermark: J Whatman.
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd November the 26th 1738 according to the late act.
Call Number:
738.11.26.01+
Image Count:
1
Resource Type:
still image
Alternative Title:
European race heat second anno domini 1738
Description:
Title from item., Sheet trimmed to plate mark., One line of quotation from the Bible below title: Let us hear the conclusion of the whole matter ... Ecclesiastes the 12th, verse the 13th., and Watermark: J Whatman.
publish'd according to act of Parliament 25 March 1740.
Call Number:
740.03.25.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: America -- Cuba -- Havanna -- Clergy: cardinals -- Personifications: figure of Folly -- Figure of Fortune -- Robert Jenkins -- Mottoes: aut mors aut victoria., Annotation in unidentified hand below image., Restrike?, and Mounted to 34 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
Title from item., Printmaker from British Museum online catalogue., Temporary local subject terms: Racing -- Horse-racing -- Male costume: riding habit -- Guns: pistols -- Jockeys -- Tetbury -- Duelling., Watermark., and Matted to 47 x 63 cm.
Publisher:
Pub. Octr. 17, 1794, by S.W. Fores, N. 3 Piccadilly and to be had at Tetbury Glouster and every town in the county
Title from item., Sheet trimmed within plate mark., Printseller's announcement within design: Price one shilling colored., Plate numbered in upper right corner: 24., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Sedan chair -- Dogs -- Stereotypes: Yorkshire countrymen., and Watermark: J Whatman.
Publisher:
Pubd. Aug. 6th, 1807 by Thomas Tegg, No. 111 Cheapside
"A bishop (right) standing behind an altar-rail, holds out both hands over the head of a kneeling clergyman. A demon kneels on the ground beside the latter; another has crept under his cassock, from which the tips of two wings project. Over the door is a picture of the Last Supper with Judas as a prominent figure. The lid of a large chest (left) is slightly raised, from it hangs a paper inscribed: "I Suit of Scarlet & Gold, I Suit White & Silver, I Suit Blue & Silver, i Suit Flower'd Silk, i Suit Black Silk, I Black Velvet Surtout." On the Chest is pasted a label: "Left to Messrs Panchauld & Fo . . ." Paris. On the ground is a book, 'A Course of Humanity on Miss S------rs'."--British Museum online catalogue
Description:
Title from text above image., One line of text below image: It is true I have suffered the infectious hand of a bishop to be wav'd over me, whose imposition like the sop given to Judas is only a signal for the devil to enter, &c., Temporary local subject terms: Benediction -- Parson -- Coffers., and Watermark: J Whatman.
Publisher:
Publish'd as the act directs, April 14, 1772, by W. Darling, engraver, Great Newport Street
First bravery of Philippe the Fiery-Faced, Duc' of Orlean's
Description:
Title from item., Attributed to Gillray in an unverified card catalog record., Publication date from an impression in the Library of Congress., Sheet trimmed to plate mark on bottom., One line of text below title: where the Duc' upon the begining [sic] of the engagement, cried out in the greatest terror for the crew to carry him below deck ..., Companion print: Second bravery of Philippe the Fiery-Faced, Duc' of Orxxxn's., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: French naval uniforms -- French military uniforms -- Naval battles: French vs. English -- Cannons -- French ships -- Battles: Ouessan (Ushant)., Watermark: J Whatman., and Window mounted to 32 x 43 cm., matted to 47 x 61 cm.
Publisher:
publisher not identified
Subject (Name):
Orléans, Louis Philippe Joseph, duc d', 1747-1793
Print shows George Canning standing on the left holding a broom and a bag of money labeled "Gold" which he is giving to Henry Brougham who wears the dress of a German broom-girl over his parliamentary clothing and "Canning (left), in a court suit with bag-wig and sword, stands outside the door of the Treasury completing a bargain with Brougham. The latter is dressed as a German broom-girl as in British Museum Satires No. 14769, &c, with legal bands and a little cap perched on his barrister's wig, and very clumsy legs and feet. He has handed Canning his broom and takes in return a bag of Gold; his new silk gown is in his left hand. Canning says: Here's Money, and a hansome [sic] Silken Gown. Brougham watches Canning with a penetrating appraising smile; he answers: For my Proom, I could not take mush less."--British Museum online catalogue
Description:
Title etched below image. and Matted to: 45 x 31 cm.
Publisher:
Pubd. July 1827 by T. McLean, Hay-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Canning, George, 1770-1827, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., and Canning, George, 1770-1827.
In a well furnished room a young, handsome curate is seated at one end of a sofa, surrounded by five admiring women of various ages, drinking tea and eating a biscuit. A little pug is begging for a treat. At the other end of the sofa, sits alone a very disconsolate young man, probably a veteran, with a wooden leg. His only companion is a large dog resting his head on his master's thigh. Between the soldier and the group on his left lies an open book, The Church triumphant - cedunt arma togae. Behind the sofa, a painting on the wall shows an old man being burned at stake by a group of soldiers
Alternative Title:
Mars in the dumps
Description:
Title from item., Below title: Engraved after an original picture by Mr. John Collett in the possession of Mr. Bradford., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Clergy: curate -- Military: soldiers -- Amputees -- Peg legs -- Pets: dogs -- Pictures amplifying subject: a saint(?) burned at stake by soldiers -- Furniture: Chippendale sofa -- Furniture: armchair -- Furniture: upholstered screen -- Furnishings: ornate picture frame -- Furnishings: carpet -- Female dress, 1768 -- Dishes: teacups -- Food: biscuits., and Watermark: J Whatman.
Publisher:
Published by T. Bradford, No. 132 Fleet Street, & H. Parker, No. 82 Cornhill
Title from item., Plate numbered in upper left corner: No. 19., Quotation following title: "Where now the routs full myriad clos [sic] the staircase and the door and where thick flies of belles and beaus perspire through every pore.", Earlier state of no. 11471 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Watermark: J Whatman.
Publisher:
Pubd. May 24th, 1807 by T. Tegg, No. 111 Cheapside
A courier on horseback blows his horn as he approaches a small building with a sign board dangling from its post "Popularity, The Blown Bladder by W P". A bandaged foot (gouty) resting on a stool is sticking out the door; crutches resting against the side of the hovel. Behind the rider is a cushion with a royal crown, decorates with thistles labeled B-e (for Lord Bute) and M-d (for the Earl of Mansfield). Three young trees on the lower right represent the three British kingdoms. A quotation from Book II of Virgil's Aeneid in lower right corner of image
Description:
Title etched at top of image., Publication date from British Museum catalogue., Second state, as described in the British Museum catalogue, with the large cushion substituted for the public house behind the duke; It intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., A satire intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., Sheet trimmed to plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 23., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Mansfield, David Murray, Earl of, 1727-1796, and Pitt, William, Earl of Chatham, 1708-1778
"Pitt as an alchemist, but dressed as usual, sits in his laboratory blowing a furnace with bellows formed of a royal crown. The furnace heats a large glass retort in which the House of Commons is being dissolved: the galleries are collapsing, the Speaker's chair is breaking, he and the clerks are asleep, the broken mace drops from the table, the books fly into the air and ascend with documents, &c, into the curving neck of the retort: 'Coke', 'Acts', 'Statutes', 'Rights of Parliament', 'Magna Charta', 'Bill of Rights', a cap of 'Libertas', the scales of Justice are flying upwards. The Ministerial members applaud; the Opposition are dismayed. Sheridan and Fox, though tiny, are conspicuous on the front bench. A stream of vapour issues from the mouth of the retort containing tiny grovelling figures of abject members who fill both sides of another House of Commons above and behind the alchemist's head, and prostrate themselves before a miniature Pitt, who sits on a throne which replaces the Speaker's chair, and is inscribed 'Perpetual Dictator'. He sits arrogantly, holding a sceptre; his legs are those of a bird of prey (cf. BMSat 7478), one foot is planted on 'Mag[na] C[harta]' and 'Acts of Parl[iament]'. His throne is surmounted by his crest, a stork holding an anchor, with the addition of a crown on the bird's head. A smaller retort on the extreme left, inscribed 'Aqua Regia', adds its vapour to that produced by Pitt. (Aqua Regia, used punningly, with a double meaning, is a mixture of nitric and hydrochloric acids which converts metals, even gold, into chlorides.) Pitt (the Alchemist) and the figures he is evoking, as well as the ministerialists in the dissolving House, wear the blue coat with red facings of the Windsor uniform. He sits in profile to the right on the model of a high rectangular building, 'a bastille', having a row of windows on the top story only; it is a 'Model of the new Barracks'. From his pocket hangs a paper: 'Receipe - Antidotus Republica'. On the right of the circular furnace is a coal-scuttle, inscribed 'Treasury Cole' (cf. BMSat 6213), and overflowing with guineas. On the other side is a pestle and mortar in which is Britannia's shield, about to be broken up. From the roof hang emblems of nefarious wizardry: a crocodile, a headsman's axe, a scorpion, a bull's head, a locust (cf. BMSat 8669), an asp issuing from an egg, a bat. On the wall are three rows of large jars, some with inscriptions: 'Ointment of Caterpillars' (beside Pitt's head, cf. BMSat 8676), '[Univer]sal Panacea', 'Oil of Influence', 'Extract of British Blood', 'Spirit of Sal: Machiavel.'"--British Museum online catalogue
Alternative Title:
Alchymist producing an aetherial representation
Description:
Title etched below image., Temporary local subject terms: Parliament dissolutions -- Alchemists -- Allusion to Treasury -- Uniforms: Windsor uniform., and Watermark: J Whatman.
Publisher:
Pubd. May 21st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a country wash-house an old woman (left) feeds the fire under a large round copper, from which a youth emerges, raising the loose wooden lid. A young woman (right) deluges him with water from a pump. Another young woman, astonished, leaves the pitcher of beer which she has been filling from a beer-barrel to overflow. A cat runs off with a mouse."--British Museum online catalogue
Alternative Title:
New cure for love
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Plate numbered "E 3" in upper right corner., and Watermark: J Whatman.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a country wash-house an old woman (left) feeds the fire under a large round copper, from which a youth emerges, raising the loose wooden lid. A young woman (right) deluges him with water from a pump. Another young woman, astonished, leaves the pitcher of beer which she has been filling from a beer-barrel to overflow. A cat runs off with a mouse."--British Museum online catalogue
Alternative Title:
New cure for love
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Plate numbered "E 3" in upper right corner., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 21.5 x 27.9 cm, on sheet 25.6 x 41.8 cm., and Leaf 43 in volume 1.
Title from letterpress text printed below plate., Plate numbered '488' in the upper left corner., Date of publication and artist from British Museum catalogue., Forty lines of verse printed on broadside portion: To a village that skirted the sea, an exciseman one midsummer came, but prudence, between you and me, forbids me to mention his name ..., and Watermark: J Whatman Turkey Mill.
Publisher:
Published by R.H. Laurie, No. 53 Fleet Street, London
"Humphreys on the left, Mendoza on the right, squaring up in a boxing pen, with Trink in the left foreground holding a bottle, Jonson behind Humphreys, Moravia and Allen standing with pocket watches on the left and Jacobs and Isaacs standing behind Mendoza, a large crowd of spectators below."--British Museum online catalogue
Description:
Title from first words of descriptive text etched below image., Printmaker from British Museum online catalogue., Text below image continues: ... allowed by all judges of this gymnastic art to have been the most scientific ever exhibited ..., Figures in the design are identified by inscriptions etched at the bottom of the image; the Latin motto 'Sic transit gloria mundi' is etched below the four lines of descriptive text., Sheet trimmed within plate mark., Temporary local subject terms: Tom Tring, fl. 1788 -- Tom Johnson, fl. 1788 -- Jacobs -- Isaacs -- Moravia -- Allen -- Latin motto: "Sic transit gloria mundi" -- Spectators -- Boxing: Umpires -- Jews -- Boxing: Bottle holder -- Boxing ring., and Watermark: J Whatman.
Publisher:
Pubd. Jany. 11th, 1788, by S.W. Fores, No. 3 Picadilly, London
Subject (Geographic):
England
Subject (Name):
Humphries, Richard, -1827. and Mendoza, Daniel, 1764-1836.
A stork with the head of Shelburne is shown with its beak buried in the long neck of a glass jar labeled "The Treasury Jar". He smiles triumphantly as he picks up the gold guineas at the bottom; around his neck is the Garter ribbon. To his left is a fox with the bushy eyebrows, bulbous nose, and hairy chin of Charles Fox; he stands with his paws on the jar and a melancholy expression at the inaccessible treasure
Description:
Title from caption below image., Originally published in 14 January 1783 by William Richardson. Cf. No. 6166 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
Pubd. by W. Humphrey Jany. 14, 1783, No. 227 Strand
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Great Britain. Treasury.
Title etched below image., Unverified attribution to Dent from local card catalog., Publication information from the Library of Congress copy. Cf. LC 3:42., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dissenters -- Symbols: dove of peace -- St. Paul's Cathedral -- Dice and dice-box -- Reference to St. Stephen's Chapel -- Reference to the House of Commons -- Literature: reference to Richard Price's Observations on civil liberty -- Literature: reference to Edmund Burke's A philosophical inquiry into the origin of the sublime and beautiful -- Acts: repeal of the Test and Corporation Acts, March 2, 1790 -- Thirty-nine articles -- Votes: majority 189 on repeal of Test and Corporation Act., and Mounted to 37 x 25 cm.
Title etched on image., Date portion of imprint emphasized in contemporary ms. hand., Printseller's announcement following imprint: Where prints and drawings are lent out on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
Publisher:
Pub. July 10, 1803 by S.W. Fores, No. 50 Piccadilly, corner of Sachville St.
Subject (Geographic):
England.
Subject (Topic):
Boys, City & town life, Dogs, Fighting, Gambling, Intoxication, Pickpockets, Poor persons, Seduction, Street vendors, Taverns (Inns), and Urination
Lame and blind beggar, Lawyer & the oyster, and Lawyer and the oyster
Description:
Title engraved below image., Publication date based on printer's business address. See Maxted, I. London book trades, 1775-1800., In lower left corner of plate: Price 6 pence., Two columns of verse below title: Two vagrants, as they hobbling stray pop on an oyster in their way ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Beggars -- Lawyers -- Law: lawyer's clients -- Male dress: legal robes -- Architectural details: windows -- Tablecloth -- Window curtain -- Food: oysters -- Writing implements: inkwell and quill -- Amputees -- Peg legs -- Blindness -- Medical: crutches., Imprint mostly burnished from plate., and Watermark: J Whatman.
Title from item., Engraver from unverified card catalog record., Figure on the left, seated at a table in background: All I desire of mortal man is for to love whilst he can., Figure on the right seated at a table in background: Well said Robby-- his father will broom stick him., Temporary local subject terms: Pellegrine Treves -- Nobodies -- Mottoes: 'Ich Dien' -- Brooms -- Morganatic marriages -- Pictures amplify subject -- Emblems: 3 ostrich feathers for Prince of Wales -- Lighting: Chandelier -- Cats out of the bag -- Flastaff -- Venus (Mythological character)., Watermark: J Whatman., and In pencil on verso: George T. Stubbs attrib. by J. Riely, 7-9-83.
Publisher:
Publish'd March 21, 1786, by S.W. Fores at the Caracature Warehouse No.3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Fitzherbert, Maria Anne, 1756-1837, and Robinson, Mary Darby, 1758-1800
Title from item., Attributed to West in the British Museum catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Reference to taxes -- Reference to Prince of Wales's debt -- Reference to subsidies -- Reference to pensions -- Bills: Convention Bill., and Watermark: J Whatman.
Publisher:
Pub. Nov. 17, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
Title from item., Sheet trimmed within plate mark., Publisher's announcement following imprint: where may be seen the largest collection of caracatures [sic] in the kingdom admittance one shilling., and Matted to 47 x 63 cm.
Publisher:
Pubd. Deccr. [sic] 10, 1791 by S.W. Fores, N 3 Piccadilly
Title from item., Sheet trimmed within plate mark., Publisher's announcement following imprint: where may be seen the largest collection of caracatures [sic] in the kingdom admittance one shilling., Watermark: J Whatman., 1 print on wove paper : etching ; sheet 39 x 50 cm., and Sheet trimmed within plate mark with loss of imprint.
Publisher:
Pubd. Deccr. [sic] 10, 1791 by S.W. Fores, N 3 Piccadilly
Title engraved below image., Printmaker from British Museum online catalogue., Temporary local subject terms: Pigs -- Guillotines -- Interiors: clubs -- Gambling -- Debts: Charles James Fox's indebtness., Watermark: J Whatman., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pubd. June 15, 1795, by S.W. Fores, No. 50 the corner of Sackville St., Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1807]
Call Number:
807.04.22.02.1+
Image Count:
1
Resource Type:
still image
Alternative Title:
Countryman and the Quakers
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 17., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
Publisher:
Pubd. April 22d, 1807 by T. Tegg, No. 111 Cheapside
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Twelfth Night., and Watermark: J Whatman.
Publisher:
Published Janr. 10, 1807, by Thomas Tegg, 111 Cheapside
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 13., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
Title from item., Sheet trimmed to plate mark., Variant state, without words "Ich dien" on Princess of Wales's headdress. Cf. No. 8667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Reference to mulatto -- Furniture: dressing table -- Pictures amplifying subject: miniature of the Prince of Wales -- Emblems: Prince of Wales's feathers -- Dishes: water bowls., Watermark: Strasburg lily., and Printseller's stamp in lower right corner of plate, mostly cut of: S.W.F.
Publisher:
Pub. by S.W. Fores, N. 50 Piccadilly, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Jersey, Frances Villiers, Countess of, 1753-1821
Title devised by cataloger., Publication date from an unverified card catalog record, based on A dictionary of English costume by C. Willett Cunnington et al., London : A. & C. Black [1960], p. 249., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Wigs., and Watermark: J Whatman.
Pleasure of riding in company (one would stop if the other could)
Description:
Title from manuscript annotation on mount., Text at bottom of image: The pleasure of riding in company (one would stop if the other could)., Printmaker and publisher from the British Museum online catalogue, registration no.: 1865,1209.33-75., Plate from: Humourous specimens of riding, &c. &c. London : Thomas McLean, 1821., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Manuscript annotation on mount: Much-too-fast.
Portrait of George Griffith after Robert White, half length in an oval, long hair, wearing bands and gown, holding a book; curtain in the background to left, bookshelf to right, with inscribed motto 'Most gladly would I Learne & gladly Teach'.
Description:
Title devised by cataloger., Date from unverified data from local record., Copy of 17th century engraving by Robert White. Cf. Catalogue of engraved British portraits, v. 2, p. 390., and For further information, consult library staff.
