V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An Irishman lays about him with a shillelagh. Elderly men flinch back; a doctor, parson, &c, sprawl on the floor (left); others flee from the room (right). A drunken Irishman is the subject of a coroner's inquest; when he proves that he is alive by attacking them, they maintain that since he is dead, their assailant must be his ghost ..."--British Museum online catalogue
Description:
Title etched below image., Thirty-seven lines of verse below title: It was Murphy Delaney, so funny and frisky, popp'd in a sheebeen shop to get his skin full; and reel'd out again pretty well lin'd with whiskey, so fresh as a shamrock, and blind as a bull ..., Plate numbered "U. 2" in upper left corner and "4" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Temporary local subject terms: Irishmen -- Sticks: Shillelage -- Physicians -- Clergy -- Parsons., and Watermark: J Whatman.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An Irishman lays about him with a shillelagh. Elderly men flinch back; a doctor, parson, &c, sprawl on the floor (left); others flee from the room (right). A drunken Irishman is the subject of a coroner's inquest; when he proves that he is alive by attacking them, they maintain that since he is dead, their assailant must be his ghost ..."--British Museum online catalogue
Description:
Title etched below image., Thirty-seven lines of verse below title: It was Murphy Delaney, so funny and frisky, popp'd in a sheebeen shop to get his skin full; and reel'd out again pretty well lin'd with whiskey, so fresh as a shamrock, and blind as a bull ..., Plate numbered "U. 2" in upper left corner and "4" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Temporary local subject terms: Irishmen -- Sticks: Shillelage -- Physicians -- Clergy -- Parsons., 1 print : etching on wove paper, hand-colored ; plate mark 28 x 21.5 cm, on sheet 41.8 x 25.6 cm., and Leaf 64 in volume 1.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
March 20, 1800.
Call Number:
800.03.20.01+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Well-known men ride (left to right) horses with the heads of old women which they scourge mercilessly. There is a background of craggy mountains silhouetted against flames in which demons fly. The central and most prominent figure is Fox, before him rides Pitt, and on the extreme right is the Duke of Bedford wearing a star. In the foreground (left) is George Hanger with his club, whose mount has fallen and looks round at him despairingly. Behind him is the Duke of Queensberry wearing a star; on the extreme left is the stiff Lord Moira."--British Museum online catalogue
Description:
Title from item., Attributed to Woodward in the British Museum catalogue., Companion print: Old bachelors in the next world chang'd into post horses ..., Sheet trimmed to plate mark on top and sides., and Watermark: J Whatman.
Publisher:
Pub by William Holland, No. 50 Oxford Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Bedford, Francis Russell, Duke of, 1765-1802, Queensbury, William Douglas, Duke of, 1724-1811, Hanger, George, 1751?-1824, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
March 20, 1800.
Call Number:
800.03.20.01+ Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
"Well-known men ride (left to right) horses with the heads of old women which they scourge mercilessly. There is a background of craggy mountains silhouetted against flames in which demons fly. The central and most prominent figure is Fox, before him rides Pitt, and on the extreme right is the Duke of Bedford wearing a star. In the foreground (left) is George Hanger with his club, whose mount has fallen and looks round at him despairingly. Behind him is the Duke of Queensberry wearing a star; on the extreme left is the stiff Lord Moira."--British Museum online catalogue
Description:
Title from item., Attributed to Woodward in the British Museum catalogue., Companion print: Old bachelors in the next world chang'd into post horses ..., Sheet trimmed to plate mark on top and sides., and 1 print : aquatint, soft ground etching & etching on wove paper, hand-colored ; plate mark 33 x 46.2 cm, on sheet 35 x 48 cm.
Publisher:
Pub by William Holland, No. 50 Oxford Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Bedford, Francis Russell, Duke of, 1765-1802, Queensbury, William Douglas, Duke of, 1724-1811, Hanger, George, 1751?-1824, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Burke (centre) and Fox (right) raise above their heads cleavers and marrow-bones with which they appear about to smite a woman and child who have fallen to the ground. A man stoops, stretching out his hands in an attempt to protect them. George Hanger (left) stands holding up his cleaver in both hands, leaving no doubt that his intention is to strike. The attitude of Burke and Fox, though threatening, may indicate a vigorous performance of the traditional election music of the butchers
Alternative Title:
Freedom of election
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Great Britain. Parliament
Subject (Topic):
Elections, 1788, Axes, Butchers, Political elections, and Riots
The Marquis of Salisbury, holding a long wand of office and wearing military uniform (colonel of Hertfordshire Militia), with a plumed cap and spurred boots, walks stiffly in profile to the left, his coat-tails flying out behind him. His gold key of office (Lord Charmberlain of the Household) is hung to a blue ribbon which crosses his shoulder. Above his left boot is a garter inscribed 'Hone' [sic]. He is caricatured, and has a long projecting nose. Below the title: 'The Tallest, Fittest, Properest Man to walk before the King!!!" See the British Museum online catalogue
Description:
Title etched below image., Sheet trimmed mostly within plate mark., Watermark: J Whatman, and Printseller's stamp in lower right corner of plate: S.W.F.
Publisher:
Pub. Novr. 7, 1795, by S.W. Fores, No. 50 Piccadilly
"Four ladies and two men play cards at a round table lit by two candles. A woman in back view says to a handsome woman next her: "Whom in your opinion Madam, are the happiest couple in England?" The other shows King and Queen, answering, "The King and Queen, Ma'am that's a stop." An elderly woman turns to a man in regimentals with a scarred face: "And do you really think, Major, that Bonaparte means to attempt an Invasion? - pray what is your opinion of him." He displays a knave: "A knave Ma'am, and that's a stop." A young woman says to a fat parson who sits in a wheeled armchair, his gouty leg on a cushion: "What unfortunate Old Lady was that you mentioned just now, Mr Spintext!" He holds the nine of diamonds, intent on the bag of counters, and answers: "The Pope, Ma'am and I clear the Table.""--British Museum online catalogue
Alternative Title:
Pope Joan
Description:
Title from caption below image., Printmaker from British Museum catalogue., Temporary local subject terms: Allusion to: George III< king of Great Britain, 1738-1820 -- Allusion to: Charlotte, queen consort of George III, 1744-1818 -- Allusion to: Pius VII, Luigi Barnaba Chiarmonti, pope, 1740-1823 -- Allusion to: Napolean I, emperor of France, 1769-1821 -- Allusion to: Joan, pope of Rome, fl. 853-855 -- Parsons -- Medical Disease: gout -- Medical Equipment: Wheelchair -- Military Unifroms: Officer -- Playing cards -- Candlesticks -- Furniture: Card table -- Games: Pope Joan., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 1805 by Willm. Holland, Cockspur Street, London
Title from item., Statement following date of imprint: ... of whom may be had the Battle of Hastings &c., Printmaker suggested in the British Museum catalogue., and Temporary local subject terms: Taxes -- Proposal to farm the tax on post horses, 1787 -- Personification: Liberty -- Personification: Property.
Publisher:
Pub'd as the act directs for the proprietor, by W. Moore, No. 48 New Bond Street, E. Macklew, No. 9, Haymarket, & W. Dickie, Strand
Subject (Name):
Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Melville, Henry Dundas, Viscount, 1742-1811
Luxury in the nineteenth century and Luxury in the 19th century
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., Temporary local subject terms: Food: beef -- Male Costume: 1802 -- Female Costume: 1802 -- Holly -- Crowns: coronet., and Watermark: J Whatman.
Publisher:
Pubd. Jany. 7th, 1802 by S.W. Fores, 50 Piccadilly
Title from item., Printmaker and publication year from British Museum catalogue., Temporary local subject terms: Crowns - Scepters -- French Constitution -- Reference to John Bull -- Reference to George IV, 1762-1830., Watermark: J Whatman., and Matted to 47 x 63 cm.; subjects identified in a later hand below image.
Publisher:
Pubd. Augt. 3d by S. Fores, N. 3 Piccadilly
Subject (Name):
Louis XVI, King of France, 1754-1793, Orléans, Louis Philippe Joseph, duc d', 1747-1793, and Mirabeau, vicomte de, 1754-1795
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A kitchen scene. An enormously fat cook sits by a kitchen fire, toasting-fork in hand, caressing a young man, whom she has provided with the slice of bread placed under roasting meat known as a sop in the pan. He eats the delicacy, but looks warily at the cook. A large joint of beef turns on a spit before a fierce fire (right) on which a pot is boiling. The arrangement of the dresser (left) is characteristic of the period, and long survived (or survives): dishes above, plates below; a grater and sauce-boats hang from nails, pots are piled on the pot-board under the dresser-drawers. On the wall near the fire are a bunch of onions and a salt-box. ..."--British Museum online catalogue
Alternative Title:
Sop in the pan
Description:
Title etched below image., Printmaker from British Museum catalogue., Sixteen lines of quoted verse arranged in two columns below title: "Loves pow'r's too great to be withstood, "by feeble human flesh and blood ..., Plate numbered "T. 2" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., and Watermark: J Whatman.
Publisher:
Published May 31, 1807, by T. Tegg, Apollo Library, 111 Cheapside
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A kitchen scene. An enormously fat cook sits by a kitchen fire, toasting-fork in hand, caressing a young man, whom she has provided with the slice of bread placed under roasting meat known as a sop in the pan. He eats the delicacy, but looks warily at the cook. A large joint of beef turns on a spit before a fierce fire (right) on which a pot is boiling. The arrangement of the dresser (left) is characteristic of the period, and long survived (or survives): dishes above, plates below; a grater and sauce-boats hang from nails, pots are piled on the pot-board under the dresser-drawers. On the wall near the fire are a bunch of onions and a salt-box. ..."--British Museum online catalogue
Alternative Title:
Sop in the pan
Description:
Title etched below image., Printmaker from British Museum catalogue., Sixteen lines of quoted verse arranged in two columns below title: "Loves pow'r's too great to be withstood, "by feeble human flesh and blood ..., Plate numbered "T. 2" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 27.8 x 21.2 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 75 in volume 1.
Publisher:
Published May 31, 1807, by T. Tegg, Apollo Library, 111 Cheapside
Two riders have trouble with their mounts on a country road with a sign on the left "to Rumpford 2." The rider on the left has lost his stirrups and is hanging onto the horse's head. The rider to the right is taking a header; his horse has stumbled and gone down
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Horses -- Satire on horsemanship -- Signs: milestones -- Reference to Rumford -- Male dress: riding habit -- Dogs., and Watermark: Strasburg lily.
Publisher:
Pubd Decemr. 14, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker's Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure. He stands in profile to the right, right hand extended; in his left is the 'Treaty of Peace with ye Democratick ['Democratic' was then used as an equivalent of Jacobin, cf. BMSat 8310.] Powers'; from his pocket issues a paper: 'List of the new Administration'. On the front bench (left) next Addington's seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson, see BMSat 9854. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington's back. Behind Nicholls is Wilberforce, much caricatured. A fat, youngish man, standing full face (right), resembles Lord Temple. Of the other heads gazing fixedly at Addington only Tyrwhitt Jones (see BMSat 9401 and Index) can be identified: according to 'London und Paris', Jekyll and Whitbread are there. The Speaker, Abbot, is dwarfishly too small for the Chair; in front of him sits the Clerk, with a melancholy expression, holding a pen, his hands folded."--British Museum online catalogue
Description:
Title etched below image. and Watermark: J Whatman.
Publisher:
Publish'd March 1st, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dickinson, William, 1756-1822, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Wilberforce, William, 1759-1833, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
"A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker's Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure. He stands in profile to the right, right hand extended; in his left is the 'Treaty of Peace with ye Democratick ['Democratic' was then used as an equivalent of Jacobin, cf. BMSat 8310.] Powers'; from his pocket issues a paper: 'List of the new Administration'. On the front bench (left) next Addington's seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson, see BMSat 9854. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington's back. Behind Nicholls is Wilberforce, much caricatured. A fat, youngish man, standing full face (right), resembles Lord Temple. Of the other heads gazing fixedly at Addington only Tyrwhitt Jones (see BMSat 9401 and Index) can be identified: according to 'London und Paris', Jekyll and Whitbread are there. The Speaker, Abbot, is dwarfishly too small for the Chair; in front of him sits the Clerk, with a melancholy expression, holding a pen, his hands folded."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.9 x 25.6 cm, on sheet 40.9 x 30.4 cm., and Mounted on leaf 43 of volume 5 of 12.
Publisher:
Publish'd March 1st, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dickinson, William, 1756-1822, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Wilberforce, William, 1759-1833, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
Title from item., Sheet trimmed within plate mark., Trace remains of plate numbering are visible in upper right corner: [No. 6?]., Variant state. Cf. no. 10908, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Watermark: J Whatman.
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd November the 26th 1738 according to the late act.
Call Number:
738.11.26.01+
Image Count:
1
Resource Type:
still image
Alternative Title:
European race heat second anno domini 1738
Description:
Title from item., Sheet trimmed to plate mark., One line of quotation from the Bible below title: Let us hear the conclusion of the whole matter ... Ecclesiastes the 12th, verse the 13th., and Watermark: J Whatman.
publish'd according to act of Parliament 25 March 1740.
Call Number:
740.03.25.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: America -- Cuba -- Havanna -- Clergy: cardinals -- Personifications: figure of Folly -- Figure of Fortune -- Robert Jenkins -- Mottoes: aut mors aut victoria., Annotation in unidentified hand below image., Restrike?, and Mounted to 34 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
Title from item., Printmaker from British Museum online catalogue., Temporary local subject terms: Racing -- Horse-racing -- Male costume: riding habit -- Guns: pistols -- Jockeys -- Tetbury -- Duelling., Watermark., and Matted to 47 x 63 cm.
Publisher:
Pub. Octr. 17, 1794, by S.W. Fores, N. 3 Piccadilly and to be had at Tetbury Glouster and every town in the county
Title from item., Sheet trimmed within plate mark., Printseller's announcement within design: Price one shilling colored., Plate numbered in upper right corner: 24., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Sedan chair -- Dogs -- Stereotypes: Yorkshire countrymen., and Watermark: J Whatman.
Publisher:
Pubd. Aug. 6th, 1807 by Thomas Tegg, No. 111 Cheapside
"A bishop (right) standing behind an altar-rail, holds out both hands over the head of a kneeling clergyman. A demon kneels on the ground beside the latter; another has crept under his cassock, from which the tips of two wings project. Over the door is a picture of the Last Supper with Judas as a prominent figure. The lid of a large chest (left) is slightly raised, from it hangs a paper inscribed: "I Suit of Scarlet & Gold, I Suit White & Silver, I Suit Blue & Silver, i Suit Flower'd Silk, i Suit Black Silk, I Black Velvet Surtout." On the Chest is pasted a label: "Left to Messrs Panchauld & Fo . . ." Paris. On the ground is a book, 'A Course of Humanity on Miss S------rs'."--British Museum online catalogue
Description:
Title from text above image., One line of text below image: It is true I have suffered the infectious hand of a bishop to be wav'd over me, whose imposition like the sop given to Judas is only a signal for the devil to enter, &c., Temporary local subject terms: Benediction -- Parson -- Coffers., and Watermark: J Whatman.
Publisher:
Publish'd as the act directs, April 14, 1772, by W. Darling, engraver, Great Newport Street
First bravery of Philippe the Fiery-Faced, Duc' of Orlean's
Description:
Title from item., Attributed to Gillray in an unverified card catalog record., Publication date from an impression in the Library of Congress., Sheet trimmed to plate mark on bottom., One line of text below title: where the Duc' upon the begining [sic] of the engagement, cried out in the greatest terror for the crew to carry him below deck ..., Companion print: Second bravery of Philippe the Fiery-Faced, Duc' of Orxxxn's., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: French naval uniforms -- French military uniforms -- Naval battles: French vs. English -- Cannons -- French ships -- Battles: Ouessan (Ushant)., Watermark: J Whatman., and Window mounted to 32 x 43 cm., matted to 47 x 61 cm.
Publisher:
publisher not identified
Subject (Name):
Orléans, Louis Philippe Joseph, duc d', 1747-1793
Print shows George Canning standing on the left holding a broom and a bag of money labeled "Gold" which he is giving to Henry Brougham who wears the dress of a German broom-girl over his parliamentary clothing and "Canning (left), in a court suit with bag-wig and sword, stands outside the door of the Treasury completing a bargain with Brougham. The latter is dressed as a German broom-girl as in British Museum Satires No. 14769, &c, with legal bands and a little cap perched on his barrister's wig, and very clumsy legs and feet. He has handed Canning his broom and takes in return a bag of Gold; his new silk gown is in his left hand. Canning says: Here's Money, and a hansome [sic] Silken Gown. Brougham watches Canning with a penetrating appraising smile; he answers: For my Proom, I could not take mush less."--British Museum online catalogue
Description:
Title etched below image. and Matted to: 45 x 31 cm.
Publisher:
Pubd. July 1827 by T. McLean, Hay-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Canning, George, 1770-1827, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., and Canning, George, 1770-1827.
In a well furnished room a young, handsome curate is seated at one end of a sofa, surrounded by five admiring women of various ages, drinking tea and eating a biscuit. A little pug is begging for a treat. At the other end of the sofa, sits alone a very disconsolate young man, probably a veteran, with a wooden leg. His only companion is a large dog resting his head on his master's thigh. Between the soldier and the group on his left lies an open book, The Church triumphant - cedunt arma togae. Behind the sofa, a painting on the wall shows an old man being burned at stake by a group of soldiers
Alternative Title:
Mars in the dumps
Description:
Title from item., Below title: Engraved after an original picture by Mr. John Collett in the possession of Mr. Bradford., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Clergy: curate -- Military: soldiers -- Amputees -- Peg legs -- Pets: dogs -- Pictures amplifying subject: a saint(?) burned at stake by soldiers -- Furniture: Chippendale sofa -- Furniture: armchair -- Furniture: upholstered screen -- Furnishings: ornate picture frame -- Furnishings: carpet -- Female dress, 1768 -- Dishes: teacups -- Food: biscuits., and Watermark: J Whatman.
Publisher:
Published by T. Bradford, No. 132 Fleet Street, & H. Parker, No. 82 Cornhill
Title from item., Plate numbered in upper left corner: No. 19., Quotation following title: "Where now the routs full myriad clos [sic] the staircase and the door and where thick flies of belles and beaus perspire through every pore.", Earlier state of no. 11471 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Watermark: J Whatman.
Publisher:
Pubd. May 24th, 1807 by T. Tegg, No. 111 Cheapside
A courier on horseback blows his horn as he approaches a small building with a sign board dangling from its post "Popularity, The Blown Bladder by W P". A bandaged foot (gouty) resting on a stool is sticking out the door; crutches resting against the side of the hovel. Behind the rider is a cushion with a royal crown, decorates with thistles labeled B-e (for Lord Bute) and M-d (for the Earl of Mansfield). Three young trees on the lower right represent the three British kingdoms. A quotation from Book II of Virgil's Aeneid in lower right corner of image
Description:
Title etched at top of image., Publication date from British Museum catalogue., Second state, as described in the British Museum catalogue, with the large cushion substituted for the public house behind the duke; It intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., A satire intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., Sheet trimmed to plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 23., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Mansfield, David Murray, Earl of, 1727-1796, and Pitt, William, Earl of Chatham, 1708-1778
"Pitt as an alchemist, but dressed as usual, sits in his laboratory blowing a furnace with bellows formed of a royal crown. The furnace heats a large glass retort in which the House of Commons is being dissolved: the galleries are collapsing, the Speaker's chair is breaking, he and the clerks are asleep, the broken mace drops from the table, the books fly into the air and ascend with documents, &c, into the curving neck of the retort: 'Coke', 'Acts', 'Statutes', 'Rights of Parliament', 'Magna Charta', 'Bill of Rights', a cap of 'Libertas', the scales of Justice are flying upwards. The Ministerial members applaud; the Opposition are dismayed. Sheridan and Fox, though tiny, are conspicuous on the front bench. A stream of vapour issues from the mouth of the retort containing tiny grovelling figures of abject members who fill both sides of another House of Commons above and behind the alchemist's head, and prostrate themselves before a miniature Pitt, who sits on a throne which replaces the Speaker's chair, and is inscribed 'Perpetual Dictator'. He sits arrogantly, holding a sceptre; his legs are those of a bird of prey (cf. BMSat 7478), one foot is planted on 'Mag[na] C[harta]' and 'Acts of Parl[iament]'. His throne is surmounted by his crest, a stork holding an anchor, with the addition of a crown on the bird's head. A smaller retort on the extreme left, inscribed 'Aqua Regia', adds its vapour to that produced by Pitt. (Aqua Regia, used punningly, with a double meaning, is a mixture of nitric and hydrochloric acids which converts metals, even gold, into chlorides.) Pitt (the Alchemist) and the figures he is evoking, as well as the ministerialists in the dissolving House, wear the blue coat with red facings of the Windsor uniform. He sits in profile to the right on the model of a high rectangular building, 'a bastille', having a row of windows on the top story only; it is a 'Model of the new Barracks'. From his pocket hangs a paper: 'Receipe - Antidotus Republica'. On the right of the circular furnace is a coal-scuttle, inscribed 'Treasury Cole' (cf. BMSat 6213), and overflowing with guineas. On the other side is a pestle and mortar in which is Britannia's shield, about to be broken up. From the roof hang emblems of nefarious wizardry: a crocodile, a headsman's axe, a scorpion, a bull's head, a locust (cf. BMSat 8669), an asp issuing from an egg, a bat. On the wall are three rows of large jars, some with inscriptions: 'Ointment of Caterpillars' (beside Pitt's head, cf. BMSat 8676), '[Univer]sal Panacea', 'Oil of Influence', 'Extract of British Blood', 'Spirit of Sal: Machiavel.'"--British Museum online catalogue
Alternative Title:
Alchymist producing an aetherial representation
Description:
Title etched below image., Temporary local subject terms: Parliament dissolutions -- Alchemists -- Allusion to Treasury -- Uniforms: Windsor uniform., and Watermark: J Whatman.
Publisher:
Pubd. May 21st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Pitt as an alchemist, but dressed as usual, sits in his laboratory blowing a furnace with bellows formed of a royal crown. The furnace heats a large glass retort in which the House of Commons is being dissolved: the galleries are collapsing, the Speaker's chair is breaking, he and the clerks are asleep, the broken mace drops from the table, the books fly into the air and ascend with documents, &c, into the curving neck of the retort: 'Coke', 'Acts', 'Statutes', 'Rights of Parliament', 'Magna Charta', 'Bill of Rights', a cap of 'Libertas', the scales of Justice are flying upwards. The Ministerial members applaud; the Opposition are dismayed. Sheridan and Fox, though tiny, are conspicuous on the front bench. A stream of vapour issues from the mouth of the retort containing tiny grovelling figures of abject members who fill both sides of another House of Commons above and behind the alchemist's head, and prostrate themselves before a miniature Pitt, who sits on a throne which replaces the Speaker's chair, and is inscribed 'Perpetual Dictator'. He sits arrogantly, holding a sceptre; his legs are those of a bird of prey (cf. BMSat 7478), one foot is planted on 'Mag[na] C[harta]' and 'Acts of Parl[iament]'. His throne is surmounted by his crest, a stork holding an anchor, with the addition of a crown on the bird's head. A smaller retort on the extreme left, inscribed 'Aqua Regia', adds its vapour to that produced by Pitt. (Aqua Regia, used punningly, with a double meaning, is a mixture of nitric and hydrochloric acids which converts metals, even gold, into chlorides.) Pitt (the Alchemist) and the figures he is evoking, as well as the ministerialists in the dissolving House, wear the blue coat with red facings of the Windsor uniform. He sits in profile to the right on the model of a high rectangular building, 'a bastille', having a row of windows on the top story only; it is a 'Model of the new Barracks'. From his pocket hangs a paper: 'Receipe - Antidotus Republica'. On the right of the circular furnace is a coal-scuttle, inscribed 'Treasury Cole' (cf. BMSat 6213), and overflowing with guineas. On the other side is a pestle and mortar in which is Britannia's shield, about to be broken up. From the roof hang emblems of nefarious wizardry: a crocodile, a headsman's axe, a scorpion, a bull's head, a locust (cf. BMSat 8669), an asp issuing from an egg, a bat. On the wall are three rows of large jars, some with inscriptions: 'Ointment of Caterpillars' (beside Pitt's head, cf. BMSat 8676), '[Univer]sal Panacea', 'Oil of Influence', 'Extract of British Blood', 'Spirit of Sal: Machiavel.'"--British Museum online catalogue
Alternative Title:
Alchymist producing an aetherial representation
Description:
Title etched below image., Temporary local subject terms: Parliament dissolutions -- Alchemists -- Allusion to Treasury -- Uniforms: Windsor uniform., 1 print : etching on wove paper, hand-colored ; plate mark 36.4 x 26.2 cm, on sheet 40.8 x 27.1 cm., and Mounted on leaf 10 of volume 4 of 12.
Publisher:
Pubd. May 21st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816