"A whole length portrait of the corpulent Prince Frederick William Charles of Wurtemberg, standing 'chapeau-bras' in profile to the right, wearing a ribbon; his right hand on his waistcoat, his left on the hilt of his sword. He has a very heavy double chin, thick lips, staring eye, high narrow head, and an expression of good-natured surprise."--British Museum online catalogue, description of an earlier state of similar composition and "A later state with the same inscriptions. The contour of the Prince is altered: he is very obese, his head bulges slightly at the back, and his legs are thicker. The position of his right hand is altered."--British Museum online catalogue
Alternative Title:
Sketch'd at Wirtemberg
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Later state, with changes to the plate. Cf. No. 8827 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Watermark: J Whatman., and Mounted.
Publisher:
Pubd. Octr. 24th, 1796, by H. Humphrey, New Bond Str
"The Prince of Wales (right), rising from his chair, kicks over a tea-table, the crockery sliding to the ground, and lying broken on the floor. The Princess sits on a settee on the opposite side of the table, her infant in her arms. She is comely, and melancholy, with downcast eyes, and plainly dressed except for the three feathers in her hair. Behind the Prince (right), Lord Jersey, with horns on his head, opens a door, pointing behind him to Lady Jersey, who lies on a sofa in an indecorous attitude. He says: "My Wife is waiting for you in the next room". The Prince grasps a document in each hand; the inscription on one has been erased, on the other (left) it is 'Thoughts on Despotism'. From his coat-pocket issues 'A Map of Jersey' (cf. BMSat 8807), under his feet are papers: 'Joe the Dustman', 'The History of Kings', 'Marriage a La Mode', 'The Tender Husband a Farce'. He says: "Marriage has no restraints on me! no Legal tie can bind the will - tis free & shall be so ------ " The Princess says: "Obey, Alass the Task's Seviere how can the Female Mind with pleasure yield when every look's a Frown!!! Alass poor Babe!!!" On the wall is a picture of the King and Queen on horseback, with a signpost pointing to Windsor, apparently copied from 'The Constant Couple', BMSat 6918, except that the Queen is in back view, her head turned to the King. On the frame: 'The little Wants, dislikes, preferences, antipathies, fancies, whims, & even impertinence of Women must be officiously attended to, flattered & if possible guesed at, and anticipated by a well bred Man.'"--British Museum online catalogue
Alternative Title:
Symptoms of love in high life
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Cuckold's horns -- Separation between the Prince and Princess of Wales -- Interiors: sitting rooms -- Dishes: tea service -- Furniture: sofa -- Pictures amplifying subject -- Footstools., Watermark: J Whatman., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. May 31, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[29 May 1798]
Call Number:
Print00054
Image Count:
1
Resource Type:
still image
Abstract:
Four images on one plate. Each represents a different trade or profession that is advertised in highly accented English by its representative, beginnig on top left with a schoolmaster, entitled, Iddicatshun: I Luke Lojick larns younge gintlemen to rade, rite and spale ackhording to the moste haproved greymares ... To the right is an image of a grave-digger, entitled, Hackhommydashun: Plese to tak notise I Paule Dismall, saxton and grieve-dagger, hundertaks to birry people ... Below on the left is an image of an aged quack, entitled, Fleabottomi: I the reale Doctor Bolus from Kork, aving studid fleabottomi, undertaks to opan vanes with hease and safty ... In the fourth image, entitled, Consort and bawl, an actor and singer advertises a benefit performance: For the binnifitt of Mister Milody, at the Toune All, will be given a consort and bawl, among hother hairs, duhets, trihos and koruses ...
Alternative Title:
Candidates for public favour
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Grammar -- Orthography -- Schoolmaster -- Sextons -- Quacks -- Singers -- Quills -- Graves -- Tombstones -- Spades -- Scalpels., and Imperfect copy. Sheet trimmed to 22.2 x 30.6 cm, with loss of top half of print.
Publisher:
Pub. May 29, 1798, by S.W. Fores, No. 50 Piccadilly
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[29 May 1798]
Call Number:
798.05.29.01+
Image Count:
1
Resource Type:
still image
Abstract:
Four images on one plate. Each represents a different trade or profession that is advertised in highly accented English by its representative, beginnig on top left with a schoolmaster, entitled, Iddicatshun: I Luke Lojick larns younge gintlemen to rade, rite and spale ackhording to the moste haproved greymares ... To the right is an image of a grave-digger, entitled, Hackhommydashun: Plese to tak notise I Paule Dismall, saxton and grieve-dagger, hundertaks to birry people ... Below on the left is an image of an aged quack, entitled, Fleabottomi: I the reale Doctor Bolus from Kork, aving studid fleabottomi, undertaks to opan vanes with hease and safty ... In the fourth image, entitled, Consort and bawl, an actor and singer advertises a benefit performance: For the binnifitt of Mister Milody, at the Toune All, will be given a consort and bawl, among hother hairs, duhets, trihos and koruses ...
Alternative Title:
Candidates for public favour
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Grammar -- Orthography -- Schoolmaster -- Sextons -- Quacks -- Singers -- Quills -- Graves -- Tombstones -- Spades -- Scalpels., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. May 29, 1798, by S.W. Fores, No. 50 Piccadilly
George IV and three of his ministers (Castlereagh, Liverpool, and Wellington) struggle to pull on a rope tied a mortar, which is shaped like a fantastical winged creature. Their targets are apparently the "Satirists" in the sky in the upper right, who wield pens and banners; an additional satirist, with the beaked face of a bird, is seen in the sky in the upper left, sitting on a wheeled hobby horse and ready to shoot an arrow inscribed 'Cradle Hymn" from a bow. Additional depicted figures included Gifford, wearing a wig and gown and holding a scourge; Sidmouth, using a clyster pipe to shoot at the satirists in the sky; and Canning, holding a cudgel above his head, ready to strike a fleeing Burdett. Following behind the mortar are several men, one wearing a liberty cap, two of them holding a banner inscribed "Life and amours of Madam Hunn[?]" between them. A monkey in military uniform rides a donkey towards the left edge of the design, exclaiming "Clear the way for his most gracious Majesty!" From the foreground on the left George III watches the scene; he wears a black shroud, and only his head and shoulders are visible
Alternative Title:
His Most Gracious Majesty Hum IVth and his ministers going to play the Devil with the satirists and His Most Gracious Majesty Hum the Fourth and his ministers going to play the Devil with the satirists
Description:
Title etched below image., Date of publication from the online catalogue of the National Portrait Gallery, London (NPG D48670)., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. III," "Castlereagh," "Liverpool," "Wellington," "Geo. IV," "Gifford," "Sidmouth," "Canning," and "Burdett" identified in ink below image; date "Sep. 1820?" written in pencil in lower right.
Publisher:
Pubsed [sic] by T. Dolby, 299 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, George III, King of Great Britain, 1738-1820, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Gifford, Robert Gifford, Baron, 1779-1826, Canning, George, 1770-1827, and Burdett, Francis, 1770-1844
Subject (Topic):
Freedom of speech, Pens, Mortars (Ordnance), Pulling, Politicians, Hobby horses, Bows (Weapons)., Arrows, Donkeys, Monkeys, Whips, Medical equipment & supplies, Liberty cap, and Banners
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and Watermark: JWhatman.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and 1 print : etching on wove paper, hand-colored ; sheet 29 x 40 cm.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
"Five elderly women of fashion attend an altar of Love in a temple whose walls are wreathed with roses. The fat Mrs. Hobart, in profile to the right, pours incense on the flames of the altar; in her right hand is an open book, 'Ninon'. Behind her (left) Lady Archer, with the nose of a bird of prey, leads a lamb garlanded with roses; she guides the animal with a riding-whip. Miss Jefferies walks beside Lady Archer holding a basket of flowers. On the extreme left Lady Mount-Edgcumb, aged and bent, holds a dove in each hand. On the right of the altar Lady Cecilia Johnstone plays a lyre. The altar is decorated with rams' heads, a heart, arrows, and roses. A sculptured group of the three Graces stands in an alcove in the wall above the altar. In the background (left) is a mountain peak, Parnassus, on which sits a tiny figure of Apollo, playing a fiddle, the sun irradiating his head."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "Here, Love his golden shafts employs; here lights "his constant lamp; and waves his purple wings; "reigns here and revels." Milton., Sheet trimmed within plate mark., Temporary local subject terms: Music -- Literary quotation: Milton -- Mythology: Parnassus -- Three graces -- Elizabeth Jeffries., Watermark: J. Whatman., and The ladies are identified in ink on the back of the print: Ldy. Cecilia Johnson, Mrs. Hobart, Ldy. Archer, Ldy. Edgcumbe.
Publisher:
Pubd. May 12th, 1787, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Archer, Sarah West, Lady, 1741-1801, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807, and Johnston, Henrietta Cecilia, Lady, 1727-1817
Subject (Topic):
Graces, The, Apollo, Altars, Interiors, Temples, Books, Roses, and Lyres
