"A stage-coach drives (right to left) through water; the four horses have human heads. A signpost on the extreme right points 'To the Slough of Despond'. The driver is Burke; he lashes the horses furiously. On the box under his legs are the (broken) scales and sword of Justice and a laurel wreath. Fox sits on the roof as the guard, holding a blunderbuss. He and Burke watch with alarm the horses who are advancing into deeper water. The heads of the horses are in profile; Derby is the off leader, Sheridan the near wheeler. The near leader may be Windham. The heads of four passengers (members of the Opposition), with anxious or despairing expressions, are visible through the window. The middle of the three facing the horses resembles Portland, the man on his right Stormont. The man on his left is Francis (as in BMSat 7330). Their 'vis-à-vis' may be Lord Carlisle. On the side of the coach, which is 'Licens'd by Act of Parliament', is a crest: a bull (for John Bull) with the motto 'Pro Bono Publico'. The basket at the back is filled with documents inscribed 'Bill of Rights', 'Magna Charta', 'Impeachment of W. Hastings'. Beneath the design is etched: 'O Liberty! O Virtue! O my Country!' Two bats and an owl fly above the horses, showing that night is coming on. Dark clouds obscure the horizon on the left."--British Museum online catalogue.
Description:
Caption below image: O liberty! O virtue! O my country!, Companion print to "--coaches," also by Gillray and published by Fores on the same day. See no. 7324 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker from British Museum catalogue., and Title from text below image in lower right.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Francis, Philip,--1740-1818--Caricatures and cartoons., Harvey, Francis--Ownership., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
Gamblers with expressions of anxiety and despair sit or stand around an octagon-shaped table. One man slumps in his chair, asleep and with his purse empty. One man resembles Captain Topham; others may be caricatures as well. In the center of the table is a circular roulette mechanism with the letters E and O for even and odd.
Description:
Artist attribution from British Museum catalogue., Reissue of an earlier state dated 1781, with a different title. Cf. British Museum catalogue, no. 5928., and Title etched below image.
Publisher:
S. W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher. http://id.loc.gov/authorities/names/n97860707, and Harvey, Francis--Ownership.
"The Prince of Wales falls headlong, but gracefully, from his high phaeton, and is about to land on Mrs. Fitzherbert, who lies face downwards on the ground, on hands and knees, her petticoats over her head, leaving her posteriors bare. The reins have broken, the horses, which are drawn with much spirit, are running away (right to left). In the background is a wall, over which appears the head of an interested military officer. A yokel seated on the wall lifts his hands in astonishment."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Quotation from literature: Ovid, 43 B.C.-18 A.D. -- Vehicles: Phaeton capsizing, Title etched below image., and Two lines of quoted verse following title: "Th' imaginary bride with beauty glows, "for envy magnifies what e'er she shows. Ovid.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fores, S. W., publisher., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., and Harvey, Francis--Ownership.
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue.
Description:
Title from text at top of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzpatrick, Richard,--1747-1813--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--Queen, consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Fores, S. W., publisher. http://id.loc.gov/authorities/names/n97860707, Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., Priestley, Joseph,--1733-1804--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Wray, Cecil,--Sir,--1734-1805--Caricatures and cartoons.
"Pitt, grotesquely thin and much caricatured, leads Eleanor Eden, a conventionally pretty woman, towards a bower (right) covered with a vine bearing many bunches of grapes interspersed with coronets. Within it are three large sacks inscribed '£'. His left hand is on her back, his right points to the bower. She advances demurely, a fan inscribed 'Treasury' held before her face. A Cupid with a torch flies before them. The Devil, a fat nude creature with webbed wings and the face of Fox, crouches behind the bower (right), impotently gnashing his teeth and clenching his fists. Ribbons with the jewels and star of an order are twined in the bower; more coronets and a star emerge from the ground. ..."--British Museum online catalogue.
Alternative Title:
To the nuptial-bower he led her, blushing like the morn
Description:
One line of quoted text to left of title: "To the nuptial-bower he led her, blushing like the morn." and Title etched at bottom of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Eleanor Hobart,--Countess of,--1777-1851--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
A cartoon illustrating the first reactions in England to the news of the fall of the Bastille. On the right, the radiant figure of Liberty sits enthroned on the ruins of the Bastille. Kneeling on one knee before her, Louis XVI holds up to her his crown; inscribed below him are the words "A repentant monarch." Following behind him are six figures in chains, each clearly identified: Orléans and Necker, Marie Antoinette, two German counselors, and a figure suggestive of Mrs. Schwellenberg. La Fayette and the ranks of the National Guard bring up the rear. All around them are cheering crowds.
Description:
"Price 2 sh. plain.", Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
J. Aitken, Castle Street, Leicester Square
Subject (Geographic):
France--History--Revolution, 1789-1799--Foreign public opinion, British.
Subject (Name):
Aitken, James, -1802, publisher., Auchincloss, Hugh Dudley--Ownership., Bastille., Harvey, Francis--Ownership., Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier,--marquis de,--1757-1834--Caricatures and cartoons., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., Marie Antoinette,--Queen, consort of Louis XVI, King of France,--1755-1793--Caricatures and cartoons., Necker, Jacques,--1732-1804--Caricatures and cartoons., and Schwellenberg, Elizabeth Juliana,--ca 1728-1797--Caricatures and cartoons.
"A composite figure with two heads, one that of Lord Howe, the other that of George III, stands between two groups of naval officers; both heads are in profile. The King turns to the right, taking a petition from a kneeling officer with a wooden leg and saying "I never interfere with your first Lord no never". Five officers standing behind this petitioner say (left to right): "I see I shall lose my Rank after all my long Services"; "I am set aside altho' I've lost a Son & one Eye"; "Humbugd by Jove by [the] old Jesuit"; "Had I my Arm again Fd find a better Country"; "Brothers, Our Lords & Commons will not suffer this Game". The last speaker has one leg and stands with a crutch. Howe, scowling with downcast head, says, "Go, go, I can do nothing. It is his Majesty's pleasure, that------" An officer steps forward holding out a petition, he says, "Rascall". Four others standing behind the petitioner say (left to right): "He's fond of Manoeuvres if ever so bad, you know him"; "The King's pleasure! That's a Falsity added to a mean Finesse"; "Our Navy has now two Heads & no Helm, rare Work"; "Vultus est Index Animi".--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., The last number of the year in the imprint statement has been engraved over with another number. The British Museum online catalogue suggests that a '6' was amended to a '7'., and Title etched below image.
Publisher:
G. Humphrey, No. 48 Long Acre
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Howe, Richard Howe,--Earl,--1726-1799--Caricatures and cartoons., and Humphrey, G. (George), 1773?-1831?, publisher.
"Under the title: 'Description. - A Guillotine, which is placed on the Throne; the royal Chairs being removed, pour accomoder les Etrangers, (in English) To accommodate the Strangers. Two Turkish Mutes, with strangling Bowstrings, each his hand on his Mouth, stand as Supporters. The House empty of Peers. On a Board is written, "Solitudinem faciunt, Pacem appellant". (in English)" They (that is, the French) "create Solitude, and call it Peace". - The Cap of Liberty [Liberté] above the Canopy, below which is painted in capital Letters, "Confusion to all Order". - A French Admiral [right], looking at the Tapestry, which represents the Defeat of ye Spanish invincible Armada, & the Portraits of the Immortal English Commanders, says "Me like not de Omen; destroy it." French Soldiers with Swords, Pikes, & screwed Bayonets, attack the Tapestry, on one Side of the Room [right]. A Sea Captain, on the Top of a Ladder [left], tears down ye Tapestry from above ; his Lieutenant sets fire to it below, & at the same Time pulls the Foot of the Ladder, to break his Superior's Neck; saying, "This is an easier Way of getting Preferment than de English Way." - "Un Commandant en Chef (in English) The Commander in Chief, in his full Republican Uniform, pointing at the Mace says, "Here take away this Bauble; but if there be any Gold on it, send it to my Lodging." - A [ragged] French Soldier carries it away on his Shoulder. The Bust of Felton [assassin of Buckingham, 1628] on the Table, in the Middle between those of Damien & Ravillac.' [Dalrymple, op. cit., pp. 3-4.] See BMSat 9180."--British Museum online catalogue.
Alternative Title:
Consequences of a successful French invasion ; no. I, plate 2d
Description:
"Price 6 d. Colourd. 1 sh. 3 d.", Three columns of text below image: Description. A guillotine, which is placed on the throne ..., and Title etched below image.
"Beneath the title: 'Description. A Priest driven out of his Chapel, A French Soldier trampling on Crucifixes & Mitres, another kicking the Priest, a Gracefull Old Man; & a third stabbing him with a Dagger behind: A "Membre de la haute Cour de Justice" (in English a Member of the high Court of Justice, in his habit of Office, who has learnt to speak the English Language well, by going much to the Play-House, (having been long a Player himself,) says in the words of Othello - "Good, \ "very Good, the Justice, of it pleases, even on the \ "Stage of his own Imposition," - and it is \ "thus, that, the Gratitude of the French Republic "always pays Three Favours for One." - ' [Dalrymple, op. cit., p. 37.] Two ferocious soldiers wearing jack-boots pull and push the priest (in lace-trimmed cotta) from the door of a gothic church (right). A third jumps on a Bible and crucifix, part of a pile of crosier, mitre, chalice, censer (still burning), &c. On the cross which surmounts the door is a Phrygian cap of 'Liberté'. From a niche inscribed 'Ecce Homo' a crucifix has been torn, leaving only a crown of thorns and a skull and cross-bones. In the corresponding niche is a headless figure of 'Santè Marie', clasping a headless infant, burlesqued (in Gillray's manner when dealing with emblems of 'Popery', cf. BMSat 6026). On the left the 'Member of the high-court' walks past with folded arms, looking sideways with a sinister glare at the outrage. He wears the draperies and cap of BMSat 9209."--British Museum online catalogue.
Alternative Title:
Consequences of a successfull French invasion ; no. VI, plate 1st
Description:
"Price 6 d. Colourd. 1 sh. / 8 d.", Title etched below image., and With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798].
