"Under the title, and from a separate plate, is etched in three columns: 'Description. - One French Soldier putting Hand-cuffs, and another Fetters on the Speaker, whose Mouth is gagged with a Drumstick. The rest of the Members [left], two & two, tied together by the Arms with cords, (Mr Pitt & Mr Dundas by the Leg with an Iron Chain, which has three Padlocks, but the Key-holes spiked up). They are all, dressed in the Uniform of the Convicts of Botany-Bay, to wit, Coats of two Colours, long Breeches [i.e. trousers], no Stockings, & their Heads close shaved; French Guards opposite to the Members, with their Hats on; one of whom carries an Axe, & a Blazon of a Death's Head on his Breast. Two Clerks near him with their Pens in their Ears, hanging their Heads [tied back to back]. Republicans in the Galleries waving their Hats, in which are triple-colour'd Cockades, & clapping their Hands. An English Blacksmith [right], in his Waistcoat & Cap of Liberty, breaking ye Mace in pieces with a fore Hammer, the Statutes tumbled on the Floor, the Cap of Liberty [inscribed 'Egalité'] raised high behind the Speaker's Chair, below which is painted in Capital Letters, " This House adjourned to Botany Bay - sine die." The Chaffers and burning Charcoal continuing to stand in their present places in the House, but filled with red-hot Irons, to sear One Cheek of the Members before they set off; & the Other, if they shall be found Guilty, by the Verdict of a French Jury, of returning to their own Country without Leave of the French Directory in Writing. An English Cobler in the Cap of Liberty, blowing with a Bellows one of the Chaffers the Fuel, the Journals of the House.' [Dalrymple, op. cit. inf., pp. 1-2.] The Speaker holds in his mouth a drum-stick, at each end of which is a bow of parti-coloured ribbon, adding a touch of burlesque. The table lies on its side on the ground and on the heavy cloth lie papers, ink-stand, books: 'Journals of the House' (torn), 'Declaration of Rights', 'Hanover Succession', 'Claim of Rights', 'Magna Charta'. The chained members are on the Ministerial side of the House only, the Opposition side is filled with fierce-looking French soldiers, cavalry (wearing plumed helmets) with drawn sabres, infantry (wearing cocked hats) with fixed bayonets. All have daggers in their belts, except their officer, apparently Bonaparte, who has two pistols in his sash, his hand resting on the hilt of his sword. Pitt and Dundas, chained back to back, stand slightly apart from the other members, guarded by a ruffian with axe and 'blazon' of skull and cross-bones. Three members are chained together by the front bench (left to right): Wilberforce, [?] Lord Mulgrave, Windham. The cobbler and the blacksmith are Fox and Sheridan, much caricatured and scarcely recognizable. [See Dalrymple's prospectus: 'Consequences of the French Invasion', p. vi. He charged Gillray 'not to introduce a single Caricature, or indulge a single sally that could give pain to a British Subject. I had little Occasion to repeat the Advice, for he is a Man of Genius; and, like all such Men, is fair and human'. Dalrymple wrote to Gillray: 'I beg you will not impute what I am going to mention to any Breach of my promise not to interfere in any of the prints. But I confess I wish that the Gag was out of the Speaker's Mouth. It may hurt his feelings as a Gentleman . . .' (n.d.). B.M. Add. 27337, fo. 20. The gag was Dalrymple's idea.]."--British Museum online catalogue.
Alternative Title:
Consequences of a successfull French invasion ; no. I, plate 1st
Description:
"Price, 6 d. Colourd. 1 sh. 3 d.", Publisher's name and publication date in imprint are scored through with lightly etched lines., Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. One French soldier putting hand-cuffs, and another fetters on the Speaker, whose mouth is gagged ..., Title etched below image., and With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798].
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dalrymple, John, Sir, 1726-1810, artist., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, publisher., Harvey, Francis--Ownership., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Mulgrave, Henry Phipps,--Earl of,--1755-1831--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"A stage-coach is driven (left to right) uphill at a gallop, the horses having human heads as in BMSat 7323. The arm of a signpost on the extreme left points 'To the Temple of Honor'. Thurlow drives, lashing furiously. George III, in profile to the right, is seated in the boot at the back of the coach holding a musket with a fixed bayonet. The Queen sits on the roof as an outside passenger, dressed as an old market-woman ; she holds a basket of 'Golden Eggs' on her knee, and another basket at her side in which is a goose which hisses at the King. Within the coach Hastings (left) and Mrs. Hastings (right) sit facing each other; he is in oriental dress; she wears a jewelled turban with a crown, and her neck is covered with jewels. The coach is 'Licens'd by Royal Authority'; on its panel are the royal arms. On the box under Thurlow's legs are a star and ribbon, a coronet, and feathers. The leaders have the faces of Pitt1 and Sydney, the wheelers are Dundas and Pepper Arden. The horses are galloping uphill and the sky is clear, contrasting with the scene in BMSat 7323."--British Museum online catalogue.
Description:
Companion print to "Opposition," also by Gillray and published by Fores on the same day. See no. 7323 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker from British Museum catalogue., Three lines of verse below image: "The very stones look up to see, such very gorgeous harlotry, shaming an honest nation.", and Title from text below image in lower left.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Alvanley, Richard Pepper Arden,--Baron,--1745-1804--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Fores, S. W., publisher., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Anna Maria Apollonia von Chapuset,--1747-1837--Caricatures and cartoons., Hastings, Warren,--1732-1818--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sydney, Thomas Townshend,--Viscount,--1733-1800--Caricatures and cartoons., and Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons.
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Lindsey, Theophilus,--1723-1808--Caricatures and cartoons., Priestley, Joseph,--1733-1804--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Wray, Cecil,--Sir,--1734-1805--Caricatures and cartoons.
"Lord Moira, a candle in each hand, stands in the doorway of his house. He wears a dressing-gown in place of a coat He has opened the door to a young officer, who steps forward unsteadily raising his cocked hat. An ugly watchman (l.) in Highland dress trudges to the left. holding his staff and lantern; he is the only figure who is caricatured. The architrave is surmounted by an earl's coronet. The dignified doorway is set in a wall of heavy stones and flanked by two windows high above the cobbled street."--British Museum online catalogue.
Description:
Fifteen lines of verse in two columns below title: When loud the watchman cry'd the hour and call'd 'till he was hoarse ... Parody upon [the] Red Cross Knight., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., and Humphrey, Hannah, active 1774-1817, publisher.
"Soldiers march impassively in double file through a crowded street, and over the prostrate bodies of those whom they have overthrown. Military arrogance and foppishness are personified by the officer, much caricatured, with a grotesquely elongated waist (cf. BMSat 7352). He places one toe on the body of a fish-woman who lies on her back, her legs much exposed. His outstretched right leg is poised above a crouching woman who tries to protect her barrow of vegetables. Two men holding muskets precede the officer; one tramples on the face of an infant. The officer is followed by a man carrying a pike, behind whom march six soldiers in double file carrying muskets with fixed bayonets. All march ruthlessly, eyes front, regardless of the havoc they are causing. A porter lies on the ground clutching a broken wooden case faintly inscribed 'Mr . . . Silversmith'; from it pour plate and jewels. The porter's knee is badly damaged, and his knot has been knocked from his shoulders. A milliner or courtesan lies on her back clutching the hair of a barber who clasps her leg. On the extreme right a prostrate woman tries to protect her infant, and a newsboy with his horn and a sheaf of the 'Morning Herald' tries to escape from the trampling soldiers. Other victims between the soldiers and the wall are a woman with a crutch, a shoeblack, a man with a tray of rolls. A pair of beseeching hands and two female legs (right) waving in the air add to the turmoil, which is accentuated by the writhing forms of the fish which fall from the fishwoman's basket. The background is formed by the wall of a stone building with two elaborately barred niches, and by the window of a silversmith's shop (right)."--British Museum online catalogue.
Description:
Attributed to Gillray in the British Museum catalogue., CtY-LW, Sheet trimmed within plate mark., Temporary local subject terms: Abuses: military marches, 1787 -- Military uniforms -- Newspapers: Morning Herald -- Architectural details: barred niches -- Trampled victims -- Guns: muskets with fixed bayonets -- Protection of the Bank, 1787 -- Military march, double file -- Children: abused infant -- Shops: exterior of a silversmith shop -- Silversmith's box -- Vegetable sellers -- Fishwomen -- Allusion to the Strand -- Allusion to Cheapside -- Allusion to Fleet Street -- Porter's knot -- Porters -- Barbers -- Newsboys -- Milliners., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., and Harvey, Francis--Ownership.
"Alecto, a fantastic hag (as in BMSat 7721), stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel (as in BMSat 8141), a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. ... John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. ... Sheridan stands between Alecto and John Bull. ... Fox is much larger than Sheridan, both wear French Grenadier's caps. On his drum is the head of a Medusa (Discord) with snaky locks. He smiles, watching John Bull with a stare of eager calculation. ... Behind him and on the extreme right. Stanhope runs off to the right, stooping as if to conceal himself; in his right hand is a letter: 'To Lord Stanhop[e] from W. Pitt.' ... The door of the Crown & Anchor Tavern is immediately behind Fox and Alecto. From it issue flames and smoke in which imps and demons are flying."--British Museum online catalogue.
Alternative Title:
Recruiting sarjeant enlisting John-Bull into the Revolution Service
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons.
"A masonic feast: in the centre of the room on a platform is an empty armchair decorated with a masonic symbol. Below it and on the right is a table with punch-bowl, glasses, candles, &c, behind which are the English members of the Lodge, some seated, others standing. On the left sit the French members, the most prominent being Cagliostro; all wear masonic aprons. ... "--British Museum online catalogue.
Alternative Title:
Masonic anecdote
Description:
Captions in French and English etched under each title, respectively., CtY-LW, Printmaker from British Museum catalogue., Sheet trimmed within plate mark, and imprint statement mostly erased from sheet; imprint from British Museum catalogue., Temporary local subject terms: Trades: hairdresser -- Hairdressers: Mr. Barker, King Street, Bloomsbury -- Opticians: Mr. Mash -- Interior of the Freemasons' Lodge of Antiquity -- Freemasons' symbols -- Furniture: dining table -- Upholstered chair -- Lighting: candlesticks -- Glass decanter -- Glass bottle -- Wine glasses -- Punch bowls., Thirty lines of verse in English below image on right, under the heading, "Abstract of the Arabian Count's memoirs": Born God knows where, supported God knows how ..., Thirty lines of verse in French below image on left, under the heading, "Abregè de l'histoire du Comte Arabe": Nè Dieu sait où, maintenu Dieu sait comme ..., and Titles in English and French etched above image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cagliostro, Alessandro,--conte di,--1743-1795--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"From a cylindrical stone vat filled with steaming liquid protrude the legs and arms of a negro, who is being held under the surface by a fierce-looking overseer with the handle of a scourge. The overseer stands on a ladder (right), saying, "B-t your black Eyes! what you can't work because you're not well? - but I'll give you a warm bath, to cure your Ague, & a Curry-combing afterwards to put Spunk into you." On the wall above his head are nailed up, in a row with a bird, a fox, and ferrets (vermin), a black arm and two ears. Through a doorway (right) palm-trees are suggested. Beneath the title is etched: 'Mr "Frances [sic] relates "Among numberless other acts of cruelty daily practised, "an English Negro Driver, because a young Negro thro sickness was unable to "work, threw him into a copper of Boiling-Sugar-juice, & after keeping him, "steeped over head & Ears for above Three Quarters of an hour in the boiling "liquid, whipt him with such severity, that it was near Six Months before he "recover'd of his Wounds & Scalding"------Vide Mr Frances Speech, corroborated by Mr Fox, Mr Wilberforce &c &c.'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title from text in image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue.
Description:
Date '1785' in lower right corner of image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., and Title etched below image.
Publisher:
S. W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher. http://id.loc.gov/authorities/names/n97860707, and Harvey, Francis--Ownership.
Subject (Topic):
Couples. , Courtship., Dogs., Servants., and Tea parties.
"A violent disturbance in a luxuriously furnished breakfast parlour. The only lady present has risen from her chair to pull a bell-pull. The frantic efforts of five elderly men to stop her have produced a sequence of disasters. An urn overturns and pours boiling water on a fat man who puts a large lump of food speared on his fork into his eye. A man behind him, rushing to seize the bell-rope, spears the former's wig with his knife. Crockery cascades to the floor, the contents of a tea-pot falling on a dog, who bites the knee of a man in regimentals; he leans forward, planting his toe on the gouty foot of a man behind. The latter, about to fall, grasps the officer's pigtail, flourishing a knife, his mouth choked with food. A fifth man stands behind the table with raised hands and shrugged shoulders. The fare is boiled eggs, bread, and muffins. Over the chimney-piece is a picture of a fat Cupid firing his bow; his quiver is reversed, and one leg is transfixed with an arrow. The walls of the room are ornamented by gilt pilasters in the shape of palm-trees (as in BMSat 10472). Between them are empty candle-sconces decorated with palm-branches. The men appear to be the suitors of a rich widow. Cf. BMSat 9822."--British Museum online catalogue.
Description:
Print signed using Brownlow North's device: A compass pointing north., Printmaker from Wright., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and North, Brownlow, 1778-1829, artist.
"Johnson stepping in to deflect a blow Mendoza aims at his opponent Humphreys, with Tring on the left, Jacob and Isaacs behind Mendoza and Allen and Moravia behind them, holding watches."--British Museum online catalogue.
Alternative Title:
Humphreys and Johnson a match for Mendoza
Description:
"Price 1 s.", Cited in the description of another print on this same event. Cf. No. 7425 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Five lines of text below title provide a detailed description of the boxing match: This extraordinary match was fought at Odiham in Hampshire ..., Names of the depicted figures are etched at bottom of image., Printmaker from British Museum online catalogue., Temporary local subject terms: Tom Tring, fl. 1788 -- Tom Johnson, fl. 1788 -- Jacobs -- Isaacs -- Moravia -- Allen -- Latin motto: "Sic transit gloria mundi" -- Spectators -- Boxing: Umpires -- Reference to Wilson Gale Braddyl, 1755-1818 -- Boxing: Bottle holder -- Jews -- Boxing ring., Text following title: Dedicated to Wilson Braddyl, Esqr., gymnastico generalissimo., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., Humphries, Richard,---1827., and Mendoza, Daniel,--1764-1836.
"The corner of a tailor's fitting-room. A hideous and plebeian Englishman, fat and short-legged, and wearing a curled Brutus wig, looks at his reflection in an elaborately framed wall-mirror crowned with a bonnet-rouge (left). The tailor, a simian monstrosity standing behind him (right), adjusts the sleeve of the coat. The coat (so styled after de Bry, see BMSat 9389) has a high collar, is heavily padded, with full sleeves gathered at the shoulders, and is cut back into narrow tails. The boots have long pointed toes, the tops, with high tasselled peaks, projecting in front of the leg far above the knee. He stands on a large volume: 'Nouveaux Costumes'. The tailor is foppish, though wearing a bonnet-rouge with a long peak, long queue, ungartered stockings, and slippers. A tricolour measuring-tape is draped about him. He says: "A ha! - dere my Friend, I fit you to de Life! - dere is Libertè - no tight Aristocrat Sleeve, to keep from you do, vat you like! - aha! begar, dere be only want von leetel National Cockade to make look quite a la mode de Paris!!" John Bull answers: "Liberty! - quoth'a! - why sound I can't move my Arms at all! for all it looks woundy big! - ah! damn your French Alamodes, they give a man the same Liberty as if he was in the Stocks! - give me my Old Coat again, say I, if it is a little out at the Elbows." On the wall (right) is visible the left portion of a framed plate of the official costumes of the Directory (see BMSat 9196, &c): in six compartments are tiny simian creatures inscribed respectively: 'Membre du Directo[ire], Cornell des Anciens, Ministre, Conseil des 5 Cents, Juge------, Administrat ...'. Beneath is a framed oval containing 'Les Regles pour les Modes'; these end: 'Vive la Libertè'. A patterned carpet completes the design."--British Museum online catalogue.
Alternative Title:
French tailor fitting John Bull with a Jean de Bry
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A travesty of Quintin Matsys' picture of 'The Misers' at Windsor, the misers being George III, writing in his ledger and counting coins, and Queen Charlotte, leaning on his shoulder. The pose, dress, background, and accessories are closely copied, except that the hood over the Queen's head is pushed back to show a large ear-ring and her hair which is decorated with pearls. The 's' of 'Originals' in the title has been scored through, stressing the identification of 'the Misers'."--British Museum online catalogue.
Alternative Title:
From the original at Windsor and Lord Courtown's dream
Description:
Questionable attribution to Kingsbury from the British Museum catalogue. and Title etched below image; letter 's' in 'originals' scored through with several etched lines.
Publisher:
Jacob Dowse, near Turnstile, Holborn
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Dowse, Jacob, publisher., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., and Harvey, Francis--Ownership.
"Fox as Guy Vaux kneels on one knee beside a pile of three barrels which he is about to fire with a lighted paper inscribed 'Rights of Man', holding up a dark lantern in his left hand. Burke, dressed as a watchman, rushes towards him and seizes Fox's left wrist, turning the rays of the lantern on his face, while he springs the rattle in his outstretched right hand. His long staff rests on his shoulder and he wears a long coat with a triple collar, badged on the left sleeve with a crown. He says, ""Hold Miscreant - I arrest thee in the name of the British Constitution, which thou art undermining - I arrest thee in the name of human nature, which thou hast most cruelly outraged; - I arrest thee in the name of that Monarch whom thou dost wish to deprive of dignity, & of that people whom thou hast most basely deluded! - Nay, no fawning: - thy Tears & thy hypocrisy make no impression on the mind of truth & Loyalty: - therefore, Enemy of all good! yeild to that punishmt which has long waited those "crimes which are left as yet unwhipt of Justice"". Fox, who wears a slouch hat and a long cloak buttoned over his mouth, says, "O Lord! O Lord! that ever my aim should be discover'd when I had taken such pains to disguise myself - for Heavens sake, Watchman, what have I done that I should be apprehended? - what have I done only answer me that! - dare you accuse me only for what you think I intended to do ? - have I ever assassinated the King, or blown up the Lords ? - as to this Gunpowder here, I only intended to set fire to it merely to clear the Nation of Buggs: - for goodness sake do let me go: - or if I must suffer do let it be without holding up my own dark Lanthorn in my Face, for my Eyes are so weak with crying to think I should be charged with such Villainy, that I cannot bear the Light." Large tears fall from his eyes. The barrels are inscribed 'Gunpowder', one 'for the King', another 'for the House of Lords'. Behind, Sheridan escapes up a flight of steps, he follows another conspirator whose leg is visible on the extreme right. He says, I must be off while I can; as to my Friend there, why, if he does go to pot there's the more room for me! - I wish I could squeeze out a Tear or two as well as he, it might impose on the Mob, if they should stop me: - but I've come that humbug so often before, that my Eyes - Da-n my Eyes! there's not one drop left in them." ..."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Text below title: NB his associates were all taken afterwards & executed., and Title from text in lower right corner of image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Kirgate, Thomas,--1734-1810--Ms. notes., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Walpole, Horace,--1717-1797--Ownership.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Vehicles: Irish jaunting car -- Dogs -- Horses -- Female costume, 1814 -- Male costume, 1814 -- Parasols -- Walking-sticks., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"Copy of a French print. A fashionable promenade. Two men walk towards each other, each with a lady hanging to each arm, all have their faces concealed by some part of their dress, hat, or collar, or both. One man has a round hat, with a fantastically curved brim projecting downwards. The other has a huge crescent-shaped cocked hat with the peaks dipping over face and back. Both have high, stiff, pointed collars projecting above the high collars of coat and waistcoat. The ladies wear bonnets with projecting scoops or a straw hat with broad contorted brim, with high neck-ruffles. A couple walk arm-in-arm, and in the background two ladies walk away. Another lady sits alone under a tree (left). The men wear knee-breeches. The ladies wear or carry shawls with their trailing dresses; their flat slippers are en cothurne."--British Museum online catalogue.
Description:
Printmaker and date of publication from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Napoleon stamps in fury, right arm outstretched with clenched fist, left fist on his forehead. His frantic gestures have overturned table (left), 'Consular Chair', and terrestrial globe, both on the extreme right. His huge plumed cocked hat lies on the floor; his (sheathed) sabre is broken. From his head issue swirling words: (left) "English Newspapers- \ English Newspapers!!! \ Oh, English Newspapers!!! \ hated & Betray'd by the French! - Despised by the English! \ & Laughed at, by the whole World!!! \ Treason! Treason! Treason! Georges! [Cadoudal] Arras! de Rolle! Dutheil! O Assassins!! \ O! Sebastiani! Sebastiani! Oh! \ English calumniating Newspapers! \ British Trade & Commerce! - Oh! Oh! Oh! \ Treaty of Amiens! - damnation \ Insolence of British Parliament \ Oh cursed Liberty of y British press! \ Malta! Malta! Malta! \ O Diable \ the Riches! Freedom! & Happiness, of the British Nation!!! \ ha Diable! \ Diable! \ Diable \ O- Egypt! Egypt! Egypt! \ Oh St Domingo! Oh! \ Oh! the Liberty of the British Press \ English Blood-hounds! \ Wyndham! Grenville! Pitt! \ Oh! I'm Murder'd! - I'm Assassinated!! \ London Newspapers! Oh! Oh! Oh! \ Revenge! Revenge! \ come Fire! Sword! Famine! \ Invasion! Invasion! \ Four Hundred & Eighty Thousand Frenchmen \ British Slavery - & everlasting Chains! \ everlasting Chains." Under the overturned writing-table are Napoleon's ink-stand and pen and papers: 'Scheme'; 'List of Future Conquests, Turkey - Persia China'; 'pour le Expedition a la Lune' [see BMSat 9988]; 'Pour Mettre le Thames en Feu dedié a mi Lord Stanhope' [as Francophil Jacobin and inventor of steam navigation, see BMSats 8448, 8640, &c]; 'Pour le Hamburg Gazette'; 'Pour le Moniteur'; 'Pour le Argus'. Against his hat lies a large 'Plan for Invading Great Britain with a list of ye Members of the British Republic'. On other papers he is stamping frantically: 'Wyndham's Speeches'; 'Cobbett's Weekly Journal'; 'Parliament[ary] Debates'; 'Anti-Jacobin Review' [see BMSat 9243, &c.]; 'de Peltier'; 'Lloyds'; 'True Briton'; 'Mor . . . Herald'; 'Times'; 'Wilson's Egypt'; 'Debates'. The globe is damaged: a jagged hole fills the place of Europe, leaving the British Isles untouched. The back of the ornate 'Consular Chair' is decorated with Medusa's head, the snakes in violent action."--British Museum online catalogue.
Alternative Title:
Little Boney in a strong fit
Description:
Title from text in top part of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Gillray, James, 1756-1815, publisher., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (l.), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of BMSat 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (l.) is a bust of 'Hymen' with a broken nose, and (r.) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue.
Description:
Companion print to: "Harmony before matrimony.", Temporary local subject terms: Firepalce -- Musical Instruments: piano -- Furniture: sofa -- Female Costume: Morning gown -- Children's Nurse -- Toys: rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Thermometers -- Cupid -- Bell-Pulls., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Beneath the title is etched on a separate plate: 'Description - A Row of English People in Tatters, and wooden Shoes, hoeing a Field of Garlic. A tall raw-boned Frenchman, with a long Queue behind, like a Negro Driver with a long Waggoner's Whip in each Hand, walking by their side. The People very sulky, but tolerably obedient & tractable for so short a Time ; John Bull being a bad Lad only when you are very good to him. The Group of the hoers are, a Husbandman, his Wife, a Manufacturer, a Curate, & an Old man; - in another Part of the Field [middle distance, left], four other English people, a Father & Son (Husbandmen) with two Seamen, in a Yoke, drawing a Plough ; a French Farmer guiding it with one Hand, & with the other flourishing & cracking a French Postillion's long Whip ; a French Boy walking by the side of the Yoke with a Goad, which has a Point as sharp as a Needle, the French Hoe-driver gives his Instructions thus: "Jacques Roast-Beef, hoe straight, deep, quick & rest not." - The Instructions of the French Holder of the Plough are - "Monsieur John Bull mon Ami", (in English) My Friend, Mr John Bull, pull hard, plough deep, trot quick, turn sudden, & rest not," - A Messager d'Etat, (in English) a Messenger of State in his Habit of Office, with a Letter in his Hand, comes to hurry on the work for the Exigencies of War. - In another part of the Plate [left] stand the Farm Offices ; a vast oak, withered, above them, - A Caldron boiling, on which is engraved, Soup Maigre, with a stack of Onions & Turnips close by it. On a large Board is painted - "Regulations of this Farm., - ["At Five o'clock in the Morning the Hogs & English Slaves are \ "to be fed; at Twelve O'Clock at Night they are to be suppered, \ "& littered up with the best Straw that the Scotch & Irish part \ "of the Slaves can steal from the neighbouring Farms, & then \ "locked up. But there are Holes in the Bottom of the Walls \ "for the Hogs to go out, & get the Benefit of Fresh Air. - \ "Punishment of Laziness, for the first Offence, five hundred \ "Lashes; for the second, the Guillotine. All other Crimes, ex \ "-cept those which affect Frenchmen, are forgiven on Promise \ "of Amendment." - A Ballad is lying on the Ground in the English Language, entitled, "Recantation of British \ & Irish Republican Husbandmen & Manufacturers. - The Burden of the Song is - "Oh, England, England! \ "King, Wife, Sons & Daughters of our King, of \ "whom the Sons are all brave, & the Daughters \ "all beautiful: Parliament & Judges, who covered \ "us with Blessings, which are repaid with Reproaches. \ "Clergy who taught us to die as well as to live for \ "our country - Landaff, Landaff. - Nobles & \ "Squires in whose Hospitality & Bounty we shared. - \ "St Vincents & Duncans. Merchants, Master Manufacturer[s] \ "who lived as simply as ourselves, but both of us well; "how could we forget you? You would not have de- \ "serted us; but we deserted you. - But with the same \ "Weapons which should have defended you, we will \ "punish ourselves. We despise Life, we could submit to \ "Misfortune, but cannot bear the Consciousness of \ "not having stood or fallen with you. Oh England, \ "England, Country of every Bliss, for ever farewell!' [Dalrymple, op. cit., pp. 5-6, 33-5.] The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man on the extreme right Gillray has added in the foreground a ragged hoer suspiciously like Fox, cf. BMSat 9180, &c. The four men yoked to the plough do not resemble seamen. The print otherwise follows the description; the 'Messager d'État' is dressed exactly as in BMSat 9213. All the Englishmen wear large wooden shoes, emblems of servitude."--British Museum online catalogue.
Alternative Title:
Consequences of a successfull Frenh [sic] invasion ; no. III, plate 2d
Description:
"Price 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Title etched below image., and With: Gillray, J. Me teach de English republicans to work: scene, a ploughed field. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798].
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dalrymple, John, Sir, 1726-1810, artist. http://id.loc.gov/authorities/names/n85199363, Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, publisher. http://id.loc.gov/authorities/names/n50033402, and Harvey, Francis--Ownership.
"A stout and disappointed coachman standing outside a house at night, holding out his hand in which there is a single coin; at left, a smartly dressed but uncouth looking couple standing in their doorway making jeering faces, the man with his hand in his pocket, a maid with a candle behind; the coach behind at right."--British Museum online catalogue.
Alternative Title:
Surly saucy Hackney coachman
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Carriages & coaches., Coach drivers. , Light fixtures., and Passengers.
"A stage-coach drives (right to left) through water; the four horses have human heads. A signpost on the extreme right points 'To the Slough of Despond'. The driver is Burke; he lashes the horses furiously. On the box under his legs are the (broken) scales and sword of Justice and a laurel wreath. Fox sits on the roof as the guard, holding a blunderbuss. He and Burke watch with alarm the horses who are advancing into deeper water. The heads of the horses are in profile; Derby is the off leader, Sheridan the near wheeler. The near leader may be Windham. The heads of four passengers (members of the Opposition), with anxious or despairing expressions, are visible through the window. The middle of the three facing the horses resembles Portland, the man on his right Stormont. The man on his left is Francis (as in BMSat 7330). Their 'vis-à-vis' may be Lord Carlisle. On the side of the coach, which is 'Licens'd by Act of Parliament', is a crest: a bull (for John Bull) with the motto 'Pro Bono Publico'. The basket at the back is filled with documents inscribed 'Bill of Rights', 'Magna Charta', 'Impeachment of W. Hastings'. Beneath the design is etched: 'O Liberty! O Virtue! O my Country!' Two bats and an owl fly above the horses, showing that night is coming on. Dark clouds obscure the horizon on the left."--British Museum online catalogue.
Description:
Caption below image: O liberty! O virtue! O my country!, Companion print to "--coaches," also by Gillray and published by Fores on the same day. See no. 7324 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker from British Museum catalogue., and Title from text below image in lower right.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Francis, Philip,--1740-1818--Caricatures and cartoons., Harvey, Francis--Ownership., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
Gamblers with expressions of anxiety and despair sit or stand around an octagon-shaped table. One man slumps in his chair, asleep and with his purse empty. One man resembles Captain Topham; others may be caricatures as well. In the center of the table is a circular roulette mechanism with the letters E and O for even and odd.
Description:
Artist attribution from British Museum catalogue., Reissue of an earlier state dated 1781, with a different title. Cf. British Museum catalogue, no. 5928., and Title etched below image.
Publisher:
S. W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher. http://id.loc.gov/authorities/names/n97860707, and Harvey, Francis--Ownership.
"The Prince of Wales falls headlong, but gracefully, from his high phaeton, and is about to land on Mrs. Fitzherbert, who lies face downwards on the ground, on hands and knees, her petticoats over her head, leaving her posteriors bare. The reins have broken, the horses, which are drawn with much spirit, are running away (right to left). In the background is a wall, over which appears the head of an interested military officer. A yokel seated on the wall lifts his hands in astonishment."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Quotation from literature: Ovid, 43 B.C.-18 A.D. -- Vehicles: Phaeton capsizing, Title etched below image., and Two lines of quoted verse following title: "Th' imaginary bride with beauty glows, "for envy magnifies what e'er she shows. Ovid.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fores, S. W., publisher., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., and Harvey, Francis--Ownership.
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue.
Description:
Title from text at top of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzpatrick, Richard,--1747-1813--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--Queen, consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Fores, S. W., publisher. http://id.loc.gov/authorities/names/n97860707, Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., Priestley, Joseph,--1733-1804--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Wray, Cecil,--Sir,--1734-1805--Caricatures and cartoons.
"Pitt, grotesquely thin and much caricatured, leads Eleanor Eden, a conventionally pretty woman, towards a bower (right) covered with a vine bearing many bunches of grapes interspersed with coronets. Within it are three large sacks inscribed '£'. His left hand is on her back, his right points to the bower. She advances demurely, a fan inscribed 'Treasury' held before her face. A Cupid with a torch flies before them. The Devil, a fat nude creature with webbed wings and the face of Fox, crouches behind the bower (right), impotently gnashing his teeth and clenching his fists. Ribbons with the jewels and star of an order are twined in the bower; more coronets and a star emerge from the ground. ..."--British Museum online catalogue.
Alternative Title:
To the nuptial-bower he led her, blushing like the morn
Description:
One line of quoted text to left of title: "To the nuptial-bower he led her, blushing like the morn." and Title etched at bottom of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Eleanor Hobart,--Countess of,--1777-1851--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
A cartoon illustrating the first reactions in England to the news of the fall of the Bastille. On the right, the radiant figure of Liberty sits enthroned on the ruins of the Bastille. Kneeling on one knee before her, Louis XVI holds up to her his crown; inscribed below him are the words "A repentant monarch." Following behind him are six figures in chains, each clearly identified: Orléans and Necker, Marie Antoinette, two German counselors, and a figure suggestive of Mrs. Schwellenberg. La Fayette and the ranks of the National Guard bring up the rear. All around them are cheering crowds.
Description:
"Price 2 sh. plain.", Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
J. Aitken, Castle Street, Leicester Square
Subject (Geographic):
France--History--Revolution, 1789-1799--Foreign public opinion, British.
Subject (Name):
Aitken, James, -1802, publisher., Auchincloss, Hugh Dudley--Ownership., Bastille., Harvey, Francis--Ownership., Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier,--marquis de,--1757-1834--Caricatures and cartoons., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., Marie Antoinette,--Queen, consort of Louis XVI, King of France,--1755-1793--Caricatures and cartoons., Necker, Jacques,--1732-1804--Caricatures and cartoons., and Schwellenberg, Elizabeth Juliana,--ca 1728-1797--Caricatures and cartoons.
"A composite figure with two heads, one that of Lord Howe, the other that of George III, stands between two groups of naval officers; both heads are in profile. The King turns to the right, taking a petition from a kneeling officer with a wooden leg and saying "I never interfere with your first Lord no never". Five officers standing behind this petitioner say (left to right): "I see I shall lose my Rank after all my long Services"; "I am set aside altho' I've lost a Son & one Eye"; "Humbugd by Jove by [the] old Jesuit"; "Had I my Arm again Fd find a better Country"; "Brothers, Our Lords & Commons will not suffer this Game". The last speaker has one leg and stands with a crutch. Howe, scowling with downcast head, says, "Go, go, I can do nothing. It is his Majesty's pleasure, that------" An officer steps forward holding out a petition, he says, "Rascall". Four others standing behind the petitioner say (left to right): "He's fond of Manoeuvres if ever so bad, you know him"; "The King's pleasure! That's a Falsity added to a mean Finesse"; "Our Navy has now two Heads & no Helm, rare Work"; "Vultus est Index Animi".--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., The last number of the year in the imprint statement has been engraved over with another number. The British Museum online catalogue suggests that a '6' was amended to a '7'., and Title etched below image.
Publisher:
G. Humphrey, No. 48 Long Acre
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Howe, Richard Howe,--Earl,--1726-1799--Caricatures and cartoons., and Humphrey, G. (George), 1773?-1831?, publisher.
"Under the title: 'Description. - A Guillotine, which is placed on the Throne; the royal Chairs being removed, pour accomoder les Etrangers, (in English) To accommodate the Strangers. Two Turkish Mutes, with strangling Bowstrings, each his hand on his Mouth, stand as Supporters. The House empty of Peers. On a Board is written, "Solitudinem faciunt, Pacem appellant". (in English)" They (that is, the French) "create Solitude, and call it Peace". - The Cap of Liberty [Liberté] above the Canopy, below which is painted in capital Letters, "Confusion to all Order". - A French Admiral [right], looking at the Tapestry, which represents the Defeat of ye Spanish invincible Armada, & the Portraits of the Immortal English Commanders, says "Me like not de Omen; destroy it." French Soldiers with Swords, Pikes, & screwed Bayonets, attack the Tapestry, on one Side of the Room [right]. A Sea Captain, on the Top of a Ladder [left], tears down ye Tapestry from above ; his Lieutenant sets fire to it below, & at the same Time pulls the Foot of the Ladder, to break his Superior's Neck; saying, "This is an easier Way of getting Preferment than de English Way." - "Un Commandant en Chef (in English) The Commander in Chief, in his full Republican Uniform, pointing at the Mace says, "Here take away this Bauble; but if there be any Gold on it, send it to my Lodging." - A [ragged] French Soldier carries it away on his Shoulder. The Bust of Felton [assassin of Buckingham, 1628] on the Table, in the Middle between those of Damien & Ravillac.' [Dalrymple, op. cit., pp. 3-4.] See BMSat 9180."--British Museum online catalogue.
Alternative Title:
Consequences of a successful French invasion ; no. I, plate 2d
Description:
"Price 6 d. Colourd. 1 sh. 3 d.", Three columns of text below image: Description. A guillotine, which is placed on the throne ..., and Title etched below image.
"Beneath the title: 'Description. A Priest driven out of his Chapel, A French Soldier trampling on Crucifixes & Mitres, another kicking the Priest, a Gracefull Old Man; & a third stabbing him with a Dagger behind: A "Membre de la haute Cour de Justice" (in English a Member of the high Court of Justice, in his habit of Office, who has learnt to speak the English Language well, by going much to the Play-House, (having been long a Player himself,) says in the words of Othello - "Good, \ "very Good, the Justice, of it pleases, even on the \ "Stage of his own Imposition," - and it is \ "thus, that, the Gratitude of the French Republic "always pays Three Favours for One." - ' [Dalrymple, op. cit., p. 37.] Two ferocious soldiers wearing jack-boots pull and push the priest (in lace-trimmed cotta) from the door of a gothic church (right). A third jumps on a Bible and crucifix, part of a pile of crosier, mitre, chalice, censer (still burning), &c. On the cross which surmounts the door is a Phrygian cap of 'Liberté'. From a niche inscribed 'Ecce Homo' a crucifix has been torn, leaving only a crown of thorns and a skull and cross-bones. In the corresponding niche is a headless figure of 'Santè Marie', clasping a headless infant, burlesqued (in Gillray's manner when dealing with emblems of 'Popery', cf. BMSat 6026). On the left the 'Member of the high-court' walks past with folded arms, looking sideways with a sinister glare at the outrage. He wears the draperies and cap of BMSat 9209."--British Museum online catalogue.
Alternative Title:
Consequences of a successfull French invasion ; no. VI, plate 1st
Description:
"Price 6 d. Colourd. 1 sh. / 8 d.", Title etched below image., and With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798].
