Agenzia per l’autosoppressione del proletariato Internationale situationniste
Published / Created:
[1977]
Call Number:
2009 +361
Image Count:
5
Description:
The inside of the folded sheet contains two columns of text (on all 8 panels); the outside contains an illustration (on 4 panels), a quote from Guy Debord (on 2 panels), a title panel, and a colophon panel. Folded to 18 x 13 cm.
A collection of drawings attributed to Augustino Aglio, circa 1835-1840, that includes a panorama comprised of seven drawings glued together and nine discrete drawings. The drawings depict his interpretation of the Aztec migration myth as conveyed in the Boturini Codex. The Boturini Codex, also known as "Tira de la Peregrinación" (The Strip Showing the Travels), was painted by an unknown Aztec author between 1530 and 1541, and is named for one of its first European owners, Lorenzo Boturini Bernaducci (1702-1751). The codex depicts the legendary Aztec journey from Aztlán to the Valley of Mexico on a long sheet of amatl (fig bark), which was then accordion-folded into pages. Unlike many Aztec codices, the drawings are outlined with black ink and not colored.
Description:
Rodrigo Rivero Lake's blind stamp on first panel of the panorama, and his ink stamp on verso of last panel.
A collection of drawings attributed to Augustino Aglio, circa 1835-1840, that includes a panorama comprised of seven drawings glued together and nine discrete drawings. The drawings depict his interpretation of the Aztec migration myth as conveyed in the Boturini Codex. The Boturini Codex, also known as "Tira de la Peregrinación" (The Strip Showing the Travels), was painted by an unknown Aztec author between 1530 and 1541, and is named for one of its first European owners, Lorenzo Boturini Bernaducci (1702-1751). The codex depicts the legendary Aztec journey from Aztlán to the Valley of Mexico on a long sheet of amatl (fig bark), which was then accordion-folded into pages. Unlike many Aztec codices, the drawings are outlined with black ink and not colored.
A collection of drawings attributed to Augustino Aglio, circa 1835-1840, that includes a panorama comprised of seven drawings glued together and nine discrete drawings. The drawings depict his interpretation of the Aztec migration myth as conveyed in the Boturini Codex. The Boturini Codex, also known as "Tira de la Peregrinación" (The Strip Showing the Travels), was painted by an unknown Aztec author between 1530 and 1541, and is named for one of its first European owners, Lorenzo Boturini Bernaducci (1702-1751). The codex depicts the legendary Aztec journey from Aztlán to the Valley of Mexico on a long sheet of amatl (fig bark), which was then accordion-folded into pages. Unlike many Aztec codices, the drawings are outlined with black ink and not colored.
"Limited edition of 1,000 copies, 300 of which are bound in cloth"--P. [2]., Cloth-bound copy. Dust jacket., Exhibition catalog., In English, with some info. on p. [2] also in Japanese., and Includes bibliographical references (p. [24-25]).
Albert & Charles Boni Covarrubias, Miguel, 1904-1957 Handy, W. C. (William Christopher), 1873-1958 Niles, Abbe
Published / Created:
1926
Call Number:
JWJ V1 H192 +926
Image Count:
1
Description:
Bibliography: p. 39-40., Dust jacket. Presentation inscriptions: To Mrs. Ballin with compliments of the publishers and W. C. Handy, May 10, 1926; Mrs. Ballin au Vanita Schelcher Xmas 1926., and Music: p. 49-180.
Publisher:
A. & C. Boni,
Subject (Name):
Handy, W. C.--(William Christopher),--1873-1958--Presentation inscription to Mrs. Ballin and Schelcher, Vanita-
Subject (Topic):
African Americans--Songs and music, Blues (Music), and Blues (Music)--History and criticism
Alberti, Leon Battista, 1404-1472 Colonna, Francesco, d. 1527 Manuzio, Aldo, 1449 or 50-1515, printer
Published / Created:
mense decembri 1499.
Call Number:
Zi +5574
Image Count:
6
Resource Type:
Books, Journals & Pamphlets
Alternative Title:
Hypnerotomachia Poliphili.
Description:
Sometimes attributed to Leon Battista Alberti., Variant: Folio z6r ends "diaspre di". Binder's stamp: Bound by F. Bedford., and Woodcuts have been attributed to Giovanni Bellino due to the ones on [10b] and [21a] being signed "b." Others have attributed them to Raffaelle. Alexander Pope thought them by Francia or Andrea de Mantegna. Lake Price attributed them to Carpaccio. Used by others without acknowledgement.