Manuscript on paper of the history of the final days of the Moorish kingdom of Granada
Description:
In Spanish., Watermark: resembles Briquet 11272 (Toulouse, 1570)., Script: copied by a single scribe in a Spanish version of Humanistica Cursiva Formata. The first word of each paragraph is written in Capitalis. The Latin formula at the end is in Humanistica Textualis Formata. A few marginal notes, mostly by a later hand., The text recounts the history of the final days of the Moorish kingdom of Granada through the conquest by Gonsalvo de Cordoba, the "great captain" in the service of the Catholic Kings of Spain, 1492. This is the final quire of a manuscript that contained the full history of the Moorish Kings of Granada., and Disbound. Extracted from a larger manuscript.
Subject (Geographic):
Connecticut, New Haven., Granada (Kingdom), and Spain
Subject (Topic):
Manuscripts, Medieval, Kings and rulers, and History
Collection of four scrapbooks compiled by Marcel Jean between 1921 and 1940 containing over 150 tracts, exhibit catalogs, letters, advertisements, subscription forms, invitation cards, and other ephemera documenting Surrealism in France, Belgium, and other locations. Includes printed, typescript, and manuscript material relating to Surrealist exhibitions, publications, and political activity, including tracts on the Spanish Civil War and fascism. Printed ephemera feature artists and writers such as Salvador Dalí, Man Ray, Tristan Tzara, René Char, and André Breton. Correspondence includes letters from Georges Bataille, Henri Pastoureau, Remedios Varo, Sheila Legge, Wolfgang Paalen, Eduardo Westerdahl and others to Jean, 1935-1939. Contains one photograph of Benjamin Péret and Jean at Léo Malet's house, 1935 and Volume 1: 1921-1934. Volume 2: 1935-1936. Volume 3: 1937-1939. Volume 4: supplement, 1926-1940
Description:
Marcel Jean (1900-1993), French artist, member of the Paris Surrealist group and author of numerous publications on Surrealism., Largely in French., and Each volume includes original endpapers created by Marcel Jean with ex-libris and autograph list of contents.
Background for the screen production of Ernest Hemingway's celebrated novel. and For whom the bell tolls.
Description:
Chart no. 1. "History of Spain" -- Chart no. 2. "Art of Spain" -- Chart no. 3. "The Music of Spain" -- Chart no. 4. "Women in war" -- Chart no. 5. "The guerrillas are on the march!" and Five charts illustrative of "Background for the screen production of Ernest Hemingway's celebrated novel."
Publisher:
Paramount Pictures?,
Subject (Geographic):
Spain
Subject (Name):
Hemingway, Ernest,--1899-1961.--For whom the bell tolls
Subject (Topic):
For whom the bell tolls (Motion picture), Guerrillas, and Women in war
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
Manuscript on paper of a chronicle of the Kingdom of Navarre from the death in 1425 of Charles III, King of Navarre, through circa 1513, with the conquest of Navarre by Spain
Description:
In Spanish., Single quire of 8 leaves, with pagination 113-127 [128]., Layout: 1 column, about 36 lines., Script: copied by one hand in a Spanish version of Humanistica Cursiva Formata. "Finis" at the end is written in Capitalis., The text discusses members of the royal family of Navarre during the period of 1425 through circa 1513, their marriages, the royal succession, and a disruption to the line of succession that led to civil war. The chronicle closes with a justification for the rule of Navarre by Spain, based upon the historical ties of the kings of Navarre to Spain., Watermark: resembles Briquet 13995 (Bordeaux, 1550) and 14008 (Montreuil, 1559)., No decoration., and Disbound. Text complete, but extracted from a larger manuscript. First leaf repaired, with some loss to marginalia on verso.
Subject (Geographic):
Connecticut, New Haven., Navarre (Kingdom), Navarre (Spain), and Spain
Subject (Name):
Blanca, Queen, consort of Juan II, King of Aragon, -1441., Catherine, Queen of Navarre, 1468-1518., Carlos, Prince of Viana, 1421-1461., Charles III, King of Navarre, 1361-1425., Ferdinand V, King of Spain, 1452-1516., John II, King of Aragon, 1397-1479., John III, King of Navarre, 1469-1516., and Juana Enríquez, Consort of Juan II, King of Aragon, 1425-1468.
Subject (Topic):
Manuscripts, Medieval, Kings and rulers, and History
Manuscript on parchment of the Statutes of the Confraternity of Corpus Christi, Our Lady of Peace and St. Ildefons at Toledo, under the patronage of the King of Castile and the Archbishop of Toledo, renewed during the reign of Henry IV, King of Castile (1454-1474), with an addition dated 11 July 1461. The latest date in the earlier statutes is 24 January 1417
Description:
In Spanish., Script: Written by one hand in bold Southern Gothica Textualis Formata with Spanish features; the addition on f. 17rb-va is by another hand in the same script., In art. 2 red paragraph marks. In art. 3 fine 2-line flourished initials with marginal extensions, alternately in red with blue penwork and blue with red penwork. Large littera duplex of the same type and in the same colours on f. 6r. Art. 4 is not decorated. On f. 1v, full-page miniature depicting the King of Castile and four noble members of the Confraternity in adoration of the Resurrection. On f. 2r, full-page miniature showing the Archbishop of Toledo and five clerics in adoration of the Virgin, who hands the chasuble to St. Ildefons Archbishop of Toledo. Both miniatures are set in a courtyard and are framed at the outer and lower side with a border of large acanths in gold and colours. The slight smudge in the middle of the paintings is probably caused by the noble and clerical members swearing an oath of fidelity to the Confraternity and touching the appropriate page., and Binding: ca. 1600. Blind-tooled light brown leather over pasteboard made from waste paper. The covers are decorated with fillets making a double lozenge in a rectangular frame, decorated with impressions of a star-shaped tool. Traces of two leather ties.
Subject (Geographic):
Connecticut, New Haven., and Spain
Subject (Topic):
Illumination of books and manuscripts, Medieval, Confraternities, Manuscripts, Medieval, and Religious life and customs
Date of publication from ESTC., Verse begins: "Will you hear of a Spanish lady,"., In four columns with the title above the first two columns and the woodcut above the first; the columns are separated by ornamental rules., Mounted on leaf 50. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
s.n.
Subject (Geographic):
England and Spain
Subject (Topic):
Unrequited love, Sailors, Man-woman relationships, and Foreign relations
A satire ridiculing the first Nootka Convention in which Spain conceded England's right to maintain outposts in Nootka Sound and engage in whaling outside a "ten-league line" off the Northwest coast of North America. In a small row boat on the Pacific and facing the west coast of North American, Pitt stands fishing with a rod baited with a sack labelled "3 million genl. elc." Beside him in the boat is Henry Dundas holding another sack labelled "million gen. elec" and beside him in the back of the boat, a third sack also labelled "million gen elec." Selected points along the shore from the Sea of Kamtschatka and Bristol Bay (north) to New Mexico are identified with no attempt to convey a sense of scale: Nortons Sound, Alaska, Cooks River, Ps. William Sound, Spanish Land, Nootka or King Georges Sound, New Albion, California. Off the coast of Alaska are shown the islands Arako and Foxes Is. Whales surface above the water inside the buoys with flags reading "10 leagues." In the upper left is a galley "Convention." Pitt says "I fear Harry the fishing will never answer." Dundas replies, "Never mind tha Billy the gudgeons we have caught in England will pay for all."
Alternative Title:
Cheap way to catch whales
Description:
Title etched above image., Six lines of verse in three columns below image: The hostile nations view with glad surprise, the frugal plans of minsters so wise, but they the censure of the world despise, sure from their faithfull commons of suplies [sic], convinced that man must fame immortal gain, Who first dare fish with millions in the Spanish Main., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Jany. 4, 1791, by H. Humphries, N. 18 Old Bond St.
Subject (Geographic):
Spain, Great Britain., Great Britain, Spain., and North Pacific Ocean.
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, and Great Britain.
Subject (Topic):
Foreign relations, Politics and government, Whaling, Fishing, Galleys (Ships), Maps, Ships, and Whales
A slip-song - "O brave England’s forces!"., "In praise of James Butler, duke of Ormonde's campaigns in Spain against Cadiz and Vigo; after his banishment" (Foxon)., Foxon dates this "[1715/-]"; that is, no earlier than 1715 (the year of Ormonde’s banishment), but with no terminus ante quem specified., Mounted on leaf 43. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Geographic):
Spain
Subject (Name):
Ormonde, James Butler, Duke of, 1610-1688
Subject (Topic):
Spanish Succession, War of, 1701-1747, Campaigns, Vigo Bay, Battle of, Spain, 1702, Naval warfare, Warships, and Sailing ships
Manuscript text of twelve letters from Watkins to his father, Pennoyre Watkins, describing his travels in the Low Countries, France, Spain and Switzerland in 1787. The manuscript contains corrections, addenda and several notes for a printer, and is apparently the text of "his Travels in France and Spain....suppressed" in the 1792 publication of Travels through Swisserland, Italy, Sicily..... Versions of Letters 11 and 12 in this manuscript appeared as Letters I and II in the first edition of Travels and Watkins' letters give a full account of places, sights and people encountered on his travels with his friend, George Pocock, and include his horror at the sight of galley slaves in Bordeaux; his dislike of Spanish theater and his "shudder" in the offices of the Inquisition in Barcelona; his admiration of Mont Blanc and Chamonix; and his conclusion that Rousseau's description of the Vallais was "a deception passed upon travellers."
Description:
Title from front cover (repeated on first page as "title page")., Spine title: "Travels.", Signed on back cover: "Hughes. Brecon 1861.", and Binding: contemporary vellum.
Subject (Geographic):
Alps, France, Spain, and Switzerland
Subject (Name):
Pocock, George., Rousseau, Jean-Jacques, 1712-1778, and Watkins, Pennoyre.
Subject (Topic):
Influence, Grand tours (Education), Travelers' writings, English, and Description and travel
