"The interior of a well-furnished dressing-room. A young woman stands in the centre, arms akimbo, putting on a pair of breeches and looking towards the mirror which stands on a dressing-table (right) in which a small monkey is also looking. A maid-servant (left) stoops to fasten the buttons at the right. knee. A poodle, partly shaved, barks at the actress; it stands on a play bill inscribed "and the Part of Capt Macheath by Miss ." A pair of top-boots lies on the floor. On a stool (right) is a sword, a pair of stays, and a paper inscribed "To be seen a most surprising Hermaphrodite.""--British Museum online catalogue
Alternative Title:
Miss Brazen just breecht
Description:
Title from text engraved below image. and Sheet trimmed to plate mark.
Publisher:
Printed for & sold by Carington Bowles ...
Subject (Geographic):
England
Subject (Topic):
Actresses, Clothing & dress, Cross dressing, Dogs, and Women domestics
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
A collection of prints and drawings probably assembled in the late 1830s or early 1840s, although the drawings may have been executed earlier. The wash drawings by Agnes Berry are of mostly Italian sites in Genoa, Florence, Naples, Rome, and Nice with one drawing of Mont Cenis in France. The lithographs are more varied in theme and include: two engravings after paintings by Raphael, possibly removed from an illustrated book; etchings and lithographs of carriages and coaches; lithographs of buildings; a group of four etchings by Henry Monnier and two lithographs by Delpach; and nine etchings and engravings of contemporary actors and actresses in theatrical costumes. All images have been mounted and most have been captioned, probaby by Margret Graves
Description:
Title assigned by cataloger., Bound in green morocco with gold tooling and initials MG [i.e. Margret Graves]., Dedication page: wash drawing with inscription "Margret Graves from Agnes Berry"., and For further information, consult library staff.
Subject (Geographic):
Italy
Subject (Topic):
Actors, Actresses, Carriages & coaches, and Costumes
Engraving of the portrait of the novelist Eliza Haywood after the painting by Parmentier; oval bust, facing right, in rectangular frame
Description:
Title engraved below image., Sheet trimmed to plate mark., Haywood [née Fowler], Eliza (1693?-1756), English author and actress., and Mounted on wove paper with watermark: Whatman 1886.
Volume 3, before page 159. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
"A stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath."--British Museum online catalogue
Description:
Title from text within ribbon at top of image; remainder of title from text below image., One of the suppositious 'Sympson' prints whose attributions have long been doubted; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Dated to the 1790s in the British Museum online catalog, registration no.: Cc,3.122., Sheet trimmed within plate mark., Polly portrayed by Lavinia Fenton., Mounted to 38 x 27 cm., and Bound in before page 159 (leaf numbered '22' in pencil) in volume 3 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., Polly portrayed by Lavinia Fenton., Ms. note in pencil Steevens's hand above print: £5.5.0; at top of print: 5., Ms. note beneath print in another hand in pencil: For Graphic illustrations of Hogarth ... its possession of Samuel Ireland, 1794, p. 58., and On page 233 in volume 3. Sheet trimmed to: 11 x 12.7 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., and Polly portrayed by Lavinia Fenton.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
"Mrs. Siddons as Elvira in 'Pizarro'. Her words are from Act III. iii (in Pizarro's tent). She stands with her head turned in profile to the left, right arm extended in a commanding gesture. She wears a high-waisted, quasi-classical dress, with a long cloak bordered with gold, folds of which are twisted round her left arm."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Theater: actors in performance -- Literature: Richard Brinsley Sheridan, Pizarro, iii.3 -- Female costume: theater costume., Leaf 28 in an album with the spine title: Characatures by Dighton., 1 print : etching with drypoint on laid paper, hand-colored ; plate mark 22.3 x 17.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Siddons" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Siddons, Sarah, 1755-1831
Title from item., Date supplied by publisher., Place of publication derived from street address., Published in Le Charivari, ca. 1843-1844., Above image: Les Malades et les Médecins 25., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Theatre; Medical excuses.
Publisher:
Chez Pannier & Cie. Edit. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Excuses, Sexual harassment, Diet, Quacks and quackery, Actresses, and Physicians
An autograph letter signed from an itinerant actress Eleonora Garrell in a travelling theatre troupe, dated 13 December 1764 from the White Lion Inn in Halifax. An affectionate, teasing letter in which the writer reports on her employment with the "Scotch Company" and their meeting with a rival company "Mr. Whitley" in Leeds where they are both banned. She reports that she will be joining another company "Mr. Woodcock's" and reports about her ill-health
Description:
Surname may be Garrell?, In English., and For further information consult library staff.
Subject (Geographic):
Great Britain.
Subject (Name):
Farrell, Eleonora. and Whitley, James Augustus, ca. 1724-1781.
Read, Richard, approximately 1745-approximately 1800, printmaker
Published / Created:
[11 April 1778]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Anne Brown (later Cargill) as the character Louisa from Sheridan's comic opera 'The Duenna'; half-length, directed and looking three-quarters to right, smiling and lifting from her face with her left hand a voluminous veil, which covers her head and is draped about her shoulders and bosom; her right hand raised in front of her, with forefinger up; wearing low-necked dress with slashed sleeves, the cuffs trimmed with pointed lace, hair worn high; oval frame."--British Museum online catalogue
Description:
Title etched below image. and Laid in after page 192 in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. April 11, 1778, by J. Walker, No. 13, Parliament Street
Subject (Name):
Cargill, Ann, 1760?-1784, and Sheridan, Richard Brinsley, 1751-1816.
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
"Portrait of Anna Friedrike Heinel, in character; whole length, dancing, in costume; wearing layered skirt, bodice with garland, beads and feather in hair, and choker; after Brandoin."--British Museum online catalogue
Alternative Title:
Mlle Heinel in the character of a sultana and Mademoiselle Heinel in the character of a sultana
Description:
Title engraved below image., Printed on same sheet: The Pretty Savoyard girl., and Watermark: J Taylor.
Publisher:
Printed for R. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, as the act directs
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.
"Portrait; bust length, to right; in decorated oval."--British Museum online catalogue
Description:
Title from text in image., Plate from: The London magazine; or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 45 (August 1776)., and "London mage."--Above image in upper right.
"Actress half-length looking upwards in an oval, wearing helmet, medusa collar and carrying a shield."--British Museum online catalogue
Description:
Title from caption below image., Mounted on leaf numbered 7 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Publishd as the act directs Febry. 24, 1774 by H. Bryer at No. 12 Stephen Street Tottenham Court Road
One of a collection of four similar images; the others in this series are: Mr. Kean as Othello; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. This collage shows full-length image of a woman, identified as Miss Hargraves. Her head and neck, arms, and feet have been cut from an unidentifed print or prints while her costume and its trimming are cut from satin cloth. On each side are small images also cut from prints: on the right a house with a second story wrap-around porch and on the right a covered structure ladened with refreshments and On the back of this collage are mounted three small engravings of women in fashionable dress; with notes in red ink "Presented by Sarah, Apl. 8 1830" written twice in the upper left and right and below also on the right and left "The author returns thanks". In the same hand the middle print has been annotated "Kemble" which is also engraved in the plate with the author and printmaker statements "R. Cruikshank delt. J. Rogers sc."
Description:
Title written below image; artist statement above image. and Date of production from recipient's note on the verso and other internal evidence.
"Portrait of the actress Charlotte Walpole dressed as a sentry in her role as Nancy in R.B. Sheridan's 'The Camp', an infantry soldier standing pointing and directed to left, holding rifle against left elbow, wearing cocked hat on powdered hair with a cockade, a thatched cottage in background to right with a sign lettered 'CW', the tents of a military camp in a field down the hill to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Early state, before title changed to "Nancy" and before verses added below image. Cf. British Museum online catalogue, registration no.: 1906,0419.130., Sheet trimmed within plate mark., and Mounted on page 99 of: Bunbury album.
Publisher:
Publish'd Jany. 22d, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Atkyns, Charlotte Walpole, Lady, approximately 1758-1836,
Subject (Topic):
Actresses, Soldiers, Guards, Military camps, and Theatrical productions
A composition set in an oval shows a scene from O'Keeffe's Agreeable surprise in which Cowslip (Mrs. Wells) stands in profile on the left holding out a bowl of milk. Lingo (Mr. Edwin) faces the viewer as his eyes turn toward Cowslip; he gestures with his right hand chest-high. Both are three-quarter views of the performers
Description:
Title from caption below image., Date based on drawing of Mrs. Wells by Donnman in the Brit. Museum., A related print of Edwin and Wells as Lingo and Cowslip / H. Singleton pinxt. ; Edmund Scott sculpt. Published 1 May 1788 by I. Birchall. See Catalogue of Engraved British portraits, v. 2, p. 136., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Edwin, John, 1749-1790, Wells, Mary, approximately 1759-, and O'Keeffe, John, 1747-1833.
Volume 1, opposite page 180. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole lengths, standing in a library, King on left, his hands clasped, before him a fallen screen, behind which, her back to a window, stands Mrs. Abington, elegantly dressed, holding fan before her face, Palmer points towards her with right hand whilst addressing Smith, who is just entering at door to right"--Smith, J.C. British mezzotinto portraits
Description:
Title from text below image., Sheet trimmed to plate mark leaving thread margins., "Price 1s. 6d."--Following imprint., Window mounted to 36 x 51 cm., and Mounted opposite page 180 (leaf numbered '218' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs, 12th May 1778, by John Harris, map & printseller, Sweetings Alley, Cornhill
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., King, Thomas, 1730-1805,, Abington, Mrs. 1737-1815, (Frances Barton),, Palmer, John, 1742?-1798,, and Smith, William, 1730-1819,
Portrait of Mrs. Abington after Reynolds (Mannings 28); standing three-quarter length to front, resting her left arm on a draped block (the pedestal of a statue of the Comic Muse), head inclined to left, eyes to front; wearing floral gown, sash and her hair up; plain background
Description:
Title from caption below image., First state, without numbering '133'. See J.C. Smith., Date of publication from British Museum online catalogue., Mrs. Abington, comic actress, born and worked London and Dublin. Began as a flower seller and domestic servant., Mounted on leaf numbered 1 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
"Portrait of Letitia Cross standing three-quarter length to front beside flowers, her hands crossed, head turned slightly to right, eyes to front, wearing loose dress and pearls in her hair, with veil, curtain, arches and statues in garden seen behind."--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date of publication from the British Museum online catalogue, registration no.: 1902,1011.4511., and Sheet trimmed close to plate mark.
Publisher:
Sold by J. Smith at the Lyon & Crown in Russel Street Covent Garden
Green, J. H. (John Hippisley), 1753- printmaker, artist
Published / Created:
[1803]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Jane Green, in character in Foote's 'The Author'; half length, to the front, looking to the left; wearing hat perched on top of raised hairstyle; a sunflower pinned to dress."--British Museum online catalogue
Description:
Title etched below image., Artist and printmaker identified as J.H. Green in the Catalogue of engraved British portraits., Sheet trimmed within plate mark on three sides., Window mounted to 51 x 36 cm., Mounted before page 101 (leaf numbered '151' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Pencil annotation on verso: Mrs. Green daughter of Hippisley the commedian [sic]. See Genest vol. IV - p. 253.
Publisher:
Published 1803 by J.H. Green, No. 1 Wells Street, Oxford Street
Subject (Name):
Green, Jane, 1719-1791, and Foote, Samuel, 1720-1777.
Mrs. H. Johnston as Princess Zorilda in M.G. Lewis' Timour the Tartar, in full custume, astride a rearing, white horse
Description:
Title from item. and Sheet trimmed within plate mark resulting in loss of imprint. Imprint from copy at the Folger Shakespeare Library, Washington, D.C.
Publisher:
Pub. by Dighton, Spring Gardens
Subject (Geographic):
England and London
Subject (Name):
Johnston, Nannette, and Lewis, M. G. 1775-1818. (Matthew Gregory),
"Portrait standing half-length to right and holding eyeglass, eyes to front, wearing elaborate costume with plumed hat; in the character of Hippolyta; state with title in open letters."--British Museum online catalogue
Description:
Title from caption below image., Dedication below title: "To her Grace the Dutchess of Devonshire, this print is most humbly dedicated by her Grace's most obedt. humble servt. John Jones.", and Description based on imperfect impression; sheet trimmed within plate mark with loss of text.
Publisher:
Publish'd as the Act directs March 1st. 1791, by J. Jones, No. 75 Great Portland Street
"Portrait of Mrs Jordan as Peggy in 'The Country Girl' after Romney, standing three-quarter length with her hands clasped together in front of a doorway and column; state after title changed, before engraver's name altered."--British Museum online catalogue
Description:
Title engraved below image. and Second state, with title altered from "Mrs. Jordan in the Character of the Romp". For the earlier state, see Yale Center for British Art accession no.: B1970.3.341.
Publisher:
Publish'd June 24th, 1788, by John & Josiah Boydell, No. 90 Cheapside, London
Subject (Name):
Jordan, Dorothy, 1761-1816, and Garrick, David, 1717-1779.
"The actress in character standing in an archway, wearing a shawl over her head and a crucifix attached to a string of pearls around her neck, her right hand raised and a large urn beside her."--British Museum online catalogue
Description:
Title from caption below image., Text below title: Shakespear [sic] Act 5th Scene 3rd., and Sheet trimmed to plate mark.
Publisher:
Publish'd according to Act of Parlt., 1765, by R.E. Pine in St. Martin's Lane, London
"Portrait of Mary 'Perdita' Robinson, half-length in an oval, directed to left but looking forward, with high dressed hair with a cap on top, and both hands in a muff."--British Museum online catalogue
Description:
Title from item., State from: Russell, C.E. English Mezzotint portraits and their states., Scratched-letter state with inscription space uncleaned., and Sheet trimmed to plate mark.
Publisher:
Publishd. August 25th, 1781, by J.R. Smith, No. 83, opposite the Pantheon, Oxford Street
"Illustration to Bell's Shakespeare; Sarah Siddons as Isabella in Shakespeare's 'Measure for Measure'; whole length, to the right, arms extended, beseeching; wearing a long scarf that hangs from the back of her head, and around her body, a crucifix and beads at her waist; in oval. 1785."--British Museum online catalogue
Description:
Title from caption below image., Text above image: "Act 5 ; Measure for Measure ; Scene 1.", Verse below title: "Justice, O royal duke! vail your regard ; upon a wrong'd, I would fain have said a maid!", Sheet trimmed to plate mark., and In paper frame: 330 x 268 mm.
Half-length portrait of Mrs. Yates, in profile looking left. She is wearing a hat and a necklace with earrings
Description:
Title from later note in pencil., Inscription in pencil on verso: Attrib. by David Brown, visiting LWL from Ashmolean 10-31-73., and Hugh Douglas Hamilton, English portrait and subject painter, 1740-1808.
"The heroine standing three-quarter length, holding in her left hand an urn with a long chain bound round her wrist, behind her a monument."--British Museum online catalogue
Description:
Title from text below image., Date of publication from the British Museum online catalogue, registration no.: R,10.92., Mounted on leaf numbered 47 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Volume 1, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 99. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Charlotte Walpole dressed as a sentry at Cox Heath in her role as Nancy in R.B. Sheridan's 'The Camp', standing on a hill above a military camp at left which she points towards, a cabin with letters 'CW' on the side and smoking chimney behind; after Bunbury, published state after change of title."--British Museum online catalogue
Description:
Title etched below image., Plate originally published with the title "Miss Walpole" and without the verses below image. Cf. British Museum online catalogue, registration no.: K,66.33., Sheet trimmed to plate mark., Four lines of verse below image, two on either side of title: My Nancy leaves the rural plain, a camps distress to prove; All other ills she can sustain, but living from her love., Plate numbered "3" in upper left corner., Mounted on page 99 of: Bunbury album., 1 print : stipple engraving and etching on laid paper ; sheet 23.9 x 18.2 cm., and Imperfect; sheet trimmed within plate mark with partial loss of plate number from upper left corner.
Publisher:
Publish'd Jany. 22d, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Atkyns, Charlotte Walpole, Lady, approximately 1758-1836,
Subject (Topic):
Actresses, Soldiers, Guards, Military camps, and Theatrical productions
Volume 1, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 99. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Charlotte Walpole dressed as a sentry at Cox Heath in her role as Nancy in R.B. Sheridan's 'The Camp', standing on a hill above a military camp at left which she points towards, a cabin with letters 'CW' on the side and smoking chimney behind; after Bunbury, published state after change of title."--British Museum online catalogue
Description:
Title etched below image., Plate originally published with the title "Miss Walpole" and without the verses below image. Cf. British Museum online catalogue, registration no.: K,66.33., Sheet trimmed to plate mark., Four lines of verse below image, two on either side of title: My Nancy leaves the rural plain, a camps distress to prove; All other ills she can sustain, but living from her love., Plate numbered "3" in upper left corner., Mounted on page 14 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink directly below title: Miss Walpole the actress.
Publisher:
Publish'd Jany. 22d, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Atkyns, Charlotte Walpole, Lady, approximately 1758-1836,
Subject (Topic):
Actresses, Soldiers, Guards, Military camps, and Theatrical productions
Lord Fife drives Mlle. Noblet in a gig; a groom sits in a dickey behind
Alternative Title:
Quelle noblesse virtute et opera
Description:
Title etched below image. The letter 't' in "noblet" is scored through and the letters 'sse' etched above., Watermark: 1821., and On verso, printseller's ticket: Tomlinson, Print and bookseller, Stationer &c., No. 3 Wades-Passage, Bath.
Publisher:
Pubd. by S.W. Fores, corner of Sackville St., Piccadilly
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[1 February 1791]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Frances Abington after Reynolds (Mannings 32), in the character from Bickerstaffs's 'The Sultan'; half-length, standing, looking to right, appearing from behind a curtain which she pushes aside with her left hand; published state."--British Museum online catalogue
Description:
Title etched below image., State from Hamilton., Imperfect; sheet trimmed within plate mark with loss of all text. Description based on impression in the British Museum, registration no.: Aa,9.22., Sheet trimmed into an oval shape (23.8 x 19.4 cm), with ink wash added to fill in the blank spaces around the rectangular portrait; window mounted to 51 x 36 cm., Mounted opposite page 174 (leaf numbered '212' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Title and statements of responsibility written in ink at bottom of mounting page, in a later hand: Mrs. Abington as 'Roxalana' in the "Sultan" / Sir J. Reynolds, pinx. ; J.K. Sherwin, sculp.
Publisher:
Publish'd Feby. 1, 1791, by J. Thane, Rupert Street, Hay Market
Subject (Geographic):
British.
Subject (Name):
Abington, Mrs. 1737-1815, (Frances Barton), and Bickerstaff, Isaac, 1735-1812.
In imitation of a scene from Act 3 of Farquhar's "The beaux' stratagem," Charles Fox as Scrub, and Lord North as Archer, sit in close conference discussing Perdita's infidelity while Mrs. Robinson (Perdita) as Gipsey, watches them standing behind their chairs. On the wall hangs the portrait of Col. Tarleton, with whom she was involved
Alternative Title:
Scrub and Archer
Description:
Title etched below image., Reissue of George 6221. Originally published by Boyne, 25 April 1783., and Mounted to 42 x 34 cm.
Publisher:
Pub. 1st August 1783, by W Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Robinson, Mary, 1758-1800., Tarleton, Lieutenant-General 1754-1833. (Banastre),, and Farquhar, George, 1677?-1707.
Subject (Topic):
Actresses, Theatrical productions, and Clothing & dress
"Mrs. Abington stands facing three quarters to the right dressed as Scrub in Farquhar's 'Beaux' Stratagem', with her hair in tightly curled ringlets (resembling the wig worn by Weston in the part). Her hand is in the pocket of a long, old-fashioned coat worn over an apron. On the wall behind her head is a bust of Farquhar, scowling down at her, disgusted to see a woman play the part. On each side is a picture: on the left the head and shoulders of a man calling "Murder Murder", the frame is inscribed, "Mr Weston in ye part of Scrub". On the right a woman emerges from the funnel of a bottle, as the Bottle Imp. She is of meretricious appearance, holds up a purse in her right hand, a mask in the left; the frame is inscribed, 'For the Benefit of Thalia For this Night only The Pit laid into the Boxes."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on right and left sides., 1 print : etching with engraving and stipple on wove paper ; plate mark 27.8 x 20.2 cm, on sheet 29.4 x 21.2 cm., and Mounted on leaf 33 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 15th Febry. 1786 by Thos. Cornell, Bruton Street
Subject (Name):
Abington, Mrs., 1737-1815 (Frances Barton), and Farquhar, George, 1677?-1707.
"Mrs. Abington stands facing three quarters to the right dressed as Scrub in Farquhar's 'Beaux' Stratagem', with her hair in tightly curled ringlets (resembling the wig worn by Weston in the part). Her hand is in the pocket of a long, old-fashioned coat worn over an apron. On the wall behind her head is a bust of Farquhar, scowling down at her, disgusted to see a woman play the part. On each side is a picture: on the left the head and shoulders of a man calling "Murder Murder", the frame is inscribed, "Mr Weston in ye part of Scrub". On the right a woman emerges from the funnel of a bottle, as the Bottle Imp. She is of meretricious appearance, holds up a purse in her right hand, a mask in the left; the frame is inscribed, 'For the Benefit of Thalia For this Night only The Pit laid into the Boxes."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on right and left sides., and Mounted on page 49 with one other print.
Publisher:
Publd. 15th Febry. 1786 by Thos. Cornell, Bruton Street
Subject (Name):
Abington, Mrs., 1737-1815 (Frances Barton), and Farquhar, George, 1677?-1707.
"Mrs. Abington stands facing three quarters to the right dressed as Scrub in Farquhar's 'Beaux' Stratagem', with her hair in tightly curled ringlets (resembling the wig worn by Weston in the part). Her hand is in the pocket of a long, old-fashioned coat worn over an apron. On the wall behind her head is a bust of Farquhar, scowling down at her, disgusted to see a woman play the part. On each side is a picture: on the left the head and shoulders of a man calling "Murder Murder", the frame is inscribed, "Mr Weston in ye part of Scrub". On the right a woman emerges from the funnel of a bottle, as the Bottle Imp. She is of meretricious appearance, holds up a purse in her right hand, a mask in the left; the frame is inscribed, 'For the Benefit of Thalia For this Night only The Pit laid into the Boxes."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Sheet trimmed within plate mark on right and left sides.
Publisher:
Publd. 15th Febry. 1786 by Thos. Cornell, Bruton Street
Subject (Name):
Abington, Mrs., 1737-1815 (Frances Barton), and Farquhar, George, 1677?-1707.
"George IV (right) offers a purse to a pretty young woman in evening dress of theatrical type (right). Through a window (or in a picture) is seen a large signpost, pointing (left) to 'Chester' and (right) to 'Virginia Water' (the Cottage); behind is a race, two jockeys nearing the winning post (right). A large Chinese jar stands on the floor filled with flowers."--British Museum online catalogue and "An early allusion to Eliza Chester, b. 1799, a pretty actress who fascinated the King and according to Huish was appointed Reader to him at £600 p.a."--Curator's comments, British Museum online catalogue
Alternative Title:
R- method of colt-breaking, Royal method of colt-breaking, and A la Chester-field
Description:
Title etched below image., Text above image: A la Chester-field., Tentative attribution to William Heath from the British Museum catalogue., Sheet trimmed within plate mark., Five lines of dialogue etched below title: Man, Delightfull [sic] task to rear the tender thought to teach the young idea how to shoot, to pour the fresh Instruction on the mind, to breath [sic] the enlivening spirit, & thus to aid the generous purpose in the glowing breast. Woman, Indeed, indeed, the temptation is so great, the prospect so flattering tis my ambition, not my will consents., Text at bottom of plate: Plate 1st a series of these subjects will be continued to exhibit the force of example above precept, & to shew the principles of morality emonates [sic] from Great Qui Capet Ille habet., Watermark: G. Pike 1820., Window mounted to 34.3 x 23.9 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 66 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Miss Chester" and "Geo. IV" identified in ink below image; date "22 Ap. 1821" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Apl. 22, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Chester, Eliza, 1799-
The actress Mrs. Abingdon dressed as Thalia, Muse of Comedy, stands holding a mask in an outdoor scene. Piles of books by notable playwrights lie near her feet and a group of onlookers in the background observe a satyr standing on a wall
Alternative Title:
Frontispiece to The new English theatre
Description:
Title from item., Publisher and date of print from copy of book in Beinecke Library., Imperfect Impression; lower edge trimmed with loss of publication information., At head of title: Frontispiece to The new English Theatre., and Frontispiece from: The new English theatre, v. 1. London: J. Rivington & sons ..., 1776.
Publisher:
Published June 3d. 1776 by T. Lowndes & other proprietors
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image. and State with Ireland's name spelled out.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, and Theatrical productions
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image. and Plate from: Nichols, J. The genuine works of William Hogarth, v. 3, page 134.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, Theatrical productions, Tickets, and Ephemera
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image., State with printmaker's name initials only., Copy of no. 2271 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Ireland, S. Graphic illustrations of Hogarth, v. 1, page 130., Ms. note in pencil in Steevens's hand above print: £5-5-0; on top of print: 3., and On page 233 in volume 3. Sheet trimmed to: 13 x 14 cm.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, and Theatrical productions
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image., State with printmaker's name initials only., Copy of no. 2271 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Plate from: Ireland, S. Graphic illustrations of Hogarth, v. 1, page 130.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, and Theatrical productions
An allegorical representation of the nationalistic riot occasioned by a troupe of French comedians in London. This satirical print refers to the controversy and protest surrounding a French theatrical company, nicknamed the 'French Strollers', who applied for and were granted a licence to perform at the Haymarket in the winter of 1749. Their arrival occasioned much discontent; as the Scots Magazine reported, they were 'bitterly pelted in the news-papers'. Asserting their right to perform, they persisted in a show on 14 November, but were met by an audience intent on sabotage. An eyewitness account of the incident appeared in the Monthly Review some years later (July 1761): 'People went early to the Theatre, as a crouded House was certain ... I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the conduct of the Opposition, were known to be there; one of whom called aloud for the song in praise of English roast beef, which was accordingly sung in the gallery, by a person prepared for that purpose; and the whole house besides joining in the chorus, saluted the close with three huzzas! This, Justice Deveil was pleased to say, was a riot'. Despite the Justice's assertions that the play was licensed by the King's command, the crowd had come prepared to produce disruption. They were equipped with instruments which they played discordantly as an accompaniment to their jeers, catcalls, and Francophobic songs: 'as an attempt at speaking was ridiculous, the Actors retired, and opened instead with a grand dance of twelve men and twelve women; but even that was prepared for, and they were directly saluted with a bushel or two of peas, which made their capering very unsafe'. Unable even to dance, and following another abortive attempt by the magistrates to assert the King's authority, the curtain fell for the final time. The eyewitness evidently relished the outcome, venturing 'that at no battle gained over the French, by the immortal Marlborough, the shoutings could be more joyous than on this occasion'. The print embodies similar sentiments; the French strollers attack British theatrical establishment--represented by an affronted Britannia--who stands between them and British theatre-goers. In the foreground stands a perplexed Othello, lamenting the loss of his occupation, and an injured man a man lies on the floor 'Almost kill'd for not understanding French'.
Alternative Title:
Modern cramers
Description:
Title etched below image., Date of publication based on date of the depicted event., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain, England, and London.
Subject (Topic):
Britannia (Symbolic character), Foreign public opinion, French, Theater, Actors, Actresses, Fighting, and Riots
"A lady, seated on a settee smiling, her right hand rests on the arm of the settee, in her left is a black mask. On the cushion of the settee is a card "Admit Mrs M------to the Mask'd Ball". She is attractively dressed in the fashion of the period, with a muslin apron. Her coiffure is extravagantly large, with curls on her neck, and is covered by an elaborately frilled muslin cap. A rural landscape is seen through a window (right)."--British Museum online catalogue
Description:
Title from item., Lower margin trimmed to plate mark., Date erased from this impression., Date of imprint from British Museum catalogue., and Numbered in lower left of plate, 435.
Publisher:
Printed for and sold by Carington Bowles ... No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England. and England
Subject (Name):
Mahon, Gertrude, 1752-
Subject (Topic):
Actresses, Courtesans, Interiors, Sofas, Upholstery, Clothing & dress, and Hats
Fäsch, Johann Ludwig Wernhard, approximately 1738-1778, artist
Published / Created:
[not after 1778]
Call Number:
Folio 33 30 Copy 11
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a man and woman, standing across from one another and apparently engaged in conversation. The man, standing on the left and facing right, gestures toward the woman with his left hand; he wears a blue jacket and breeches, has a holstered sword on his left hip, and holds a tricorne in his right hand. The woman, standing on the right and facing left, wears a purple and green dress and holds a fan(?) in her right hand. Possibly a depiction of a scene from a play
Description:
Title devised by curator., Artist attribution from manuscript note on paper label mounted below the set of drawings: Drawn by Fesch., Place of production based on artist's main city of activity; date of production based on artist's death date., One of four small drawings of English and French comedians mounted together on one page. Horace Walpole presumably kept similar drawings by Fäsch in his bedchamber at Strawberry Hill., Mounted on page 113 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Half-length portrait of Miss Farren shown in profile looking left
Description:
Title devised by cataloger., Printmaker and publication date inferred from another print on the same sheet., Printed on one sheet with: Mr Bannister in the character of Miss Polly Peachum by Sayers., Not in the Catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum., and Mounted to 56 x 37 cm.
"Portrait of Sarah Siddons, after Gainsborough; three-quarters length sitting directed and looking to left, wearing a striped gown and large feathered hat, set at an angle, her hands on a fur muff in her lap."--British Museum online catalogue
Description:
Title, artist, printmaker, publisher, and date of publication from description of a later state in the British Museum online catalogue, registration no.: 1931,0509.124.
Drawings Un58 no. 83 Framed, shelved in Object Room Bin 6
Image Count:
1
Abstract:
Portrait of Kitty Clive
Alternative Title:
Catherine Raftor Clive and Mrs. Clive
Description:
Title devised by curator., Artist unidentified., Engraved British portraits refers to the engraving of this image by C. Mosley., and No. 33 in the Catalogue of Framed Pictures in the Lewis Walpole Library. For further information, consult library staff.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1802 and 1853?]
Call Number:
Drawings H263 no. 5 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait in an oval of a woman wearing a cap and mid-18th century dress. She is facing slightly to the left but looking towards the viewer
Description:
Title devised by cataloger., George Perfect Harding, English miniature painter, 1779/80-1853., Inscription in pencil: by [G.P.] Harding?, and Inscription in pencil on verso: Miss Hannah Norsa d. 1785.
Portrait of Mrs Yates as Jane Shore; bust in an oval frame. Her right arm is raised, her forehead rests against her raised arm; her eyes are half-closed and her hair loosely dressed up with tresses over the shoulders. She wears a low-necked dress
Description:
Title devised by cataloger., Artist, printmaker, and publication information from the Catalogue of engraved British portraits., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., Another state with scratched inscription below the image reads: "T Parkinson Pinxt. / I. Boydell excudit / J. Meers fecit / London Printed for J. Boydell Cheapside & Publishd as the Act directs Nov. 15th 1776.", Mounted to 28 x 22 cm., and Figure identified in a contemporary hand at bottom of mount: Mrs. Mary Yates.
A portrait of a woman in the rondel frame; in profile, head and shoulders only, looking down and to the right, wearing an extravagant hat; possibly a performer
Description:
Title from dealer's description. and Possibly one of small set of theatrical portraits; for similar prints, see British Museum online catalogue, registration nos.: 2010,7081.2621-2630.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Sheet trimmed within plate mark., and Leaf 38 in: Album of William Hogarth prints.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., 1 print : etching and engraving on laid paper ; plate mark 45.1 x 56.8 cm, on sheet 46 x 59 cm., and Plate 38 in the album: Queen Charlotte's collection of Hogarth works.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., 1 print : etching and engraving on laid paper ; plate mark 45.1 x 56.8 cm, on sheet 46 x 59 cm., and Plate 38 in the album: Queen Charlotte's collection of Hogarth works.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Ms. note pencil in Steevens hand above print: Second Impression., and On page 97 in volume 1. Sheet 450 x 550 mm.
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Ms. pencil note in Steevens's hand above print: First Impression., Ms. pencil note in Steevens's hand below print: See Nichols's book, 3d edit. p. 261., and On page 96 in volume 1. Sheet 445 x 455 mm.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson. and Sheet trimmed to plate mark: 441 x 552 mm.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
