Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of [the] moon ...
Description:
Title, imprint, and printmaker from Paulson., Text continues: as they were perfectly discover'd by a telescope brought to [the] greatest perfection since [the] last eclipse; exactly engraved from the objects whereby [the] curious may guess at their religion, manners, &c., Sheet trimmed within plate mark., Ms. notes in Steevens hand above: Original. Mss I Pencil below: Never offered for sale. There are only 2. Copies, this & the late Lord Orford's to be found., and On page 7 in volume 1. Sheet trimmed to: 261 x 204 mm.
Publisher:
Wm. Hogarth?
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of [the] moon
Description:
Title from first line of text below image., Text continues: ... as they were perfectly discover'd by a telescope brought to [the] greatest perfection since [the] last eclipse; exactly engraved from the objects whereby [the] curious may guess at their religion, manners, &c., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 56., and Mounted to 307 x 225 mm.
Publisher:
publisher not identified
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of the moon
Description:
Title and imprint from Paulson., Text continues : as they were perfectly discover'd by a telescope brouhgt to [the] greatest perfection since [the] last eclipse exactly engraved from the objects, whereby [the] curious may guess at their religion, manners, &c., Copy after Hogarth. See British Museum catalogue no. 1739., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 56, Ms. note in pencil in Steevens's hand at top of print: The same copy, the size of the plate somewhat diminished that is might suit S.I.'s book afterwards published., and On page 301 in volume 3.
Publisher:
Molton & Co.
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Description:
Title, publisher, and state from Paulson., Copy after Hogarth. See British Museum catalogue no. 1739., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), p. 89, Ms. note in Steeven's hand above image: Copy. Ms. note note below image: Proof of S.I.'s copy., and On page 7 in volume 1. Sheet 261 x 200 mm.
Publisher:
Molton & Co.
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of [the] moon ...
Description:
Title from caption below image., Text continues: ... as they were perfectly discover'd by a telescope brought to [the] greatest perfection since [the] last eclipse exactly engraved from the objects, whereby [the] curious may guess at their religion, manners, &c., Copy after Hogarth. See British Museum catalogue no. 1738.1., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 44.
Publisher:
Samuel Ireland.
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of [the] moon, as they were perfectly discover'd by a telescope brought to [the] greatest perfection since [the] last eclipse; exactly engraved from the objects whereby [the] curious may guess at their religion, manners, &c.
Description:
Title from Paulson., Copy after Hogarth. See British Museum catalogue no. 1739., Sheet trimmed within plate mark., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), p. 89
Publisher:
Publish'd 1st May 1788, by Molton & Co., 132 Pall Mall
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
"A pretty and coquettishly dressed milkmaid stands full-face, her pails hung from a wooden yoke across her shoulders. Her expression and pose suggest that she is about to receive favourably the overtures of an elderly beau who stands ogling behind her (right), holding coins in his hand. In the background are farm-buildings and cows."--British Museum online catalogue
Alternative Title:
Printems et l'hiver and Printemps et l'hiver
Description:
Title from caption below image., Numbered "562" in lower left corner., Sheet trimmed to plate mark., No. 33 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Milkmen & milkwomen, Pails, Villages, Seduction, Yokes, and Allegorical prints
"The Prince of Wales stands full-face, in shirt and nightcap, his back to the bridal bed (right) in which the Princess lies with an expression of smiling expectancy. The Prince stands dismayed, with his right fingers to his mouth. On a table beside him (left) are two (?) mustard-pots and a bottle of 'Cantharides'. On the wall showing between the curtains of the bed is a picture of Leda and the swan. The bed is ornate with fringed curtains, and the Prince of Wales' feathers and motto at the head. Her stockings, shoes, a garter, and a garment draped over a chair are beside the Princess; the Prince's clothes lie at his feet."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: who has just fitted up his exhibition in an entire novel stile, admittance one shilling., Temporary local subject terms: Furnishings: bed curtains -- Pictures amplifying subject: Leda and the swan -- Medicinal: cantharides potion -- Prince of Wales's marriage, 8 April 1795., Watermark: Strasburg lily with initials GR and date 1794 below., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pub. April 15, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Marriage, Allegorical prints, Bedrooms, Canopy beds, Interiors, and Sleepwear
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
