Manuscript fragment on parchment (6 non-consecutive leaves) of vesper antiphons. Feasts noted for some antiphons are: Ascension; 21st-23rd Sunday after Pentecost; Vigil of Saints Peter and Paul
Description:
In Latin., Script: written by a single scribe in a formal gothic bookhand., Six lines of text with musical notation on a four-line red staff. Initials in red, blue, and black., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Vespers (Music)
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment (thick, furry) of 1) Richard Rolle, The Fire of Love. 2) Poem added, 16th century, by Richard Hutton. 3) Richard Rolle, The Mending of Life. 4) Verse life of John of Bridlington (d. 1379). Written in a Northern dialect; numerous marginal and interlinear notes in hands of 16th-17th centuries illustrate that the text was being read for comprehension in this period. Annotations include corrections (often by one individual on comments made by another), glosses on particular words, and whole passages transcribed in the margins
Description:
In English (Northern dialect)., Script: Written by a single scribe in bastard Secretary script. Marginal and interlinear glosses by several hands, 16th-17th centuries., Blue initials, 2-line, with elaborate pen-work flourishes, in red: zigzags along the margin and foliage designs in and around the body of letter. Underlining, initial strokes, and simple helical line-fillers, in red., and Binding: Fifteenth century. Original, wound sewing on seven small, double, tawed-skin supports laced into grooves on the inside of oak boards and pegged. Covered in pink, tawed skin with two strap-and-pin fastenings, flower-shaped pin bases on the lower board. Fastenings wanting and supports breaking. Original pastedowns from an antiphonal (England, 13th century) with parts of the office for Stephen at Matins and at Lauds; musical notation on 4-line red staves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Antiphonaries, Devotional literature, English (Middle), English poetry, and Manuscripts, Medieval
Manuscript fragment on parchment of an antiphonary containing St. Paul (30 June).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: initials of antiphons and responses are 1-line red capitals; 1-line initials for verses and Psalm incipits are in brown highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation in the same ink as the text; interlinear neumes in the St. Gall style, somewhat surprising in a manuscript of this date; differentiae in roman numerals with neumes in the St. Gall style are in the outer margins for antiphons with full text.
Manuscript fragment on parchment of an antiphonary containing: the Annunciation (25 March); Responsories from the book of Job and Psalms; and a computistical table for calculating the time between Christmas and Shrove Tuesday, with explicatory notes in German
Description:
In Latin and German., Script: written by three scribes in gothic script (littera textualis); one scribed copied fol. 1, another copied fol. 2r, and a third copies fol. 2v., and Decoration: 2-line initials at the beginning of the antiphon on fol. 1 are in red; the guide letters for these initials are still visible in light brown ink and some have been ornamented, including one with a crude figure of a person; 2-line initials at the beginning of verses on fol. 1 are in black with black penwork; fol. 2v begins with a very crude 2-line round D in red; rubrics written in red; musical notation is in black and on fol. 1 is on a 4-line staff in black; on fol. 2r it is on a 5-line staff in black; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing: Sts. Cosmas and Damian (27 September); Archangel Michael (29 September); St. Dionysius (9 October); and St. Gall (16 October).
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: The offices of Archangel Michael and of St. Gall begin with 2-line initials in red and blue; the insider of the letters is decorated with an animal on a red and green ground surrounded by red and blue penwork and white dots; the outside of the letters is surrounded by red and blue penwork; 2-line initials of antiphons and responses alternate red and blue; the 2-line initial of the verse is in brown highlighted with red; the left margins of both versos are decorated with red and blue designs, which are topped by an animal head in red on fol. 1v; musical notation is in black on a 5-line staff in black; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing the Common of the Apostles
Description:
In Latin., Script: written in rounded gothic script (littera textualis formata)., and Decoration: The 4-line initial at the beginning of the office is blue and red with blue and red flourishes; 2-line initials at the beginning of responses alternate blue and red; 2-line initials at the beginning of verses are brown with brown and yellow flourishes; 1-line initials within verses are in brown and are highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text; musical notation is on a four-line staff.
Manuscript fragment on parchment of an antiphonary containing unidentified chants and Holy Saturday, lauds
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: the 4-line initial "U" is in blue and red; some of the sketched flourishes outside of the letter have been traced in red and filled with green; inside the letter a floral pattern has been sketched and partially completed; the 2-line initial "O" is red with sketched flourishes only partially completed and filled with green; rubrics in red in the same script as the text; quadrata notation is in black on a 4-line staff in red; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing Feria V throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 6-line initial "M" at the beginning of the Psalm is in gold, on a square ground of blue decorated with white filigree; the inside of the initial depicts a good-quality image of David kneeling against a mauve background and looking up to the hand of god; 1-line initials at the beginning of Psalm verses and antiphons alternate in red and blue uncials; rubrics written in red capitals; punctuated with the punctus and punctus elevatus; musical notation is in black on 4-line staves in red.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 7-line initial "D" at the beginning of the Psalm is in light tan and gold on a square ground in blue with white filigree; the inside of the initial contains a miniature that is badly rubbed, depicting Christ holding a book on a mauve ground; the first line of the Psalm is written in 1-line white capitals on a rectangular red ground; guide letters for the artist are in the margin in red; 1-line initials are black capitals highlighted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text; musical notation is in black on 4-line staves in red.