Subject Heading: Artists - Yale University Library Search Results

1.
Giovanni detto Cimabue fiorentino ristoratore insigne della pittura nato nel MCCXXXX in circa

Creator:: Allegrini, Giuseppe, printmaker
Published / Created:: [approximately 1768]
Call Number:: Portraits C573 no. 1+
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of Cimabue, helf-length in profile looking left, wearing a hooded robe
Description:: Title from caption below image.
Publisher:: publisher not identified
Subject (Name):: Cimabue,
Subject (Topic):: Artists and Italian
Found in:: Lewis Walpole Library > Giovanni detto Cimabue fiorentino ristoratore insigne della pittura nato nel MCCXXXX in circa, morto nel MCCC in circa. Preso dal ritratto esistente nella prima edizione delle vite de pittori del Vasari / [graphic]

2.
A scene in Somerset House [graphic].

Creator:: Barlow, Inigo, printmaker
Published / Created:: [October 1794]
Call Number:: 794.10.01.04
Image Count:: 1
Resource Type:: still image
Description:: Title from item., Printmaker and artist from the original issue, of which this reissue of the left half only. See The Attic miscellany, v. ii, p. 195, published by Bentley & Co., 1 March 1791, under title, Overthrow of the arts!, Above image: Engraved for the Carlton House magazine., Plate from: The Carlton House magazine, Oct. 1794., and Temporary local subject terms: Reference to the Somerset House -- Military: French soldiers -- Guns: bayoneted muskets.
Publisher:: publisher not identified
Subject (Topic):: Artists, British, Artists' materials, and Easels
Found in:: Lewis Walpole Library > A scene in Somerset House [graphic].

3.
Rdus. Cosway Armiger R.A Primarius Pictor Serenissimi Walliae Principis / [graphic]

Creator:: Bovi, Marino, 1758- printmaker, artist
Published / Created:: [20 March 1786]
Call Number:: Folio 53 Sh52 M78
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait in Van Dyck dress, reclining on steps turned in profile to left, with his knees bent and legs drawn up, right hand at his breast, looking at the viewer, swathed in a cloak with a plumed, broad-brimmed hat, with a book labelled 'Vita Di Rubens' at the foot of a column to left; after a self-portrait."--British Museum online catalogue
Alternative Title:: Richardus Cosway Armiger R.A.
Description:: Title from text below image., Early state, with title in light scratched lettering. For a later state with title lettering strengthened, see British Museum online catalogue, registration no.: 1875,0814.1224., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1876,1209.145., Window mounted to 51 x 36 cm., and Mounted opposite page 390 (leaf numbered '6' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:: Publish'd as the act directs March 20th, 1786, by Mno. Bova & E. Diemar, No. 114 Strand
Subject (Name):: Cosway, Richard, 1740-1821,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Rdus. Cosway Armiger R.A Primarius Pictor Serenissimi Walliae Principis / [graphic]

4.
Claude Le Lorrain [graphic]

Creator:: Boydell, Josiah, 1752-1817, printmaker
Published / Created:: [25 March 1777]
Call Number:: Folio 49 3669.1
Image Count:: 1
Resource Type:: still image
Description:: Title engraved below image., Plate from: Liber veritatis, or, A collection of two hundred prints / engraved by Richard Earlom from the original drawings owned by the Duke of Devonshire. London: Boydell and Co., 1777., Josiah Boydell (1752-1817), English artist and publisher., and Probably one of the set owned by Horace Walpole and later dispersed. See A.T. Hazen, Catalogue of Horace Walpole's library, no 3669.
Publisher:: Published March 25th, 1777 by John Boydell engraver in Cheapside London
Subject (Name):: Lorrain, Claude, 1600-1682,
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Claude Le Lorrain [graphic]

5.
Idols behind altars

Creator:: Brenner, Anita, 1905-
Published / Created:: [c1929]
Call Number:: 1984 132
Image Count:: 5
Description:: Includes photographs by Edward Weston and Tina Modotti. and Includes bibliography.
Publisher:: Harcourt, Brace
Subject (Geographic):: Mexico. and Mexico
Subject (Topic):: Art, Indian mythology, Indians of Mexico, Religion, Artists, and Antiquities
Found in:: Beinecke Rare Book and Manuscript Library > Idols behind altars

6.
A family picture [graphic]

Creator:: Bunbury, Henry William, 1750-1811
Published / Created:: [1781?]
Call Number:: Folio 724 C22 781
Image Count:: 1
Resource Type:: still image
Abstract:: Satire on portrait painting: a middle-aged English couple sit together on a dais, each holding a bird in their hand. Their bored son, dressed as Cupid, is seated on a stool in front of them, yawning. They are being painted by an enthusiastic artist wearing spectacles and holding a brush and palette. Two oval portraits hang on the back wall
Description:: Title etched below image., Publication date based on printmaker's known address., Variant of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., No. 3 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Publisher:: publisher not identified
Subject (Topic):: Artists, Birds, Families, Paintings, and Pets
Found in:: Lewis Walpole Library > A family picture [graphic]

7.
The combat [graphic].

Creator:: Burgess, Thomas, approximately 1730-1791, printmaker
Published / Created:: [1754?]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
Description:: Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and On page 295 in volume 3. Formerly dated "1762" in local card catalog.
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
Subject (Topic):: Artists, Journalists, Supernatural beings, and Peacocks
Found in:: Lewis Walpole Library > The combat [graphic].

8.
The combat [graphic].

Creator:: Burgess, Thomas, approximately 1730-1791, printmaker
Published / Created:: [1754?]
Call Number:: 754.00.00.03
Image Count:: 1
Resource Type:: still image
Abstract:: Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
Description:: Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and Contemporary inscription in lower margin identifies Hogarth as the subject: Hogarth is here introduced with many [illegible].
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
Subject (Topic):: Artists, Journalists, Supernatural beings, and Peacocks
Found in:: Lewis Walpole Library > The combat [graphic].

9.
Giuseppe Magpherson Pitt. nato in Firenze nel 1720, morto nel 1792. [graphic]

Creator:: Cecchi, Giovanni Battista, 1748 or 1749-approximately 1815, printmaker
Published / Created:: [between 1770 and 1790?]
Call Number:: 770.00.00.191
Image Count:: 1
Resource Type:: still image
Abstract:: Self-portrait of the artist, perhaps in his studio, sitting in front of a desk. A miniature hangs on a small easel beside him; sculpted heads and hands, as well as a painting, hang on the walls behind him. Another sculpted head lies on the floor in the foreground
Alternative Title:: Giuseppe Macpherson Pitt
Description:: Title engraved on a separate sheet mounted below image., Printmaker Giovanni Battista Cecchi and intermediate draftsman Carlo Bozzolini identified in the Hamburger Kunsthalle online catalogue., This print was apparently part of the "Serie di ritratti de' pittori che se stessi di dipinsero esistenti nella R. Galleria di Toscana," which has been dated 1770-1790. See Hamburger Kunsthalle online catalogue., Engraved border is also printed on a separate sheet and mounted around the sheets with the image and title; for another impression with the exact same arrangement of sheets, see: Hamburger Kunsthalle, Kupferstichkabinett, Inv. Nr. 57533. For an impression lacking these additional sheets, see: National Portrait Gallery, London, NPG D10968., and Sheets trimmed within plate marks.
Publisher:: publisher not identified
Subject (Name):: Macpherson, Giuseppe or Joseph or James, 1720-1792,
Subject (Topic):: Artists, Artists' studios, Sculpture, and Miniatures (Paintings)
Found in:: Lewis Walpole Library > Giuseppe Magpherson Pitt. nato in Firenze nel 1720, morto nel 1792. [graphic]

10.
George Vertue, engraver aetat. L. ann. MDCCXXXVIII / [graphic]

Creator:: Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:: [1763?]
Call Number:: Portraits V568 no. 1+
Image Count:: 1
Resource Type:: still image
Abstract:: Bust of George Vertue with cap, in oval, looking left, after oil painting by Richardson
Description:: Title from text below image., Plate originally issued preceding "The life of George Vertue" in: Walpole, H. Catalogue of engravers. Strawberry-Hill : 1763., and Mounted to 49 x 36 cm.
Publisher:: publisher not identified
Subject (Name):: Vertue, George, 1684-1756,
Subject (Topic):: Artists and English
Found in:: Lewis Walpole Library > George Vertue, engraver aetat. L. ann. MDCCXXXVIII / [graphic]

11.
[The school of fine arts] [graphic]

Creator:: Cort, Cornelis, 1533?-1578, printmaker
Published / Created:: Anno 1773.
Call Number:: Print10003
Image Count:: 1
Resource Type:: still image
Description:: Title supplied by curator., Carlo Losi was active in Rome., Date from item., In image bottom: Tyrones picturae Hbmo. et Exmo. Dno Iacobo Boncompagno Arcis Praefecto, ingenior(um) ac industriae fautori, Artiu(m) nobiliu(m) praxim, a lo Strade(n)si Belga artificiose expressa., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Anatomy for artists.
Publisher:: Apud Carolus Losi
Subject (Name):: Boncompagni, Giacomo, 1548-1612,
Subject (Topic):: Anatomy, Artistic, Human anatomy, Human dissection, Art, Study and teaching, Students, Artists, Sculpture, Paintings, and Dead persons
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > [The school of fine arts] [graphic]

12.
William Hogarth [graphic]

Creator:: Dent, William, active 1783-1793, printmaker
Published / Created:: [not after 1793]
Call Number:: Hogarth 790.00.00.03 Box 115
Image Count:: 1
Resource Type:: still image
Abstract:: Copy of Hogarth's self-portrait; he is painting Thalia, the Comic Muse who holds a satyr's mask in her left hand and a book in her right hand. After the state without "Comedy 1764" on the pillar. Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife; the pot of oil on the floor in front of the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a volume with a print protruding from its pages and no title (in the original it is identified as "Analysis of Beauty").
Description:: Title engraved below image. and Date from other prints by Dent in the British Museum online catalogue.
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Painting, Muses (Greek deities) in art, Artists, and British
Found in:: Lewis Walpole Library > William Hogarth [graphic]

13.
The painter's family [graphic]

Creator:: Dixon, B., Jr. , printmaker
Published / Created:: [1740]
Call Number:: Folio 75 H67 800 v.1 (Oversize)
Image Count:: 1
Description:: A family seated around a table, with a couple on one side, a child in the middle, and the third woman drinking from a large bowl. On the table is a lit candels, drinking glasses, paper and pipes. On the walls hang pictures., Title etched below image., Dated by curator., Verse etched below image in two columns on either side of title, three lines each: See here the various scenes of human life, A debauched husband and a drunken wife, One stupid, faithless, haughty when reprov'd, Loved by her husband, her gallant she lov'd, The husband tho' fortune frown tho' wife desert, Finds a sprightly dame that reviv's his heart., Sheet trimmed around image into plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 71 in volume 1.
Publisher:: publisher not identified
Subject (Topic):: Artists, Couples, Families, Interiors, and Intoxication
Found in:: Lewis Walpole Library > The painter's family [graphic]

14.
The macaroni painter, or, Billy Dimple sitting for his picture [graphic].

Creator:: Earlom, Richard, 1743-1822, printmaker
Published / Created:: [not before 1793]
Call Number:: 772.09.25.01.2+
Image Count:: 1
Resource Type:: still image
Abstract:: A young Macaroni with an elaborate wig and enormous bow at his neck sits in an artist's studio as his portrait is painted by an artist, a caricature of Richard Cosway R.A., with an equally elaborate hair style. Both are fashionably dressed. The artist sits at his easel, his hand filled with paint brushes and an palette; the canvas faces the viewer so that the portrait is visible. On the wall in the background are two portraits, one of another dandy and one of a woman in an elaborate hat; the paintings hang on either side of a round mirror
Alternative Title:: Billy Dimple sitting for his picture
Description:: Title from item., Engraved by Earlom after drawing by Dighton. See British Museum catalogue., Later state, with altered imprint statement and added plate numbering. For an earlier state with the imprint "Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London, published as the act directs, 25 Sepr. 1772", see Lewis Walpole Library call no.: 772.09.25.01.1+, Publication date inferred from the date of partnership formed by Henry Carington Bowles and Carver after Carington Bowles's death in 1792. See: Plomer, H.R. Dictionaries of the printers and booksellers., Plate numbered '257' in lower left corner., Temporary local subject terms: Furnishings: round mirror -- Portrait paintings -- Artist's implements: palette and brushes., and Watermark.
Publisher:: Printed for Bowles & Carver, Map & Printsellers, No. 69 in St. Pauls Church Yard, London
Subject (Name):: Cosway, Richard, 1740-1821
Subject (Topic):: Dandies, British, Artists, Interiors, Artists' studios, Artists' materials, Easels, Wigs, and Mirrors
Found in:: Lewis Walpole Library > The macaroni painter, or, Billy Dimple sitting for his picture [graphic].

15.
The macaroni painter, or, Billy Dimple sitting for his picture [graphic].

Creator:: Earlom, Richard, 1743-1822, printmaker
Published / Created:: published as the act directs, 25 Sepr. 1772.
Call Number:: 772.09.25.01.1+ Impression 1
Image Count:: 1
Resource Type:: still image
Abstract:: A young Macaroni with an elaborate wig and enormous bow at his neck sits in an artist's studio as his portrait is painted by an artist, a caricature of Richard Cosway R.A., with an equally elaborate hair style. Both are fashionably dressed. The artist sits at his easel, his hand filled with paint brushes and an palette; the canvas faces the viewer so that the portrait is visible. On the wall in the background are two portraits, one of another dandy and one of a woman in an elaborate hat; the paintings hang on either side of a round mirror
Alternative Title:: Billy Dimple sitting for his picture
Description:: Title engraved below image., Engraved by Earlom after drawing by Dighton. See British Museum catalogue., Earlier state, without plate number. Cf. No. 4520 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: illegible name (2 lines).
Publisher:: Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Subject (Name):: Cosway, Richard, 1740-1821
Subject (Topic):: Artists, Artists' studios, Dandies, and British
Found in:: Lewis Walpole Library > The macaroni painter, or, Billy Dimple sitting for his picture [graphic].

16.
Philippus de Champaigne Bruxellensis pictor regius, et regiae pictorum academiae rector eximiae

Creator:: Edelinck, Gérard, 1640-1707, printmaker
Published / Created:: [ca. 1676]
Call Number:: Portraits C449 no. 1+
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait of Philippe de Champaigne, after the painter's self-portrait; half-length, turned to the right, with left hand on chest and right hand holding a parchment inscribed with the date '1668'; landscape and view of Brussels in the background."--British Museum online catalogue
Description:: Title from caption below image. and Place of publication based on printmaker's known place of activity. See Bénézit.
Publisher:: publisher not identified
Subject (Name):: Champaigne, Philippe de, 1602-1674,
Subject (Topic):: Artists and Flemish
Found in:: Lewis Walpole Library > Philippus de Champaigne Bruxellensis pictor regius, et regiae pictorum academiae rector eximiae hujus artis excellentiâ, et christianâ pietate aeque insignis / [graphic]

17.
[G. Morland] [graphic].

Creator:: Edwards, William Camden, 1777-1855, printmaker
Published / Created:: [approximately 1830]
Call Number:: Folio 53 Sh52 M78
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait of George Morland; half length, to the left, holding drawing of woman, head turned to look at viewer; after Muller; illustration to Cunningham's 'Lives of the Painters' (London: 1830)."--British Museum online catalogue, description of published state
Description:: Title from published state., Artist and printmaker from statements of responsibility on published state: Robt. Muller ; W.C. Edwards., Proof before letters. For the published state with the imprint "London, Published by John Murray, Albemarle St., 1830," see British Museum online catalogue, registration no.: 1927,1126.1.30.58., Proof state of a plate from: Cunningham, A. The lives of the most eminent British painters, sculptors, and architects. London : J. Murray, 1830-39 (v. 2, opposite page 222)., Window mounted to 51 x 36 cm., and Mounted before page 687 (leaf numbered '130' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:: John Murray
Subject (Name):: Morland, George, 1763-1804,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > [G. Morland] [graphic].

18.
[20 démons me turlupinant] [graphic]

Creator:: Ensor, James, 1860-1949, printmaker
Published / Created:: [1895]
Call Number:: Print01102
Image Count:: 1
Resource Type:: still image
Alternative Title:: 20 demons teasing me, Vingt démons me turlupinant, and Twenty demons teasing me
Description:: Title in English and French from "Five Hundred Years of Medicine in Art"., Place of publication derived from artist's place of residence., Artist's name and date etched in plate at top center., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and "James Ensor 1895" in pencil at lower right. Title in pencil verso.
Publisher:: publisher not identified
Subject (Topic):: Mental illness, Demons, and Artists
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > [20 démons me turlupinant] [graphic]

19.
[Double portrait of the ladies Yorke] [graphic]

Creator:: Fisher, Edward, 1722-approximately 1782, printmaker, publisher
Published / Created:: [approximately 1762]
Call Number:: SH Contents R462 no. 5++ Box 310
Image Count:: 1
Resource Type:: still image
Abstract:: "Double portrait of the ladies Yorke after Reynolds (Mannings 1956); as children, whole-length to front, in garden beside sphinx on pedestal; Lady Annabel Grey standing at left with dove perched on her right hand, Lady Mary Jemima running towards her holding another dove, dog at her heels."--British Museum online catalogue
Alternative Title:: Ladies Yorke and Two daughters of Philip Yorke Viscount Royston and the Marchioness of Grey, 1761
Description:: Title and publisher from British Museum description., Title, imprint, and date from Smith: Ladies Yorke., Sheet trimmed with loss of imprint., Description based on imperfect impression; sheet trimmed within plate mark resulting in probable loss of imprint. Bottom corners trimmed at an angle., and With title added in Horace Walpole's hand below image: "The two daughters of Philip Yorke Viscount Royston and the Marchioness of Grey, 1761." Also added in his hand are the names of the two girls below each portrait: "Lady Annabella married Lord Polwarth" and Lady Mary married Lord Grantham."
Publisher:: Publish'd accordg. to act of Parliament by Ed. Fisher in Great Newport Street, Leicester Square
Subject (Name):: Grantham, Mary Jemima Robinson, Lady, 1757-1730, and De Grey, Amabel Hume-Campbell, Countess, 1751-1733,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > [Double portrait of the ladies Yorke] [graphic]

20.
[Portraits of Beauford Delaney].

Creator:: Freeman, Don, 1908-1978, artist
Published / Created:: [circa 1960]
Call Number:: JWJ MSS 160
Container / Volume:: Box (Oversize)
Image Count:: 4
Resource Type:: still image
Abstract:: Two undated crayon drawings by Don Freeman of African American artist Beauford Delaney. Each is signed "DF" at lower right and mounted on a sheet of blue paper. One drawing portrays Delaney seated at a table with a coffee cup and pot; the other is a bust-length portrait
Description:: Don Freeman (1908-1978), New York illustrator., Beauford Delaney (1901-1979), New York artist., and Title devised by cataloger.
Subject (Geographic):: United States.
Subject (Name):: Delaney, Beauford, 1901-1979 and Freeman, Don, 1908-1978.
Subject (Topic):: African American artists, Artists, and Illustrators
Found in:: Beinecke Rare Book and Manuscript Library > [Portraits of Beauford Delaney].

21.
Painting after life [graphic]

Creator:: Gerard, E. (Ebenezer)
Call Number:: 826.02.05.01
Image Count:: 1
Resource Type:: still image
Abstract:: First image, 'Painting after life' shows a skeleton (death) seated before an easel painting a portrait of the obese old man seated opposite and holding a cane. The subject is seated against a blank screen; a portfolio of other works is leaning against the screen. Beside the 'artist' is a box of paints and artist supplies and Second image, 'Death staring shipwrecked sailors in the face!!!', shows a skeleton (right) seated on a rock with his head resting in his hands, elbows on his knees as he stares at two shipwrecked sailors (left) on a beach
Alternative Title:: Death staring shipwrecked sailors in the face!!!
Description:: Each print titled below., Lewis Walpole Library: On the verso: an autograph letter from Ebenezer Gerard in Liverpool to Samuel Taylor Liverpool, dated 1826 February 5, in reference to "Prose by a poet" (by Montgomery James) which he compares to his own efforts since his illness, with the address incorporating watercolor and rebus material., Painting after life referencing Hogarth?, and For further information, consult library staff.
Subject (Topic):: Artists, Death, Sailors, and Shipwrecks
Found in:: Lewis Walpole Library > Painting after life [graphic]

22.
A disappointed dinnerhunter A bullet in ; A long sermon ; A neglected genius. [art original]

Creator:: Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:: [between 1830 and 1852]
Call Number:: Drawings G761 no. 3 Box D123
Image Count:: 1
Resource Type:: still image
Abstract:: A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out to dinner. Oh dear me, well your mistress will do just the same. & She's out Sir. How provoking. Well, I'll set down by the fire till they come home. I'm sorry to tell you that that's gone out to." Upper right: A soldier is shot by a man (Turk?) hiding in the tall grass and pointing a rifle. Lower half, left: In a pulpit a bald minister with spectacles rants and he holds up a Bible in his left hand ready to throw it at the sleeping congregation below, " Ye sleepy crew if ye wont hear the owrd of God ye shall feel it." Lower right: A simpleton in artist attire holds up a piece of paper with a stick figure drawing and says, "Don't you think I improve."
Description:: Title from captions written each image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Name):: Hogarth, William, 1697-1764.
Subject (Topic):: Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping
Found in:: Lewis Walpole Library > A disappointed dinnerhunter A bullet in ; A long sermon ; A neglected genius. [art original]

23.
The striking likeness [art original]

Creator:: Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:: [between 1830 and 1852]
Call Number:: Drawings G761 no. 1 Box D123
Image Count:: 1
Resource Type:: still image
Abstract:: An artist (left) with a caricatured face looks on with horror as a bust falls on the head of the Lord, the sitter, who jumps and shreaks with pain, his foot breaking the window (right). In the background the Lord's round, well-dressed wife looks on in horror and Sketch on verso in pencil shows a boxer with gloves in a fighting stance. The figures in ink on recto, the artist and his lordship, bleed-through the image on verso
Description:: Title from caption written above image on recto; image on verso untitled., Verses below image begin: " A poor sculptor with his work elated, on a fickle lord one evening waited ; with his Lordship's bust ... Now her Ladyship with great acknowledg'd the sculptor's work to be a striking likeness.", Place and date of creation based on Grant's known place of residence and years of activity., and For further information, consult library staff.
Subject (Topic):: Artists, Boxers (Sports), Boxing, Couples, Distress, Pain, Sculptors, and Sculptures
Found in:: Lewis Walpole Library > The striking likeness [art original]

24.
The striking likeness [art original]

Creator:: Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:: [between 1830 and 1852]
Call Number:: Drawings G761 no. 1 Box D123
Image Count:: 1
Resource Type:: still image
Abstract:: An artist (left) with a caricatured face looks on with horror as a bust falls on the head of the Lord, the sitter, who jumps and shreaks with pain, his foot breaking the window (right). In the background the Lord's round, well-dressed wife looks on in horror and Sketch on verso in pencil shows a boxer with gloves in a fighting stance. The figures in ink on recto, the artist and his lordship, bleed-through the image on verso
Description:: Title from caption written above image on recto; image on verso untitled., Verses below image begin: " A poor sculptor with his work elated, on a fickle lord one evening waited ; with his Lordship's bust ... Now her Ladyship with great acknowledg'd the sculptor's work to be a striking likeness.", Place and date of creation based on Grant's known place of residence and years of activity., and For further information, consult library staff.
Subject (Topic):: Artists, Boxers (Sports), Boxing, Couples, Distress, Pain, Sculptors, and Sculptures
Found in:: Lewis Walpole Library > The striking likeness [art original]

25.
Mrs. Siddons [graphic].

Creator:: Graves, Robert, 1798-1873, printmaker
Published / Created:: [between 1837 and 1873]
Call Number:: Portraits Si568 no. 3
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait of Sarah Siddons, after Gainsborough; three-quarters length sitting directed and looking to left, wearing a striped gown and large feathered hat, set at an angle, her hands on a fur muff in her lap."--British Museum online catalogue
Description:: Title, artist, printmaker and date of publication from similar image in the British Museum online catalogue, registration no.: 1931,0509.121.
Publisher:: publisher not identified
Subject (Name):: Siddons, Sarah, 1755-1831,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Mrs. Siddons [graphic].

26.
The state of portrait & historical painting towards the latter end of the eighteenth century

Creator:: Grozer, J. (Joseph), printmaker
Published / Created:: [1798]
Call Number:: 798.00.00.73++
Image Count:: 1
Resource Type:: still image
Abstract:: Satirical print showing the fanciful interior of an artist's studio, with one painter (right) finishing a portrait of an aged admiral with a wooden leg seated in a chair (far right) while a second artist works on a painting of the Rape of Europa, an almost naked woman (possibly Lady Hamilton) rides an enormous bull with a saddle, holding onto its tail and horn as it enters a river. Two men in a row boat and two ducks in the river and a man blowing a horn on the cliff above (top right of the painting) provide a scale for the drama
Alternative Title:: State of portrait and historical painting
Description:: Title engraved below image., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:: Publish'd 1798 for the proprietor, at Messrs. Colnaghi & Sala's, Pall Mall
Subject (Topic):: Allegorical paintings, Artists' studios, Artists, Artists' materials, Artists' models, Peg legs, and Paintings
Found in:: Lewis Walpole Library > The state of portrait & historical painting towards the latter end of the eighteenth century / [graphic]

27.
Margaret Smith, wife of Sr. Charles Bingham, an excellent paintress [art original].

Creator:: Hamilton, Hugh Douglas, 1740-1808, artist
Published / Created:: [1774]
Call Number:: SH Contents H217 no. 1 Framed, shelved in LFS Bin 33
Image Count:: 1
Abstract:: Portrait of Margaret Smith, wife of Sr. Charles Bingham ...
Alternative Title:: Margaret Smith, wife of Sir Charles Bingham, an excellent paintress
Description:: Title from Horace Walpole's note on verso: Margaret Smith, wife of Sr. Charles Bingham, an excellent paintress, by Hamilton 1774., Also with a poem on verso in Walpole's hand: Without a rival long on painting's throne, Urbino's modest artist sat alone. At last a British fair's unerring eyes, in five short moons contests the glorious prize, Raphael by genuis nurs'd by labour gain'd it, Bingham but saw perfection, and attain'd it. H.W.", Hugh Douglas Hamilton, English portrait and subject painter, 1739-1808., and No. 20 in the Catalogue of Framed Pictures in the Lewis Walpole Library.
Subject (Name):: Lucan, Margaret Bingham, Countess of, -1814,
Subject (Topic):: Artists and English
Found in:: Lewis Walpole Library > Margaret Smith, wife of Sr. Charles Bingham, an excellent paintress [art original].

28.
Orazio Gentileschi [art original].

Creator:: Hoffman, artist
Published / Created:: 1755/.
Call Number:: Print00991
Image Count:: 1
Resource Type:: still image
Description:: Title devised by curator., Copy of engraving by Lucas Vorsterman after Anthony van Dyke for van Dyke's Iconographie., In lower right corner: Hoffman 1755. Signature may be misreading of Vorsterman on plate which incorporates monogram in spelling., Place of production based on Vorsterman's country of residence., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Name):: Gentileschi, Orazio, 1563-1638?.
Subject (Topic):: Artists
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Orazio Gentileschi [art original].

29.
Analysis of beauty. [graphic] / Plate I

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [5 March 1753]
Call Number:: Kinnaird 65K Box 320
Image Count:: 1
Resource Type:: still image
Description:: Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and Sheet trimmed within plate mark: 38 x 50 cm.
Publisher:: Wm. Hogarth
Subject (Topic):: Anatomy, Art education, Artists, Figure drawings, and Sculpture
Found in:: Lewis Walpole Library > Analysis of beauty. [graphic] / Plate I

30.
Analysis of beauty. [graphic] / Plate I

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [5 March 1753]
Call Number:: Folio 75 H67 800 v.2 (Oversize)
Image Count:: 1
Resource Type:: still image
Description:: Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and On page 167 in volume 2. Sheet trimmed to: 38.5 x 50.1 cm.
Publisher:: Wm. Hogarth
Subject (Topic):: Anatomy, Art education, Artists, Figure drawings, and Sculpture
Found in:: Lewis Walpole Library > Analysis of beauty. [graphic] / Plate I

31.
Analysis of beauty. [graphic] / Plate I

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [5 March 1753]
Call Number:: 49 3880
Image Count:: 1
Resource Type:: still image
Description:: Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and Bound in Horace Walpole's copy of Analysis of beauty along with State 1 of Plate 2. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
Publisher:: Wm. Hogarth
Subject (Topic):: Anatomy, Art education, Artists, Figure drawings, and Sculpture
Found in:: Lewis Walpole Library > Analysis of beauty. [graphic] / Plate I

32.
Analysis of beauty. [graphic] / Plate I

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [5 March 1753]
Call Number:: Sotheby 95++ Box 315
Image Count:: 1
Resource Type:: still image
Description:: Title engraved above image. and "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue.
Publisher:: Wm. Hogarth
Subject (Topic):: Anatomy, Art education, Artists, Figure drawings, and Sculpture
Found in:: Lewis Walpole Library > Analysis of beauty. [graphic] / Plate I

33.
Gulielmus Hogarth [graphic]

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1749]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Copy of the print after a self-portrait after the painting in the Tate Gallery (London); the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette. Lettered, on the palette 'The Line of Beauty', and below image, Gulielmus Hogarth
Alternative Title:: Alternative form of title
Description:: Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print on secondary mount: An Irish copy of the first print in the first volume of this [col?]lection., and On page 234 in volume 3.
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Artists, Artists' materials, and Dogs
Found in:: Lewis Walpole Library > Gulielmus Hogarth [graphic]

34.
Mr. Samuel Butler [graphic]

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1726]
Call Number:: Kinnaird 86K(b) Box 125
Image Count:: 1
Resource Type:: still image
Alternative Title:: Frontispiece portrait of Samuel Butler
Description:: Title etched below image., Imprint and date from Paulson., The portrait is actually of the painter Jean-Baptiste Monnoyer, copied from G. White's mezzotint (after G. Kneller). See Paulson., and Sheet trimmed to plate mark.
Publisher:: Printed for T.W. for D. Browne, J. Walthoe, J. Knapton and 15 others
Subject (Name):: Monnoyer, Jean Baptiste, approximately 1636-1699, and Butler, Samuel, 1612-1680.
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Mr. Samuel Butler [graphic]

35.
Mr. Samuel Butler [graphic]

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1726]
Call Number:: Hogarth 726.00.00.01 Box 100
Image Count:: 1
Resource Type:: still image
Alternative Title:: Frontispiece portrait of Samuel Butler
Description:: Title etched below image., Imprint and date from Paulson., The portrait is actually of the painter Jean-Baptiste Monnoyer, copied from G. White's mezzotint (after G. Kneller). See Paulson., Sheet trimmed to plate mark., and Sheet partially trimmed. Tipped on the t.p. for the work, which has contemporary annotations on verso.
Publisher:: Printed for T.W. for D. Browne, J. Walthoe, J. Knapton and 15 others
Subject (Name):: Monnoyer, Jean Baptiste, approximately 1636-1699, and Butler, Samuel, 1612-1680.
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Mr. Samuel Butler [graphic]

36.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: publish'd as the act directs, March 29, 1758.
Call Number:: Folio 75 H67 800 v.2 (Oversize) Box 2
Image Count:: 1
Resource Type:: still image
Abstract:: "Self-portrait of Hogarth painting the Comic Muse, after the painting in the National Portrait Gallery; the artist is seated looking to right, wearing an indoor cap and a loose coat, he holds a palette, brushes and palette knife while a pot of oil is on the floor beside the chair; in a niche in the wall behind the easel is a volume of prints and a burin; leaning against the leg of the easel, a copy of the "Analysis of Beauty" and the accompanying print, Plate I (Paulson 195)."--British Museum online catalogue
Alternative Title:: Wm. Hogarth serjeant painter to His Majesty and William Hogarth serjeant painter to His Majesty
Description:: Title, state, and publisher from Paulson., Lettered within image on print in portfolio at base of easel: Analysis o..., In the 4th state the date of publication was been added, and Hogarth is no longer smiling. In this state the mouth has been again altered. "The face engrav'd by Wm. Hogarth" has been erased with faint traces remaining. See Paulson for other changes to the plate., Sheet trimmed within plate mark., and Formerly on page 182 in volume 2. Removed in 2012 by LWl conservator.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764
Subject (Topic):: Artists, British, and Painting
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

37.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1764]
Call Number:: Folio 75 H67 764 (Oversize)
Collection Title:: Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:: William Hogarth 1764
Description:: Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Painting, Muses (Greek deities) in art, Artists, and British
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

38.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1764]
Call Number:: Folio 75 H67 764 (Oversize)
Collection Title:: Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:: William Hogarth 1764
Description:: Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Painting, Muses (Greek deities) in art, Artists, and British
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

39.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1764]
Call Number:: Sotheby 1++ Box 300
Collection Title:: Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:: William Hogarth 1764
Description:: Title, state, publisher, and date from Paulson. and After the painting in the National Portrait Gallery, London.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Painting, Muses (Greek deities) in art, Artists, and British
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

40.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1764]
Call Number:: Kinnaird 3K(a) Box 200
Collection Title:: Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:: William Hogarth 1764
Description:: Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and Plate mark 40.3 x 35.3 cm, on sheet 41.2 x 35.8 cm.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Painting, Muses (Greek deities) in art, Artists, and British
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

41.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: publish'd as the act directs, March 29, 1758.
Call Number:: Folio 75 H67 800 v.2 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: "Self-portrait of Hogarth painting the Comic Muse, after the painting in the National Portrait Gallery; the artist is seated looking to right, wearing an indoor cap and a loose coat, he holds a palette, brushes and palette knife while a pot of oil is on the floor beside the chair; in a niche in the wall behind the easel is a volume of prints and a burin; leaning against the leg of the easel, a copy of the "Analysis of Beauty" and the accompanying print, Plate I (Paulson 195)."--British Museum online catalogue
Alternative Title:: Wm. Hogarth and William Hogarth
Description:: Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery., State with "Serjeant painter to His Majesty" in caption below image heavily scored through. 'Comedy' inscribed on the Muse's book is partially excised. The face of Comedy and mask are now outlined in black as well as white. 'Comedy 1764' is engraved on the pillar in the painting. See Paulson for other changes to the plate., and On page 183 in volume 2. Sheet trimmed to: 40.2 x 34.9 cm.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Artists, British, Muses (Greek deities) in art, and Painting
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

42.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1764]
Call Number:: Folio 75 H67 800 v.2 (Oversize)
Collection Title:: Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:: William Hogarth 1764
Description:: Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and On page 184 in volume 2. Sheet trimmed to: 40 x 34.8 cm.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Painting, Muses (Greek deities) in art, Artists, and British
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

43.
[Hogarth painting the comic muse] [graphic].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: publish'd as the act directs, March 29, 1758.
Call Number:: Kinnaird 2K(a) Box 200
Image Count:: 1
Resource Type:: still image
Abstract:: "Self-portrait of Hogarth painting the Comic Muse, after the painting in the National Portrait Gallery; the artist is seated looking to right, wearing an indoor cap and a loose coat, he holds a palette, brushes and palette knife while a pot of oil is on the floor beside the chair; in a niche in the wall behind the easel is a volume of prints and a burin; leaning against the leg of the easel, a copy of the "Analysis of Beauty" and the accompanying print, Plate I (Paulson 195)."--British Museum online catalogue
Alternative Title:: Wm. Hogarth and William Hogarth
Description:: Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery., and State with "Serjeant painter to His Majesty" in caption below image heavily scored through. 'Comedy' inscribed on the Muse's book is partially excised. The face of Comedy and mask are now outlined in black as well as white. 'Comedy 1764' is engraved on the pillar in the painting. See Paulson for other changes to the plate.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Artists, British, Muses (Greek deities) in art, and Painting
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [graphic].

44.
[Hogarth painting the comic muse] [realia].

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: [1764]
Call Number:: 764.00.00.43 Shelved in UFS Object Room E-4
Image Count:: 1
Abstract:: A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:: William Hogarth 1764
Description:: Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery., For a description of prints from this plate, see R. Paulson, Hogarth's graphic works (3rd ed.), no. 204., and See Catalogue of engraved British portraits preserved in the Department of Print and Drawings of the British Museum, v. 2, p. 539.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Painting, Muses (Greek deities), Artists, and British
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] [realia].

45.
[Hogarth painting the comic muse] the face engrav'd by Wm. Hogarth. [graphic]

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: publish'd as the act directs, March 29, 1758.
Call Number:: Folio 75 H67 800 v.2 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: "Self-portrait of Hogarth painting the Comic Muse, after the painting in the National Portrait Gallery; the artist is seated looking to right, wearing an indoor cap and a loose coat, he holds a palette, brushes and palette knife while a pot of oil is on the floor beside the chair; in a niche in the wall behind the easel is a volume of prints and a burin; leaning against the leg of the easel, a copy of the "Analysis of Beauty" and the accompanying print, Plate I (Paulson 195)."--British Museum online catalogue
Alternative Title:: Wm. Hogarth serjeant painter to His Majesty and William Hogarth serjeant painter to His Majesty
Description:: Title, state, and publisher from Paulson., Lettered within image on print in portfolio at base of easel: Analysis o..., In this state the date of publication has been added, and Hogarth is no longer smiling. See Paulson for other changes to the plate., Sheet trimmed leaving thread margins., Ms. note in pencil in Steevens's hand below print: See Mr. Nichols's book, edit. 3, p. 366 &c., and On page 181 in volume 2. Sheet trimmed to: 39.5 x 34.6 cm.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764
Subject (Topic):: Artists, British, and Painting
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] the face engrav'd by Wm. Hogarth. [graphic]

46.
[Hogarth painting the comic muse] the face engrav'd by Wm. Hogarth. [graphic]

Creator:: Hogarth, William, 1697-1764, printmaker
Published / Created:: publish'd as the act directs, March 29, 1758.
Call Number:: Kinnaird 1K(a) Box 200
Image Count:: 1
Resource Type:: still image
Abstract:: "Self-portrait of Hogarth painting the Comic Muse, after the painting in the National Portrait Gallery; the artist is seated looking to right, wearing an indoor cap and a loose coat, he holds a palette, brushes and palette knife while a pot of oil is on the floor beside the chair; in a niche in the wall behind the easel is a volume of prints and a burin; leaning against the leg of the easel, a copy of the "Analysis of Beauty" and the accompanying print, Plate I (Paulson 195)."--British Museum online catalogue
Alternative Title:: Wm. Hogarth serjeant painter to His Majesty and William Hogarth serjeant painter to His Majesty
Description:: Title, state, and publisher from Paulson., Lettered within image on print in portfolio at base of easel: Analysis o..., In this state the date of publication has been added, and Hogarth is no longer smiling. See Paulson for other changes to the plate., and Sheet trimmed leaving thread margins.
Publisher:: Wm. Hogarth
Subject (Name):: Hogarth, William, 1697-1764
Subject (Topic):: Artists, British, and Painting
Found in:: Lewis Walpole Library > [Hogarth painting the comic muse] the face engrav'd by Wm. Hogarth. [graphic]

47.
The portrait of Thomas Inglefield [graphic]

Creator:: Inglefield, Thomas, 1769- printmaker
Published / Created:: publish'd as the act directs, Decr. 1787.
Call Number:: 787.12.00.01
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of a young man, full-length, facing the viewer but with his head turned slightly to the right. He lacks hands and legs beyond the knee and is seated before a lectern (right) with a drawing of a tree on the page. He holds a pen held against his mouth using his left elbow
Description:: Title etched below image., Text etched below the image: "This extraordinary young man was born Decr. 18, 1769, at Hook, in Hampshire, without arms or legs, as here delineated, occasioned as his mother supposes by a fright she suffered when pregnant with him. Notwithstanding these disadvantages he has by industry acquired the arts of writing & drawing, holding his pencil between the stump of his left arm and his cheek & guiding it with the muscles of his mouth. In order to assist these extraordinary efforts of ingenuity, this drawing was presented to him by Mr. Robertson, & Mr. Fittler kindly super-intended the etching. This print is sold by T. Inglefield at No. 8 Chapel Street, Tottenham Court Road, where ladies & gentlemen may see him & many more of his performances."--Below title., and Sheet trimmed to plate mark.
Publisher:: Sold by T. Inglefield at No. 8 Chapel Street, Tottenham Court Road
Subject (Name):: Inglefield, Thomas, 1769-
Subject (Topic):: Abnormalities, Human, Phocomelus, Artists, British, and People with disabilities
Found in:: Lewis Walpole Library > The portrait of Thomas Inglefield [graphic]

48.
George Lambart [graphic]

Creator:: Ireland, Anna Maria, printmaker
Published / Created:: [1794]
Call Number:: Folio 75 H67 800 v.1 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Copy of the bookplate design for George Lambert. The arms and crest are those of Lambert of Banstead (Surrey): gules three narcissus flowers argent; a mount vert wtih a centaur passant, regardant, girt with laurel wreath and holding bow and arrow gules. Supporters are: Music and Painting
Alternative Title:: Bookplate for George Lambert
Description:: Title from text in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 115., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (2nd ed.), no. 47., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 118., Printmaker's name erased from this impression: A.M.I. fe: erased., and On page 3 in volume 1. Plate mark 100 x 970 mm.
Publisher:: R. Faulder and J. Egerton
Subject (Topic):: Satyrs (Greek mythology) and Artists
Found in:: Lewis Walpole Library > George Lambart [graphic]

49.
George Lambart [graphic]

Creator:: Ireland, Anna Maria, printmaker
Published / Created:: [1794]
Call Number:: Hogarth 794.00.00.205 Box 135
Image Count:: 1
Resource Type:: still image
Abstract:: Copy of the bookplate design for George Lambert. The arms and crest are those of Lambert of Banstead (Surrey): gules three narcissus flowers argent; a mount vert wtih a centaur passant, regardant, girt with laurel wreath and holding bow and arrow gules. Supporters are: Music and Painting
Alternative Title:: Bookplate for George Lambert
Description:: Title from text in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 115., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (2nd ed.), no. 47., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 118.
Publisher:: R. Faulder and J. Egerton
Subject (Topic):: Satyrs (Greek mythology) and Artists
Found in:: Lewis Walpole Library > George Lambart [graphic]

50.
The tankard [graphic]

Creator:: Ireland, Anna Maria, printmaker
Published / Created:: [not before 1794]
Call Number:: Hogarth 794.00.00.182.2 Box 130
Image Count:: 1
Resource Type:: still image
Description:: Title engraved below image., An impression of the design engraved on the tankard belonging to the Clare Market artists club which included William Hogarth., Later state of plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 77., After Hogarth. See Paulson, R. Hogarth's graphic works, no. 6., and Sheet trimmed to plate mark.
Publisher:: publisher not identified
Subject (Topic):: Artists and Putti
Found in:: Lewis Walpole Library > The tankard [graphic]

51.
[The tankard] [graphic]

Creator:: Ireland, Anna Maria, printmaker
Published / Created:: [1794]
Call Number:: Hogarth 794.00.00.182.1 Box 130
Image Count:: 1
Resource Type:: still image
Alternative Title:: Silver tankard
Description:: Title from later impression with title and Hogarth's name added., After the design engraved on the tankard belonging to the Clare Market Artists Club which included William Hogarth., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 77., Copy after Hogarth. See Paulson, R. Hogarth's graphic works (2nd ed.), no. 6., Sheet trimmed to plate mark., and Title added in pencil below: Silver tankard.
Publisher:: R. Faulder and J. Egerton
Subject (Topic):: Artists and Putti
Found in:: Lewis Walpole Library > [The tankard] [graphic]

52.
[The tankard] [graphic]

Creator:: Ireland, Anna Maria, printmaker
Published / Created:: [1794]
Call Number:: Folio 75 H67 800 v.1 (Oversize)
Image Count:: 1
Resource Type:: still image
Alternative Title:: Silver tankard
Description:: Title from later impression with title and Hogarth's name added., After the design engraved on the tankard belonging to the Clare Market Artists Club which included William Hogarth., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 77., Copy after Hogarth. See Paulson, R. Hogarth's graphic works (2nd ed.), no. 6., Sheet trimmed to plate mark., With Steevens's ms. note in ink below image: Tankard., With ms. note in pencil: Sold at Gulstons sale for £10.0.0., Printmaker's name erased from this impression., and On page 3 in volume 1. Sheet 12.4 x 17.6 cm.
Publisher:: R. Faulder and J. Egerton
Subject (Topic):: Artists and Putti
Found in:: Lewis Walpole Library > [The tankard] [graphic]

53.
Sr. James Thornhill [graphic]

Creator:: Ireland, Samuel, -1800, printmaker
Published / Created:: [1794]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Half-length portrait of Sir James Thornhill, slightly turned to the right
Alternative Title:: Sir James Thornhill
Description:: Title from caption below image., Plate from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. i, p. 86., and On page 207 in volume 3. Sheet trimmed to:
Publisher:: S. Ireland
Subject (Name):: Thornhill, James, Sir, 1675 or 1676-1734,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Sr. James Thornhill [graphic]

54.
Sr. James Thornhill [graphic]

Creator:: Ireland, Samuel, -1800, printmaker
Published / Created:: [1794]
Call Number:: Hogarth 794.00.00.44 Box 120
Image Count:: 1
Resource Type:: still image
Abstract:: Half-length portrait of Sir James Thornhill, slightly turned to the right
Alternative Title:: Sir James Thornhill
Description:: Title from caption below image. and Plate from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. i, p. 86.
Publisher:: S. Ireland
Subject (Name):: Thornhill, James, Sir, 1675 or 1676-1734,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Sr. James Thornhill [graphic]

55.
The complicated R-n [graphic]

Creator:: Ireland, Samuel, -1800, printmaker
Published / Created:: [1794]
Call Number:: Hogarth 794.00.00.50 Box 120
Image Count:: 1
Resource Type:: still image
Abstract:: A copy after the 1734 print from a design by W. Hogarth. The artist Jonathan Richardson, seated at a table, looks through a telescope that is aimed at the bare bottom of his son who stands on the table before him. Through his son the father looks at a volume of "Virgil [A]enid" which lies open on the shelf above. With his right hand he writes with a quill pen on a sheet of paper with the heading 'Note'. On the other shelves along the wall are paintings and small statuary; on the wall below the shelves is a portrait of Milton. On the floor in the lower right edge is an artist's palette and an easel. A dog jumps and barks at the son's feet
Alternative Title:: Complicated Richardson
Description:: Title from caption above image., Signed within image: WH f. [i.e., Wm. Hogarth fecit]., Text below image: "I know well enough my eye is no eye at all. I must apply to my telescope. My son is my telescope, tis by his help I read [the] learned languages.", and Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. i, p. 86.
Publisher:: S. Ireland
Subject (Name):: Richardson, Jonathan, 1665-1745
Subject (Topic):: Dogs, Artists, and British
Found in:: Lewis Walpole Library > The complicated R-n [graphic]

56.
The complicated R-n [graphic]

Creator:: Ireland, Samuel, -1800, printmaker
Published / Created:: [1794]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: A copy after the 1734 print from a design by W. Hogarth. The artist Jonathan Richardson, seated at a table, looks through a telescope that is aimed at the bare bottom of his son who stands on the table before him. Through his son the father looks at a volume of "Virgil [A]enid" which lies open on the shelf above. With his right hand he writes with a quill pen on a sheet of paper with the heading 'Note'. On the other shelves along the wall are paintings and small statuary; on the wall below the shelves is a portrait of Milton. On the floor in the lower right edge is an artist's palette and an easel. A dog jumps and barks at the son's feet
Alternative Title:: Complicated Richardson
Description:: Title from caption above image., Signed within image: WH f. [i.e., Wm. Hogarth fecit]., Text below image: "I know well enough my eye is no eye at all. I must apply to my telescope. My son is my telescope, tis by his help I read [the] learned languages.", Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. i, p. 86., Ms. note in pencil in Steevens's hand above print: £14-0--0., and On page 233 in volume 3. Sheet trimmed to: 19.7 x 12.6 cm.
Publisher:: S. Ireland
Subject (Name):: Richardson, Jonathan, 1665-1745
Subject (Topic):: Dogs, Artists, and British
Found in:: Lewis Walpole Library > The complicated R-n [graphic]

57.
The portrait of Thomas Inglefield, born Decr. 18, 1769 at Hook in Hampshire, without hands or legs

Creator:: Ireland, Samuel, -1800, printmaker
Published / Created:: May 28, 1787.
Call Number:: 787.05.28.01
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait in profile of a young man who lacks hands and legs beyond the knee; full-length, sitting on a cushion before a lectern on the right, drawing a tree with a pen held against his mouth using his left elbow."--British Museum online catalogue
Description:: Title from text within image., Etched below the image: These deficiencies were occasioned, (as his mother supposes) by a fright she suffer'd whilst pregnant with him. Notwithstanding these disadvantages he has by industry acquired the arts of writing, and drawing, holding and guiding the pen and pencil with the muscles of his cheek and arm., and Mounted to: 27.7 x 21 cm
Publisher:: Publish'd for T. Inglefield
Subject (Name):: Inglefield, Thomas, 1769-,
Subject (Topic):: Abnormalities, Human, Phocomelus, Artists, British, and People with disabilities
Found in:: Lewis Walpole Library > The portrait of Thomas Inglefield, born Decr. 18, 1769 at Hook in Hampshire, without hands or legs [graphic]

58.
Wm. Hogarth died Octr. 26th, 1764 aged 67 / [graphic]

Creator:: Ireland, Samuel, -1800, printmaker
Published / Created:: [1 March 1786]
Call Number:: Kinnaird 87K(b) Box 125
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of Hogarth after a painted self-portrait; head and shoulders to right, glancing towards the viewer, holding a palette in his left hand; wearing a coat with tassels, a plain cravat and a mid-length wig
Alternative Title:: William Hogarth
Description:: Title etched below image. and Sheet trimmed within plate mark.
Publisher:: Publish'd March 1st 1786 by W. Dickenson, No. 158, New Bond St.
Subject (Name):: Hogarth, William, 1697-1764
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Wm. Hogarth died Octr. 26th, 1764 aged 67 / [graphic]

59.
Wm. Hogarth from an original picture painted by himself in the possession of Saml. Ireland

Creator:: Ireland, Samuel, -1800, printmaker, publisher
Published / Created:: [1794]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Half-length portrait of William Hogarth, facing viewer, slightly turned to the right; he holds a palette in his left hand
Alternative Title:: William Hogarth
Description:: Title from caption below image., After a portrait by Hogarth., Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. ii, frontispiece., On page 207 in volume 3. Sheet trimmed to: 19.1 x 12.8 cm., and Ms. note in pencil in Steevens's hand to side of print: From S. Ireland's Graphic Illustrations &c.
Publisher:: S. Ireland
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Wm. Hogarth from an original picture painted by himself in the possession of Saml. Ireland / [graphic]

60.
Wm. Hogarth from an original picture painted by himself in the possession of Saml. Ireland

Creator:: Ireland, Samuel, -1800, printmaker, publisher
Published / Created:: [1794]
Call Number:: Hogarth 794.00.00.43 Box 120
Image Count:: 1
Resource Type:: still image
Abstract:: Half-length portrait of William Hogarth, facing viewer, slightly turned to the right; he holds a palette in his left hand
Alternative Title:: William Hogarth
Description:: Title from caption below image., After a portrait by Hogarth., and Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. ii, frontispiece.
Publisher:: S. Ireland
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Wm. Hogarth from an original picture painted by himself in the possession of Saml. Ireland / [graphic]

61.
[Portrait of Norman Holmes Pearson].

Creator:: Keller, Deane, 1901-1992, artist
Published / Created:: 1976.
Call Number:: YCAL MSS 1032 (Art)
Container / Volume:: (Art)
Image Count:: 2
Resource Type:: still image
Abstract:: A portrait of the American academic and editor Norman Holmes Pearson by Deane Keller. The painting is oil on canvas, and is signed at the upper right: "Deane / Keller / 1976." Included in the portrait (hanging on the wall behind Pearson) is a painting titled "Arabella!" by D. H. Lawrence, which was in Pearson's personal collection of art works created by authors; the collection, called by him "Art for the Wrong Reason," is now at Beinecke Rare Book and Manuscript Library along with Pearson's papers
Description:: Deane Keller (1901-1992), American artist, academic, soldier, and preservationist. He earned a BA from Yale University in 1923 and a BFA from the Yale School of Fine Arts in 1926. Keller taught for forty years at the Yale School of Fine Arts, and during World War II was an officer with the Allied Forces's Monuments, Fine Arts and Archives Section., Norman Holmes Pearson (1909-1975, Yale 1932, 1941 PhD), professor of English and American Studies at Yale University and officer in the United States Office of Strategic Services during World War II. Pearson collaborated with Yale University Library curator Donald Gallup to develop the Yale Collection of American Literature, playing an instrumental role in the library's acquisition of the papers of H. D. and Bryher., and Title devised by cataloger.
Subject (Geographic):: United States.
Subject (Name):: Keller, Deane, 1901-1992., Lawrence, D. H. 1885-1930. (David Herbert),, and Pearson, Norman Holmes, 1909-1975
Subject (Topic):: Artists and Authors, American
Found in:: Beinecke Rare Book and Manuscript Library > [Portrait of Norman Holmes Pearson].

62.
Breakfasting &c. [graphic]

Creator:: Livesay, Richard, -1823?, printmaker, publisher
Published / Created:: [27 November 1781]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Inside a cottage at Stoke, Hogarth and his friends breakfast, shave, and draw as they begin their day
Description:: Title etched below image., Figures are lettered in plate with key beneath title: A. The fisherman shaving. B. Mr. Thornhill. C. Mr. Tothall shaving himself. D. Mr. Hogarth drawing this drawing. E. Mr. Forrest at breakfast F. Mr. Tothall. G. Mr. Scott finishing a drawing., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 211 in volume 3.
Publisher:: Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Subject (Name):: Hogarth, William, 1697-1764,, Thornhill, James, Sir, 1675 or 1676-1734,, and Scott, Samuel, approximately 1710-1772,
Subject (Topic):: Artists, Eating & drinking, Interiors, and Shaving
Found in:: Lewis Walpole Library > Breakfasting &c. [graphic]

63.
The embarcation [graphic]

Creator:: Livesay, Richard, -1823?, printmaker, publisher
Published / Created:: [27 November 1781]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: A view of the river Medway, opposite Sheerness, on a windy day with the town and ships in the distance. In the foreground the figures (identified by letters) struggle with their boat
Description:: Title etched below image., Figures are lettered in plate with key beneath title: A. The boat. B. Mr. Tothall at the helm. C. Mr. Thornhill lending a hand to. D. Mr. Hogarth. E. Mr. Forrest pushing forward. F. Mr. Scott. G. Sheerness., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 212 in volume 3.
Publisher:: Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Subject (Name):: Hogarth, William, 1697-1764,, Thornhill, James, Sir, 1675 or 1676-1734,, and Scott, Samuel, approximately 1710-1772,
Subject (Topic):: Artists, Boats, Sailing, and Ships
Found in:: Lewis Walpole Library > The embarcation [graphic]

64.
Upnor Castle [graphic]

Creator:: Livesay, Richard, -1823?, printmaker, publisher
Published / Created:: [27 November 1781]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Description:: Title etched below image., Figures and landmarks in this print are lettered in plate with key beneath title: A. Upnor Castle. B. The River Medway. C. Mr. Thornhill. D. Mr. Hogarth. E. Mr. Forrest. F. Mr. Tothall. G. Mr. Scott., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 211in volume 3.
Publisher:: Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Subject (Name):: Hogarth, William, 1697-1764,, Thornhill, James, Sir, 1675 or 1676-1734,, Scott, Samuel, approximately 1710-1772,, and Upnor Castle (Kent, England)
Subject (Topic):: Artists, Castles & palaces, Coastlines, and Ships
Found in:: Lewis Walpole Library > Upnor Castle [graphic]

65.
St. Jame's Street in an uproar, or, The quack artist and his assailants [graphic]

Creator:: Marks, John Lewis, printmaker
Published / Created:: [approximately February 1819]
Call Number:: 819.02.00.04
Image Count:: 1
Resource Type:: still image
Abstract:: "Fashionable carriages throng the west side of St. James's Street, stopping outside a house with a pilastered door (right) above which is a notice: 'Chalk Drawing'. A dense crowd of tiny figures enters. The crowd is watched intently by Haydon who stands (left) on the opposite pavement; a taller man, probably a pupil, takes his arm. Haydon wears spectacles and holds a small portfolio. A goose labelled 'W C' menaces him from behind. At the bird's feet are two papers: 'Cabal 2 Octavo Volumes W C.' and 'Quack Artist Play .W C. Weather Cock.' There are two placard bearers; one behind Haydon and on the extreme left holds up a notice: 'Chalk Drawings by Haydon['s] Pupils Landsers & Bewick--Private Day.' The other is a small boy (right), assailed by hissing geese, at whose feet is a paper: 'Catalogue Raisonny'. His placard is inscribed 'Exhibition of Drawings, by Haydons pupils Landseers and Bewick for the Cartoons and Elgin Marbles.' The street recedes in perspective to the gate of St. James's Palace. Outside the first-floor windows of the house of the Exhibition is a carved lion."--British Museum online catalogue
Alternative Title:: St. James's Street in an uproar and Quack artist and his assailants
Description:: Title etched below image., Text following title: Saturday morning 30 Jany. 1819., and Date of publication from the British Museum online catalogue, registration no.: 1868,0808.8410.
Publisher:: Pubd. by S.W. Fores, Piccadilly
Subject (Geographic):: St. James's (London, England),, England, and London.
Subject (Name):: Haydon, Benjamin Robert, 1786-1846, Landseer, Thomas, 1795-1880., Bewick, William, 1795-1866., Carey, William, 1759-1839., Saint James's Palace (London, England),, and Royal Academy of Arts (Great Britain)
Subject (Topic):: City & town life, Artists, British, Carriages & coaches, Crowds, Signs (Notices), and Geese
Found in:: Lewis Walpole Library > St. Jame's Street in an uproar, or, The quack artist and his assailants [graphic]

66.
Mr. Pine [graphic]

Creator:: McArdell, James, approximately 1729-1765, printmaker
Published / Created:: [approximately 1755?]
Call Number:: Folio 75 H67 800 v.2 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of John Pine (engraved and herald) seen half-length to left in rectangular frame, eyes to front, wearing cap, earring and fur-trimmed coat, hands folded on the knob of his cane, to left
Description:: Title etched beneath image., Printmaker from Catalogue of engraved British portraits., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit. p. 434., and On page 126 in volume 2.
Publisher:: Printed for Geo. Pulley at Rembrandt's Head, the corner of Bride Court, Fleet Street
Subject (Name):: Pine, John, 1690-1756,
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Mr. Pine [graphic]

67.
Mr. Pine done from an original picture painted by Mr. Hogarth in imitation of Rembrant / [graphic]

Creator:: McArdell, James, approximately 1729-1765, printmaker
Published / Created:: [approximately 1755]
Call Number:: Folio 75 H67 800 v.2 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of John Pine (engraved and herald) seen half-length to left in oval frame, eyes to front, wearing cap, earring and fur-trimmed coat
Description:: Title etched beneath image., Sheet trimmed within plate mark., "Price 2s"--Following imprint., After the original now in the Beaverbrook Art Gallery in Fredericton, Canada., and On page 126 in volume 2. Sheet trimmed within plate at top: 33.1 x 23 cm.
Publisher:: Sold at the Golden Head, the corner of Southampton Strt. Convt Garden
Subject (Name):: Pine, John, 1690-1756,
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Mr. Pine done from an original picture painted by Mr. Hogarth in imitation of Rembrant / [graphic]

68.
Mr. Pine done from an original picture painted by Mr. Hogarth in imitation of Rembrant / [graphic]

Creator:: McArdell, James, approximately 1729-1765, printmaker
Published / Created:: [approximately 1755]
Call Number:: Kinnaird 44K(d) Box 210
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of John Pine (engraved and herald) seen half-length to left in oval frame, eyes to front, wearing cap, earring and fur-trimmed coat
Description:: Title etched beneath image., Sheet trimmed within plate mark., "Price 2s"--Following imprint., and After the original now in the Beaverbrook Art Gallery in Fredericton, Canada.
Publisher:: Sold at the Golden Head, the corner of Southampton Strt. Convt Garden
Subject (Name):: Pine, John, 1690-1756,
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Mr. Pine done from an original picture painted by Mr. Hogarth in imitation of Rembrant / [graphic]

69.
Sir Joshua Reynolds from the original picture, painted by himself, in the Council Room of the Royal

Creator:: Meyer, Henry Hoppner, 1783-1847, printmaker
Published / Created:: [8 May 1809]
Call Number:: Folio 53 Sh52 M78
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait, after a self-portrait (Mannings 21); half-length to right and turned to face front, wearing his robes as President of the Royal Academy."--British Museum online catalogue
Description:: Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in opposite page 108 (leaf numbered '157' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:: Published May 8, 1809, by T. Cadell & W. Davies, Strand, London
Subject (Name):: Reynolds, Joshua, Sir, 1723-1792,
Subject (Topic):: Artists, British, and Robes
Found in:: Lewis Walpole Library > Sir Joshua Reynolds from the original picture, painted by himself, in the Council Room of the Royal Academy / [graphic]

70.
Thomas Gainsborough, Esq. R.A. from the original picture painted by himself, in the Council Room of

Creator:: Meyer, Henry Hoppner, 1783-1847, printmaker
Published / Created:: [27 November 1810]
Call Number:: Folio 53 Sh52 M78
Image Count:: 1
Resource Type:: still image
Abstract:: Head-and-shoulders self-portrait of English painter Thomas Gainsborough, facing right and "Portrait of Thomas Gainsborough, after his self-portrait; half length, to the right, head turned to the front, his hair lightly curled over ears, wearing jacket fastened at waist and cravat."--British Museum online catalogue
Description:: Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted after page 686 (leaf numbered '129' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:: Published Nov. 27, 1810, by T. Cadell & W. Davies, Strand, London
Subject (Name):: Gainsborough, Thomas, 1727-1788, and Gainsborough, Thomas, 1727-1788.
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Thomas Gainsborough, Esq. R.A. from the original picture painted by himself, in the Council Room of the Royal Academy / [graphic]

71.
O the roast beef of old England [graphic]

Creator:: Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:: publish'd according to act of Parliament, March 6th, 1749.
Call Number:: Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:: Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:: 1
Resource Type:: still image
Abstract:: At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:: Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:: Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:: Wm. Hogarth
Subject (Geographic):: Great Britain
Subject (Name):: Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):: Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:: Lewis Walpole Library > O the roast beef of old England [graphic]

72.
O the roast beef of old England [graphic]

Creator:: Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:: publish'd according to act of Parliament, March 6th, 1749.
Call Number:: Folio Greenberg 75 H67 753
Collection Title:: Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:: 1
Resource Type:: still image
Abstract:: At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:: Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:: Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 45.7 cm, on sheet 45 x 56 cm., and Leaf 33 in: Album of William Hogarth prints.
Publisher:: Wm. Hogarth
Subject (Geographic):: Great Britain
Subject (Name):: Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):: Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:: Lewis Walpole Library > O the roast beef of old England [graphic]

73.
O the roast beef of old England [graphic]

Creator:: Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:: publish'd according to act of Parliament, March 6th, 1749.
Call Number:: Sotheby 33++ Box 310
Collection Title:: Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:: 1
Resource Type:: still image
Abstract:: At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:: Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:: Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
Publisher:: Wm. Hogarth
Subject (Geographic):: Great Britain
Subject (Name):: Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):: Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:: Lewis Walpole Library > O the roast beef of old England [graphic]

74.
O the roast beef of old England [graphic]

Creator:: Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:: publish'd according to act of Parliament, March 6th, 1749.
Call Number:: Folio 75 H67 764 (Oversize)
Collection Title:: Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:: 1
Resource Type:: still image
Abstract:: At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:: Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:: Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:: Wm. Hogarth
Subject (Geographic):: Great Britain
Subject (Name):: Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):: Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:: Lewis Walpole Library > O the roast beef of old England [graphic]

75.
Amsterdam, Shanks Leggs servant shaving him [art original].

Creator:: Nixon, John, -1818, artist
Published / Created:: [approximately 1790]
Call Number:: Drawings N736 no. 12 Box D141
Image Count:: 1
Resource Type:: still image
Abstract:: A scene in a bedroom, the bed in a niche behind a curtain, one man sits as he is being shaved by his servant, as a companion stands with his arms crossed. To their left is an open trunk wotj slippers and boots on the ground on the far left. A fourth man stands apart arrange his queue(?), two pistols on the floor to his right beside an open duffle bag. On the right wall hangs a portrait of Emperor Joseph above a large fireplace; on the left wall hangs a portrait of a woman in profile
Alternative Title:: Shanks Leggs servant shaving him
Description:: Title from ink inscription in lower margin, in the artist's hand., Date from dealer's description., Two additional ink inscriptions by the artist, to the left ("J. Nixon") and right ("G. Nixon") of the title, identify figures depicted in the scene., and Window mounted on to a slightly larger sheet.
Subject (Name):: Nixon, John, -1818,
Subject (Topic):: Artists, British, Shaving, Servants, Bedrooms, Canopy beds, and Fireplaces
Found in:: Lewis Walpole Library > Amsterdam, Shanks Leggs servant shaving him [art original].

76.
French liberty [graphic].

Creator:: Nixon, John, -1818, printmaker
Published / Created:: [approximately July 1793?]
Call Number:: 793.07.00.01++
Image Count:: 1
Resource Type:: still image
Abstract:: An allegorical representation of France with Liberty as a young woman bound and being dragged from a temple, Libertas, by French soldiers to face a angry mob, two decapitated heads at the base of the stairs. One soldier breaks a staff with a liberty cap at the top. A woman kneels a fire which consumes a spinning wheel and is fed books carried by laborers. A crowd of artists, musicians, carpenters, smiths, weavers and other tradesmen are roughly pushed away from the temple by a soldier. In the background a church which has been turned into a theatre attracts a large crowd to a production of "The massacre at Paris."
Description:: Attributed to John Nixon. See British Museum catalogue, no. 8334., Trimmed within plate mark on top and bottom., One line of text below title: This print is most respectfully dedicated to every true hearted Briton who's a friend to his king and country., Four lines from Churchill's poem, Independence, printed in two columns on each side of title: O thou poor country, weak and overpow'rd, By thine own sons, eat to the bone, devour'd ..., Nine lines of explanatory text below image: Liberty is torn from her temple by a hired band of ruffians ... ., and Sheet trimmed to plate mark on bottom with loss of contemporary ms. annotation.
Publisher:: publisher not identified
Subject (Geographic):: France and France.
Subject (Name):: Paine, Thomas, 1737-1809.
Subject (Topic):: History, Artists, Book burning, Decapitations, Demons, Destruction & pillage, Fools & jesters, Liberty, People associated with manual labor, Trade, Revolutions, and Violence
Found in:: Lewis Walpole Library > French liberty [graphic].

77.
Geo. Cruikshank [graphic]

Creator:: Pailthorpe, F. W. (Frederic W.), printmaker
Published / Created:: 1883.
Call Number:: Portraits C955 no. 1
Image Count:: 1
Resource Type:: still image
Abstract:: Half-length portrait of George Cruikshank
Alternative Title:: George Cruikshank
Description:: Title from the facsimile of Geo. Cruikshank's signature as title below image. and Mounted to 43.4 x 29.7 cm.
Publisher:: Published by J.F. Dexter
Subject (Name):: Cruikshank, George, 1792-1878,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Geo. Cruikshank [graphic]

78.
Artistes de Paris 1925-1935 : Fevrier-Mars 1935 : Palais des beaux-arts Bruxelles

Creator:: Palais des beaux-arts (Brussels, Belgium)
Published / Created:: 1935]
Call Number:: Za Se51 935A
Image Count:: 23
Description:: BEIN Za Se51 935A: Paperbound. From the Kurt Seligmann Papers. and Kurt Seligmann one of the artists listed.
Publisher:: Palais des beaux-arts
Subject (Geographic):: France, Paris, and Paris (France)
Subject (Name):: Seligmann, Kurt, 1900-1962.
Subject (Topic):: Art, Modern, Artists, and Intellectual life
Found in:: Beinecke Rare Book and Manuscript Library > Artistes de Paris 1925-1935 : Fevrier-Mars 1935 : Palais des beaux-arts Bruxelles

79.
Mr. Bunberry, 1769 [art original].

Creator:: Patch, Thomas, 1725-1782, artist
Published / Created:: [1769]
Call Number:: Drawings P294 no. 2 Box D205
Image Count:: 1
Resource Type:: still image
Abstract:: Profile portrait depicting the young traveller Henry Bunbury wearing an academic gown and mortar board. This drawing was used as the basis for Thomas Patch’s conversation piece of the interior of his Florentine studio painted in 1770 and now in the collection of the Lewis Walpole Library, Farmington
Alternative Title:: Mr. Bunbury, 1769
Description:: Title and date inscribed by the artist (?) in lower right., Unsigned; attributed to Thomas Patch., Inscribed below the title in a different hand: Drawn by Gezze at Florence., and From the same sheet as another drawing of "Valentino, Servitore di Piazza, 1769", now separated.
Subject (Name):: Bunbury, Henry William, 1750-1811,
Subject (Topic):: Artists, British, and Cartoonists
Found in:: Lewis Walpole Library > Mr. Bunberry, 1769 [art original].

80.
Romolo Panfi pittore / [graphic]

Creator:: Pazzi, Antonio, 1706-approximately 1766, printmaker
Published / Created:: [not after 1766]
Call Number:: Portraits P191 no. 1
Image Count:: 1
Resource Type:: still image
Description:: Title from text below image. and Place of publication from printmaker's place of activity; publication date from printmaker's death date.
Publisher:: publisher not identified
Subject (Name):: Panfi, Romolo, 1632-1690,
Subject (Topic):: Artists and Italian
Found in:: Lewis Walpole Library > Romolo Panfi pittore / [graphic]

81.
Hogarth [graphic]

Creator:: Read, W., printmaker
Published / Created:: [between 1820 and 1837]
Call Number:: Hogarth 820.00.00.01 Box 140
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of William Hogarth; half length, to the right, head turned towads the viewer; with short curly hair; part of a curtain in background
Description:: Title engraved below image., Date based on known dates of activity for W. Read. See British Museum online catalogue., and Sheet trimmed within plate mark.
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Hogarth [graphic]

82.
[Groups from Hogarth's "Beer Street". H] [graphic].

Creator:: Riepenhausen, Ernst Ludwig, 1765-1840
Published / Created:: [not before 1787]
Call Number:: Hogarth 787.00.00.47 Box 115
Image Count:: 1
Resource Type:: still image
Abstract:: Plate lettered in the top center 'H': Reverse copies of details from figures from the lower right corner of Hogarth's "Beer Street". Numbered 1: Two fisherwomen, one with a large basket of fish on her head, read a sheet titled "A new ballad on the herring fishery by Mr. Lockman"; 2. A sign painter smiles as he dips his brush in the paint on his palette; the edge of the sign visible upper left
Description:: Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764.
Subject (Topic):: Artists, Fishmongers, and Signs (Notices)
Found in:: Lewis Walpole Library > [Groups from Hogarth's "Beer Street". H] [graphic].

83.
Facts and recollections of the XVIIIth century in a memoir of John Francis Rigaud Esq., R.A

Creator:: Rigaud, Stephen Francis Dutilh, 1777-1861
Call Number:: Osborn d76
Image Count:: 468
Resource Type:: unspecified
Abstract:: Manuscript describes the career of John Francis Rigaud (1742-1810) in detail and includes discussion of his painting techniques. There are frequent mentions of the Royal Academy. Accompanied by seven related pieces concerning the Rigaud and Dutilh families
Subject (Geographic):: Great Britain
Subject (Name):: Dutilh family., Rigaud family., Rigaud, J. F. 1742-1810. (John Francis),, Rigaud, Stephen Francis Dutilh, 1777-1861., and Royal Academy of Arts (Great Britain)
Subject (Topic):: Artists, Painting, and Technique
Found in:: Beinecke Rare Book and Manuscript Library > Facts and recollections of the XVIIIth century in a memoir of John Francis Rigaud Esq., R.A. : member of the Clementine Academy of Bologna, Royal Academician of Stockholm, and historical painter to Gustavus IV. King of Sweden. With poetical remains of Mrs. Mary Rigaud by their son Stephen Francis Dutilh Rigaud, member, and one of the founders of the First Society of Painters in Water Colours, instituted in 1805, 1854

84.
Mr. Bunbury [art original].

Creator:: Rowlandson, Thomas, 1756-1827, artist
Published / Created:: [approximately 1790]
Call Number:: Drawings R79 no. 27 Box D146
Image Count:: 1
Resource Type:: still image
Abstract:: A portrait of the artist Henry William Bunbury shown in profile looking to the right, a sketchbook in his lap and a pencil in his right hand. He is wearing a hat with a broad brim and is seated in an arm chair
Alternative Title:: Artist Henry William Bunbury while sketching
Description:: Title written in brown ink in lower left, possibly in the artist's hand., Unsigned; attributed to Thomas Rowlandson., Date from auction lot description., and Small "p." written in lower right corner.
Subject (Name):: Bunbury, Henry William, 1750-1811,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Mr. Bunbury [art original].

85.
A brace of blackguards [graphic]

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [20 June 1789]
Call Number:: 789.06.20.01+
Image Count:: 1
Resource Type:: still image
Abstract:: Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:: Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:: Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):: Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Subject (Topic):: Artists, British, Boxing, Chairs, Dogs, Drinking vessels, Fireplaces, Pipes (Smoking), Sports posters, Tables, and Taverns (Inns)
Found in:: Lewis Walpole Library > A brace of blackguards [graphic]

86.
A brace of blackguards [graphic]

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [20 June 1789]
Call Number:: Auchincloss Rowlandson v. 12
Image Count:: 1
Resource Type:: still image
Abstract:: Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:: Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., 1 print : aquatint and etching on wove paper, touches of color ; sheet 35.4 x 23.2 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and Mounted on leaf 12 of volume 12 of 14 volumes.
Publisher:: Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):: Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Subject (Topic):: Artists, British, Boxing, Chairs, Dogs, Drinking vessels, Fireplaces, Pipes (Smoking), Sports posters, Tables, and Taverns (Inns)
Found in:: Beinecke Rare Book and Manuscript Library > A brace of blackguards [graphic]

87.
A family piece [graphic]

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [1811]
Call Number:: Bunbury 811.12.15.03+ Impression 1
Image Count:: 1
Resource Type:: still image
Abstract:: "A portrait-painter painting a family group of a man and wife and their little boy. The group (right) is raised on a low semicircular platform, the couple sit on a high-backed settee without arms, the little boy on a stool in front of his mother. The child, though in his ordinary clothes, is holding a cupid's bow and a sheaf of arrows (reminiscent of the family portrait in the 'Vicar of Wakefield'); a large quiver holding arrows is slung across his shoulders, a wreath is on his head; he yawns violently. The man, in profile to the left, is obese and wears a short bushy wig, a dove sits on his left wrist; only the toes of his shoes reach the ground. His wife sits on his right holding a dove on her right hand; she turns towards her husband, looking straight forward with a fixed and painful smile; she wears ringlets and a cap of lace and ribbons on her high-dressed hair. The artist (left) stands at his easel which supports a large canvas and is placed close to his sitters. He wears spectacles, a bag-wig, and ruffled shirt, and holds a palette in his left hand. He looks towards his sitters with an insinuating smile, which, together with his attitude and the figure of the man sketched on the canvas, shows that he is intent on flattery. High up on the wall behind him are two oval bust portraits, one (left) of a clergyman, the other of a lady. Behind the sitters is a tall screen of several leaves."--British Museum online catalogue
Description:: Title from caption below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], p. 40., A later copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 10 of a series., Watermark: 1809., and Imperfect; artist's signature mostly erased from lower right corner of sheet.
Publisher:: publisher not identified
Subject (Topic):: Artists, Artists' materials, Doves, Easels, Families, Group portraits, Obesity, Wigs, and Yawning
Found in:: Lewis Walpole Library > A family piece [graphic]

88.
The chamber of genius [graphic]

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [2 April 1812]
Call Number:: 812.04.02.01+
Image Count:: 1
Resource Type:: still image
Abstract:: An artist with a crazed look on his face paints at his easel the picture of Hebrew prophet (?) with wild hair and clenched fists. The artist is only half-dressed, his foot in the contents of an overturned chamber pot. He is surrounded by other pursuits of genius: a violin, scientific and medical equipment, a Roman bust, a French horn, a pile of books, etc. On the wall are three drawings: an air balloon, a dancer, and a portrait of Peter Jesta. He sits at the foot of a bed where his pretty wife sleeps peacefully, unaware that her young child is pouring out wine into a glass while a slightly older child sits with bellows before a stove, the spout of a kettle dangerously aimed in her direction
Description:: Title etched below image., Two lines of verse below title: Want is the scorn of every wealthy fool, and genius in rags is turn'd to ridicule. Juvl. Satires., and Sheet trimmed within plate mark.
Publisher:: Pubd. April 2nd, 1812, by T. Rowlandson, N. 1 James Street, Adelphi
Subject (Topic):: Artists, Artists studios, and Domestic life
Found in:: Lewis Walpole Library > The chamber of genius [graphic]

89.
The chamber of genius [graphic]

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [2 April 1812]
Call Number:: Auchincloss Rowlandson v. 12
Image Count:: 1
Resource Type:: still image
Abstract:: An artist with a crazed look on his face paints at his easel the picture of Hebrew prophet (?) with wild hair and clenched fists. The artist is only half-dressed, his foot in the contents of an overturned chamber pot. He is surrounded by other pursuits of genius: a violin, scientific and medical equipment, a Roman bust, a French horn, a pile of books, etc. On the wall are three drawings: an air balloon, a dancer, and a portrait of Peter Jesta. He sits at the foot of a bed where his pretty wife sleeps peacefully, unaware that her young child is pouring out wine into a glass while a slightly older child sits with bellows before a stove, the spout of a kettle dangerously aimed in her direction
Description:: Title etched below image., Two lines of verse below title: Want is the scorn of every wealthy fool, and genius in rags is turn'd to ridicule. Juvl. Satires., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 23.5 x 28.6 cm., and Mounted on leaf 10 of volume 12 of 14 volumes.
Publisher:: Pubd. April 2nd, 1812, by T. Rowlandson, N. 1 James Street, Adelphi
Subject (Topic):: Artists, Artists studios, and Domestic life
Found in:: Beinecke Rare Book and Manuscript Library > The chamber of genius [graphic]

90.
Henry Bunbury Esqr. [graphic]

Creator:: Ryder, Thomas, 1746-1810, printmaker
Published / Created:: [24 April 1789]
Call Number:: Folio 49 3563 v.2 (Oversize)
Collection Title:: Volume 2, page 1. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait after Lawrence; seated three-quarter length slightly to left in an oval, looking to the right, holding a sheet of figures across his lap inscribed 'Long Minuet', completing the drawing with a pencil in his right hand, which rests on a table at left; pilllar and trees behind"--British Museum online catalogue
Description:: Title etched below image., Sheet trimmed within plate mark., Mounted on page 1 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching on laid paper ; oval image 32.1 x 26.3 cm, on sheet 41.4 x 32.2 cm., and Sheet trimmed to plate mark.
Publisher:: Publish'd as the act directs, 24 April 1789, by S. Watts, No. 28 Walcot-place, Lambeth & to be had at T. Ryders, No. 34, Great Titchfield St.
Subject (Name):: Bunbury, Henry William, 1750-1811,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Henry Bunbury Esqr. [graphic]

91.
Henry Bunbury Esqr. [graphic]

Creator:: Ryder, Thomas, 1746-1810, printmaker
Published / Created:: [24 April 1789]
Call Number:: Portraits B87 no. 1
Collection Title:: Volume 2, page 1. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:: 1
Resource Type:: still image
Abstract:: "Portrait after Lawrence; seated three-quarter length slightly to left in an oval, looking to the right, holding a sheet of figures across his lap inscribed 'Long Minuet', completing the drawing with a pencil in his right hand, which rests on a table at left; pilllar and trees behind"--British Museum online catalogue
Description:: Title etched below image. and Sheet trimmed within plate mark.
Publisher:: Publish'd as the act directs, 24 April 1789, by S. Watts, No. 28 Walcot-place, Lambeth & to be had at T. Ryders, No. 34, Great Titchfield St.
Subject (Name):: Bunbury, Henry William, 1750-1811,
Subject (Topic):: Artists and British
Found in:: Lewis Walpole Library > Henry Bunbury Esqr. [graphic]

92.
Honble. Anne Damer from an original in the possession of the Right Honble. Genl. Conway / [graphic]

Creator:: Ryder, Thomas, 1746-1810, printmaker
Published / Created:: [1 February 1793]
Call Number:: Folio 33 30 Copy 11
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of Mrs. Damer, seated and leaning her left arm against a pedestal, with a bouquet of flowers in her left hand
Alternative Title:: Honorable Anne Damer
Description:: Title etched below image., Mounted on page 261 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : stipple engraving with etching on laid paper ; sheet 27.1 x 20 cm., Imperfect; sheet trimmed within plate mark on bottom edge with loss of imprint statement., and For further information, consult library staff.
Publisher:: Publish'd as the act directs Feby. 1st, 1793, by S. Watts, No. 9 Kennington Cross, Lambeth, & to be had of T. Ryder, No. 43 Great Titchfield St., Oxford Road
Subject (Name):: Damer, Anne Seymour, 1748 or 1749-1828,
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Honble. Anne Damer from an original in the possession of the Right Honble. Genl. Conway / [graphic]

93.
Honble. Anne Damer from an original in the possession of the Right Honble. Genl. Conway / [graphic]

Creator:: Ryder, Thomas, 1746-1810, printmaker
Published / Created:: [1 February 1793]
Call Number:: Folio 49 3582 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of Mrs. Damer, seated and leaning her left arm against a pedestal, with a bouquet of flowers in her left hand
Alternative Title:: Honorable Anne Damer
Description:: Title etched below image., Tipped in at page 201 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : stipple engraving with etching on laid paper ; sheet 27.6 x 24.3 cm., and Sheet trimmed to plate mark on three sides.
Publisher:: Publish'd as the act directs Feby. 1st, 1793, by S. Watts, No. 9 Kennington Cross, Lambeth, & to be had of T. Ryder, No. 43 Great Titchfield St., Oxford Road
Subject (Name):: Damer, Anne Seymour, 1748 or 1749-1828,
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Honble. Anne Damer from an original in the possession of the Right Honble. Genl. Conway / [graphic]

94.
Honble. Anne Damer from an original in the possession of the Right Honble. Genl. Conway / [graphic]

Creator:: Ryder, Thomas, 1746-1810, printmaker
Published / Created:: [1 February 1793]
Call Number:: Quarto 486 21
Image Count:: 1
Resource Type:: still image
Abstract:: Portrait of Mrs. Damer, seated and leaning her left arm against a pedestal, with a bouquet of flowers in her left hand
Alternative Title:: Honorable Anne Damer
Description:: Title etched below image. and Mounted on page 26.
Publisher:: Publish'd as the act directs Feby. 1st, 1793, by S. Watts, No. 9 Kennington Cross, Lambeth, & to be had of T. Ryder, No. 43 Great Titchfield St., Oxford Road
Subject (Name):: Damer, Anne Seymour, 1748 or 1749-1828,
Subject (Topic):: Artists
Found in:: Lewis Walpole Library > Honble. Anne Damer from an original in the possession of the Right Honble. Genl. Conway / [graphic]

95.
The author run mad [graphic].

Creator:: Sandby, Paul, 1731-1809, printmaker
Published / Created:: [1753?]
Call Number:: Print01201
Image Count:: 1
Resource Type:: still image
Abstract:: Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:: Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
Publisher:: publisher not identified
Subject (Geographic):: Great Britain., England, and London.
Subject (Name):: Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Subject (Topic):: Hospitals, Psychiatric hospitals, Psychotherapy patients, Artists, British, Artists' materials, Painting, Physical restraints, Interiors, and Mental institutions
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > The author run mad [graphic].

96.
The author run mad [graphic].

Creator:: Sandby, Paul, 1731-1809, printmaker
Published / Created:: [1753?]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:: Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
Publisher:: publisher not identified
Subject (Geographic):: Great Britain., England, and London.
Subject (Name):: Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Subject (Topic):: Hospitals, Psychiatric hospitals, Psychotherapy patients, Artists, British, Artists' materials, Painting, Physical restraints, Interiors, and Mental institutions
Found in:: Lewis Walpole Library > The author run mad [graphic].

97.
The author run mad [graphic].

Creator:: Sandby, Paul, 1731-1809, printmaker
Published / Created:: [1753?]
Call Number:: 753.00.00.02
Image Count:: 1
Resource Type:: still image
Abstract:: Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:: Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:: publisher not identified
Subject (Geographic):: Great Britain., England, and London.
Subject (Name):: Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Subject (Topic):: Hospitals, Psychiatric hospitals, Psychotherapy patients, Artists, British, Artists' materials, Painting, Physical restraints, Interiors, and Mental institutions
Found in:: Lewis Walpole Library > The author run mad [graphic].

98.
The burlesquer burlesqued the second edition. [graphic]

Creator:: Sandby, Paul, 1731-1809, printmaker
Published / Created:: Decemr. 1, 1753.
Call Number:: 753.12.01.01.2+
Image Count:: 1
Resource Type:: still image
Abstract:: A satire on Hogarth's "Analysis of Beauty".
Description:: Title etched below image., Printmaker from British Museum catalogue., False imprint?, Sheet trimmed to plate mark., and "Price 1s. done from [the] French"--Following title.
Publisher:: Avec priuilege du Roy
Subject (Name):: Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):: Artists, Artists' studios, and Dogs
Found in:: Lewis Walpole Library > The burlesquer burlesqued the second edition. [graphic]

99.
The painters march from Finchly dedicated to the king of [the] gypsies [image of a hand with finger

Creator:: Sandby, Paul, 1731-1809, printmaker, artist
Published / Created:: [1754]
Call Number:: Folio 75 H67 800 v.3 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: Hogarth is shown fleeing from a village, his hat flying off as a scolding woman at his side points to cow horns that appear over his head. The horns are numbered “1”, a reference to a table below to Hogarth's prints "Four times the day". A chimney sweep behind Hogarth holds up his print “H- [of] Prussia” as he steals from his satchel the 'March to Finchley'. Another chimney sweep -- numbered “2” referencing the table below that identifies him as "a painter"--rides a sow and carries a palette as a shield emblazoned with a “line of beauty”. Exemplifying the "lines of beauty". Hogarth's dog bits the woman's drapery; a greyhound steals from a pail hanging from the yoke of a milkmaid; a cripple with his crutch, wooden leg, and natural leg. The design includes numerous other references to other Hogarth prints and Centered below the main design is an etching of Hogarth in stocks under a pump. Mounted on the pump is a broadside inscribed: "Puggs proposals to his Dunces to humbug them by an election feast a burlesque on the wort[hy] members o[f Parlia]ment 1754." Parts of the image are lettered, referencing a table to the right
Alternative Title:: Painters march from Finchley
Description:: Title etched below image., Artist and printmaker identified as Paul Sandby. See British Museum cataogue., and On page 291 in volume 3. Sheet trimmed to: 23.1 x 19.6 cm.
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764
Subject (Topic):: Influence, Artists, Chimney sweeps, Crowds, Dogs, Livestock, Milkwomen, People with disabilities, Signs (Notices), Stocks (Punishment), and Water pumps
Found in:: Lewis Walpole Library > The painters march from Finchly dedicated to the king of [the] gypsies [image of a hand with finger pointing] as an encourager of art &c. / [graphic]

100.
The painters march from Finchly dedicated to the king of [the] gypsies [image of a hand with finger

Creator:: Sandby, Paul, 1731-1809, printmaker, artist
Published / Created:: [1754]
Call Number:: Hogarth 754.04.01.01 Box 110
Image Count:: 1
Resource Type:: still image
Abstract:: Hogarth is shown fleeing from a village, his hat flying off as a scolding woman at his side points to cow horns that appear over his head. The horns are numbered “1”, a reference to a table below to Hogarth's prints "Four times the day". A chimney sweep behind Hogarth holds up his print “H- [of] Prussia” as he steals from his satchel the 'March to Finchley'. Another chimney sweep -- numbered “2” referencing the table below that identifies him as "a painter"--rides a sow and carries a palette as a shield emblazoned with a “line of beauty”. Exemplifying the "lines of beauty". Hogarth's dog bits the woman's drapery; a greyhound steals from a pail hanging from the yoke of a milkmaid; a cripple with his crutch, wooden leg, and natural leg. The design includes numerous other references to other Hogarth prints and Centered below the main design is an etching of Hogarth in stocks under a pump. Mounted on the pump is a broadside inscribed: "Puggs proposals to his Dunces to humbug them by an election feast a burlesque on the wort[hy] members o[f Parlia]ment 1754." Parts of the image are lettered, referencing a table to the right
Alternative Title:: Painters march from Finchley
Description:: Title etched below image. and Artist and printmaker identified as Paul Sandby. See British Museum cataogue.
Publisher:: publisher not identified
Subject (Name):: Hogarth, William, 1697-1764
Subject (Topic):: Influence, Artists, Chimney sweeps, Crowds, Dogs, Livestock, Milkwomen, People with disabilities, Signs (Notices), Stocks (Punishment), and Water pumps
Found in:: Lewis Walpole Library > The painters march from Finchly dedicated to the king of [the] gypsies [image of a hand with finger pointing] as an encourager of art &c. / [graphic]