Title from item., Sheet trimmed partially within plate mark., Temporary local subject terms: Literature: Allusion to Shakespeare, William, 1564-1616, The tempest -- Coalitions: Fox-North, 1783 -- Mythology: Allusion to Bacchus -- Dice-box as a compass -- Sun eclipses -- Fool's caps -- Emblems: Prince of Wales's feathers., Partial watermark top center of sheet., and Mounted to 27 x 38 cm.
Publisher:
Pubd. as the act directs, by T. Brown, Rathbone Place
Subject (Geographic):
England, London., and England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Great Britain. Parliament, and Royal George (Ship)
Subject (Topic):
Elections, 1784, Political elections, Shipwrecks, Barrels, and Gambling
"Two men and a boy are on the deck of a small sailing-vessel, part of a sail appearing above their heads (left). The men wear round hats and short trousers; one (left) sits on a barrel smoking a long pipe, a tankard beside him; the other stands with a cane under his arm, his right hand on his hips. The boy (right), who is perhaps black and wears long trousers, sits on a coil of rope holding a punch-bowl."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Rowlandson by Grego.
Publisher:
Published Octobr. 1st, 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccaddilly [sic]
Subject (Topic):
Decks (Ships), Sailors, Military uniforms, Barrels, Pipes (Smoking), Staffs (Sticks), and Ropes
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., 1 print : etching with engraving on laid paper ; sheet 25.8 x 14.9 cm., and Imperfect; sheet trimmed within plate mark on top edge with loss of title.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
"A London scene: in the foreground men and women flee diagonally from right to left towards the spectator away from a bullock (right) in the middle distance, pursued by men with sticks. The fugitives include a little chimney-sweeper on the extreme left, a stout citizen wearing a high hat, an old military officer on crutches, a woman who has fallen to the ground, a Billingsgate woman with a basket of fish on her head, the contents about to fall, a would-be beau crouching behind a barrel and taking snuff. The bullock has tossed a dog into the air. The background of houses with an open space enclosed by railings suggests Smithfield Market."--British Museum online catalogue
Description:
Title from item., After Dighton. See British Museum catalogue., Temporary local subject terms: Beaux -- Chelsea pensioners' uniform., and Watermark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, published as the act directs
Subject (Geographic):
England and London.
Subject (Name):
Smithfield Markey,
Subject (Topic):
Animal fighting, Barrels, Bulls, City & town life, Crowds, Fishmongers, Food vendors, Markets, Military uniforms, and British
Design in an oval. A head with lank, unkempt hair and melancholy, twisted features, mouthing grotesquely, appears to emerge from a tub; this is a section of a tub held by the performer on a table. Reference to G.A. Stevens's Lecture on Heads (1764).
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pub. October 10, 1793, by S.W. Fores, No. 3 Piccadilly
"Fox, as a quack doctor, addresses a mob from the front of a platform which rests upon five beer-barrels inscribed 'Whitbreads entire' (cf. BMSat 8638). Four other mountebanks are performing. Fox wears the full wig and old-fashioned laced coat and waistcoat of a doctor; he points to a young man (Bedford) behind him (left) who stands on his head, coins pouring from his pocket into a box. A Pierrot (Grey) stands behind the platform holding a trumpet and saying: "Turn me Grey Gemmen if I dont read you the particulars of his curing 30,000 Patients in one day; when Brother cit. has done tumbling". On a slack-rope stretching across the left part of the platform is little Lord Lauderdale, holding a balancing pole. He and Bedford are dressed as acrobats. On the right is the doctor's zany, Sheridan, wearing a fool's cap and a tunic and trousers dotted with representations of the Devil. He scatters, and kicks towards the spectators below him, a shower of paper scrolls inscribed: 'An Infaliable cure for a bad constitution'; 'Aether for Arguments'; 'Caustics for Crimps' [cf. BMSat 8484]; 'Mercury for Ministers'; 'Preparations against Prosecution'; 'Powder [cf. BMSat 8629] for Placemen' [twice]; 'Pain for the Poor' [cf. BMSat 8146]; 'A Rope for Reeves' [cf. BMSat 8699]; 'Gibets for Justices' [cf. BMSat 8686]; 'Aqua Regis for Royalists'. The crowd (right), who are three-quarter length, eagerly hold out their hands to catch the papers. Next the platform is a well-dressed man resembling Grafton. The man on the extreme right is a butcher wearing a bonnet-rouge. Fox says: "Dis is de first Tumbler in de Vorld Gemmen, dat is Citoyen de Bedforado, who vas stand so long upon his head dat all de money vas Tumble out of his pockets; de Next is Citoyen Van Lathertalo, who's trick upon de slack rope are delightfull it is expected he vil von Day dance on de Tight Rope ha ha!!" The men and women composing the crowd on the left all raise a hand in affirmation; all are shouting. A man dressed as a militiaman, standing prominently beside the platform, raises a hand from which two fingers are missing; he shouts "All. All." Perhaps Edward Hall, 'Liberty Hall'."--British Museum online catalogues
Alternative Title:
Palace yard pranks
Description:
Title from item., Printmaker identified by British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: NB folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Quacks' zanies -- Acrobats -- Pierrot -- Rope-walking -- Musical instruments: trumpet -- Reference to the meeting in Palace Yard, November 16, 1795 -- Bills: reference to Seditious Meetings and Treasonable Practices bills -- Fool's cap - Money: coins -- Allusion to Samuel Whitbread, 1764-1815., Watermark: Strasburg lily with initials E & P 1794 below., and Mounted on top and bottom to 32 cm.
Publisher:
Published No. 20, 1795, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Grey, Charles Grey, Earl, 1764-1845, and Lauderdale, James Maitland, Earl of, 1759-1839
Subject (Topic):
Medicine shows, Quacks & quackery, Politicians, Acrobats, Aerialists, Clowns, Money, Barrels, and Spectators
"The interior of the House of Commons showing part of the Speaker's chair on the extreme left, and the adjacent Opposition bench on the right with a corner of the gallery. On the floor between the table and the front Opposition bench a large cask, resting on trestles, is exploding violently from the bung-hole. The inscription on the cask forms the only title to the print. In the explosion are the words: 'Reform', 'Peace', 'Liberty', 'Equality', 'no Slave Trade', 'Peace'. Part only of the Speaker's hat and wig are visible; his left hand is extended and the words 'Order Order' issue from his (invisible) mouth. Three occupants of the front Opposition bench cover their faces, two others flee from the explosion."--British Museum online catalogue
Description:
Title from text in image., Signed with the monogram of James Sayers., Third of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "3" in upper left corner., Temporary local subject terms: Opposition -- Motion for peace with France, 27 May 1795 -- Containers: Casks., and Mounted on leaf 68 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Whitbread, Samuel, 1764-1815. and Great Britain. Parliament. House of Commons,
Title from item., From the Laurie & Whittle series of Drolls., Two lines of text below image: Why damme! Messmate you're done up ..., Plate numbered '173' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Naval uniforms: sailors' uniforms -- Beer barrels -- Dishes: tankards -- Drunkenness.
Publisher:
Published 24th Octr., 1796, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Sailors, British, Military uniforms, Barrels, Beer, Drinking vessels, Pipes (Smoking), Smoking, and Intoxication
"A tun of 'Wine' lies on solid trestles inscribed 'Treasury Bench'. From its huge bung-hole emerges the naked body of Pitt, as Bacchus, crowned with vine branches. He leans back tipsily, a brimming glass in each hand. Behind him stands Dundas as Silenus, fat, and partly draped in tartan; his right hand grasps Pitt's shoulder, in his left he holds up a brimming glass. He also is crowned with vine branches. Bunches of grapes hang down from a vine above their heads and are indicated as a background to the cask whose trestles are on a dais covered with a fringed carpet. Opposite the tun stands John Bull in profile to the left, looking up at Pitt, hat in hand; in his left hand is a lank purse, under his arm three empty bottles. He is a yokel, with lank hair and hydrocephalic head, wearing a smock and wrinkled gaiters. He says: "Pray Mr Bacchus have a bit of consideration for old John; - you know as how I've emptied my Purse already for you - & its waundedly hard to raise the price of a drop of Comfort, now that one's got no Money left for to pay for it!!!" Pitt says: "Twenty Pounds a T-Tun, ad-additional Duty i-i-if you d-d-don't like it at that, why t-t-t-then Dad & I will keep it all for o-o-our own Drinking, so here g-g-goes old Bu-Bu-Bull & Mouth!!! - "."--British Museum online catalogue
Alternative Title:
Triumph of Bacchus & Silenus and Triumph of Bacchus and Silenus
Description:
Title etched below image., Temporary local subject terms: Wine duty, 1796 -- Mythology: Bacchus -- Silenus -- Containers: wine casks -- Allusion to Treasury., and Watermark: I Taylor.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Dionysus (Greek deity)
Subject (Topic):
John Bull (Symbolic character), Taxes, Wine, Grapes, Barrels, and Purses