"Fox, in a diver's dress which leaves his face and hands bare, stands on the bed of the ocean, speaking, through a tube inscribed 'Haul up', to his assistants in a boat; these haul on a pulley attached to the mast of the boat, but cut off by the upper margin. Fox has fastened the rope to a chest inscribed '10 Per Cent'; this, with an anchor inscribed 'Pig Iron' and three barrels, one inscribed 'Beer Tax', lies on the ocean bed. He turns his back on the dead body of John Bull, lying on his back, beside the wrecked hull of the 'Constitution Cutter - John Bull commander (whose cargo he is seizing); only the top of the mast projects above the surface of the 'Ocean of Taxation'; on this a carrion bird perches, another flies towards it. The boat from which Fox has descended is 'The Experiment'; in it are salvaged money-bags inscribed '10 Pr Cent'; its crew are (l. to r.), Windham (?), Sheridan, Erskine, and Petty."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Year of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 37 of volume 8 of 14 volumes.
Publisher:
Pubd. May 31, by T. Rowlandson, N. 1, James St., Adelphi
Subject (Name):
Fox, Charles James, 1749-1806, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
Subject (Topic):
John Bull (Symbolic character), Barrels, Diving suits, and Shipwrecks
"A sequel to British Museum Satires No. 10416. The thistle grows from papers resting on an upturned tub on the extreme right. The head, with Melville's profile facing his tormentors, is erect; the stem is inscribed 'His radiis rediviva viresco'. These roots or papers are inscribed: 'First Charge Lie Ist'; '2d Charge Lie 2d'; '3d Charge Lie 3d'; '5th Charge Lie 5'; '7th Charge Lie ye 7th'. Clouds of dense smoke issue from these papers and billow to the left. across the upper part of the design, carrying with them the heads of nine of Melville's discomfited assailants whom he regards with a slight smile. By the tub falls a sheaf of bulky papers headed 'Protest'. The heads are (left to right): Erskine (close to a plume of feathers denoting the Prince of Wales), Derby, a judge's wig in back view, [For many years this denoted Lord Loughborough (Rosslyn); he died in 1805.] Fox, Stanhope, Ellenborough (scowling), Howick, Sidmouth, Moira. The thistle is irradiated with rays dispelling the dark smoke and inscribed: 'Judicium Parum', 'Not Guilty', and 'Lex Terrae'. Beside them floats a scroll: 'No Crime by ye unanimous opinion of ye eleven Judges'. On the extreme left is a cask, on low trestles, in which stands Wilberforce, with the lank hair bands, and steeple-crowned hat of a seventeenth-century sectary; his hat blows off in the drifting cloud; he turns his head in profile towards the thistle saying, "Tis the Lords doing And has spoiled our Brewing." In the foreground is a procession, leaving the platform on which stands the thistle. On the extreme left is the Speaker, partly concealed by the left margin in wig, hat, and gown, but with no body (to indicate that he is nobody, cf. British Museum Satires No. 5570, &c.) and with the gown raised to show a large foot and ankle inscribed 'Ex pede Herculem'.[Judge the whole from the part, as you guess the size of Hercules from seeing only his foot. Abbot was very small.] He carries a pole inscribed 'Casting Vote' [see British Museum Satires No. 10301] attached to a small ladder. He is followed by two men who carry, slung from a drayman's pole (as in British Museum Satires No. 10574), a cask (damaged), from which Whitbread leans out to shake his left fist at Melville. Under his right hand is a paper: 'Vote of Thanks to the Managers'. From the bung-hole issues a mass of exploding froth inscribed 'not sweet wort'. The cask-bearers are descending the shallow steps from the platform, where a bulky paper lies: 'The Tenth Report waste Paper'. The two men wear bag-wigs; the foremost gloomily gnaws his nails; from his pocket hangs a torn paper: 'I do my Best and yet it fails I hold my tongue and Bite my Nails'."--British Museum online catalogue
Alternative Title:
From such inquisitors, impeachers, tub politicians and tub-preachers ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Twelve lines of verse below image in two columns, one on either side of an empty space for the title bound by curly brackets: From such inquisitors, impeachers, tub politicians and tub-preachers, like wolves carnivorous ..., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, George IV, King of Great Britain, 1762-1830., Smith-Stanley, Edward, 1752-1834, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Ellenborough, Edward Law, Baron, 1750-1818, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Wilberforce, William, 1759-1833, and Whitbread, Samuel, 1764-1815
"A sequel to British Museum Satires No. 10416. The thistle grows from papers resting on an upturned tub on the extreme right. The head, with Melville's profile facing his tormentors, is erect; the stem is inscribed 'His radiis rediviva viresco'. These roots or papers are inscribed: 'First Charge Lie Ist'; '2d Charge Lie 2d'; '3d Charge Lie 3d'; '5th Charge Lie 5'; '7th Charge Lie ye 7th'. Clouds of dense smoke issue from these papers and billow to the left. across the upper part of the design, carrying with them the heads of nine of Melville's discomfited assailants whom he regards with a slight smile. By the tub falls a sheaf of bulky papers headed 'Protest'. The heads are (left to right): Erskine (close to a plume of feathers denoting the Prince of Wales), Derby, a judge's wig in back view, [For many years this denoted Lord Loughborough (Rosslyn); he died in 1805.] Fox, Stanhope, Ellenborough (scowling), Howick, Sidmouth, Moira. The thistle is irradiated with rays dispelling the dark smoke and inscribed: 'Judicium Parum', 'Not Guilty', and 'Lex Terrae'. Beside them floats a scroll: 'No Crime by ye unanimous opinion of ye eleven Judges'. On the extreme left is a cask, on low trestles, in which stands Wilberforce, with the lank hair bands, and steeple-crowned hat of a seventeenth-century sectary; his hat blows off in the drifting cloud; he turns his head in profile towards the thistle saying, "Tis the Lords doing And has spoiled our Brewing." In the foreground is a procession, leaving the platform on which stands the thistle. On the extreme left is the Speaker, partly concealed by the left margin in wig, hat, and gown, but with no body (to indicate that he is nobody, cf. British Museum Satires No. 5570, &c.) and with the gown raised to show a large foot and ankle inscribed 'Ex pede Herculem'.[Judge the whole from the part, as you guess the size of Hercules from seeing only his foot. Abbot was very small.] He carries a pole inscribed 'Casting Vote' [see British Museum Satires No. 10301] attached to a small ladder. He is followed by two men who carry, slung from a drayman's pole (as in British Museum Satires No. 10574), a cask (damaged), from which Whitbread leans out to shake his left fist at Melville. Under his right hand is a paper: 'Vote of Thanks to the Managers'. From the bung-hole issues a mass of exploding froth inscribed 'not sweet wort'. The cask-bearers are descending the shallow steps from the platform, where a bulky paper lies: 'The Tenth Report waste Paper'. The two men wear bag-wigs; the foremost gloomily gnaws his nails; from his pocket hangs a torn paper: 'I do my Best and yet it fails I hold my tongue and Bite my Nails'."--British Museum online catalogue
Alternative Title:
From such inquisitors, impeachers, tub politicians and tub-preachers ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Twelve lines of verse below image in two columns, one on either side of an empty space for the title bound by curly brackets: From such inquisitors, impeachers, tub politicians and tub-preachers, like wolves carnivorous ..., 1 print : etching on wove paper ; plate mark 29.5 x 38.6 cm, on sheet 30.6 x 39.8 cm., Contemporary pencil annotations "The triumph of the thistle" and "unfinished sketch" within blank space below image intended for title., and Mounted on leaf 85 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, George IV, King of Great Britain, 1762-1830., Smith-Stanley, Edward, 1752-1834, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Ellenborough, Edward Law, Baron, 1750-1818, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Wilberforce, William, 1759-1833, and Whitbread, Samuel, 1764-1815
The highlander falls back against a table, his one leg held by the 'druid' who sits on a chair made from a barrel as he tends a wound on the Scotsman's calf
Description:
Title from item., Publication date from Isaac., Sheet partially trimmed within plate mark., Numbered '15' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
"A satire on the rebuilding of Drury Lane Theatre. Whitbread, Chairman of the Committee, bestrides a barrel, the head inscribed 'The Butt M, T' [empty]. He has long ass's ears and points to a table beside him on the extreme right where there is a model of a theatre with a pillared portico and pediment. This rests on a paper inscribed 'Whitbread Copeland Holland Rolls &ca clear gains 450000!!!!!' Next Whitbread a man sits behind a similar table littered with plans all inscribed 'Plan of Drury Lane'. He also has ass's ears, to which a second pair has been added in water-colour. He looks through an eye-glass, resting his right elbow on an anchor, while he holds at arm's length the model of a theatre whose portico is flanked by two large sphinxes. A carved sun, like the emblem of the Sun Fire-Office, decorates his chair; on the right is a broad post or terminal pillar supporting a man's head, also with ass's ears. This rests on a volume inscribed 'Commons', and on its face in large letters are the words 'Ex Nihilo Nihil Fil'; from its upper edge a signpost arm projects to the right inscribed 'To Coventry', showing that he is Peter Moore. Behind Whitbread (left) and partly screened by a heavy curtain is a table supporting a third model of a theatre, also with a portico. Whitbread, frowning slightly, says: "These Resolutions once carried good bye Friend Sherry Old Claimants and new Subscribers (aside) Hem! I think I have bullied the Committe [sic] properly." His neighbour (? Lord Holland) who smiles, has a round good-humoured face; he says: "La! Mr Chairman I think my Sphynxes look Monstrous Pretty.""--British Museum online catalogue
Alternative Title:
Punishment of a modern Midas
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman., and Matted to 37 x 46 xm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England), Whitbread, Samuel, 1764-1815, Moore, Peter, 1753-1828, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Theaters, Architectural models, Barrels, and Traffic signs & signals
"A drinking scene; a drunken man carousing with two women, raising a glass into which Death, a crowned skeleton standing behind him, pours a liquid from a small bottle, a great quantity of steam or smoke rising off; one of the women lies asleep on the floor in front of the table, breasts exposed and a spilling glass in her hand, the other is falling off her chair at left, horrified, having spied Death; a dog and discarded flagon at lower left, a caged bird hanging from the ceiling, barrels of 'Old Tom' behind."--British Museum online catalogue
Description:
Title etched below image., Date of publication from Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 55 of volume 13 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Alcoholism, Drinking of alcoholic beverages, Poisons, Skeletons, Birdcages, Birds, Dogs, Loss of consciousness, Eating & drinking, and Barrels
"A giant mushroom reaches the upper margin of the design; in its summit a cask is embedded. The butler stands on a ladder (left) holding out the spigot, and saying to Banks who stands below (right): "here's a pretty "Tale of a tub, all the Wine's gone!!" Sir Joseph stands in back view, capering delightedly; he holds up both arms, a stick in the left hand, and says with head thrown back: "It is a most Glorious discovery cut it down & send it to the Museum had the Wine been Bottled, it wod not have been half so Interesting." Against the wall of the cellar are wine-bins, stacked with bottles, four inscribed respectively 'Curious Tinta'; 'Cypress'; 'Very Curious'; 'Wine drank by the Grt Mogul'. Flasks on the top of the bins are 'Nile Water' and 'Water from Tombuctoo'. On the ground (left) is a two-handled covered vase: 'A small portion of the Sabine left by Horace at his death contained in this Vase preserved for dinners of the R S.'."--British Museum online catalogue and "Below the title: '--Dedicated to the worthy President--Sir Joseph Banks having a Cask of Wine rather too sweet for use, he directed that it shod be placed in a Cellar that the Saccharine matter it contain'd might be more perfectly decomposed by age--At the end of three years he directed his Butler to ascertain the state of the Wine, when on attempting to open the Cellar door he was prevented by some powerful obstacle--the Door was therefore cut down & the Cellar was found to be completely fill'd with a firm fungus vegetable production--the Cask was Empty & carried up to the deling where it was supported by the surface of the Fungus.--(vide Monthly Magazine).'"--British Museum online catalogue
Alternative Title:
View of a fungus lately grown on their own banks
Description:
Title etched below image. and Sheet trimmed to plate mark on lower edge.
Publisher:
Pub. by J. Sidebotham, 287 Strand & sold also at No. 20 Princes St.
Subject (Name):
Banks, Joseph, 1743-1820,
Subject (Topic):
Mushrooms, Barrels, Ladders, Butlers, Staffs (Sticks), Bottles, and Vases
Page 243. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Description:
Title from text etched within banner at bottom of image., Possibly etched by William Wadd; statement of responsibility "W. Wadd fecit" written in ink in lower right corner of sheet., Date of publication from unverified data in local card catalogue record., Perhaps a later version of the satirical coat of arms designed by Richard Edgcumbe, George Selwyn, George Williams, and Horace Walpole in 1756, which was engraved with the motto "Cog it amor nummi" at the bottom. Cf. No. 3350 in the Catalogue of prints and drawings in the British Museum, v. 3., Mounted to 18 x 24 cm., and Tipped in at page 243 in T. Crofton Croker's extra-illustrated copy of: A catalogue of the classic contents of Strawberry Hill.
Publisher:
publisher not identified
Subject (Topic):
Playing cards, Coats of arms, Barrels, and Drinking vessels
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
George IV stands at the center of the design, a smirk on his face and an arm around each of his two mistresses: Lady Hertford on left, and Lady Conyngham (who reaches up to touch his chin) on the right. Two pictures on the wall in the background identify the women: "Hertford Lodge" on the left, and "Cunningham Castle" on the right. Caroline looks in at the scene through a window on the right, her speech bubble reading "What do I behold." The King wears ornaments on his chest that include a corkscrew; a tapped barrel on wheels rests on a table on the left, a glass sitting underneath its spigot
Alternative Title:
Scene in The beggers opera wih a new cunning-m actress and Scene in The beggars opera wih a new Cunningham actress
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Edmeads & Pine 1801., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 62 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Hertford," "George IV," "Lady Conyngham," and "Caroline" identified in pencil on mounting sheet below print; date "12 Aug. 1820" written in ink in lower right.
Publisher:
Pubd. Aug. 12, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Corkscrews, Barrels, Drinking vessels, and Pictures
