Title from item., Publisher's announcement following the imprint: where may be seen the largest collection of caracatures [sic] in Europe, admittance 1 shilling., Temporary local subject terms: Allusion to Jockey Club -- Horse-racing -- Trades: jockeys -- Bullock, T., fl. 1792., and Watermark: I Taylor.
George IV, King of Great Britain, 1762-1830, Bedford, Francis Russell, Duke of, 1765-1802, Bunbury, Thomas Charles, Sir, 1740-1821, and Chifney, Samuel, ca. 1753-1807
On the right a grotesque figure representing the French Republic sits on a pile of gin barrels, serpents writhing in her hair as flames -- labelled Rapine, Murder, Famine, Atheism -- spit from their mouths. At her feet lies the decapitated figure of Justice. Approaching her from the left are Stanhope carrying a model of the House of Lords, a crown, sceptre and the Holy Bible. Following him is Sheridan carrying a model of the Bank of England and Fox who carries a model of India House and the royal arms. The British lion walks in the opposite direction away from the arms. Next, Whitbread hauls three barrels labelled "Whitbreads intire", the Duke of Bedford a promisary note, and finally Erskine carries a pile of books labelled "Treason / Law of / Libel / Misprisons of ..."
Description:
Title from item., Printmaker from British Museum catalogue., "Publ" in imprint partially burnished from plate., and Mounted to 30 x 47 cm.; caricatures partially identified on mount.
Publisher:
Publ. Feby 10, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Bedford, Francis Russell, Duke of, 1765-1802, and Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Justice (Virtue), Sansculottes, History, Foreign public opinion, British, and Foreign relations
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress.
"A large rattlesnake with the head of Fox, its tail coiled round an oak tree with rattle erect, rears itself towards a plump squirrel with the head of the Duke of Bedford, which is springing from the tree into Fox's open mouth. Fox fixes his protruding eyeballs upon the squirrel, a fang issues from his mouth. There is a landscape background. ..."--British Museum online catalogue
Alternative Title:
Republican rattlesnake fascinating the Bedford squirrel
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of text below title: The rattle snake is a creature of the greatest subtilty; when it is desirous of preying upon any animal ..., Sheet trimmed within plate mark., and Temporary local subject terms: Rattlesnakes -- Squirrels.
Publisher:
Pubd. Novr. 16th, 1795, by H. Humphrey, New Bond St.
Subject (Name):
Fox, Charles James, 1749-1806 and Bedford, Francis Russell, Duke of, 1765-1802
"Fox, as a quack doctor, addresses a mob from the front of a platform which rests upon five beer-barrels inscribed 'Whitbreads entire' (cf. BMSat 8638). Four other mountebanks are performing. Fox wears the full wig and old-fashioned laced coat and waistcoat of a doctor; he points to a young man (Bedford) behind him (left) who stands on his head, coins pouring from his pocket into a box. A Pierrot (Grey) stands behind the platform holding a trumpet and saying: "Turn me Grey Gemmen if I dont read you the particulars of his curing 30,000 Patients in one day; when Brother cit. has done tumbling". On a slack-rope stretching across the left part of the platform is little Lord Lauderdale, holding a balancing pole. He and Bedford are dressed as acrobats. On the right is the doctor's zany, Sheridan, wearing a fool's cap and a tunic and trousers dotted with representations of the Devil. He scatters, and kicks towards the spectators below him, a shower of paper scrolls inscribed: 'An Infaliable cure for a bad constitution'; 'Aether for Arguments'; 'Caustics for Crimps' [cf. BMSat 8484]; 'Mercury for Ministers'; 'Preparations against Prosecution'; 'Powder [cf. BMSat 8629] for Placemen' [twice]; 'Pain for the Poor' [cf. BMSat 8146]; 'A Rope for Reeves' [cf. BMSat 8699]; 'Gibets for Justices' [cf. BMSat 8686]; 'Aqua Regis for Royalists'. The crowd (right), who are three-quarter length, eagerly hold out their hands to catch the papers. Next the platform is a well-dressed man resembling Grafton. The man on the extreme right is a butcher wearing a bonnet-rouge. Fox says: "Dis is de first Tumbler in de Vorld Gemmen, dat is Citoyen de Bedforado, who vas stand so long upon his head dat all de money vas Tumble out of his pockets; de Next is Citoyen Van Lathertalo, who's trick upon de slack rope are delightfull it is expected he vil von Day dance on de Tight Rope ha ha!!" The men and women composing the crowd on the left all raise a hand in affirmation; all are shouting. A man dressed as a militiaman, standing prominently beside the platform, raises a hand from which two fingers are missing; he shouts "All. All." Perhaps Edward Hall, 'Liberty Hall'."--British Museum online catalogues
Alternative Title:
Palace yard pranks
Description:
Title from item., Printmaker identified by British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: NB folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Quacks' zanies -- Acrobats -- Pierrot -- Rope-walking -- Musical instruments: trumpet -- Reference to the meeting in Palace Yard, November 16, 1795 -- Bills: reference to Seditious Meetings and Treasonable Practices bills -- Fool's cap - Money: coins -- Allusion to Samuel Whitbread, 1764-1815., Watermark: Strasburg lily with initials E & P 1794 below., and Mounted on top and bottom to 32 cm.
Publisher:
Published No. 20, 1795, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Grey, Charles Grey, Earl, 1764-1845, and Lauderdale, James Maitland, Earl of, 1759-1839
Subject (Topic):
Medicine shows, Quacks & quackery, Politicians, Acrobats, Aerialists, Clowns, Money, Barrels, and Spectators
"'French Agents' purchase sheep, cattle, and pigs, which are being driven into boats to be taken to a French ship at anchor. Fox, as the commissary general, stands in profile to the left, holding a bag of 'French Gold' and pouring coins into the hand of the stout and smiling Lansdowne who is dressed as a farmer, and is disposing of a flock of sheep (left). Sheridan stands on Fox's right, clutching a money-bag and gazing fixedly at Lansdowne. Behind them is the taller Grey. These three are fashionably dressed, especially Fox who wears a French cocked hat, long overcoat reaching to his heels, over a frogged coat. The other two wear long coats and bonnets-rouges, with half-boots. Behind them stands their clerk, Erskine, a sansculotte wearing sabots and a bonnet-rouge, with barrister's wig and bands. He writes: 'Republican Purchase'. In the foreground (left) the Duke of Bedford, dressed as a farmer, but wearing fashionable spurred top-boots, sits, complacently counting money, on a sack of 'Superfine Bedfordshire Flour for Paris' (cf. BMSat 8783). Beside him (left) are sacks of 'Fine Bedfordshire Flour' labelled 'For Dieppe' and 'For Ostend'. Behind them and in the middle distance the Duke of Norfolk walks to the right, carrying on his head a steaming dish of 'Norfolk Dumplings'. Near him is the Duke of Grafton driving cattle towards the shore. On the right is a boat containing pigs and a cow. Stanhope sits at the tiller, smoking. He wears a bonnet-rouge with a bag-wig. The boat has a furled sail and flies a tricolour flag inscribed 'Vive la Republique'. Another boat-load of cattle is being rowed towards the French ship. In the foreground is a basket of chickens and geese and a bundle of muskets, across which is a tricolour scroll inscribed 'Provision for French Army. Dissenting Manufacture'."--British Museum online catalogue
Alternative Title:
View on the sea coast of England, with French agents smuggling away supplies for France
Description:
Title etched below image., Sheet trimmed within plate mark at top and bottom., and Temporary local subject terms: Smuggling -- Money: French gold -- Bonnets rouges -- Ships -- Cattle -- Sheep -- Pigs -- Muskets -- Allusion to sansculottes -- Opposition.
Publisher:
Pubd. May 11th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lansdowne, William Petty, Marquis of, 1737-1805, and Stanhope, Charles Stanhope, Earl, 1753-1816
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on page 87 with one other print.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "4" in upper left corner., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on leaf 67 of James Sayers's Folio album of 144 caricatures.
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
"The Duke of Bedford, a stalwart, handsome and smiling farmer, strides (left to right) across a newly ploughed field, scattering guineas from a pouch slung to his shoulder; on his back is a large sack inscribed '£'. As he sows the tips of bonnets-rouges and daggers sprout up; behind him (left) they progressively emerge more completely, and appear as little Jacobins, a raised dagger in each hand, crowding in close ranks towards the horizon, where they hail (or are smitten by) thunderbolts which dart from clouds in the upper left corner of the design and explode on reaching the ground. The soil is prepared by Fox, Sheridan, and Lauderdale: Fox's smiling face is the centre of a sun which issues from clouds and shines on Bedford. A bull (John Bull) is harnessed to a plough which is guided by Sheridan wearing a bonnet-rouge. Lauderdale (bare-headed) raises a whip to flog the weary bull."--British Museum online catalogue
Alternative Title:
Bloomsbury farmer planting Bedfordshire wheat
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Jacobins -- Farms: satire on Bedfordshire -- Ploughs -- Sowings -- Money: coins as seeds -- Symbols: bonnets rouges.
Publisher:
Pubd. Feby. 3d, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Bedford, Francis Russell, Duke of, 1765-1802, Lauderdale, James Maitland, Earl of, 1759-1839, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
