Manuscript fragment on parchment of an antiphonary containing unidentified chants and Holy Saturday, lauds
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: the 4-line initial "U" is in blue and red; some of the sketched flourishes outside of the letter have been traced in red and filled with green; inside the letter a floral pattern has been sketched and partially completed; the 2-line initial "O" is red with sketched flourishes only partially completed and filled with green; rubrics in red in the same script as the text; quadrata notation is in black on a 4-line staff in red; punctuated with the punctus.
Manuscript fragment on parchment of a book of hours (litanies) including a litany that includes the following saints: Gereon and companions, Cosmas, Damian, Fabian, Sebastian, Gervase, Protase, Crispin, Crispinian, Chrysogonus, Leodegarus, Lambert, Christopher, Thomas, Demetrius, Blaise, Livinus, Firminus, Silvester, Gregory, Leo, Hilary, Martin, Nicholas, Augustine, and Ambrose
Description:
In Latin., Script: written in gothic script (littera fere bastarda)., and Decoration: each line begins with a 1-line initial "S" in gold on alternating grounds of red and blue; the names of the saints are written on the same line as "Or[a pros nobis]" but are separated from it by line fillers or alternating bands of red and blue decoraed with gold penwork; there is no punctuation.
Manuscript fragment on parchment of a book of hours (Office of the Dead).
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a larger script for the canticle and Psalm and a smaller script for the chants., and Decoration: the 2-line initial at the beginning of the Psalm and the 1-line initials at the beginning of Psalm verses are in gold on a ground that alternates between red with blue penwork and blue with white penwork; the interior of letters on the red ground are filled with blue and white penwork, and the interiors of those on blue ground are filled with red and blue penwork; 1-line initials at the beginning of chants are in brown; rubrics written in red in the same script as the text; punctuated rarely with the punctus; hyphenation is in the same ink as the text.
In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment, on parchment, from an illuminated Book of Hours. It contains the opening of the Commendation of Souls, a series of psalms often found after the Office of the Dead in English or English-marketed books of hours
Description:
In Latin., Layout: single column of 17 lines., Script: gothic., and Decoration: historiated initial "B" with a miniature of two souls borne to heaven by two angels, gilt; wide decorated border of blue and green acanthus with flowers and fruits, gilt.
Subject (Geographic):
Belgium, Bruges, Connecticut, New Haven., and Bruges (Belgium)
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Baudouin d'Avesnes (d. 1289; Lord of Beaumont and son of Margaret of Flanders), Chroniques de Hainaut. Continues to ca. 1131
Description:
In French., Script: Written in fine gothic textura. Corrections made over erasures., One fine historiated initial, 4-line (f. 4r): orange, pink and blue with white filigree; a king seated in conversation with three men, the figures orange, pink, and blue against a ground diapered in gold and blue with crowns in white; on a blue ground with white floral filigree framed in gold; curling vine serifs, red and green, extending into a 3/4 vine border, blue and pink, with red, blue, green and white leaves with some knots and gold cusping; large gold dots; two dogs, one with a bone, in lower margin. Two coats-of-arms in upper and lower margins. One fine calligraphic initial, 5-line, f. 197r, divided red and blue with particolored penwork, red and blue, with flourishes and a cascading column of I's, alternating red and blue and extending 3/4 length of inner margin. 4- to 2-line initials, red or blue, with blue or red penwork, dots and large flourishes, one on f. 4r with a cascading column of I's as above. 1-line initials, red or blue, with penwork, as above. Numerous crude marginal drawings in brown ink. Notes to rubricator, arts. 1 and 3., and Binding: Nineteenth century. Diced brown calf over heavy wooden boards which are possibly original.
Subject (Geographic):
Connecticut, New Haven., and Hainaut (Belgium)
Subject (Name):
Baudouin d'Avesnes.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of Capitula for several feasts; prayers for the offices of the Temporale and the Sanctorale; prayers for the Commemorations of the Virgin; various other prayers, benedictions, liturgical instructions, and additional collects
Description:
Script: Apart from additions, copied by a single hand in a large, high, and very angular Northern Gothica Textualis Formata in two sizes; and the earlier additions are in Northern Gothica Textualis Formata, while the later ones are in Humanistica Cursiva., Decoration: Headings in red; red stroking of majuscules; alternately red and blue 1-line versals; alternately red and blue plain initials with interior reserved shapes; and litterae duplices on: ff. 7r (5-line), 20r (5-line, 3-line), 20v (4-line), 21r (3-line, 3-line), 21v (3-line), 23v (3-line), 42v (4-line), 89v (3-line), 93r (3-line), 99v (3-line)., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons., Catholic Church. Diocese of Liège (Belgium), and Catholic Church
Manuscript on parchment (thick, but good quality) of a Collection of Texts on St. Barbara. With a miscellany of texts including patristic works, moralistic poems, and prophecies
Description:
In Latin., Script: Written in a regular heavy hybrida formata script with features of bastarda by a single scribe who placed small circular flourishes above the letter u., 10-line illuminated initial on f. 5r, blue and mauve with white designs and highlights on gold cusped ground, a blue and gold bar border extending into the left-hand margin and terminating in acanthus leaves in the lower margin; interior of initial in orange, blue and gold checkered pattern. Fine red and blue divided initials, 8- to 7-line, with parchment designs and extensive pale purple flourishes, for major texts. Smaller plain initials in red or blue with parchment designs. Headings and initial strokes in red. Some instructions to rubricator in outer margins., and Binding: ca. 1500, Belgium. Covered in brown calf with corner tongues over wooden boards, a central panel diapered with blind-tooled triple fillets. Center and corner fittings and title written in a careful gothic bookhand under a brass-framed window on the upper board: "liber gloriose uirginis et martyris christi barbare". Lower board cut in for the straps which are attached with metal plates. Hasps of a chain on the lower board. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Barbara, Saint.
Subject (Topic):
Christian martyrs, Christian poetry, Latin (Medieval and modern), Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Prophecies
Manuscript on parchment of St. Jerome (ca. 348-420), Commentarii in Danielem, with prologue and later additions
Description:
In Latin., Script: Artt. 2-4 probably copied by various, very similar, hands in Praegothica, but with frequent interruptions. The texts on the front flyleaf (art. 1) are written in sixteenth century Gothica Cursiva Currens. The many interruptions in the handwriting and the variations in the layout, especially in quire V, are as yet unexplained., Decoration: Unevenly spread; headings and explicit formulas and initials exclusively in red ink., and Binding: 15th century, rebacked in ancient style: reddish brown calfskin over wooden boards. Both covers blind-tooled. Spine has four raised bands. There are marks of two clasps attached to the front board which close over brass catches on the rear board.