Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1800]
Call Number:
Drawings W87 no. 22 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
An innkeeper uses a bellows to clear heavy dense tobacco smoke from the tavern interior in response to a servant trying to identify his master in the crowd. The innkeeper proclaims "You say you want a little gentlemen in a brown wig. I have really so much smoking business in my parlour that 'till I make use of the bellows I can never distinguish a customer, I believe that is the gentleman you mean." The servant excitedly responds in a Cockney dialect "Yes, Yes, sure enough that be Master, but before he vanishes again, tell him that Missis has sent the street door key."
Description:
Title inscribed in black ink below image in the artist's hand., Signed by the author's in black ink below image., Future imprint statement for print based on this image inscribed in brown ink: London : Pubd. March 1800 by Willm. Holland, No. 11 Cockspur Street., and For further information, consult library staff.
Subject (Topic):
Smoking, Tobacco pipes, Bellows, Taverns (Inns), and Servants
Title below image., Plate engraved for: A catalogue of the extensive and most valuable collection of engraved portraits ... as originally collected by Horace Walpole. [London] : Smith and Robins, printers, [1842]., and With embossed ownership stamp of Thomas Mackinlay.
"The interior of a room in a cottage. General Gunning (left) as an old gipsy-woman, but wearing a military coat, is seated (on a drum) at a table, facing his daughter. In place of a sword he wears a broom. He seals a letter, a number of seals and a letter 'To D------ of M------' [Marlborough] are on the table beside him. Miss Gunning holds a pack of cards (the ace of spades uppermost) to her lips, saying, "I Swear that I never wish'd or tried directly or indirectly to get a Coronet; that I never saw or writ to Lord B------[Blandford] or Lord L--------- [Lorne], in all my Life; - that Men are my aversion; - & that I never had any thing to do with, with the Groom, in all my born days; - Will that do, Dad?" He answers, "Well done, Bett! we'll get thro' the Business I'll warrant you; - we can write with all sorts of hands, we've got all kinds of Seals, & with the assistance of our old Friend under the Table, we shall be able to gu them yet daughter but I must be Mum". Through a hole in the boards under the table the Devil emerges, surrounded with flames, he holds up a torch exultantly, saying "Swear!" Gunning melts his sealing-wax in the torch, the right is an open hearth over which hangs a cauldron full of coronets. Beside it (left) sits Mrs. Gunning, blowing the fire with a pair of bellows formed of a book: 'Letter to the D------ of A' (see BMSat 7983). She says: "That's right, my sweet innocent Angel! say Grace boldly! make haste my dear little lovely Lambkin! - I'll soon blow up the Fire, while Nauntee-Peg helps to cook up the Coronets; we'll get you a nice tit-bit for Dinner, before we've done, my dear little deary." Opposite her and on the extreme right an old woman, dressed in rags stands over the cauldron with a spoon, saying, "Puff away, Sister! the Soup will soon boil - law's me, how soft the Green Peas do grow, & how they Jump about in the Pot when you Puff your Bellows!" Behind her is a placard: 'Waltham Abbey - by Peg Niffy'. (Mrs. Gunning, née Minifie, was said in the Press to have written a novel called Waltham Abbey, this she denied. 'Letter . . .', p. 89.) On the wall behind Miss Gunning is a print of the pillory (the punishment for perjury) and a bill: 'Affidavit of Eliz: Canning.' Behind her father are 'The Life of a Soldier', 'The Man of Honor a Catch', and 'The useful Groom a new song'. Through a door (left) behind Gunning is seen a groom holding a horse; he says, "I'm ready to ride, or swear, or any thing". A signpost points 'to Blenheim'."--British Museum online catalogue
Alternative Title:
Peep at the conjuration of Mary Squires & the Gypsey family
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Allusion to John Campbell, 5th Duke of Argyll -- Allusion to George William Campbell, 6th Duke of Argyll -- Allusion to George Spencer, 4th Duke of Marlborough -- Allusion to George Spencer, 5th Duke of Marlborough -- Literature: allusion to Susannah Gunning's Waltham Abbey -- Interiors: cottage -- Pictures amplifying subject: title page of Waltham Abbey -- Pictures amplifying subject: pillory -- Furniture: tables -- Military drums -- Coronets -- Utensils: ladles -- Inkpots -- Seals -- Sealing-wax -- Minifie, Margaret "Auntee Peg"., and Watermark: armorial shield with fleur-de-lis on top and initials G R below.
Publisher:
Pubd. March 25th, 1791, by J.M. Fobes [sic], N. 3 Piccadilly
Subject (Name):
Canning, Elizabeth, 1734-1773., Squires, Mary, -1762., Gunning, Mrs. 1740?-1800 (Susannah),, Gunning, Miss 1769-1823 (Elizabeth),, Gunning, John, -1797, and Minifie, Margaret
Subject (Topic):
Bellows, Brooms & brushes, Card games, Cauldrons, Devil, Drums (Musical instruments), Fireplaces, Grooms (Weddings), Playing cards, and Torches
Lord North, sitting on a large roll inscribed "Budget" offers Charles Fox a spoonful of broth from a bowl in his lap. He warns Fox to "... Be cautious! - a little of my Broth goes a great way ..." Fox, with a fox's head, sits on "Pandora's Box," his right arm round North's shoulder, saying, " ... give me a sup of your soup ..." To the right, a devil squatting on a low stool in front of a fireplace blows bellows at the fire under a large cauldron with more broth in it. A large coalition medal (cf. BMSat 6183) with the likenesses of North and Fox hangs above the mantel
Alternative Title:
Devil's the best of the bunch and Devil is the best of the bunch
Description:
Title from item., Printmaker from British Museum catalogue., 1 print : etching, hand-colored ; sheet 24 x 33 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 22d, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Devil, Pandora's box, Fireplaces, Bellows, and Cauldrons
Leaf 2. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Lord North, sitting on a large roll inscribed "Budget" offers Charles Fox a spoonful of broth from a bowl in his lap. He warns Fox to "... Be cautious! - a little of my Broth goes a great way ..." Fox, with a fox's head, sits on "Pandora's Box," his right arm round North's shoulder, saying, " ... give me a sup of your soup ..." To the right, a devil squatting on a low stool in front of a fireplace blows bellows at the fire under a large cauldron with more broth in it. A large coalition medal (cf. BMSat 6183) with the likenesses of North and Fox hangs above the mantel
Alternative Title:
Devil's the best of the bunch and Devil is the best of the bunch
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 6219 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 47., and On leaf 2 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 22d, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Devil, Pandora's box, Fireplaces, Bellows, and Cauldrons
"A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. It is inscribed 'Tis expected every' and (round her neck) 'will do his duty'. She watches a servant holding a foppish and elderly naval officer, while he flourishes a cudgel. Bellows lie on the ground. The servant had discovered Miss Baily hanging, and after reviving her with bellows, had fetched the object of her affections and compelled him to marry her."--British Museum online catalogue. On the wall is a painting of Venus and Adonis with Cupid
Alternative Title:
Miraculous recovery of the unfortunate Miss Baily
Description:
Title etched below image., Later printing, not before 1812., Possibly also the work of Isaac's son George., One line of text immediately below title: A ballad by W.J. Donne., Five numbered stanzas of verse arranged in two columns in lower portion of print: A lady fair in deep despair, who pleas'd the beaux in singing, From off the tester of her bed, one morning she was singing..., From the Laurie & Whittle series of Drolls, plate numbered: 456., and Watermark: [Turke]y Mill 1812?
Publisher:
Publish'd Jany. 28th, 1807 by Laurie and Whittle, 53 Fleet Street
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
Leaf 12r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A man holding several bellows stands under an arch at one end of Blackfriars Wynd in Edinburgh's Old Town. Another man is seen in the background, standing at the other end of the dark, narrow lane
Alternative Title:
Head of Blackfriars Wynd
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Bellows, and Tenement houses
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title engraved below image., Publisher and approximate date of publication from smaller version in the British Museum; see British Museum online catalogue, registration no.: 2010,7081.344., Description based on imperfect impression; sheet trimmed within plate mark., A depiction of a scene from a performance of High life below stairs (1759), the popular Georgian comedy by James Townley., For a related drawing, attributed to Francis Grose, see Lewis Walpole Library call no.: Drawings G877 no. 1., and Laid down on stiff sheet.
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., 1 print : aquatint with etching, hand-colored ; sheet 25.8 x 32.1 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint from lower left. The title is also separated from the rest of the sheet, having been trimmed away and then mounted beneath the design.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., and Matted to 46 x 52 cm.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
Weiditz, Hans, approximately 1495-approximately 1536, printmaker
Published / Created:
[approximately 1559]
Call Number:
Print00922
Image Count:
1
Resource Type:
still image
Description:
Title from text in lower margin., From: Francisci Petrarche, des hochweisen fürtrefflichen Poeten und Oratorn, zwei Trostbücher, Von Artznei und Rath beyde im guten und widerwertigen Glück, Frankfurt am Main: Egenolff, 1559., Image is from Cap. CXI, page XCVII verso., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
publish'd accoding [sic] act of Parliament, Sepr. 2d 1762.
Call Number:
762.09.02.01.1+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Satirical riposte to Hogarth's 'The Times Plate 1' (Paulson 211) contrasting particular elements of that print to suggest that Lord Bute is creating faction within the country while Pitt and his supporters attempt to calm the situation. St James's Palace is ablaze; flames issuing from the gate set fire to an inn sign of the globe lettered "New Lost Land" (a reference to the recent loss of Newfoundland). On the left, Bute, wearing a tartan night shirt, holding a large pair of bellows, runs away from the fire but encourages it by breaking wind; two other Scots, crouching, also break wind, one of them addressing the other as "Brother Small Wit" (i.e., Tobias Smollett); Henry Fox runs away from Bute's supporters crying, "D[am]n the Dogs how they stink I'll turn my tail on them". On the right, Pitt stands on a fire engine directing a jet of water on the fire (in contrast to Hogarth's print where he stands on stilts fanning the flames while a supporter of the king is the chief fire fighter); the pump is manned by the Dukes of Newcastle and Cumberland and sailors who parallel the prominent sailor in Hogarth's print. Cumberland complains that the "machine is sadly out of Order" (meaning government) to which Newcastle responds "Yes ever since you left it", referring to Cumberland's resignation from military command. The sailors allude to Pitt's letter of October 1761 to William Beckford in which he explains his resignation "in order not to remain responsible for measures which I was no longer allowed to guide" (published in the Annual Register, 1761, p.300); they compare Pitt as the "Master [who] Guides it well" with Bute whose action is a wind that "encreases the Flame" and "comes from a very foul quarter". Charles Churchill, in clerical dress, walks towards the Pitt's group carrying a bucket labelled "North Briton" and offering to "help without hope of a Pension", an allusion to payments made by the Crown both to Hogarth and to Pitt. In the background, to left, a group of men look on saying the "Squire" (the king) and his family are "safe on the other side" (implying they have joined the opponents of Lord Bute, which was not in fact the case); one man continues to encourage Bute, "Blow away my Lad they will expend all their Water soon". Etched verses below describe the scene in scurrilous terms suggesting that the fire began in "the Welch Ladys Bed Room", i.e., that of Princess Augusta, and call for quenching of the "Fire of Party."--British Museum online catalogue
Alternative Title:
John Bull's house set in flames
Description:
Title etched below image., Sheet trimmed to plate mark at bottom., Three columns of verse below titie: Iohn Bulls hous in flames, to whom is this owing, / That's what we've to tell you. There look at them blowing / New lost land is done for, and all the worlds going ..., "Price 6d.", Temporary local subject terms: Buildings -- London: St. James's Street -- Newspapers: North Briton -- Naval uniforms: sailor's uniform -- Seven Years' War: reference to the loss of Newfoundland -- Signboards -- Fire-engines., and Watermark: countermark I V.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Churchill, Charles, 1731-1764, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Saint James's Palace (London, England),
Subject (Topic):
Fires, Signs (Notices), Taverns (Inns), Bellows, Flatulence, Fire fighting, and Sailors
"A scene on the sea-shore. A hoven cow, that is, a cow dangerously distended by eating green food, is being operated upon by a man who stands on a raised platform and pierces her flank with a pole; in his right hand is a curved pipe for the injection of smoke. Three country-people and a child gape in astonishment holding up their hands; a fat alderman in a furred gown does the same; from his pocket hangs a paper inscribed, "Nine Days he liv'd in Clover". On the right. three doctors or apothecaries are attending an emaciated and seemingly-dead woman (right), who lies on straw, dressed only in a shift: one puffs smoke from a tobacco-pipe up her nostrils, another applies a pair of bellows, the third listens through an ear-trumpet. It appears that while the cow suffers from a surfeit, the woman dies of starvation. On the ground lies the hat of one of the doctors, in which is a letter, "To Mr Blake Plymoth". Three spectators (left) watch the efforts of the doctors: one, an oriental, wearing a turban and draperies, holds out his hands in astonishment; he appears to represent the wisdom of the East (or the noble savage) confronted with the effects of English civilization. His two companions, fashionably dressed Englishmen, look on unmoved. Behind the sick woman (right) is the wall of a building, probably a theatrical booth; along it runs a narrow gallery where Punch is strutting; he points to a placard on which is a representation of the bottle-imp emerging from his bottle, the great hoax of the century, see British Museum Satires Nos. 3022-7, 5245. Beneath the bottle is a placard, "Subscriptions taken in here for reducing the price of provisions". Other placards on the booth are inscribed, "Marybone Gardens Fete Champetre"; "Mr R-s Letters from [the] Dead", this is behind the dead woman; "Hearing Trumpets on a new Construction", behind the doctor with the ear-trumpet; "Cox's perpetual motion, or the Elephant & Nabob", an allusion to Cox's Museum, see British Museum Satires No. 5243, his jewelled clockwork toys had been destined for an Indian prince; they are described in what Walpole calls "immortal lines" in Mason's 'Epistle to Shelburne', see 'Mason's Satirical Poems', ed. P. Toynbee, 1926, pp. 29, 112, 122, see British Museum Satires No. 5243. At this placard an oafish countryman (right) is gaping while a boy picks his pocket. In the background is the sea; on the beach is a boat raised on stocks but already breaking up; this is inscribed "The New Adelphi". The building of the Adelphi had been an unprofitable speculation, partly owing to the financial crisis of 1773, and the Adam brothers obtained a private Act in that year to enable them to dispose of the new buildings by a lottery, which took place in 1774. Across the water on the further side of a bay is a town inscribed "A View of Plymouth". A rope extends from a church steeple on the extreme left, behind the spectators, to a distant spire in Plymouth, down this a man is gliding."--British Museum online catalogue
Alternative Title:
Wonders of Great Britain
Description:
Title engraved below image., Sheet trimmed within plate mark., and Plate from: The Whimsical repository. London : Printed for R. Snagg ..., v. 1, no. 1 (August 1794).
Publisher:
Engrav'd for the Whimsical Repository, Septr. 1st, 1774, publsh'd according to act of Parliament
Leaf 10. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower left corner. For an earlier state of the plate, see no. 6790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 72., and On leaf 10 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Watermark in center of sheet: J Whatman., and Mounted to 37 x 31 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Mounted on verso of leaf 91., and 1 print : aquatint and etching on laid paper ; plate mark 36 x 25.6 cm, on sheet 39.3 x 25.9 cm, mounted to 44.4 x 27.5 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
"A satire on the fashionable lectures at the Royal Institution. The audience are in a semicircle facing the lecturer's table, which is covered with apparatus. The lecturer, probably not Garnett but Thomas Young who succeeded him as Professor of Natural Philosophy at the Institute in July 1801, and who delivered thirty lectures there between January and May 1802, is experimenting on Sir J. C. Hippisley (left). Holding him by the nose, he applies to his mouth a tube from a series of retorts in which a gas has been made. The result is a violent explosion of flame and smoke from the victim's breeches. Next Young stands Humphry Davy, assistant lecturer to the Institute since July 1801. Holding a pair of bellows with vapour and gas spouting from its nozzle, he watches the experiment with a sardonic smile. Facing the table from the right, Count Rumford (see British Museum Satires No. 9565) stands a little apart from the audience, looking on with a complacent and proprietary smile; he wears an order. On the extreme right the audience are Isaac D 'Israeli, wearing spectacles over half-closed eyes, Lord Gower, watching impassively, and Lord Stanhope, looking intently through an eyeglass. Beside him on the padded green bench is an open book: 'Hints on the nature of Air requir'd for the new French Diving Boat.' (Fulton's submarine was tried in Brest harbour in 1801, and a small vessel was blown up by a torpedo; Stanhope's experiments with steam navigation had been unsucces-ful, cf. British Museum Satires No. 8640.) Two unidentified ladies watch open-eyed. Immediately in front of Stanhope sits Lord Pomfret, enormously stout, his eyes almost shut. These watch from the right. Facing the lecturer sit (right to left) Sir H. Englefield, holding note-book and pencil, and a thin and elderly lady turned in profile, taking notes earnestly, but not watching the experiment. ..."--British Museum online catalogue
Alternative Title:
Experimental lecture on the powers of air
Description:
Title etched at top of image., Temporary local Medical Library subject terms: Scientific lectures., 1 print : etching, hand-colored ; sheet 256 x 354 mm., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 23d, 1802, by H. Humphrey, St. James's Street
Subject (Name):
Young, Thomas, 1773-1829, Hippisley, John Cox, 1748-1825, Davy, Humphry, Sir, 1778-1829, Rumford, Benjamin, Graf von, 1753-1814, Disraeli, Isaac, 1766-1848, Stanhope, Charles Stanhope, Earl, 1753-1816, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Englefield, Henry, Sir, 1752-1822, Sotheby, William, 1757-1833, Pomfret, George Fermor, Earl of, 1768-1830, Denys, Peter, 1760-1816, and Royal Institution of Great Britain.
Subject (Topic):
Nitrous oxide, Scientific apparatus and instruments, Flatulence, Interiors, Lecture halls, Public speaking, Scientific equipment, and Bellows
Title from item., Date supplied by curator., Published in Puck, 9 April 1890., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Fainting; Politics, U.S.A.
Publisher:
J. Ottmann Lith. Co. Puck Bldg. N.Y.
Subject (Geographic):
United States
Subject (Topic):
Free trade, Syncope (Pathology)., Sick persons, Bellows, Fans (Ephemera)., and Politics and government
"Satire on the French king and his nobles melting valuables to make coin to pay war expenses in reaction to the disasters of the year 1759. Louis XV stands on the left holding a broken sceptre that he prepares to add to the crucible; Marshal Belle-Isle crouches on the right cutting up a candlestick; Madame de Pompadour works the bellows. Items of plate lie on the floor, including a vase lettered, "Germain fec" and a box lettered, "Messonier Inv"; on the wall hang portraits of W[illiam] P[itt], lettered "Terror of France", into which a sword is stuck, Newcastle and Fox, the latter two covered by a large cobweb."--British Museum online catalogue
Alternative Title:
Paris coiners 1759
Description:
Title etched above image., Publication date from British Museum catalogue., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., Temporary local subject headings: Reference to George Germain, Viscount Sackville, 1716-1785., and Mounted to 24 x 37 cm.
Publisher:
Pub. accordg. to act by MDarly, Cheapside
Subject (Name):
Louis XV, King of France, 1710-1774, Pompadour, Jeanne Antoinette Poisson, marquise de, 1721-1764, Belle-Isle, Charles Louis Auguste Fouquet, duc de, 1684-1761, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Title and date from item., Published in Punch, or the London Charivari, 22 November 1879., Bradbury & Evans were publishers of Punch at the time, and were located in London., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Bradbury & Evans
Subject (Name):
Disraeli, Benjamin, 1804-1881 and St. Cyres, Stafford Harry Northcote, Viscount, 1869-1926
Subject (Topic):
Great Britain, Politics and government, Economic conditions, Alchemy, Politicians, Chemicals, and Bellows
Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's country of residence., Based on the 1752 painting The Apothecary., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Apothecary shops, interior; Apothecaries.
Publisher:
publisher not identified
Subject (Topic):
Drugstores, Dentistry, Pharmacists, Women, Aloes, Priests, and Bellows
"The interior of a blacksmith's forge. Two men in leather aprons and rolled up shirt-sleeves stand at the anvil; one has a hammer in his right. hand, the iron in his left. Both gape in consternation towards a tailor, who stands on the right. He holds in his hand a newspaper, "The Morning . . . Monday July" and reads from it. Under his arm is a large pair of scissors, a yard measure hangs from his pocket. The other smith, behind and to the left., is similarly dressed; by him stands a man also wearing an apron but with a coat and a short wig. In the background is a woman holding a baby. On the left. is a large forge with a cone-shaped chimney and an enormous pair of bellows. The roof is raftered. Four horse-shoes, a bent strip of iron, and the portrait of a man (possibly Wilkes) hang on the wall. A dog is asleep in the foreground."--British Museum online catalogue
Description:
Title from caption below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Dated by British Museum catalogue: 1 July 1772., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 8, p. 229., and Temporary local subject terms: Newspapers -- Pictures amplifying subject: portrait (of John Wilkes?) -- Literature: reference to Shakespeare's King John, iv.2.
"Poverty-stricken family in bare, attic interior; man seated at left beside table, skinny dog beside him, looking away from woman, standing in centre mending garment, watched by boy lying on floor and resting on stool at right, looking up from his reading; young woman sitting dejectedly with bellows beside fireplace, at right."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Effects of youthful extravagance and idleness
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: What misery in a narrow scale confin'd! The mournful work of one degenerate mind ..., and Companion print to: The fruits of early industry & oeconemy [sic].
Publisher:
publisher not identified
Subject (Topic):
Bellows, Dogs, Families, Interiors, Poor persons, Povery, Sewing, and Fireplaces
"Poverty-stricken family in bare, attic interior; man seated at left beside table, skinny dog beside him, looking away from woman, standing in centre mending garment, watched by boy lying on floor and resting on stool at right, looking up from his reading; young woman sitting dejectedly with bellows beside fireplace, at right; published state."--British Museum online catalogue
Alternative Title:
Effects of youthful extravagance and idleness
Description:
Title from text below image., Eight lines of verse beneath image, four on either side of title: What misery in a narrow scale confined! The mournful work of one degenerate mind ..., and Companion print to: The fruits of early industry & oeconomy.
Publisher:
Publish'd July 1, 1789, by T. Simpson, St. Pauls Church Yard
Subject (Topic):
Bellows, Dogs, Interiors, Families, Poor persons, Poverty, Sewing, and Fireplaces
Satire on Hogarth, shown as a devil fanning the fire at the mouth of hell
Description:
Title from item., Printmaker identified in British Museum catalogue., Sheet trimmed to plate mark., Two columns of verse below image, beginning with title: The fly machine for Scotland performd if God permit by Briton. Places taken at the sign of the Treasury. --heep coals of fire on his head and the Lord with reward thee ..., Temporary local subject terms: Mouth of Hell --Engraving tool -- Brooms -- Newspapers: The Auditor ; The Briton -- Slang: coal, i.e., money., and On page 292 in volume 3. Sheet trimmed to: 25.8 x 18.3 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Howard, H. (Henry)
Subject (Topic):
Artists' materials, Bellows, Demons, Devil, Hell, and Slang
Satire on Hogarth, shown as a devil fanning the fire at the mouth of hell
Description:
Title from item., Printmaker identified in British Museum catalogue., Sheet trimmed to plate mark., Two columns of verse below image, beginning with title: The fly machine for Scotland performd if God permit by Briton. Places taken at the sign of the Treasury. --heep coals of fire on his head and the Lord with reward thee ..., Temporary local subject terms: Mouth of Hell --Engraving tool -- Brooms -- Newspapers: The Auditor ; The Briton -- Slang: coal, i.e., money., and Window mounted to 39 x 28 cm., mounted again to 44 x 33 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Howard, H. (Henry)
Subject (Topic):
Artists' materials, Bellows, Demons, Devil, Hell, and Slang
"A sequel to British Museum Satires No. 13895. The Queen has reached the top of the column; she is blindfolded and wears a fool's cap; but the column is shattered by the radicals, and she falls backwards, dropping sceptre and firebrand. The pedestal tilts, the column is broken in three, and the summit is being hauled down by a rope tugged at by a cheering mob of radicals with pikes. Flames and towering clouds of smoke ascend from a large fire at its base, on which a Bible inscribed 'I H S' and books of 'Laws' and 'Religion' are burning. The Black Dwarf (Wooler, see British Museum Satires No. 12988), kneeling, blows it with bellows. Crown, Bible, and cushion fall from the column. Hunt cheers the catastrophe, waving his cap, as do others. There is a tricolour banner topped by a skull and inscribed 'Blood & Plunder'. Cobbett (?) is now on the top of the Queen's ladder, with (?) Wood who cheers from a lower rung."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published 28 October 1820 as a plate to The Loyalist's magazine, see no. 13902 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The radical ladder., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Wooler, T. J. 1786?-1853 (Thomas Jonathan),, and Cobbett, William, 1763-1835
Subject (Topic):
Ladders, Columns, Torches, Crowns, Bibles, Liberty cap, Blindfolds, Fires, Bellows, and Crowds
"John Bull sits full face holding a bowl of soup, between Addington, the cook, and the protesting Windham on the extreme right. On the left Pitt sits in profile to the left before an enormous kitchen fire, over which hangs a giant cauldron; he blows the fire with bellows, saying, 'I dont know how it is - but I manage this Soup business rather awkwardly - I suppose it is from being so much used to the stewing and Broiling line.' Addington, who wears the Speaker's wig with apron and over-sleeves, and holds a long ladle, says: 'Though I say it that made it - you never tasted better soup in your life'. Windham (right) stands in profile to the left his knees flexed, saying, 'O' Mr Bull - Mr Bull - if you have any regard for your Constitution - dont touch it - the Cayen of Jacobinism flavours every spoonful - and the Fire that boil it I consider as a Funeral Pile for all your well wishes - do Johnny take some of my Cheese-parings - they are very wholesome, and easy of Digestion.' John says, his eyes turned towards Addington, his spoon raised to his mouth: 'I don't mind what he says - my Hearty I say it's very good Soup - and a d------d deal better [word erased] than your Gin. I should like a little more bread for all that, and it would be quite as well - if it did not taste so strong of the Ceylon pepper.'"--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Watermark in center of sheet., and Early gilt paper strips pasted to margins as a mount.
Publisher:
publisher not identified
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Windham, William, 1750-1810, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Bowls (Tableware), Soups, Eating & drinking, Interiors, Kitchens, Cauldrons, Fireplaces, Bellows, Aprons, and Cooking utensils
Leaf 32. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two-part satire on the resignation of Lord Bute, April 1763. On the left is a scene of execution, headed "Excise", with Bute, identified by his plaid waistcoat, hanging from an apple tree (referring to the Cider Bill), a devil sitting on the branch above him wears a large boot (a pun on Bute) on one leg, the other ending in a claw; two men below exult. In the centre a man (evidently another representation of Bute as he wears a large boot on one leg and on the other leg wears a garter lettered "Honi ..." as in the scene on the right) lies across a fire while another pumps a pair of bellows to fan the flames; three farmers standing behind the fire and another to the right rejoice at Bute's downfall. On the right, another devil reciting the proverb, "Harm watch, Harm catch", one leg ending in a hammer, sits on top of a gallows from which hangs a fox (Henry Fox) wighted down by money bags tied around his neck. On the right is a scene set in a grand interior, headed "Resignation, in which Princess Augusta sprawls weeping in a chair her breasts partly exposed while a devil delves into Bute's breeches as he drags him through a door through which flames and smoke can be seen, the Duke of Cumberland brandishes a sword in his right hand and pushes Bute with his left; he is encouraged by a nephew, Edward, Duke of York, at lower right, a lusty goat, one of whose hands is a claw, looks on with pleasure."--British Museum online catalogue
Alternative Title:
Give the devil his due, Excise, and Resignation
Description:
Title etched below image, between the verses., Design consists of two images, each with a caption title above., Restrike, with final four lines of title burnished from plate. For original issue, published by J. Williams in 1763, see no. 4026 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below each image; the verses on the left begin: With greater joy, his L- see, like Judas hanging on a tree ..., and On leaf 32 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., 1 print : etching on laid paper, hand-colored ; sheet 26.9 x 37.4 cm., Sheet trimmed within plate mark; window mounted to 36 x 51 cm., and Mounted opposite page 470 (leaf numbered '76' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., and Watermark: armorial shield with fleur-de-lis on top and monogram W appended at bottom.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title from a copy published by Carington Bowles, July 17th, 1770., Unsigned; attributed to Francis Grose., and Date of production based on exhibition history; this drawing was exhibited at the Incorporated Society of Artists in 1767.
Subject (Topic):
Blacks, Interiors, Kitchens, Servants, Peg legs, Violins, Bellows, and Dogs
"Pitt's 'Propositions' for freedom of commerce between England and Ireland are supported on an Irish harp which rests on a rectangular framework above a fire which is being made to blaze by North and Fox. North (left, as Boreas), on hands and knees, his cheeks inflated, blows at the flames; Fox (right), seated on a bulky roll inscribed 'Petition from the Cotton Manufacture[rs]', plies a pair of bellows. The fuel of the fire consists of papers inscribed 'Rumour', 'Evidence at the Bar' (2), 'Pamphlets', 'Pleadings at ye Bar' (2), 'Arguments'. The flames and smoke which extend above their heads are inscribed 'Distrust', 'To Scotland', 'Discontent', 'To the Chamber of Commerce', 'Objections', 'Jealousy', 'To Manchester'."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 47 with one other print.
Publisher:
Published 12th April 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Great Britain. Parliament. House of Commons, and Ireland. Parliament. House of Commons
Subject (Topic):
Resolutions, Politics and government, Bellows, Bonfires, Harps, and Musical instruments
"Pitt's 'Propositions' for freedom of commerce between England and Ireland are supported on an Irish harp which rests on a rectangular framework above a fire which is being made to blaze by North and Fox. North (left, as Boreas), on hands and knees, his cheeks inflated, blows at the flames; Fox (right), seated on a bulky roll inscribed 'Petition from the Cotton Manufacture[rs]', plies a pair of bellows. The fuel of the fire consists of papers inscribed 'Rumour', 'Evidence at the Bar' (2), 'Pamphlets', 'Pleadings at ye Bar' (2), 'Arguments'. The flames and smoke which extend above their heads are inscribed 'Distrust', 'To Scotland', 'Discontent', 'To the Chamber of Commerce', 'Objections', 'Jealousy', 'To Manchester'."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted to 27 x 33 cm.
Publisher:
Published 12th April 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Great Britain. Parliament. House of Commons, and Ireland. Parliament. House of Commons
Subject (Topic):
Resolutions, Politics and government, Bellows, Bonfires, Harps, and Musical instruments
"Pitt's 'Propositions' for freedom of commerce between England and Ireland are supported on an Irish harp which rests on a rectangular framework above a fire which is being made to blaze by North and Fox. North (left, as Boreas), on hands and knees, his cheeks inflated, blows at the flames; Fox (right), seated on a bulky roll inscribed 'Petition from the Cotton Manufacture[rs]', plies a pair of bellows. The fuel of the fire consists of papers inscribed 'Rumour', 'Evidence at the Bar' (2), 'Pamphlets', 'Pleadings at ye Bar' (2), 'Arguments'. The flames and smoke which extend above their heads are inscribed 'Distrust', 'To Scotland', 'Discontent', 'To the Chamber of Commerce', 'Objections', 'Jealousy', 'To Manchester'."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 19.9 x 24.8 cm, on sheet 22 x 26.6 cm., and Mounted with one other print on leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 12th April 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Great Britain. Parliament. House of Commons, and Ireland. Parliament. House of Commons
Subject (Topic):
Resolutions, Politics and government, Bellows, Bonfires, Harps, and Musical instruments
Title devised by curator., Date supplied by curator., Original work created: 1558., Place of production based on artist's country of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Alchemist's Laboratory., and Notation (ink on vellum) on frame: Tr wi pl B.
