Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 45 x 56 cm., and Leaf 3 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., and On page 59 in volume 1. With a ms. note in Steevens hand above print: 2nd Impression. Plate trimmed to: 31 x 37.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., and On page 59 in volume 1. With pencilled ms. note in Steevens hand above print: 1st Impression. Plate trimmed to: 31.1 x 37.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title, state and date from Paulson., Second state of the second plate in the series A harlot's progress, as described by Paulson, with black Latin cross in the center below design., "Plate 2"--Lower left corner., Sheet trimmed within plate mark., and Touched in sepia ink around the Harlot's and Jew's faces, and the Harlot's dress and foot; the foot of the blackamoor is extended down to meet the pile of cloth.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Prostitution, Biblical events, Ethnic stereotypes, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., and Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; plate mark 42.4 x 32.7 cm, on sheet 56 x 45 cm., and Leaf 26 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., "Pursuant to an act of parliament. Price two shillings & 6 pence.", Companion print to Hogarth's Before, published on the same date., Sheet trimmed within plate mark., The man is said to have been modeled on Sir John Willes. See Paulson., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; plate mark 41 x 32.8 cm, on sheet 56 x 45 cm., and Leaf 27 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
