"The three witches of Macbeth, hooded and cloaked, each holding a broom, are Liverpool (left), Sidmouth and Castlereagh (right). They surround a huge cauldron inscribed 'Cast--gh & C° Brass Manufacturers Fecit.', each adding something to the flames which tower up from it, surrounded by heavy smoke. A winged Devil at the apex of the design empties into the cauldron the contents of an 'Infernal Green Bag'; from it fall a dagger, a leech, tiny figures, manacles, a razor, an antlered animal's head, many legal papers docketed 'Lies'. Others are contributed by the witches; papers inscribed: 'Divorce', 'Reports', 'Leach', and 'Cooke'. There are also flames under the pot, which, are tended by two naked demons, one with the head of Canning who uses bellows inscribed 'Mother Hunn' [see British Museum Satires No. 13617]; the other with the head of Wellington, who uses a red-hot 'Waterloo Poker'. The Canning-demon sits on the back of a naked female demon (? his mother) who is blowing the flames. On the extreme left and right, each attended by a 'Blue Devil' (cf. British Museum Satires No. 14598), stand George IV and the Duke of York. The King, his arms raised, exclaims: "Tell me ye d--n'd infernal Hags of Night, shall Fr--k reign?" [i.e. shall he get a divorce, remarry, and block his brother's succession, see No. 13789]. He stretches across the crown and sceptre which are on the ground. His Blue Devil, touching the George which is suspended from his neck, and his gartered leg ('Honi So[it]'), says: "All hail Macbeth! thou'rt now the cause of Laughter." The Duke of York, in uniform and holding a naked sword inscribed 'the Army', says: "I'll do!--I'll do!--I'll do!--" His attendant Blue Devil: "All hail Macduff!! that shall be K--g hereafter--." The witches chant their parodies. Liverpool: "In the Cauldron first we'll mingle, What shall make great Macbeth single; Oath of an Italian Slave-- Earth of Snuffy [Queen Charlotte] from the grave-- Blood of Radicals--and last In let the Divorce be cast, Hubble, bubble,Toil and trouble, Fire blase and Cauldron bubble!!--" Castlereagh: "Put in C--ke of Lincolns Inn, All that's evil, all that's sin, L--ch's honor--and Britain's shame, Put them in, and fan the flame, Now the broth is good and strong, Macbeth shall again be young." Sidmouth: "Cats, that draw the Soldiers blood, Chains, that bind the brave and good, Tongue of slander, Eye of hate, Mix--and now our charm's complete." He holds a scourge, the attribute of Castlereagh, cf. British Museum Satires No. 14135."--British Museum online catalogue
Alternative Title:
Shakespeare travestie and Shakespeare travesty
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV," "Liverpool," "Sidmouth," "Londonderry," "Wellington," and "Duke of York" identified in pencil at bottom of sheet; name of "Canning" added in pencil on mounting sheet, beneath his depiction in the print. Date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wellington, Arthur Wellesley, Duke of, 1769-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Leach, John, 1760-1834., and Shakespeare, William, 1564-1616.
Subject (Topic):
Politicians, Witches, Cauldrons, Capes (Clothing), Brooms & brushes, Fire, Bags, Devil, Daggers & swords, Worms, Demons, Whips, Divorce, Crowns, Scepters, Military uniforms, and British
Leaf 30. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Robinson, wearing his Chancellor of the Exchequer's gown, leans forward from the right to place an extinguisher on the head of Fortune who sits in profile to the left, on a small globe, regardless of her fate. He says: Come Madam put on your Night Cap. She is a comely young woman with feathered wings, and a high-waisted dress with classical sandals. Her Wheel of Fortune serves as back to her seat. She holds out a Ticket £20 000 to an eager and indignant crowd; in her left hand is a full purse. At her feet is a box of jewels, behind her a cornucopia from which pour gold coins, with a bag of Filings. At her feet four little blue-coat boys from Christ's Hospital kneel imploringly. Behind them are a brawny washer-woman and a gaily dressed young woman. The former points to tub, Soap, linen, and brush at her feet, and shouts to Robinson: Let her alone take off the Soap Tax. The latter screams Stop let Me get a Prize first. A burly bare-legged cobbler holds up an old shoe, shouting, give us a Lottery and no Leather Tax. A man next him shouts Shut up the Subscription Houses [clubs such as Brooks's]. The two on the extreme left shout No Tax on Tallow and No Horse Racing. A hideous man grovels on the ground behind Robinson to grab coins and two bags, Filings and Gold Dust, and a Prize Bag. He looks up, saying, Persevere and the Saints shall Praise you. Three men stand behind Robinson, watching; two say, with cynical smiles: Hear Hear I knew they'd Grumble and He's only a Young Chancsellor. The third says with a frown: Little Van knew [better] than to Abolish a Voluntary Tax. On Fortune's right is a pillar on which bills are pasted: Races Kings Cup, over which is a playbill: Fudge a Farce; above both is Reform . . . Parliament . . . Public Morals."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 14525 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 374-5., and On leaf 30 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publd. September 18, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
Subject (Name):
Ripon, Frederick John Robinson, Earl of, 1782-1859
Subject (Topic):
Fire extinguishers, Gems, Coins, Purses, Cornucopias, Children, Wash tubs, Soaps, Brooms & brushes, Shoemakers, Lotteries, and Taxes
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[30 January 1773]
Call Number:
Bunbury 773.01.30.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Text below title: Vide Tris. Shandy, vol. 2d., Sheet trimmed within plate mark., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Dr. Slop., and Watermark: L.V.G.
Publisher:
Publish'd as the act directs, 30th Jany. 1773, by J. Bretherton, No. 134 New Bond Street
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 30 Jan. 1773 by J. Bretherton. Cf. no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Vide Tris. Shandy, vol. 2d., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Medical -- Dr. Slop., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
Leaf 79. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Damnation of Obadiah
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. Nos. 5214 and 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1746 ; 59.533.1744., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 79 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, Maps, Servants, Brooms & brushes, Dogs, Cradles, Longcase clocks, Physicians, Quarreling, and Screens
Satire of a witch carrying two Scotsmen on a broomstick from Edinburgh to London, the thistle being an emblemic reference to Scotland and the crown, to England. The coat of arms engraved at top of image with quote from Hopkins Junr. on left and Joel Chap. 2, Ver. 3. The title is a reference to Fingal by James MacPherson
Description:
Title etched below image., Reduced and reversed copy of: The flying machine from Edinburgh in one day, perform'd by Moggy Mackensie at the Thistle and Crown. See British Museum catalogue., Plate from: The British antidote to Caledonian poison ... for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller, [1763]., Plate numbered '24' in upper right corner., and Mounted to 32 x 41 cm.
"A sequence of six designs in two rows. [1] 'Begging before the Door of his Benefactor.' Young Leach, as a crossing-sweeper, holds out his hat to a gentleman who amiably puts in a coin. The latter walks away from a street-door with a plate inscribed 'Sir Robt Taylor'. [2] 'In the Service of his Benefactor.' Leach, as a young footman in livery, walks behind Taylor and his wife, who are returning from a country church. He carries cane and prayer-book. [3] 'As Clerk to his Benefactor.' Leach writes at a desk in a bare room, with a shelf of books high on the wall. [4] 'Now a Lawyer!!!' He sits in a well-furnished room, smilingly giving advice to a dismayed client (cf. British Museum Satires No. 11931, &c.). [5] 'Becomes a Counsellor!!! Thanks to his Benefactor.' Scene in court, with a crowded gallery. As one of a row of barristers Leach makes an impassioned appeal to the judge. [6] 'And now a Judge!!! Thanks to the Nation.' From the bench he looks down at a row of barristers. After the title: 'Every Merit should be Awarded to a Man for having raised himself from Beggary to so prominent a Station. The utmost Hatred, does that Man deserve who would create Despotism in our Land.'"--British Museum online catalogue
Alternative Title:
Gradations of a Vice Chancellor and "'Tis better to be born lucky than rich"
Description:
Title from text below image., Publisher's statement written in ink on separate piece of paper (11 x 38 mm) pasted below lower left corner of image., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed with partial loss of statement of responsibility from lower right. Missing text supplied from the British Museum catalogue., and Mounted on page 22 of: George Humphrey shop album.
Publisher:
Pubd. by Garmeson, No. 2 St. Swithins Lane, Lombard Stt.
Subject (Name):
Leach, John, 1760-1834 and Taylor, Robert, Sir, 1714-1788
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Ireland; a comet formed by Daniel O'Connell riding a broom at upper left, four lesser figures including Brougham (with a broom) seated behind him, light streaming behind; William IV as a spider at the top of the comet's stream; at lower right, figures burnt by the tail of the comet: Queen Adelaide and Tories including Wellington, Peel (dropping his rat-trap); an observer looking through a telescope at upper right; at lower left, across the water, an Irishman with a rake dancing for joy."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Text below title: It appears, "Non fumum ex fulgore sed ex fumo dare luco"., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., With the number "10", likely incomplete and missing the final digit, in brown ink in lower left portion of design., Mounted on blue paper backing; pasted on verso of mount is a small portrait engraved by J. Rogers that is trimmed in half, as well as another small engraved portrait that is complete: Mr. T. Cooke as Cohenberg / J. Kennerley delt. ; J. Rogers sculp., and No. 107.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
O'Connell, Daniel, 1775-1847, Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Peel, Robert, 1788-1850
Subject (Topic):
Politicians, Comets, Brooms & brushes, Telescopes, and Fire
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
Title from item., Two lines of verse on plate below image: Though parsons often patience teach ..., Illustration to ballad The Patient Parson. The text of the ballad is printed below the plate., Publisher's advertisement at bottom of sheet: Just published in this manner, Mrs. Thrale's Three Warnings, The Greenwich Pensioner, Poll and My Partner Joe, and many other esteemed songs and pieces. In Fores's exhibition, No. 3 Piccadilly may be seen the compleatest collection of caricatures in Europe. Admittance one shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ballads -- Clergy wives --Parsonage -- Pictures amplifying subject: 'Job in his distress' -- Wall clock -- Furniture: dinner table., and Watermark: fleur-de-lis.
Publisher:
Publish'd as the act directs, by S.W. Fores, N. 3 Piccadilly
