"Fox (right), wearing a hat, stands in profile to the left, discharging a blunderbuss at the Commercial Treaty (left), a long scroll whose lower portion rests on the floor. The muzzle of his weapon is the head in profile of Lord George Cavendish, from whose mouth missiles emerge. On bands round the muzzle are etched the Cavendish motto, 'Cavendo tutus'. From Fox's pocket protrudes a paper inscribed 'Methuen Treaty'. Behind Fox three seated members are indicated but not characterized; Burke leans forward from behind them holding out his hat in agitated approval. After the title is etched, 'a hasty Sketch of Yesterdays Business'."--British Museum online catalogue and "On 5 Feb. Pitt moved for a committee of the whole House (on 12 Feb.) on the Treaty of Commerce and Navigation with France. Cavendish moved an amendment to delay the debate. Fox then spoke, attacking the treaty as (inter alia) a sacrifice of the Methuen Treaty with Portugal, and alleging that Pitt was 'opposed by the whole body of the people', and 'wrong in every article of his scheme'. 'Parl. Hist.' xxvi. 346 ff."--Curator's comments, British Museum online catalogue
Alternative Title:
Shot at the Minister for a call of the House
Description:
Title etched below image., Signed with the monogram of James Sayers., and Figure with gun identified in contemporary hand as Charles Fox.
Publisher:
Publd. 6th Febry. 1787 by Thos. Cornell, Bruton Strt
Subject (Geographic):
Great Britain and France.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and France.
Subject (Topic):
Politics and government, Foreign economic relations, and Firearms
"Burke stands full face, frowning; his right arm rests along a high pedestal inscribed 'G.R' which supports a bust of George III. In his right hand is a book: 'Burke on the French Revolution'. His left arm hangs by his side, in his left hand are the staff and cap of 'Liberty'. The right half of his dress is whole, the coat gold-laced, the pockets brimming over with coins. The left half is ragged, his empty pocket hangs inside out. The head of the King, in profile to the right, wears an arrogant frown. In the background is a mountain, evidently Parnassus, crowned with a windmill) on one sail of which Fame is precariously poised. Trees and foliage complete the background."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., One line of text below title: "I preserve consistency by varying my means to secure the unity of my end." Burkes Reflections, p. 354., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Busts: bust of George III -- Mountains: Parnassus -- Buildings: windmills -- Symbols: figure of Fame -- Literature: allusion to Edmund Burke's Reflections On The French Revolution -- Poverty -- Money: coins -- Spectacles.
Publisher:
Pubd. Novr. 16th, 1791, by H. Humphrey, No. 18 Old Bond Street
In a churchyard, tombstones, adorned on top with the heads of prominent politicians, are engraved with epitaphs in their memory
Alternative Title:
Political churchyard
Description:
Title from caption etched above image. and Mounted to 30 x 38 cm.
Publisher:
Pub according t [sic] Act by B. Pownall. No. 6 Pallmall
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Burke, Edmund, 1729-1797., Pitt, William, 1759-1806., Keppel, Augustus Keppel, Viscount, 1725-1786., Conway, Henry Seymour, 1721-1795., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., Wray, Cecil, Sir, 1734-1805., Cavendish, John, Lord, 1732-1796., Sheridan, Richard Brinsley, 1751-1816., Melville, Henry Dundas, Viscount, 1742-1811., Lansdowne, William Petty, Marquis of, 1737-1805., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., and Mansfield, William Murray, Earl of, 1705-1793.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[2 September 1791]
Call Number:
791.09.02.02
Image Count:
1
Resource Type:
still image
Abstract:
Full length view of a very sad looking French aristocrat, facing the viewer with his hat under his left arm and a copy "Burke on the French Revolution" in his right hand. From his right pocket, a paper entitled "Capture of the French King." In the foreground left, a pile of medals and ribbons (symbols of royal orders) is labeled "Sacred to the National Assembly."
Description:
Title etched below image., Printmaker from companion print: A Democrat., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Countermark: I A.
Publisher:
Pub. Sepr. 2, 1791, by S.W. Fores, N.3 Piccadilly
Subject (Geographic):
France and France.
Subject (Name):
Louis XVI, King of France, 1754-1793 and Burke, Edmund, 1729-1797.
Subject (Topic):
Captivity, History, Foreign public opinion, British, and Upper class
"[Left image] One of two designs on the same plate, see BMSat 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756). [Right image] A companion design to BMSat 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Essay on the sublime and beautiful
Description:
Two images on one plate, each individually titled below., Printmaker from description of earlier state in the British Museum catalogue., Reissue of a plate originally published in 1785 by T. Cornell. Cf. Nos. 6863 and 6864 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 165., and Watermark: I Taylor.
Publisher:
Pub. April 10, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Podiums, Public speaking, and Shoemakers
"[Left image] One of two designs on the same plate, see British Museum Satires No. 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756)"--British Museum online catalogue and "[Right image] A companion design to British Museum Satires No. 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue
Alternative Title:
Essay on the sublime and beautiful
Description:
Titles from text etched below each image., Printmaker from British Museum catalogue., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Publication information supplied from Grego., Two images on one plate, each individually titled below., and Watermark: fleur-de-lis.
Publisher:
T. Cornell
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Desks, Public speaking, and Shoemakers
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 21.1 x 27.5 cm, on sheet 23.2 x 28.6 cm., and Mounted on leaf 79 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 98.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
