Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Watermark: J Whatman., 1 print : etching on laid paper ; plate mark 34.3 x 48.5 cm., on sheet 36 x 55 cm., Incomplete: right plate with French title only., Some subjects identified in margins in an unknown hand., and Attributed to Cruikshank on mat in an unknown hand; attributed to Gillray on print, recto, in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Pigs - Taxes: reference to hair powder tax, May 1795 -- Snuff-boxes -- Expressions of speech: "no grumbling" -- Slogans: '45' -- Farmers -- Male dress: farmer's smock.
Publisher:
Pub. July 27, 1795, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
"A travesty of Quintin Matsys' picture of 'The Misers' at Windsor, the misers being George III, writing in his ledger and counting coins, and Queen Charlotte, leaning on his shoulder. The pose, dress, background, and accessories are closely copied, except that the hood over the Queen's head is pushed back to show a large ear-ring and her hair which is decorated with pearls. The 's' of 'Originals' in the title has been scored through, stressing the identification of 'the Misers'."--British Museum online catalogue
Alternative Title:
From the original at Windsor and Lord Courtown's dream
Description:
Title etched below image; letter 's' in 'originals' scored through with several etched lines., Questionable attribution to Kingsbury from the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pen cases -- Inkpots -- Jewels: Queen Charlotte's jewels -- Travesty: Quinten Metsys's The Money Changer and His Wife -- Allusion to James Stopford, Earl of Courtown, 1731-1810., and Watermark: initials LV G.
Publisher:
Pubd. by Jacob Dowse, near Turnstile, Holborn
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Purses, Books, Candlesticks, Interiors, Pets, Birds, Miserliness, and Coins
"The Queen, much caricatured, sits over a fire in profile to the right, toasting sprats on a gridiron (then called a saveall, see BMSat 6965); a plate of fish stands on a high trivet beside her. She wears over-sleeves, a check apron over an under-petticoat on which hangs a pocket, bulging with guineas, but patched."--British Museum online catalogue
Description:
Titles etched below images., Printmaker from British Museum catalogue., Identical imprint etched below each image., One line of text across the length of the plate: Ah! sure a pair was never seen, ... so justly formed to meet by nature!, Sheet trimmed within plate mark., and Temporary local subject terms: Parsimony -- Utensils: forks -- Knives -- Dishes: plates -- Furniture: trivets -- Gridirons -- Fireplaces: ovens -- Bags of money.
Publisher:
Pubd. Novr. 28th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to the abolition of the slave trade -- Loss of trade -- Boycotts: sugar -- Food substitutes: salt for sugar -- Food: water-gruel -- Dishes -- Utensils: salt shovels -- Dialects: Scottish dialect -- Female fashion: court feathers as headdress -- Antisaccharites -- Eating -- Swearing., and Watermark.
Publisher:
Pub. by W. Dent
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Dundas, Henry, 1742-1811, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from text below image., Publication date from book for which this plate was engraved., Plate from: A new, universal and impartial history of England / George Frederick Raymond. London, 1787., and Temporary local subject terms: Ports: docking platform at Harwich -- Barges: royal barge, 1761 -- Yachts: 'Royal Charlotte' -- Weapons: emblazoned on ornamental frame -- Musical instruments: emblazoned on ornamental frame -- Naval uniforms: admiral of the fleet -- Flags: British flag -- Crowns: royal crown on the barge -- Female dress: Queen Charlotte's dress, 1761 -- Female dress: ladies'-in-waiting dress, 1761.
Publisher:
publisher not identified
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818. and Anson, George Anson, Baron, 1697-1762.
"The King, Queen, and three princesses are seated at a small dinner-table, on which is a soup-tureen, &c. The King holds a plate on which is an insect, turning round to address angrily a cook (right), who stands trembling beside him. Two alarmed servants stand behind the King's chair. The Queen and princesses make gestures of alarm; one princess (left) has risen from her chair in horror. On the extreme left stands a beefeater holding a jug, who lets glasses fall from a salver in his consternation. A draped window forms a background."--British Museum online catalogue
Description:
Title etched below image; source of the title "Lousiad canto 1st" as indicated., Printmaker from Grego., Date of publication from British Museum catalogue., Sheet trimmed to plate mark on right and left sides., and Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto I. London, G. Kearsley, 1787.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Title etched below image., Printmaker and artist identified by the cataloger based on his other works in the collection., Sheet partially trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to Louis XVI, King of France -- Allusion to Mrs. Schwellenberg, ca. 1728-1797 -- Miserliness of George III and Queen Charlotte -- Fear of invasion -- Allusion to fortune-telling., and Watermark: Countermark E & P.
Publisher:
Pubd. August 16, 1792, by W. Holland, No. 50 Oxford St.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
George III, dressed as an old woman, the Queen, and the Prince of Wales in a fool's cap decorated with his three feathers, are seated around a basin perched on the laps of the King and Queen, marked "John Bull's Blood" and filled with gold coins. All three eagerly spoon the coins into their mouths. Pouches hanging from their necks like goitres are full, except for that of the Prince of Wales, whose is empty. In the background is a wide open gate to the Treasury
Description:
Title from item., Printmaker from British Museum catalogue., Publication date inferred from watermark., Sheet trimmed within plate mark., Restrike, with aquatinting worn out in some areas. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7166., Temporary local subject terms: Dishes: bowls -- Craws, monstrous -- Cutlery: ladles -- Coins -- Guineas as food -- Fool's cap -- Prince's debts -- Gate of the Treasury building -- Coalition feast -- Reconciliation of Prince George and his parents -- Miserliness of George III and Queen Charlotte -- Reference to John Bull., Watermark on the left side of sheet; fleur-de-lis on the right side., and Mounted.
Publisher:
Pubd May 29th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and George IV, King of Great Britain, 1762-1830
Nero fiddling, Rome burning, Poppaea and Agrippina smiling
Description:
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 4 (1770), p. 193., and Temporary local subject terms: Petitions: presentation of City address by Beckford, 14 March 1770 -- History: the burning of Rome, AD 64 -- Violin -- Costume: Roman costume.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Augusta, Princess of Wales, 1719-1772, Nero, Emperor of Rome, 37-68, Poppaea Sabina, Empress, consort of Nero, Emperor of Rome, d. 65, and Agrippina, Minor, 15-59
